A few examples of appraisal values for
R 78

• Aurapole nickel plated brass cased compass,
  Aurapole nickel plated brass cased compass, number 7826, push button cover, working condition, approx 4.5cm Dia
• A GILT FRAME WITH CANVAS SLIP; A GILT
  A GILT FRAME WITH CANVAS SLIP; A GILT AND PAINTED FRAME WITH OAK SLIP (2) one 102 x 92cm (sight size approximately 78 x 67.5cm); the other 78 x 67.5cm (sight size approximately 54.5 x 44cm) (2)
• HAROLD SCLAR MODERN ABSTRACT CHROME
  HAROLD SCLAR MODERN ABSTRACT CHROME WALL SCULPTURE Harold Sclar (American, 1930-2003) Modern Abstract Wall Sculpture, with three chromed metal elements, 1978, mounted to a heavy Lucite plaque, signed "Sclar 78" on one chrome element. 38" H x 45" W. Keywords: Vintage, Modernist, Modernism, Artwork, Retro, 1970s
• WURLITZER W61 COUNTER TOP JUKEBOX, 1938
  WURLITZER W61 COUNTER TOP JUKEBOX, 1938 Chicago. 110 volts AC, 60 hertz, for 78-rpm shellac records. 12 selections, playing one side only, coin-mechanism. Medal and burl wood veneer case. Watch Video
• Wendell Castle. Korman chairs, set of
  Wendell Castle. Korman chairs, set of eight. 1986, ebonized cherry, leather. 31½ h × 21 w × 23 d in. result: $15,120. estimate: $7,500–10,000. Incised signature and date to leg of each example ‘W.C. 86’. These works are registered with the artist's studio as number 789. Provenance: Acquired directly from the artist
• ROCK-OLA MODEL DE-39 JUKEBOX Rock-Ola
  ROCK-OLA MODEL DE-39 JUKEBOX Rock-Ola Model DE-39 Jukebox, circa 1939, with faux-marble paint decorated details to the wooden cabinet, this phonograph jukebox offered selections for 78 rpm vinyl records (lacking records). 56? H x 36? W x 25? D
• Cartier 18k ladies Tank watch with black
  Cartier 18k ladies Tank watch with black leather strap (approx. 6.5"l) and deployment buckle, case 33mm x 24mm, hallmark 'Cartier 780870903 18k' Gross weight: 30.1 grams Condition: NOTE: WAI does not guarantee watches to be complete or in working order.
• A 1914/15 TRIO TO PTE CHALKER ESSEX
  A 1914/15 TRIO TO PTE CHALKER ESSEX REGT, KILLED IN ACTION AT GALLIPOLI 1914/15 Star, correctly impressed - 20434 Pte A Chalker Essex Regt Pair, correctly impressed - 20434 Pte A Chalker Essex Regt Condition GVF ( score mark on the naming of BWM) Alfred Chalker was born in Norwich. He had previously served in Norfolk Regiment with service number 7877. He landed in Gallipoli with the 1st Bn Essex Regiment on the 17th of July 1915 and was unfortunately killed in action on the 6th of August 1915 and is remembered on the Helles Memorial
• JOHN FALTER 78 Watercolor Painting.
  JOHN FALTER 78 Watercolor Painting. Battle Scene. Dimensions: H: 9.5 inches: W: 18.75 inches: Frame Height: 16 inches: Frame Width: 25.5 inches --- Condition: Light wear.
• Edwin Scheier. Untitled. 1978, guanacaste,
  Edwin Scheier. Untitled. 1978, guanacaste, cord. 45 h × 17 w × 11 d in. estimate: $2,500–3,500. Carved signature and date to base ‘Scheier 78’. Provenance: Private Collection, Rhode Island
• Andreas Gursky and Clauss Föttinger.
  Andreas Gursky and Clauss Föttinger. Ohne Titel (Tischlampe). 2004, enameled metal, rope, mounted coupler print. 21? h × 9 dia in. result: $688. estimate: $1,000–1,500. Signed and numbered to certificate of authenticity '78/100 A. Gursky Clauss Föttinger'. This work is number 78 from the edition of 100 published by Texte zur Kunst, Berlin. Sold with a certificate of authenticity from Texte zur Kunst.
• Edwin Scheier. Untitled. 1978, guanacaste,
  Edwin Scheier. Untitled. 1978, guanacaste, cord. 45 h × 17 w × 11 d in. result: $1,375. estimate: $1,200–1,800. Carved signature and date to base ‘Scheier 78’. Provenance: Private Collection, Rhode Island
• Margot Römer 1938–2005. Fruit; Shell
  Margot Römer 1938–2005. Fruit; Shell (two works). 1978, 1980, etching. 2? h × 2? w in. result: $63. estimate: $600–800. Signed, dated, numbered and inscribed to lower edge of each work ‘5/8 P/A Margot Römer 80’ and ‘IV/X P/A Margot Römer 78’. These works are numbers 5 from the edition of 8 and proof 4 of 10 apart from the edition of unknown size. Provenance: CDS Gallery, New York
• ROYAL DOULTON DOG FIGURINE, SEATED ALSATIAN
  ROYAL DOULTON DOG FIGURINE, SEATED ALSATIAN K13Style one, model number 787. Small porcelain Alsatian figurine, dark and light brown coloration. Royal Doulton backstamp. Good condition. Alsatian is a term for German Shepherd which was invented during World War I. The Alsatian was originally bred for herding sheep. Today they can be found working as guide dogs for the blind or disabled, police work, guarding, search and rescue, therapy and in the military. #dog #germanshepherd #alsatian Issued: 1931 - 1977 Dimensions: 2.25"W x 3"H Manufacturer: Royal Doulton Country of Origin: England Condition: Good condition.
• WEDGWOOD SPRUCE GREEN JASPERWARE ANNIVERSARY
  WEDGWOOD SPRUCE GREEN JASPERWARE ANNIVERSARY PLATE225th Wedgwood anniversary limited edition spruce green plate with cream floral sprig designs in relief. Gilded writing and backstamp. Limited edition number 78 of 225. Impressed Wedgwood backstamp. #wedgwood #jasperware #anniversary Issued: 1984 Dimensions: 9" dia. Edition Number: 78 of 225 Manufacturer: Wedgwood Country of Origin: England Condition: Good.
• STERLING STRAUSER O/B PAINTING, FLORAL
  STERLING STRAUSER O/B PAINTING, FLORAL STILL LIFESterling Strauser (Pennsylvania, 1907-1995) oil on board still life painting rendered in a heavy impasto technique depicting a vase of flowers set upon a blue surface against a mint green background. Signed and dated "Strauser 78" lower left. Housed in a chrome painted carved wooden frame with mint green fillet. Sight: 23 7/8" H x 11 7/8" W. Framed: 33 7/8" H x 21 5/8" W. Private Nashville estate, purchased Lyzon Gallery, Nashville, c. 1989. Condition: Overall good condition with minor abrasion to paint layer, largest area measuring 1/8" x 3/8" at lower left corner. Frame with scattered minor losses, largest measuring 1/4" x 1/2".
• MARLO, EDWARD. GROUP OF FOUR BOOKS ON
  MARLO, EDWARD. GROUP OF FOUR BOOKS ON CARD MAGIC [NUMBE...Marlo, Edward. Group of Four Books on Card Magic [Numbered Editions]. Chicago, 1960s-70s. Including Faro Controlled Miracles (1964; copy number 78 [inscribed 1975]); The Ten Hand Poker Stack (1974; first printing, copy number 66 [inscribed 1975]); The Unexpected Card Book (1974; first printing, copy number 46); and Advanced Fingertip Control (1970; copy number 124 [inscribed 1975]). Comb-bound wraps. Illustrated. 4to.
• EXCLUSIVE MAGICAL SECRETS.Goldston,
  EXCLUSIVE MAGICAL SECRETS.Goldston, Will. Exclusive Magical Secrets. London: Will Goldston Ltd., [1912]. Number 78 from the limited first edition. Publisher’s leather, subscriber “H. Woodhouse” stamped to front cover in gilt. A locked book, original brass clasp and key. Illustrated. 4to. Corners slightly bumped, minor foxing on first several pages, otherwise fine. With the publisher’s prospectus containing Professor Hoffman’s introduction.
• A GROUP OF THREE STEUBEN CRYSTAL FRUIT
  A GROUP OF THREE STEUBEN CRYSTAL FRUIT PAPERWEIGHTS, EA...A GROUP OF THREE STEUBEN CRYSTAL FRUIT PAPERWEIGHTS, EACH SIGNED, LATE 20TH CENTURY, each with engraved "Steuben" signature on underside and comprising one apple, pattern number 7874, height: 4 1/2"; one banana, pattern number 7993, length: 6 1/4"; one grape cluster, pattern number 7875, length: 7 1/4".
• A BOEHM SCULPTURE, "BLUE JAY," UNITED
  A BOEHM SCULPTURE, "BLUE JAY," UNITED STATES,A BOEHM SCULPTURE, "Blue Jay," UNITED STATES, hand painted bisque porcelain, number 78, verso maker's mark. Height: 17.00" Width: 15.00" Depth: 8.00" Condition: In very good condition, some dust debris throughout, but overall very good. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• VINTAGE LOUIS VUITTON WARDROBE STEAMER
  VINTAGE LOUIS VUITTON WARDROBE STEAMER TRUNK, CIRCA 192...Vintage Louis Vuitton Wardrobe Steamer Trunk, circa 1920s , printed canvas covering with leather trim and wooden slats, signed rivets and lock, fitted interior with Vuitton marked label, clothing hangers, cloth screens and case, serial number 788180, painted monogram on top side Height 43.5 in. Width 22 in. Depth 21.5 in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• JAN RITHAMER(New York/Danish, 1944-1995) Rooftop
  JAN RITHAMER(New York/Danish, 1944-1995) Rooftop Vents, 1978, signed lower right "J. Rithamer 78.", oil on canvas, 24 x 30-1/4 in.; original frame, 28-3/8 x 34-3/8 in. Provenance: Estate of Brock Arms, Flat Rock, North Carolina Note: From the artist's website:Jan Rithamer (1944-1995) was born in Copenhagen, Denmark, and moved to New York City in 1963. Jan developed his skills on his own (he is not known to have attended formal art school) and taught art in private schools in the 1970s. Jan worked as a commission artist for the design firm of Valerian Rybar and Jean-Fran‡ois Daigre between 1980 and 1990, doing several paintings and murals for private and commercial clients. Jan took part in a group exhibit at the renowned Grand Central Art Galleries in 1989. Condition: surface dirt
• CUSTOM ROUND UPHOLSTERED BENCH, MADE
  CUSTOM ROUND UPHOLSTERED BENCH, MADE TO GO AROUND A POS...Custom Round Upholstered Bench, made to go around a post or around a table, having tufted top, in two pieces, height 18 1/2 inches, outer diameter 78, interior diameter 37 inches. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• JOHN SALADINO "XXX DINING TABLE"John
  JOHN SALADINO "XXX DINING TABLE"John Saladino "XXX Dining Table", model #514, having beveled glass top, height 29 inches, diameter 78 inches. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• WILLIAM TILLMAN MAHOGANY INLAID ROUND
  WILLIAM TILLMAN MAHOGANY INLAID ROUND DINING TABLEWilliam Tillman Mahogany Inlaid Round Dining Table, set on pedestal base, having four downswept members ending in brass paw feet and casters, height 28 1/2 inches, diameter 78 inches. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past. Condition: Reports are available by request and answered in the order they are received starting the week of the sale.
• FOUR PIECE GROUP OF JAPANESE IMARIFour
  FOUR PIECE GROUP OF JAPANESE IMARIFour Piece Group of Japanese Imari, pair of large porcelain jars having foo dog finial on dome shaped cover (one jar has broken finial), over baluster form vases, painted with garden scenes, (iron red, blue, slight gold accents), 14 1/2 inches, diameter 78 inches, along with a pair of small jars with ribbed sides, one foo dog finial broken. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past. Condition: Reports are available by request and answered in the order they are received starting the week of the sale. Our online buyers premium is 28%.
• HELEN FRANKENTHALER(New York/Connecticut,
  HELEN FRANKENTHALER(New York/Connecticut, 1928-2011) Untitled, 1978, signed lower right "Helen Frankenthaler 78", acrylic and crayon, with mica on paper, 30-3/4 x 41-3/4 in.; Gilt wood and composition frame, 42 x 53 in.. Exhibited: Fendrick Gallery, Washington, DC, Helen Frankenthaler: Twelve Works on Paper, January 6-28, 1979, No. 9, illustrated in color in catalog; International Exhibitions Foundation, Washington, DC, Frankenthaler on Paper: A Retrospective 1949-1984 , February 22-July 27, 1985, a traveling exhibition to The Solomon R. Guggenheim Museum, New York, New York, Edmonton Art Gallery, Alberta, Canada, Art Gallery of Ontario, Toronto, Canada, Harvard University Art Museums, Cambridge, Massachusetts, The Baltimore Museum of Art, Baltimore, Maryland, San Francisco Museum of Modern Art, San Francisco, California, Museum of Fine Arts, Houston, Texas. Condition: hinged to non acidic mount, full sheet with deckled edges, pin holes at four corners
• ROMANO-EGYPTIAN CARTONNAGE MUMMY MASK,
  ROMANO-EGYPTIAN CARTONNAGE MUMMY MASK, EX-CHRISTIE'SIt's not often we start a listing by stating the provenance, but in this case the pedigree is almost as impressive as the piece. Sold - Christies, December 1996; Ex Alan Dershowitz (legal and TV fame) / Carolyn Cohen collection, MA; published (Illustrated on the cover) in 2013 - Art of the Ancients, Aphrodite Ancient Art; featured - Pawn Stars, History Channel, August 14, 2017. Egypt, Romano Egyptian Period, ca. 2nd century CE. A stunning mummy mask made from gesso-lined linen called cartonnage depicting the elegant visage of a youthful female. Presented in vibrant polychrome, the serene woman peers forward with almond eyes, elongated outer canthi, and sweeping brows lined with thick lashes, her head extending outwards and slightly downwards in a manner consistent with "Egyptian Group" masks. Full lips outlined with red pigment, a slender nose, and a rounded chin further emphasize her feminine grace, all beneath a headdress that rests low along the forehead. Dense decorations in traditional Egyptian stylization further embellish her timeless beauty. Size: 5.25" L x 13.625" W x 18.75" H (13.3 cm x 34.6 cm x 47.6 cm); 20.125" H (51.1 cm) on included custom stand. The top of her head just in front of her diadem bears a red band containing a blue scarab flanked by a pair of segmented columns, 2 seated deities of unknown identity, an additional pair of columns, and 2 wadjet eyes. Beneath a curving brown band is a white-ground panel featuring a central sun disc with dangling triangular ornamentation - perhaps representing lotus blooms - flanked by the goddess sisters Isis and Nephthys as well as 2 papyrus columns and a pair of unidentified zoomorphic funerary deities holding their arms towards the sun. Outlining her head is a grand diadem bearing a plaited pattern above horizontal stripes in red and green, the midsections dotted with lotus buds, the terminals with recessed pink rosettes, and a pair of uraeus cobras emanating out from either side of a sun disc on the front. The upper corners show columns of polychrome panels, 2 panels containing a mummiform Osiris wearing an Atef crown and Horus or Ra in mummiform donning the Pschent crown. Stretching across the brow are 2 sphinxes atop column capitals as well as images of the ibis-headed god Thoth wearing an Atef crown, a left-facing human deity with a sun disc resting between a pair of horns; beneath this decorative register is a right-facing procession of royal uraei. Below the cobras are 2 windows each showing the sisters Isis and Nephthys anointing the body of the mummiform god Osiris beside sections of blue, pink, and white segmentation. Further below are 2 columns showing a rosette, a wadjet eye, and a recumbent Anubis jackal holding a pesesh-kef - a tool used during a ceremony known as the "opening of the mouth" - along with the body of the deceased resting atop a leonine-form embalming table and 2 sets of the 4 Sons of Horus wearing blue headdresses. An additional pair of sphinxes and a pair of Horus falcons with outstretched wings lie below the funerary fraternities, and an inverted T-shaped panel of triangles, petite floral beads, blue stripes, diagonal striations on a pink ground, checkerboarding, and additional painted beadwork completes the elaborate and visually dazzling composition. The verso of the mask shows the beige, khaki, and brown-hued linen framework that has been impregnated with bituminous material to solidify the linen as well as create a general likeness of the deceased that would hold for eons to come. One lower section even shows a plaster patch job that was included to perhaps fix a hole or abrasion made by the embalmer. Given the size of both the sarcophagus mask itself as well as the interior head cavity, this was likely made for a young woman from a prominent, middle-to-upper-class family. While gilding was a popular decorative element for later Egyptian sarcophagi, embellishing with gold was reserved solely for those who could afford such luxuries. The lack of gilding on this example would perhaps indicate the somewhat lower status of this individual's family, however the artistry, polychrome pigments, and overall elevated craftsmanship suggests that perhaps the deceased was someone who favored substance rather than superficiality with their religious or spiritual ideals. The use of cartonnage in the Ptolemaic and later Romano-Egyptian periods signified a transitional time in Egyptian funerary techniques from using a full, multi-part sarcophagus for the deceased to using fewer materials but with all the same decorative panache. These cartonnage masks, according to Egyptologists Dr. Salima Ikram and Dr. Aidan Dodson, "…are a reflection of a trend for the mummy to become free-standing, perhaps housed in a rectangular wooden sarcophagus, but without an intervening anthropoid coffin. This development came to fruition during the succeeding Roman Period which saw a range of outer treatments, some broadly maintaining earlier principles, while others diverged widely, although remaining true to basic concepts. The fundamental division is between mummies that conformed to a traditionally-derived 'Egyptian Group', and a 'Roman Group', which incorporated elements grounded in Classical art." They continue on to explain how, "The [Egyptian Group] continued with the use of separate cartonnage helmet-masks, together with other foot and body adornments in the same material. Distinctive points, however, are the head which was somewhat raised and angled forward…As time passed, masks took on a less 'Egyptian' look. A Hellenistic style prevailed in the area of the head and shoulders, while traditional Egyptian vignettes and ornamentation remained around the sides and crown of the head." (Ikram, Salima and Aidan Dodson. "The Mummy in Ancient Egypt: Equipping the Dead for Eternity." Thames & Hudson, London, 1998, pp. 187-188) Published in "Art of the Ancients: A Selection of Ancient Art." Aphrodite Ancient Art, New York, Vol. 1, 2013, pp. 8-9 and front cover Cf. Ikram, Salima and Aidan Dodson. "The Mummy in Ancient Egypt: Equipping the Dead for Eternity." Thames & Hudson, London, 1998, p. 187, fig. 218 and p. 188, figs. 220 & 221; The Walters Art Museum, accession number 78.3 A similar mask with gilding and fewer decorations from the 1st century CE hammered for $55,000 at Christie's, New York "Antiquities" auction (Live auction 1915, December 6, 2007, lot 35). Provenance: ex-private Las Vegas, Nevada, USA collection; ex-Gold and Silver Pawn Store, Las Vegas, Nevada, USA, acquired 2016. As see on Pawn Stars, "If the Pawn Don't Fit" (History Channel, August 14, 2017, season 14, episode 28); ex-Aphrodite Ancient Art, New York, New York, USA, published in "Art of the Ancients: A Selection of Ancient Art," Vol. 1, 2013, pp. 8-9 and front cover; ex-collection of Alan Dershowitz and Carolyn Cohen, Chilmark, Massachusetts, USA; ex-Christie's, New York "Antiquities" auction (auction 8568, December 18, 1996, lot 82, hammered for $9,775, published in corresponding catalog) All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #170552 Condition: Obverse gesso layer repaired from dozens of small pieces with restoration and new material to missing areas, and resurfacing with extensive overpainting across new material and break lines; the linen layer on the verso is intact albeit with some plaster patches placed in antiquity given the desiccated nature. Losses around most peripheral areas, with fading and heavy overpainting to pigment, with light abrasions, and softening to some finer raised details. Verso also shows some dark bituminous resin used to stabilize the form of the linens. Beautiful remains of original pigment, iconography, and facial details.
• A group of Halcyon Days enamels including
  A group of Halcyon Days enamels including a Royal Commemorative beaker 9.5cm high, two egg-shaped boxes for Easter 1976 and 1978 and a limited edition box for the Silver Jubilee 1977, number 787/1000/Provenance: The Estate of Anthony J Beeson
• Two mid-century sculpted bronze metal
  Two mid-century sculpted bronze metal figures, each signed KA70 to base, each numbered on bottom of vase, one 772, the other 781; overall good condition; the larger H 7 1/4" x W 6" x D 4" (approx.)
• ORNATE LENZKIRCH BRACKET CLOCK & SHELF,
  ORNATE LENZKIRCH BRACKET CLOCK & SHELF, 1890-1895 Lenzkirch (German, 1850-1932), 1890-1895. Ornate architectural form bracket clock and shelf, having a walnut case, both heavily adorned with figural and foliate brass elements. Serial number 787768 and 77 to the movement. Approx. h. 28.5", w. 16.5", d. 10" (clock); h. 15.75", w. 32.75", d. 11.25" (shelf).
• (3) FISHER STERLING COFFEE POT, CREAMER
  (3) FISHER STERLING COFFEE POT, CREAMER & SUGAR(lot of 3) American sterling silver coffee service items, Fisher Silversmiths Inc., Jersey City, New Jersey, including: (1) "Jack Shepard" coffee pot, shape number 9464, approx 8.25"h, (2) creamer and open sugar bowl, shape number 781, with beaded rim, approx 3"h; no observed monograms, 25.44ozt total (inclusive of spacers) **Provenance: A fine Santa Fe, New Mexico estate collection**
• (3) STEUBEN GLASS OLIVE DISH, SUGAR
  (3) STEUBEN GLASS OLIVE DISH, SUGAR BOWL & CREAMER(lot of 3) Steuben colorless art glass tableware, mid 20th c., each with engraved signature underfoot, comprising: (1) olive dish, pattern number 7857, designed by John Dreves (New York, 1913-2003), approx 3.5"h, 5.75"w, 5"d; (1) creamer, pattern number 7941, approx 3"h, 5"w, 3"d; and (1) sugar bowl, pattern number 7942, both designed by Irene Benton (American, 20th c.); 5lbs total
• (3) STEUBEN ART GLASS VASE, CIGARETTE
  (3) STEUBEN ART GLASS VASE, CIGARETTE URN, ASHTRAY(lot of 3) Steuben colorless art glass tableware, mid 20th c., designed by George L. Thompson (American, 1913-1981), each with engraved signature underfoot, comprising: (1) vase with scroll base, pattern number 7964, approx 5 7/8"h, 4 3/8"diam; (1) ashtray, pattern number 7836, approx 1.5"h, 5.75"w, 4.5"d; (1) cigarette urn with twist stem, pattern number 7878, approx 2 7/8"h, 2 5/8"diam; accompanied by branded slip covers, 4.5lbs total
• ROBERT ERICH 18K GOLD & MULTI-STONE
  ROBERT ERICH 18K GOLD & MULTI-STONE BRACELET Robert Erich 18k white gold and cabochon gemstone bracelet featuring (97) oval/round/pear/triangular shape cabochons of the following gemstone types; pink/red/green tourmalines, amethyst, peridot, blue topaz, and tanzanites, approximate weight 60.00ctw. Gemstones are individually set into individual links which join to the jointed bar clasp. Clasp contains (69) round brilliant cut diamonds weighing approximately 2.20ctw of overall VS-1 clarity and E/F color. Marked for gold quality and maker. No. BA636BGWMCSPD. Provenance: from the Estate of Marjorie & Ralph Knowles, Atlanta, GA. Approx. l. 7.625", total weight 50.4 dwt or 78.3g.All lots in this auction will require payment via certified funds. Absolutely no credit card payments will be accepted. Please reach us by phone with any questions at +1.404.869.2478.
• FRENCH LOUIS XVI STYLE GILTWOOD MIRROR
  FRENCH LOUIS XVI STYLE GILTWOOD MIRROR 78" X 42.5"French Louis XVI style giltwood mirror, 19th c., urn finials, crest with laurel branches, crossed torch and quiver of arrows, female sphinx caryatids, egg-and-dart, beaded moldings, foliate scrolls, centering the shaped and beveled mirror plate, typical small losses and restorations to applied elements, approx 78"h, 42.5"w