A few examples of appraisal values for
NORMAN ROCKWELL

• A GROUP OF EASTON PRESS LEATHER BOUND
  A GROUP OF EASTON PRESS LEATHER BOUND CLASSICSA group of ten Easton Press leather bound classicsLot includes: 1. Poor Richard's Almanacks. Benjamin Franklin. Norman Rockwell, illus. tall 4to. 2. Hansel and Gretel and Other Stories by the Brothers
• NORMAN ROCKWELL, JOHN F. KENNEDYNorman
  NORMAN ROCKWELL, JOHN F. KENNEDYNorman Rockwell (American, 1894-1978)John F. Kennedylithograph in colors on Arches wove paper1976 Atelier Ettinger (with blind stamps) hand proofed and printed; an eleven-color lithograph in an editio
• Collection of Autographs and Signatures
  Collection of Autographs and Signatures of Artists, Writers, Intellectuals, Actors and Composers, mid-20th century Including Bertrand Russell 1963 signed note, Norman Rockwell, Margaret Thatcher, Walt Disney, Alfred Hitchcock, Richard Nixon, RIchard Rogers, Aaron Copland, Anton Kuerti, a 1974 Massey Hall programme signed by Birgit Nilsson, Jon Vickers, William Wilderman, Zubin Mehta, Artur Rubenstein signed 1966 programme and a further autograph, Arthur Fiedler, Pablo Picasso, Theodore White, Ted Sorensen signed note and card, Arthur Schlesigner Jr.. signed note and card, Walter Lippman signed article and card, Malcolm Muggeridge 1972 letter, Konrad Adenauer, Ludwig Ehard autographed photograph, Dr. Olaf Helmer signed note, Bing Crosby, Bob Hope signed photograph, Richard Burton, Danny Kaye, Jimmy Durante, Liberace, Sid James signed photograph and card, Douglas Fairbanks, Harold Macmillan, Pope Paul VI printed signature on photograph, Albert Schweitzer unsigned photograph with note signed by Nurse Hanna Oberman, Coretta Scott King 1973 signed letter, Cardinal P.E. Leger, signed letter, Edward Heath, Errol W. Barrow, Clementine Spencer Churchill, Queen Victoria carte de visite with printed signature, various sizes largest 11 x 8.5 in — 27.9 x 21.6 cm
• NORMAN ROCKWELL, THE CHEMIST, LITHOGRAPHProperty
  NORMAN ROCKWELL, THE CHEMIST, LITHOGRAPHProperty from a Private Collector, Savannah, GA (NY/MA, 1894-1978), pencil signed lower right and marked A/P lower left, depicting the Chemist mixing a concoction with boy looking on, matted and frame
• NORMAN ROCKWELL, TICKET TAKER, LITHOGRAPHProperty
  NORMAN ROCKWELL, TICKET TAKER, LITHOGRAPHProperty from a Private Collector, Savannah, GA (NY/MA, 1894-1978), pencil signed bottom right, numbered lower left 128/200, with Arches paper watermark, and gallery print documentation attached to ba
• NORMAN ROCKWELL, BARBERSHOP QUARTET,
  NORMAN ROCKWELL, BARBERSHOP QUARTET, LITHOGRAPHProperty from a Private Collector, Savannah, GA (NY/MA, 1894-1978), pencil signed lower right, and A/P lower left, depicting four men in a barbershop singing. Frame size : 34 1/2 in. x 28 1.2 in. By s
• NORMAN ROCKWELL, THE GOSSIPS, LITHOGRAPHProperty
  NORMAN ROCKWELL, THE GOSSIPS, LITHOGRAPHProperty from a Private Collector, Savannah, GA (NY/MA, 1894-1978), pencil signed lower right and numbered 74/100 lower left, matted and framed. Frame size: 29 in. x 26 1/2 in. Size of image: H. 19 1/
• NORMAN ROCKWELL, GILDING THE EAGLE,
  NORMAN ROCKWELL, GILDING THE EAGLE, LITHOGRAPHProperty from a Private Collector, Savannah, GA (NY/MA, 1894-1978), pencil signed lower right and numbered 174/210 lower left, depicting a man painting the eagle on the top of a flag pole, matted and
• NORMAN ROCKWELL, ARTIST CRITIC, LITHOGRAPHProperty
  NORMAN ROCKWELL, ARTIST CRITIC, LITHOGRAPHProperty from a Private Collector, Savannah, GA (NY/MA, 1894-1978), signed bottom right, and A/P bottom left, depicting a figure with art supplies looking at a painting of a woman. Frame size: H. 34 i
• NORMAN ROCKWELL, FOUR SEASONS, 4 LITHOGRAPHSProperty
  NORMAN ROCKWELL, FOUR SEASONS, 4 LITHOGRAPHSProperty from a Private Collector, Savannah, GA (NY/MA, 1894-1978), comprising Summer, Frame size: 25 3/8 in. x 25 3/8 in., Spring, Frame size: 21 3/4 in. x 20 1/2 in., Winter, Frame size: 21 1/2 in.
• 3 FRANKLIN MINT NORMAN ROCKWELL STERLING
  3 FRANKLIN MINT NORMAN ROCKWELL STERLING PLATES3 limited edition Franklin Mint Norman Rockwell sterling silver Christmas collector's plates. Hanging the Wreath, 1974, numbered 4088, 8"-diameter; Under the Mistletoe, 1971, 8"-diameter; Home for Christmas, 1975, numbered 4088, 8"-diameter. All with original boxes and papers. Under the Mistletoe with original shrink wrap, Wreath and Home 346 grams total. Some wear to boxes. Provenance: From the Estate of Angela Gross Folk.
• 4 FRANKLIN MINT NORMAN ROCKWELL STERLING
  4 FRANKLIN MINT NORMAN ROCKWELL STERLING PLATES4 limited edition Franklin Mint Norman Rockwell sterling silver Christmas collector's plates. Under the Mistletoe, 1971; Bringing Home the Tree, 1970; The Carolers, 1972, numbered 4088; Trimming the Tree, 1973, numbered 4088. Trimming the Tree plate 8"-diameter, 164 grams. All with original boxes and papers. Under the Mistletoe and Trimming the Tree both in original shrink wrap. Provenance: From the Estate of Angela Gross Folk.
• 4 FRANKLIN MINT STERLING COLLECTOR'S
  4 FRANKLIN MINT STERLING COLLECTOR'S PLATES4 Franklin Mint limited edition sterling silver commemorative plates. 1972 Thanksgiving plate, Stevan Dohanos, numbered 3397; 1972 Christmas plate, Norman Rockwell, The Carolers, numbered 13388; James Wyeth, Along the Brandywine, 1972, numbered 8015; 1972 Mother's Day plate, Irene Spencer, Mother and Child, numbered 8866. All 8"-diameter. All with original boxes and papers. 752 grams total. Some wear to boxes. Provenance: From the Estate of Angela Gross Folk.
• NORMAN ROCKWELL WET PAINT LITHOGRAPHAfter
  NORMAN ROCKWELL WET PAINT LITHOGRAPHAfter Norman Rockwell (American, 1894-1978). Lithograph, Wet Paint. Signed in the plate lower right. 25" x 18 1/2" (with frame 34 3/4" x 27 3/4").
• SIX HARDCOVER BOOKS ON MAINLY AMERICAN
  SIX HARDCOVER BOOKS ON MAINLY AMERICAN ARTISTS Group of six hardcover books on mainly American artists comprising, Christopher Finch, "Norman Rockwell: 332 Magazine Covers", Thomas Buechner, "Norman Rockwell A Sixty Year Retrospective", Peter H. Hassrick, "Frederic Remington: Paintings, Drawings, And Sculpture In The Amon Carter Museum and The Sid W. Richardson Foundation Collections", Sylvia Young, "Maxfield Parrish: 1870-1966", Diane Tepfer, "Samuel Halpert: Art And Life 1884-1930", and Lynda Klich and Benjamin Weiss, "The Postcard Age: Selections From The Leonard A Lauder Collection". Approximate Dimensions:Approx. "Norman Rockwell: 332 Magazine Covers" h. 13.25", w. 11.5", d. 2".
• (53) Gorham porcelain collector plates,
  (53) Gorham porcelain collector plates, most in original boxes, c/o (44) Gorham Norman Rockwell Four Seasons (1971, 1972, 1974, 1975, 1976, (2) 1977, 1978, 1978, 1980, 1981), Norman Rockwell Gorham Fine China Collectables "A Day in the Life of a Girl" & "A Day in the Life of a Boy", Ridgewood Norman Rockwell "Simon Gets His Tree", Gorham Norman Rockwell "Our Heritage" Boy Scouts of America Calendar 1950, Ridgewood "The Hunter" by Andrew Wyeth, (4) Gorham Susan Ritter's "To Love A Clown" 1978
• Group of Vintage Boxed Ornaments. Group
  Group of Vintage Boxed Ornaments. Group includes 12 vintage Christmas ornaments in their original boxes 1986 Tupperware Ornament, Christmas Treasury photo ball ornament, Hallmark grandparents ornament from 1980, Hallmark satin ornament "Baby's First Christmas" ornament 1979, Hallmark Betsey Clark 1974 glass ornament, a 1975 Christmas childrens Hummel ornament in a Hallmark box. 4 Norman Rockwell glass ornaments 1976 2nd limited edition, 1980, 2 1982, 1 Norman Rockwell ornament form 1980, possibly not in original box, 1 Dept. 56 Snowbabies "Joy To the World" ornament with display stand. In overall good condition, there may be some scratches and wear. If you have any doubt, please ask questions! We will provide extra pictures, or can schedule an in person or video conference preview at your convenience. In house Flat Rate Shipping of $20 is a domestic shipping estimate for first lot and includes insurance. We will gladly combine multiple lots for your convenience and economy. Each additional lot we can pack in the same box is $5 each. Please feel free to contact us with any questions.
• Large collection of ephemera, including:
  Large collection of ephemera, including: Norman Rockwell coffee table book, books on Elvis and WIllie Nelson, a collection of magazines including Life, Colliers and more. Condition: some magazines with wear and losses to edges CT Transfer Fee $10
• NORMAN ROCKWELL (NEW YORK/MASSACHUSETTS,
  NORMAN ROCKWELL (NEW YORK/MASSACHUSETTS, 1894-1978), "TRIPLE SELF-PORTRAIT"., LITHOGRAPH ON PAPER, 27.5" X 20.75" SIGHT. FRAMED 42" X 35".NORMAN ROCKWELL, New York/Massachusetts, 1894-1978, "Triple Self-Portrait". Signed in pencil lower right "Norman Rockwell". Inscribed in pencil lower left "A/P" (artist's proof). Dimensions: Lithograph on paper, 27.5" x 20.75" sight. Framed 42" x 35".
• CHARLES BOYER MICKEY SELF-PORTRAIT CERAMIC
  CHARLES BOYER MICKEY SELF-PORTRAIT CERAMIC PRINT Limited edition ceramic print after Charles Boyer (b. 1938) "Mickey Mouse Self-Portrait" with iconic character painting image of Walt Disney in Norman Rockwell inspired composition, signed in image: "C Boyer," edition 64 / 1000. Image: 13.5" H x 10.5" W; frame: 17.75" H x 14.5" W x 1.25" D.
• 17) FRANKLIN MINT STERLING SILVER COLLECTORS
  17) FRANKLIN MINT STERLING SILVER COLLECTORS ITEMS(lot of 17) Collection of Franklin Mint sterling silver collectors' items, each with corresponding serial number, most accompanied with Certificate of Authenticity and retained in original presentation boxes, comprising: (2) mother and child plates, approx 8"diam; (5) Thanksgiving plates, approx 8"diam; (5) Christmas plates, approx 8"diam; (2) Inaugural Presidential plates, approx 8"diam; (2) framed plates, (one) Norman Rockwell plate, Norman Rockwell (Norman Perceval Rockwell, American, 1894- 1978); approx 8"diam; (one) framed Thanksgiving plate American Wild Turkey, after the original work by Stevan Dohanos (American, 1907-1994), approx 12"h, 12"w, 1.75"d; together with: (1) Franklin Mint "The Guards" set of (eight) sterling silver collector boxes, 2"h, 1.5"w, box: approx 10.5"h, 10.5"w, 1.5"d, 82.57ozt (approximate weight based on an average)
• Norman Rockwell (American, 1894-1978)
  Norman Rockwell (American, 1894-1978) signed print "Grandpa and Me", collotype on paper, pencil signed, trial proof, 22-1/4" x 22-3/4" sight; together with "Luncheon with George and Willie", offset lithograph, signed "Robert Charles Howe", 476/1000, very good condition
• NORMAN ROCKWELL. "TOUGH CALL," OFFSET
  NORMAN ROCKWELL. "TOUGH CALL," OFFSET LITHOGRAPH (American, 1894-1978). Offset lithograph, pen signed "Norman Rockwell" lr, sight size: 19 x 17 1/4 in., framed size: 24 x 22 x 1 inches.
• NORMAN ROCKWELL. "HOMECOMING," OFFSET
  NORMAN ROCKWELL. "HOMECOMING," OFFSET LITHOGRAPH (American, 1894-1978). Offset lithograph, pen signed "Norman Rockwell" lr, sight size: 22 1/2 x 17 1/4 in., framed size: 27 1/2 x 22 1/4 x 1 inches.
• NORMAN ROCKWELL. TWO HAND SIGNED LITHOGRAPHS
  NORMAN ROCKWELL. TWO HAND SIGNED LITHOGRAPHS (American, 1894-1978). 1) "Jerry," ed. 52/200, pencil signed "Norman Rockwell" lr, sheet size: 25 1/2 x 19 1/2 in., unframed. 2.) "Dressing Up," ed. 186/200, pencil signed "Norman Rockwell" lr, sheet size: 25 x 19 1/2 in., unframed.
• NORMAN ROCKWELL. HUCKLEBERRY FINN, EIGHT
  NORMAN ROCKWELL. HUCKLEBERRY FINN, EIGHT LITHOGRAPHS (American, 1894-1978). Eight lithographs, ed. 50/200, each pencil signed "Norman Rockwell" lr, sheet size: 25 1/2 x 19 1/2 in., unframed.
• NORMAN ROCKWELL. "THE RUNAWAY," OFFSET
  NORMAN ROCKWELL. "THE RUNAWAY," OFFSET LITHOGRAPH (American, 1894-1978). Offset lithograph, pen signed "Norman Rockwell" lr, sight size: 19 1/2 x 17 1/2 in., framed size: 24 1/2 x 22 1/4 x 1 inches.
• NORMAN ROCKWELL. "NO SWIMMING," OFFSET
  NORMAN ROCKWELL. "NO SWIMMING," OFFSET LITHOGRAPH (American, 1894-1978). Offset lithograph, pen signed "Norman Rockwell" lr, sight size: 20 3/4 x 17 1/2 in., framed size: 25 3/4 x 22 inches.
• HOWARD L. HILL (1822-1888)Quail signed
  HOWARD L. HILL (1822-1888)Quail signed "H. Hill" lower right oil on canvas, 14 by 20 in. Howard Hill was Norman Rockwell's grandfather, who immigrated to the United States in the 1860s. From New York, he created sporting and genre scenes, exhibiting at the National Academy of Design in 1865 and 1866. Rockwell kept a small painting of quail and chicks by Hill in his studio, now the Norman Rockwell Museum in Stockbridge, Massachusetts. This accurate depiction of a bobwhite quail represents one of the finest works by this mid-19th century artist to ever come to market. Provenance: Private Collection, Minnesota
• NORMAN ROCKWELL FAMILY TREE PRINTNorman
  NORMAN ROCKWELL FAMILY TREE PRINTNorman Rockwell (American, 1894-1978). Print, Family Tree. Signed in marker lower right. 19 1/4" x 17 1/2" (with frame 29" x 26 1/2").
• NORMAN ROCKWELL (AMERICAN, 1894-1978)
  NORMAN ROCKWELL (AMERICAN, 1894-1978) 15 ¾" x 12" image; 20" x 14 ¾" paper “Portrait of John F. Kennedy,” 1960, cover illustration for “The Saturday Evening Post,” November 5, 1960. Limited edition lithograph on Arches paper, signed in the plate lower right, numbered 159½500 in pencil lower left, from the edition of 2500 unsigned by the artist, situated in a navy blue portfolio with the Seal of the President of the United States and JFK's signature in gold insignia, overall portfolio size 20 ½" x 15 ¾". Published in 1976 by American Heritage Graphics with accompanying certificate of authenticity.
• (LOT OF 4 BOOKS) BOOK GROUP CONSISTING
  (LOT OF 4 BOOKS) BOOK GROUP CONSISTING OF NORMAN ROCKWELL MONOGRAPH (lot of 4 books) Book group consisting of Norman Rockwell monograph, National Geographic Atlas of the World, Historical Atlas of the United States, Peoples and Places of the Past
• PRINT, NORMAN ROCKWELL Norman Rockwell
  PRINT, NORMAN ROCKWELL Norman Rockwell (American, 1894-1978), "Family Tree," lithograph in colors, pencil signed lower right, edition 12/200, image: 25.5"h x 22.75"w, overall (with frame): 35.5"h x 31"w
• PRINT, NORMAN ROCKWELL Norman Rockwell
  PRINT, NORMAN ROCKWELL Norman Rockwell (American, 1894-1978), "Playbill - Charwomen in Theater (1948)," color collotype, pencil signed lower right, edition 146/200, image (sight): 25.5"h x 20"w, overall (with frame): 35.5"h x 29"w
• Norman Rockwell 1894–1978. Beguiling
  Norman Rockwell 1894–1978. Beguiling Buttercup. lithograph in colors. 17? h × 15¼ w in. result: $945. estimate: $100–150. Signed and numbered to lower edge ‘139/200 Norman Rockwell’. This work is number 139 from the edition of 200. Provenance: Private Collection, NJ
• STEVAN DOHANOS (AMERICAN, 1907-1994)
  STEVAN DOHANOS (AMERICAN, 1907-1994) PORTRAIT OF A YOUN...oil on canvas 38 in. h. x 30 in. w. Biography: A proponent of simplicity as a virtue, Stevan Dohanos has said, "A clean, strong, uncluttered image forms the basis of a good picture." Born in the steel mill town of Lorain, Ohio, Stevan Dohanos, called the 'American Realist' was a founder of the Famous Artists School in Westport, Connecticut.Ê One cannot discuss the illustration art of Dohanos without mentioning Norman Rockwell because their Saturday Evening Post cover images are invariable compared. Whereas Rockwell was noted for idealizing Americans and their way of life, Dohanos had an all-consuming love for the common everyday things in life. He stated "As an artist I have always gloried in finding beauty in the ordinary things of life."Ê Dohanos was influenced by 'The Eight' (Henri, Sloan, Glackens, Shinn, Prendergast, Davies, Lawson, Luks) and the realistic depictions they painted, saying, "the truth and quality of the art could not be long denied." He was more true to fact and form than Rockwell who tended to over indicate and exaggerate. The difference between the two illustrators is more obvious in their choice of subjects rather than in their techniques. It is said that Dohanos focused more on the locale of the people he portrayed rather than the people themselves, making him more objective than Rockwell. Norman Rockwell once described the privilege of painting for the Post, "the greatest show window in America for an illustrator. If you did a Post cover, you had arrived."Ê The proof of Dohanos success was that he painted over one-hundred and twenty-five Saturday Evening Post covers during the 1940's and 50's, illustrating scenes of American life including baseball games, ice cream, mobile homes, gas stations, children with toys or butterfly collections, barns, and of course, Harley-Davidsons.Ê Dohanos also illustrated for Esquire magazine amongst other magazines and designed forty-six stamps for the U.S. Postal Service.Ê Stevan Dohanos studied art in night school, like many other talents who could neither afford the time nor tuition at a fulltime or better-known institution and then later at the Cleveland School of Arts. However, he was able to get a job painting signs and lettering and learned more through hands-on work experience about color, scale, texture, composition and other basics, than he did in art school.Ê Later in his career, he did advertising commissions using still-life subjects rather than lifestyle images, showing people employed in various poses. He completed an advertisement for Dunham's shoes and employing the techniques he acquired as a billboard artist in its preparation.Ê Dohanos was considered the Cultural Spokesman for the Saturday Evening Post because of his clear visual images and their poignant messages of Americana revealed. He cherished his relationship with the Post, and relished the differences between his work, Rockwell's and other Post favorites. Often times he would use images from Westport, Connecticut and local readers could catch glimpses of their neighbors in the backgrounds of scenes depicting everyday activities.Ê Dohanos along with Rockwell came to represent the quintessence of American magazine illustrators. His images were generally slightly humorous, optimistic, manifesting the best of American ideals, and they were always familiar to the reader. Stevan Dohanos is considered "The Delineator of the Heart of America."Ê His paintings are in the collections of the Avery Memorial of Hartford, The Cleveland Museum, New Britain Museum of American Art, the Pennsylvania Academy of the Fine Arts, and the Whitney Museum of American Art. ©2004 National Museum of American Illustration