ADDERLEY PORCELAIN COVERED ENTREEADDERLEY PORCELAIN COVERED ENTREE DISH AND OVAL PLATTERAdderley Porcelain Covered Entree Dish and Oval Platter
Tray featuring Adderleys LargeTray featuring Adderleys Large Character Jug Renaissance Figure Musical Tankard Woods Chinese Rose Charger Melrose Horse etc
ROLAND AYERS NEW ORLEANS JAZZ PIANISTROLAND AYERS NEW ORLEANS JAZZ PIANIST PAINTING Pennsylvania,b.1932Impressionist work depicting an African American pianist entertaining several women dancing to the music.
Aynsley Orchard Gold and ShelleyAynsley Orchard Gold and Shelley oddments (approx pieces 33)
Etley from Jefferson Co., Missouri.Etley from Jefferson Co., Missouri. 6 3/8".
Aynsley The Tawny Owl and CountryAynsley The Tawny Owl and Country Artists Robin on a Tree (2)
COALPORT COALBROOKDALE PAINTEDCOALPORT COALBROOKDALE PAINTED AND GILT PORCELAIN COVERED POT. Together with a set of eight Adderley porcelain place card holders a set of six capodimonte porcelain place card holders and a Belleek porcelain figure Condition: No Specific Condition Recorded - Sold As Is
Wales printing adding machine,Wales printing adding machine, Adder Machine Company Wilkes Barre PA, serial #23 57126, on rolling iron stand with folding side table
After Walter Dendy Sadler (British,After Walter Dendy Sadler (British, 1854-1923) "Old Hundred". Etching, signed in pencil in the lower margin by Sadler and by the engraver, W. Bonaker, with a church in a landscape remarque inscribed in the lower margin, blind stamp in the lower left margin, published in London in 1903 by L.H. Lefevre & Son, matted and framed under glass overall approx. 23-1/4" x 28-1/4". Nameplate on the bottom rail of the frame.
SIX ROYAL ADDERLEY BIRD FIGURINES.SIX ROYAL ADDERLEY BIRD FIGURINES. All marked ''Adderley / Bone China / Made in England''. Including; Scarlet Tanager. 3'' h. Baltimore Oriole. 4'' h. Great Tit. 5'' h. Gnatcatcher. 3 1/2'' h. Virginian Cardinal. 4'' h. Hudsonian Chickadees. Some shelf wear.
Addie Colver Stine, American, 19thAddie Colver Stine, American, 19th c, o/c, Moonlight on th eHudson, 22" x 14", 4" zigzag tear in right center, signed lower left Estimate $200-400
Will Ousley (American/Louisiana,Will Ousley (American/Louisiana, 1866-1953) "Creek Winding Through a Meadow of Bluebonnets", oil on canvas, 14" x 24", signed lower right "Ousley". Framed.
Beswick Dales Pony 1671Beswick Dales Pony 1671
After E. Cresey & G. L. TaylorAfter E. Cresey & G. L. Taylor [ROMAN ARCHITECTURAL STUDIES] Eleven engravings, framed together in two frames.
Estimate:$500-$700
1738 English band sampler, stitched1738 English band sampler, stitched "ANN DAVIES HER WORK FINISHED the 2 Day OF JUNE 1738" below a six-line verse and eleven lines of the alphabet, silk on linen or wool, probably British, 22-1/8 x 8-1/4 in. (sight); gilt wood frame. Fading, stains along tacking edge; frame with losses. Estate of the Late Wyatt W. Childs, Barnesville, Georgia.
After Sir Peter Lely Master GeorgeAfter Sir Peter Lely Master George Audley Grey
Estimate:$1,000-$1,500
Aynsley Orchard Gold comprisingAynsley Orchard Gold comprising Large Vase Vase and Covers Lamp Base Flower Vase Dish Plate etc (10)
1 vol. Allen, Mrs. [Brasseya].1 vol. Allen, Mrs. [Brasseya]. Pastorals, Elegies, Odes, Epistles and Other Poems. Abingdon, Maryland: Daniel P. Ruff, 1806. First edition. 12mo, contemp. mottled sheep, red morocco spine label; scuffed, joints & extremities occasionally rubbed, spine ends chipped. Some internal smudging. Ownership ink signature of Edward Howard on front free endpaper & head of title. The first published collection of poetry by a Maryland woman. Dedicated to Thomas Jefferson, includes an ode "On General Washington's Accepting The Command of The Army 1798." American Imprints
STANLEY ANDERSON, RA, RE (1884-1966)
MAYFAIRSTANLEY ANDERSON, RA, RE (1884-1966)
MAYFAIR BACKWATER:CRABB'S OPPONENT
drypoint, 1930, a superb impression signed by the artist in pencil, 19.5 x 24cm
Various Artists [SADLER ASCENSIONS]Various Artists [SADLER ASCENSIONS] An engraving, two hand-colored etchings and three hand-colored aquatints, 1811-1814 (6)
Estimate:$700-$900
Stricklands of Apperley Court,Stricklands of Apperley Court, various volumes of drawings and manuscript notebooks to include a small leather bound volume on Egypt in manuscript copper plate inscribed Eliza Strickland 1773; a leather bound volume of decorative motifs; an album of flower illustrations by Frances Strickland; two volumes of juvenile illustrations by Algernon Strickland; a folio of loose drawings by various members of the Strickland family including a drawing of Boynton Hall, a drawing of a fish by Hugh Edwin Str
Aynsley Gilded Fruit Plates PairAynsley Gilded Fruit Plates Pair of Vases and a Trinket Box (7)
Three Historical StaffordshireThree Historical Staffordshire Transfer Platesincluding a Ridgway ''Philadelphia Library'' labeled the ''Beauties of America '' circa 1830 (8.25 in.); ''Endsleigh Cottage '' Ralph Stevenson p.127 the featured cottage was built for the Duchess of Bedford in 1810 (10.25 in.); Boston State House with bulls and figures in the foreground marked ''Rogers'' circa 1830 (10 in.) (some crazing and discoloration).Property of a Charleston SC Collection
Adelle Pomeroy painting (Pennsylvania,Adelle Pomeroy painting (Pennsylvania, 19th century), landscape, river with figure in boat, titled verso on stretcher "Susquehanna below Athens", inscribed verso "Ellen(?) Pomeroy for Will(?) Pomeroy", oil on canvas, 20 x 12 in.; original 19th century gilt wood and composition frame. Original stretcher and tacking edge, crackle, cupping; frame with abrasions. Private Collection
After Walter Inglis Anderson (American/After Walter Inglis Anderson (American/ Mississippi 1903-1965) "Blue Jays and Pines A-3" c. 1983 hand-colored linocut colored by Adele Anderson Lawton printed by Carol Anderson from the original block labeled with documentation en verso approx. 18 in. x 36 in. matted and framed.
AFTER FRANCIS CALCRAFT TURNER (BRITISH,AFTER FRANCIS CALCRAFT TURNER (BRITISH, 1795-1846), VALE OF AYLESBURY STEEPLE CHASE (TWO PRINTS) Hand-colored prints, 20th century printings after the original 19th century etchings, in uniform matting and framed.
Will Ousley (American/LouisianaWill Ousley (American/Louisiana 1866-1953) "Barnes Creek" 1936 oil on canvas signed lower center titled dated and inscribed en verso 23 in. x 14 1/2 in. framed.
Will Ousley (American/LouisianaWill Ousley (American/Louisiana 1866-1953) "The Old Cypress Tree at Ousley's Landing at Bagdad LA" oil on canvas signed lower right signed titled dated "1934" and inscribed "The Greatest thought that comes to me as I paint the things I see / is that its only God who can make a tree so let us Ever Faithful Be / till the end of Life's Journey we shall see / as strong and sturdy as a Cypress Tree. I was baptized at this place May the 10th 1880 by Rev. J. A. Terry Baptist Minister First Baptist Church at Lake Charles La. 54 years ago and still live to Praise the Lord for his many Blessings and Mercies to me." 23 in. x 14 in. framed.
Aynsley and Royal Albert GlassAynsley and Royal Albert Glass Clocks
Four Trays of Aynsley Flowers PotFour Trays of Aynsley Flowers Pot and Assorted Aynsley items approx 110 pieces
OUTSIDER ART, ALYNE HARRIS, BEESOUTSIDER ART, ALYNE HARRIS, BEES AND FLOWERSHarris, Alyne, b. 1942 Bees and Flowers 12"x9", 2000, acrylic on canvas panel, purchased from artist
Aynsley Rich Gold Accented BoxedAynsley Rich Gold Accented Boxed Collector Plates 10'' (2)
Beswick Black Dales Pony MaisieBeswick Black Dales Pony Maisie 1671
GEORGE OWEN WYNN APPERLEY (ENGLISH,GEORGE OWEN WYNN APPERLEY (ENGLISH, 1884-1960), STREET SCENE, ALBAICĂN, GRANADA Watercolor on paper, signed at lower right, retains hand-written label to verso identifying the scene, matted and framed under glass.
Beswick Dales Pony 1671 in blackBeswick Dales Pony 1671 in black gloss
May Asbury Jones (Newcomb CollegeMay Asbury Jones (Newcomb College 1919-1923) (Louisianna/Georgia 1901-1986) PORTRAIT OF ANNIE L. STEELE (Art department custodian at GSCW now Georgia College Milledgeville GA) circa 1950 pastel framed monogrammed: lower right sight size: H23'' W16'' Provenance: From the collection of May Asbury and Mary and Alling Jones. Other Notes: May Hammond Hollinshead Asbury Jones (1901-1986) was born in Milledgeville Georgia in 1901. Her father Darden Asbury was the southeastern agent for the Southern Pacific Railway and they lived at times in Birmingham New Orleans Atlanta and Lookout Mountain Tennessee. But it was Milledgeville and her grandparents' home ''Rose Hill'' now known as Lockerly Hall that was always ''home''. Here as a child her love of art was first encouraged when she began drawing and china painting classes at ''China Grove'' home to neighbor and family friends Miss Callie Cook who taught art at the Wesleyan Conservatory in Macon and her mother Anna Maria Green Cook author of the definitive History of Baldwin County . May Asbury entered Sophie Newcomb College in 1919. As a junior she submitted two design proposals one of which was chosen as the Newcomb Undergraduate ring. After graduating with a Bachelors in Design she spent the remainder of 1923 touring Europe before beginning work in NY in the advertising dept of Bonwit Teller as a fashion illustrator and also writing a monthly column on design and fashion for Milledgeville's ''Union Recorder'' newspaper. While living and working in New York she took classes at Cooper Union as well as The Art Students League. She also studied at Cranbrook Penland Arrowmont and Seecelo the North Carolina art camp of friends and artists Frances Hall and Frank Stanley Herring. Returning to Milledgeville in 1938 gave her opportunity to pursue her passionate belief in the innate creativity of children. She taught privately as well as teaching art education classes at Wesleyan College and Woman's College of Georgia now known as Georgia College & State University the state's designated liberal arts university. In 1940 she married Aubrey Jones and had a son Aubrey Alling Jones and enjoyed success in roles of working artist teaching and home-making. When her love of working in metals and ceramics was curtailed by arthritis she began to experiment in the art of fused glass while studying pastels and watercolor with fellow artist and friend Frank Stanley Herring ( Smithsonian Folk Art Collection ). One of her last works at age 80 was a pastel portrait of her granddaughter Elizabeth with whom she enjoyed many years of encouraging pursuits of creative opportunities. The majority of her art glass is in local collections as well as the private collection of her granddaughter Elizabeth Leah Asbury Jones Legere.