TACITUS, OPERA QUAE OMNIA, FINELY BOUND,TACITUS, OPERA QUAE OMNIA, FINELY BOUND, 1734 C. cornelii, Tacti opera quae omnia, Published 1734, Amstelodami (Amsterdam), Janssonio-Waesbergios. Bound in modern red leather with a wide floral and line ruling on both covers. Marbled paper inside the covers over the first free paper. Gilt titling and decoration on the spine. Inside the front cover is a transferred bookplate for Robert Walpole, Lions Inn, England. Probably taken from the original front freepaper that is not present. Robert Walpole served as the first Prime Minister of Great Britain from 1721-1742. (2)(+20)[616], (+12) (2).
A SELECTION OF OLD MASTER PRINTS ComprisingA SELECTION OF OLD MASTER PRINTS Comprising 15 items, from 16th to 19th century, notably Phillip Galle (Antwerp, 1537-1612) a group of men in various stages of life and distress, all having use of sticks, published about 1563, engraving and typography, largely trimmed to plate edge, 9 1/8 x 9 1/2 in., laid into a larger sheet; J. Kornlein and C. Ploos van Amstel, after Cornelis Visscher, Portrait of a Gentleman, 1771, mezzotint, 11 1/2 x 9 1/4 in., p.m.; and Proudhon, Cupid Taken Prisoner, stipple engraving, 10 x 12 5/8 in.
CORNELIS PLOOS VAN AMSTEL (1726-1798),CORNELIS PLOOS VAN AMSTEL (1726-1798), AFTER GOVAERT FLINCK (1615-1660): MAN AT THE PARAPETChalk manner and roulette in black on laid paper, 1774.
10 x 7 1/4 in. (sheet), 21 1/4 x 19 1/4 in. (frame).
Condition
Trimmed to the image. Some pale staining. A small printed area and remains of old glue staining on the reverse. Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
FINE PAINT DECORATED OVAL LIDDED BRIDE'SFINE PAINT DECORATED OVAL LIDDED BRIDE'S BOXca. 1800; continental spruce bentwood box with stitch cordage binding and peg mounted heads, blue/green ground paint with large rose and bell flower vine pattern painted on bands and lid, lid also paint with a bridge and gent in sailor's uniform with German statement "Your love holds my heart..." (rough translation) in white paint, 18"x 12"x 8"; [Provenance: ex-Tex Johnson Antiques, originally found in Amstelveen, Holland]; Condition: noted cordage stitch loss, lid head cracked across length, overall nice form
LODOVICO GUICCIARDINI MAP OF AMSTERDAMLODOVICO GUICCIARDINI MAP OF AMSTERDAM CA. 1588Lodovico Guicciardini (1521-1589), "Amstelredamum," Antwerp, ca. 1588. This hand colored map depicting the city of Amsterdam is based on the map by Georg Braun (1541–1622) and Frans Hogenberg (1540–1590) from the first volume of "Civitates Orbis Terrarum," which in turn was based on Cornelis Anthoniszoon's (1505-1553) influential 1544 map of the city. Sheet; height: 12 1/4 in x width: 14 3/4 in.
SKU: 03494
Follow us on Instagram: @revereauctions
Condition:
Good condition, vertical crease, soiling, and some foxing.
NICOLAES VISSCHER ENGRAVING MAP OF AMSTERDAMUnframedNICOLAES VISSCHER ENGRAVING MAP OF AMSTERDAMUnframed map, engraving on paper, "Rhenolandia, Amstelandia Et Circumiacentia aliquot Territoria," published by Nicolaes Visscher II (Dutch, 1649-1702), cartouche with title in upper right corner, held aloft by putti with coat of arms, showing the region surrounding Amsterdam, sheet: approx 20.75"h, 25"w **Provenance: From the estate of Ali A. Abssi (1934-2020) and Florence Hall Abssi (1919-2014), founders of the Ishtar Gate Gallery in the prestigious Houston Galleria. They were world travelers and dealers of eclectic art, jewelry, antiquities, and gems. Their friends, acquaintances, and customers included people from all continents, including sheiks, prime ministers, royals, business leaders, politicians, and oil magnates. Florence was also a published author.**
ERIK DEMAZIERES (FRANCE, B. 1948), “VUESERIK DEMAZIERES (FRANCE, B. 1948), “VUES D’AMSTERDAM”, 2004., ETCHINGS WITH AQUATINT, SHEET SIZE 15” X 27”. UNFRAMED.ERIK DEMAZIERES, France, b. 1948, "Vues d'Amsterdam", 2004. Five views titled "Het Amstelhof," "Herengracht," "Entrepotdok," " ‘s Lands Zeemagazijn" and "Het Scheepvaarthuis." Each numbered 32/90, titled and signed in pencil along lower margin. Also includes cover page and text page. Housed in a linen portfolio. Dimensions: Etchings with aquatint, sheet size 15" x 27". Unframed.
AMSTEL POLYCHROME, GILT PORCELAIN COFFEEAMSTEL POLYCHROME, GILT PORCELAIN COFFEE SERVICEAmstel Polychrome and Gilt Porcelain Coffee Service, c. 1810, marked, gilt rims, bird on branch decoration, incl. 9 demitasse cups, h. 2 3/8 in., dia. 2 3/8 in.; 12 saucers, dia. 5 in.; coffee pot, h. 6 1/4 in.; cream pitcher, h. 7 1/2 in.; covered sugar, h. 5 1/4 in.; footed fruit bowl, dia. 8 in. (25 pcs.)
DUTCH WALNUT AND MARQUETRY AUTOMATONDUTCH WALNUT AND MARQUETRY AUTOMATON CLOCKFine Dutch Rococo Burl Walnut and Marquetry Automaton Tallcase Clock , early 18th c., silvered chapter ring signed "J.M. WEYGEL, AMSTELDAM", surmounted by a figure of Atlas holding the world, flanked by trumpeting angels, the dial with calendar aperture and subsidiary sweep second hand dial; below is a painted landscape with moon phase aperture, and automaton figures on swings and seesawing on a log; the pendulum window with gilt bronze surround, on ball and claw feet, h. 112 in., w. 30 1/2 in., d. 12 in Provenance: Dixon & Dixon, New Orleans, 1989
GROUP OF CONTINENTAL CUPS AND SAUCERS,GROUP OF CONTINENTAL CUPS AND SAUCERS, 18TH/19TH CENTURYGROUP OF CONTINENTAL CUPS AND SAUCERS, 18TH/19TH CENTURY, including a pair of Gotha covered cups and saucers, both with underglaze blue G mark and with landscape reserves painted in sepia tones, h: (of cups) 3 in.; a Rauenstein example by Greiner, with painted puce R mark, decorated in puce with a church; a Ludwigsburg example, with underglaze blue factory mark, painted with a building and figure in a lake landscape; a German example with painted G mark, decorated with a classical figure standing next to a pedestal with two hearts; and an Amstel saucer, with underglaze blue Amstel mark, decorated with figures in a harbor scene (9) Provenance: The Roberta L. Tankel Collection
(6) HAND PAINTED PORCELAIN SAUCERS Including:(6) HAND PAINTED PORCELAIN SAUCERS Including: Matched pair of 18th c. Furstenberg plates, with molded rope motif rims and painted central portraits of a man and woman in gilded frames, underglaze blue script F mark on base, 5 5/8" diam., paint losses, one with rim chip; (2) Unmarked 18th c. saucers, each having a hand painted central panel with figural and scenic decoration, gilded rims, 5" and 5 1/8" diam.; Early 19th c. Amstel Dutch porcelain saucer, with two painted peasant figures, gilded rim, overglaze black painted script "Amstel" mark on base, 5 1/8" diam.; and 20th c. Dresden dish with floral decoration and gilded rim, 4 7/8" diam. Gilding losses.
HERMANUS NUMAN (1744-1820): PORTRAITHERMANUS NUMAN (1744-1820): PORTRAIT OF THE POET JOHANNES NOMSZ (1758-1805) AND HIS WIFE IN THEIR SITTING ROOM, AMSTERDAMOil on canvas, unsigned, lined, with loan sticker from the Minneapolis Institute of Arts.
273/4 x 33 1/2 in., 33 1/4 x 38 3/4 in. (frame).
Note: The attribution to Numan was made by A. Starling (see literature below).
Literature: A Starling, De Hollanders Thusi, 1956, p. 156; J.W. Niemeijer, De Portretten van Ploos van Amstel, Nederlands Kunsthistorich Jaarboek, 1962, p. 220.
Exhibited: Amsterdam, Stedelijk Museum, February 17-April 25, 1956; Minneapolis, The Minneapolis Institute of Art; Philadelphia, The Philadelphia Museum of Art, Dutch Masters of the Eighteenth Century: Painting & Drawings 1700-1800, October 7, 1971-March 19, 1972.
Condition
Lined. Craquelure with small areas of separation and some lifting. Scattered small areas of inpainting. Surface soiling. Otherwise in good condition.
Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
(5) BOTANICAL COLOR ENGRAVINGS, 18TH(5) BOTANICAL COLOR ENGRAVINGS, 18TH C. Includes (4) plates from Johann Weinmann's "Phytanthoza Iconographia" (or "Duidelyke Vertoning") c. 1740, with two by Seuter and 2 by Haid, , and (1) by Jan Commelin from "Horti medici Amstelodamensis...", c. 1700, all on laid paper, some with unidentified and partially obscured watermarks, approx. 15.75"h x 10"w (sheets)
EPIGRAUMATUM, JOHN OWEN I, CAMBRO BRITANNEPIGRAUMATUM, JOHN OWEN I, CAMBRO BRITANN Ica. 1669; by Johannes Owen, printed in Amsteldami vellum binding, latin language, 3" x 5"; Condition: Good, spine leather chipping
COLLECTION OF APPROXIMATELY 30 VINTAGECOLLECTION OF APPROXIMATELY 30 VINTAGE STEAMSHIPcollectible items. To include: SS President Monroe metal Ping-Pong tournament award with miniature model of ship (8 1/4" long, 2 3/4" wide, 2 1/4" high). Cloth sailor doll with painted composition head, hat reads "Holland American Line" (12" long) some fading. Wool captain's hat with burgee pin, interior German label (approximately 7 1/2" diameter). 1913 calendar tile by Jones McDuffee & Stratton Co, verso depicts Pier 46 Mystic wharves with Hamburg American line SS Den of Crombie, American Oriental Line SS Jesseric, and Holland America Line SS Amsteldyk (5" x 3 1/4"). Handmade ship in a bottle with unnamed steamship (10 1/2" total length). 1948 glass tile with applied enamel on copper plate depicting the Nieuwamsterdam of the Holland-America Line (5 1/4" x 3 1/2"). Silver plated Holland America Line pocket mirror with repousse figures on verso (4" long) tarnished. Silver plated MV Georgic napkin ring with applied enamel and metal seal with burgee (2" diameter). Butter knife (7 3/4" long). Walker and Hall silver plated fork for Prince Line (7 3/4" long) shows wear from use. Mappin and Webb plated spoon with crown and "GR" on handle (7" long). Mappin and Webb plated butter knife with illegible steamship line logo on handle (7 1/4" long) wear from use. Silver plated steamship form salt and pepper shaker and cellar holder with complete set of shakers/cellars (8" long, 2 3/4" wide, 3" high) shows some light tarnish. Metal and plastic model of the Queen Elizabeth, marked Made in Hong Kong, on wheels (10 1/4" long) needs some cleaning. Metal model of the Queen Mary, marked on bottom, Made in England (10" long). Holland-American Line footed silver plated repousse cup depicting carousing figures (3" tall). Silver plated Franconia dish (6 1/4" diameter). Pair of cobalt blue glass "France" coasters with gilded image of the ship (4 1/4" diameter) gilding on one shows a fair amount of loss. Pair of Liverpool porcelain White Star Line napkin rings (2 1/4" high) show craquelure. Bauscher Weeden porcelain cup with burgee (1 3/4" high, 2 1/4" diameter). United States Lines acid etched glass cup (4" high). 2 MV Britannic metal ashtrays (one is 3 1/2" square, other is 3 3/4" square) show wear from use. Blue, white, and gilded cup and saucer "RMS Titanic Inc, Titanic Artifact Collection" (2 1/2" tall cup, 5" diameter saucer) show wear to gilding. Boxed replica of German medal given out to celebrate the sinking of the Lusitania, insert describes how the "War Lords" of Germany were encouraging violence toward civilians (box is 3 1/4" x 3 1/4" x 1/2") box shows considerable wear. Glass from the Italia with etched design (4" high). Metal keychain for the SS France, depicts anchor on one side, ship on the other (1 1/4" diameter of the dangle). Metal and glass Russian token of a steamship (2 1/4" diameter). Pin with burgee which reads "P&O" (1/2" diameter). Gilded metal finding which appears to be intended for use with a pin for a cap of some sort (2 3/4" wide). Provenance: Webb estate.
16TH C. MAP OF AMSTERDAM BY BRAUN &16TH C. MAP OF AMSTERDAM BY BRAUN & HOGENBERG "Amstelredamum, Nobile Inferioris Germaniae Oppidum (..)" by Frans Hogenberg (1535-1590) / Georg Braun (1541-1622). Handcolored copperplate engraving, perspective map with buildings, from the first part of "Civitatis Orbis Terrarum", published in Cologne 1572-1617, after the 1544 Cornelis Anthoniz, printed by Gottfried von Kempen, engraved by Hogenberg. In mahogany stick frame, matted and glazed, OS: 18 1/2" x 23", SS: 13 1/2" x 19 1/4", toned, stains.
"The Newspaper Reader"; etching and"The Newspaper Reader"; etching and roulette with watercolor by Cornelis (Jacob C.) Ploos van Amstel (Dutch 1726-1798) after Adriaen van Ostade; 9" x 7 1/2" (sight, approx.)
20TH CENTURY. "CANAL AMSTEL," OIL (20th20TH CENTURY. "CANAL AMSTEL," OIL (20th century). Oil on canvas, signed illegibly, titled on verso, 23 3/4 x 29 1/2 in., framed.
Ramon Pujol Boira Spanish 1949-2006Ramon Pujol Boira Spanish 1949-2006 ''Canal Amstel'' oil on canvas signed ''Pujol'' ll 24 x 30 in. framed Estimate $ 2 000-3 000 Paintings have not been examined by blacklight.
Renaissance Vellum Bound Obstetric MedicalRenaissance Vellum Bound Obstetric Medical Sammelband 17th century 1) Francici Plazzonus de Partibus Generationi Inservientibus LIbri Duo Lugduni Batavorum Ex Officina Felicis Lopez de Haro 1664 2) Julii C?|s. Arantii Philosophi Medici Bononiensis Medicin?| Anatomes Publici Professoris de Humano Foetu Libellus Lugduni Batavorum Ex Officina Felicis Lopez de Haro 1664 3) Gregori Nymmani Dissertatio de Vita Foetus in Utero Lugduni Batavoum Ex Officina Felicis Lopes de Haro 1664 4) Caspari Bartholini Thom. F. de Ovariis Mulierum et Genertionis Historia Amstel?|dami Sumptibus J. Henr. Wetstenii 1678 5.1" (height) 13cm (height) 3.5" (width) 9cm (width)
Nicolaas Bruynesteyn (Dutch, 1893-1950)Nicolaas Bruynesteyn (Dutch, 1893-1950) still life with lemons oil on canvas signed lower left Bruynesteyn was born in Nieuwer Amstel. He was the grandson of artist Bernard Bruynesteyn. Nicolaas attended the Quellinus School of Art in Amsterdam from 1908-1911, and from 1917-1919 he studied at the Academy of Fine Arts in The Hague. 15 1/2" x 19 1/2"
A pair of Bursley ware Amstel patternA pair of Bursley ware Amstel pattern tall candlesticks designed by Frederick Rhead the broad drip pans with applied loop handles printed marks 12in. Estimate ?100-200 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?160
A group of Bursley ware Amstel patternA group of Bursley ware Amstel pattern wares designed by Frederick Rhead comprising two hexagonal vases 8.5in. a bowl 9.5in. a cheese dish and cover 8.5in. a chamberstick 4.25in. a pair of squat candlesticks 2.5in. a small dish 4.5in. and another hexagonal vase 6in. Estimate ?250-350 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?300
ABSTRACT CITYSCAPE PRINT AFTER DIETRICHABSTRACT CITYSCAPE PRINT AFTER DIETRICH (SWEDEN / CALIFORNIA 1916-2003). Serigraph on canvas signed lower right. City at night tall buildings against the night sky. Van Amstel Company label on reverse. In a frame 38.5''h. 48.5''w.
Art deco Guerin (Belgium) stonewareArt deco Guerin (Belgium) stoneware vase advertising Wiel's beer art nouveau Gouda ashtray for Amstel Hotel Amsterdam art deco Johnson Brothers ''Pareek'' covered casserole dish. Wiel's 9 3/8'' x 7 1/4'' marked ''Guerin'' small chips on the logo.ashtray 5 1/8'' x 3 1/2'' marked ''Plateelbakkerij'' has small chips on the back. casserole 10'' x 4 1/2'' marked ''Pareek Johnson Bros. England'' small fleck under the lip of the rim.