ARTHUR COURT POLISHED AND ENGRAVEDARTHUR COURT POLISHED AND ENGRAVED PEWTER SERVING PLATT...Arthur Court Polished and Engraved Pewter Serving Platter, circa 1975 , with jeweled eye and incised detail to fish
Length 25 in. Width 12.5 in.
Condition:
Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
ARTHUR COURT TURKEY PLATTER ArthurARTHUR COURT TURKEY PLATTER Arthur Court turkey platter, having crimson eyes, and resting on compressed turkey legs, 26"w
(3PC) ARTHUR COURT PEWTER GROUPINGDESCRIPTION:(3PC) ARTHUR COURT PEWTER GROUPINGDESCRIPTION: (Pc) A grouping of Arthur court dishes. Includes: (1) Butterfly decorated tray (H: 1" x W: 17" x L: 6") Marked: "Arthur Court" (1) Butterfly decorated pedestal serving bowl (H: 3.5" x D: 12") Marked: "Arthur Court" (1) Butterfly decorated bowl (H: 3.5" x D: 9") Marked: "Arthur Court" CIRCA: 20th Cent. ORIGIN: USA DIMENSIONS: See Above CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission."
Arthur William Head (1861-1930)Arthur William Head (1861-1930) - Oil painting - ''Corfe Castle Dorset'' wooden panel 13.5ins x 9.5ins signed in gilt moulded frame and glazed Provenance: Direct descent from artist to vendor who is the artists grandson
4 pcs. Arthur Court Pewter;pitcher4 pcs. Arthur Court Pewter;pitcher & trays.
Arthur Fitzwilliam Tait (New York/England,Arthur Fitzwilliam Tait (New York/England, 1819-1905) "Motherly Solicitude, Jerseys, Orange County, New York", signed lower right "A.F.Tait.N.A./N.Y. 87.", oil on canvas, 24 x 30 in.; original 19th century gilt wood and composition frame with label for "Lewis & Son, N.Y.",
1 vol. (Clemens, Samuel L.) A1 vol. (Clemens, Samuel L.) A Yankee at The Court of King Arthur by Mark Twain [A Connecticut Yankee in King Arthur's Court]. London: Chatto & Windus, 1889. First English edition. 8vo, orig. gilt-lettered black-stamped pictorial red cloth; light to moderate edge wear, spine ends frayed, front joint occasionally frayed, hinges slightly stressed. In red cloth fall-down box. Frontis., full-page & text illus. by Dan Beard. With 32 pp. pub. cat. dated October, 1889. Scattered light foxing. BAL
SIR THOMAS LAWRENCE, P.R.A. (BRISTOL,SIR THOMAS LAWRENCE, P.R.A. (BRISTOL, LONDON, 1769-1830) LADY ELIZABETH MARY, COUNTESS OF BELGRAVE, AFTERWARDS MARCHIONESS OF WESTMINSTER Painted in 1818. Oil on canvas. Carved and giltwood frame.
Catalogue Note: Colonel Charles Clifton (American, 1853-1928) was a major figure in shaping the automotive industry during its first decades. In 1897, he joined the George N. Pierce company - at that time a bicycle wheel manufacturer - and stayed on when it was reorganized as the Pierce-Arrow Motor Company, becoming chairman of the company’s board of directors in 1916. Clifton was also the founding president of the National Automotive Chamber of Commerce.
Clifton joined the Albright Art Gallery Board in 1914, serving initially on the finance committee before becoming vice president and then president, a role he held from 1918 until his death in 1928. In addition to his dedication to the Buffalo AKG, Clifton also served as president of Buffalo General Hospital, and during World War I, he was president of the Allied War Relief and of the Fatherless Children of France. In recognition of his support, especially for children orphaned by the war, Clifton was made a Chevalier of the Legion of Honor by the French government.
Literature: Sir W. Armstrong, Lawrence, London, 1913, p. 113.
Sir Thomas Lawrence, P.R.A. (Bristol, London, 1769-1830)
Sir Thomas Lawrence was an English portrait painter and the fourth president of the Royal Academy. Self-taught, he was a brilliant draughtsman and known for his gift of capturing a likeness, as well as his virtuoso handling of paint. Lawrence was also a collector and formed one of the finest collections of Old Master drawings ever known. His first royal commission was from Queen Charlotte, whose portrait he painted in 1789.
Arthur Cox (British 1840-1917)Arthur Cox (British 1840-1917) A pair of mezzotints in color after Jean Baptiste Pater signed in pencil in the lower right margin blind stamp in the lower left margin Alfred Boll & Co. Old Bond Street London matted and framed in a carved gilt frame under glass overall 31-1/2" x 25".
Arthur Fitzwilliam Tait (New York/England,Arthur Fitzwilliam Tait (New York/England, 1819-1905) Covey of Quail, signed lower right "A F Tait/NY 67", signed and inscribed verso "No. 523", oil on Winsor & Newton artist board, 8 x 9-7/8 in., fine 22 kt. gilt wood and composition cove-molding frame,
Arthur Fitzwilliam Tait (New York/England,Arthur Fitzwilliam Tait (New York/England, 1819-1905) A Covey of Grouse, signed lower right "A.F. Tait NY 1865", inscribed verso stretcher that this painting is "#432", oil on canvas on panel stretcher, 10-3/4 x 15-1/2 in.; fine 22 kt. gilt wood and composition fluted cove-molding frame with corner acanthus leaf decoration,
Arthur William Head (1861-1930)Arthur William Head (1861-1930) - Six watercolours - ''An Old Road Winchelsea Marshes'' ''Country Landscape'' ''An Old Track possibly Winchelsea'' Country landscape with cows to foreground ''Ypres Tower Rye'' and ''The Old College Bromley'' various sizes all signed and in gilt moulded frames and glazed Provenance: Direct descent from artist to vendor (the artist's grandson)
ARTHUR COURT DESIGNS CABBAGE FORMARTHUR COURT DESIGNS CABBAGE FORM PEWTER COVERED SOUP TUREEN WITH LADLEArthur Court Designs Cabbage Form Pewter Covered Soup Tureen with Ladle
Arthur Szyk (Polish/American, 1894-1951)Arthur Szyk (Polish/American, 1894-1951) Original illustration for Canterbury Tales "The Knight". Gouache on heavy paper, signed, dated N.Y. 45, at the lower right, the sight size approx. 6-3/4" x 3-7/8", matted and framed under glass overall approx. 14-3/8" x 11". Under the matting at the left is a partial inscription in ink, the right have erased, "Canterbury T*** 'The Knigh*'".
Arthur Weaver (British, 1918-2008),Arthur Weaver (British, 1918-2008), "Golf in Monmouthshire - Safely On", oil on canvas, Llanfoist Golf Club, signed lower right "A. Weaver, 1992", 20 x 30 in., painted and gilt wood frame,
5 vols. (2 wrappers) Court Tennis:5 vols. (2 wrappers) Court Tennis: Garsault, (Francois Alexandre Pierre) de. The Art of The Tennis-Racket-Maker and of Tennis. N.p., 1938. 1st English-language ed. #99/150 (of 200) signed by Christopher B. Gabriel, Hon. Sec.,... The Royal Tennis Court. 4to, orig. gilt-lettered & decorated red cloth, t.e.g., other edges untrimmed; some dust soiling. Photo frontis., lettered tissue guard, 5 plates. Some foxing to front & back matter. Royal Tennis Court Member's copy. * No. 159/200 of the preceding, orig. red cloth; minor wear & light dust soiling. Plates. Internally clean. * Aberdare, Lord. The Story of Tennis. London: S. Paul, (1959). 1st ed. 8vo, orig. green cloth; minor wear, d/j (some chipping - occasional paper loss to front panel). Plates. Signed & dated, "29, 1, 72," by Aberdare on front free endpaper recto. * Hamilton, Richard; Hobson, Anthony. How to Make The Real Tennis Ball. (London), (1971). 1st ed. 12mo, orig. stiff wrappers. Illus. Signed by Hamilton & Hobson on verso of front wrappers. 2 copies.
Arthur Weaver (British, 1918-2008),Arthur Weaver (British, 1918-2008), "Golf in Monmouthshire - A Risky Drive", oil on canvas, Llanfoist Golf Club, signed lower right "A. Weaver, 1992", 20 x 30 in., painted and gilt wood frame,
Arthur Barrett (British, EarlyArthur Barrett (British, Early 20th Century) "Courting Scene - Maiden with Terrier", watercolor on paper, sight 16-1/2" x 11-1/2", signed lower left "Arthur Barrett". Glazed, French matted and presented in a narrow giltwood frame.
A CONNECTICUT RABBIT IN KING ARTHUR'SA CONNECTICUT RABBIT IN KING ARTHUR'S COURT.A Connecticut Rabbit in King Arthur's Court. Warner Bros./ Chuck Jones Productions, (1978). Hand-painted animation production cel bearing a half-length illustration of Daffy Duck dressed as King Arthur. Handsome purple and orange circular matting, black plastic frame. Gallery COA affixed to frame verso. Matted area 8" diam.
Douglas Arthur Teed (American 1863-1929)Douglas Arthur Teed (American 1863-1929) Men in a Courtyard 1923 oil on canvas signed Douglas Arthur Teed and dated (lower left) 23 x 37 1/4 inches.
Wright (Andrew) Court-Hand RestoredWright (Andrew) Court-Hand Restored or, The Student's Assistant in Reading Old Deeds, Contracts, Records etc., London 1879, two photographic souvenir booklets, The Beauty of Argyll and Memories of Skye, various ephemera including small hotel adverts, one with maps of Jersey, another with panoramic map of the Rhine, a silk bullfighting poster, 1871, a hand written diary of a trip with Sir Walter Currie 'Through Kaffir Land and No-Man's-Land Jany-April 1862'
Arthur Cox (British 1840-1917)Arthur Cox (British 1840-1917) Mezzotint in color after Jean Baptiste Pater signed in pencil in the lower right margin blind stamp in the lower left margin Alfred Boll & Co. Old Bond Street London matted and framed in a carved gilt frame under glass overall 27" x 32".
Arthur William Head (1861-1930)Arthur William Head (1861-1930) - Four watercolours - ''An Old Track possibly Winchelsea'' Country landscape with cows to foreground ''Ypres Tower Rye'' and ''The Old College Bromley'' 11ins x 19ins 6.5ins x 9.5ins 9.5ins x 14ins and 7.5ins x 12.5ins respectively all signed and in gilt moulded frames and glazed Provenance: Direct descent from artist to vendor who is the artists grandson
ARTHUR POND, AFTER PIER LEONE GHEZZI,ARTHUR POND, AFTER PIER LEONE GHEZZI, ETCHINGArthur Pond (British 1701-1758), after Pier Leone Ghezzi, etching, Rt. Honorable Lord Duncannon and Hugh Tomson (British, 1860-1920), etching, School for Scandaleach approximately 11 1/4 x 8in (28.5 x
Arthur William Head (1861-1930)Arthur William Head (1861-1930) - Oil painting - ''An Old Mill Surrey'' canvas 25ins x 30ins signed in gilt moulded and swept frame (canvas with some wear to paint surface and minor moulding damage to frame) Provenance: Direct descent from artist to vendor who is the artists grandson
Arthur William Head (1861-1930)Arthur William Head (1861-1930) - Oil painting - ''The Old Powder Mill Mitcham'' canvas 17ins x 11.5ins signed in gilt moulded frame Provenance: Direct descent from artist to vendor who is the artists grandson
Follower of Arthur Devis/PortraitFollower of Arthur Devis/Portrait of a Gentleman/half-length, wearing a red coat /oval /oil on canvas, 28.5cm x 23cm
Arthur William Head (1861-1930)Arthur William Head (1861-1930) - Two oil paintings - ''An Old Barn Mitcham'' and ''A Sketch on Blackheath'' both on mahogany panels 10ins x 13.5ins and 9.5ins x 13ins respectively both signed in modern gilt frames the latter glazed Provenance: Direct descent from artist to vendor (the artist's grandson)
Arthur Parton (New York, 1842-1914)Arthur Parton (New York, 1842-1914) Autumn Landscape, farmhouse across a field, signed lower right "Arthur Parton", oil on canvas, 22 x 29-3/4 in.; painted and gilt wood frame,
Young (Arthur) A Six Weeks TourYoung (Arthur) A Six Weeks Tour through the Southern Counties of England & Wales, 3rd edition, London 1772, 8vo, contemporary full calf, re-backed, 3 plates, General View of the Agriculture of the County of Norfolk, 1st edition, London 1804, 8vo, contemporary boards with recent re-back, map, plates, tables etc., and General View of the Agriculture of the County of Lincoln, 1st edition, London 1979, 8vo, contemporary calf with recent re-back, maps and plates correct (3)
SIR THOMAS LAWRENCE, P.R.A. (BRISTOL,SIR THOMAS LAWRENCE, P.R.A. (BRISTOL, LONDON, 1769-1830) LADY FITZWILLIAM Oil on canvas. Lady Fitzwilliam, daughter of the Earl of Pembroke.Catalogue Note: Colonel Charles Clifton (American, 1853-1928) was a major figure in shaping the automotive industry during its first decades. In 1897, he joined the George N. Pierce company - at that time a bicycle wheel manufacturer - and stayed on when it was reorganized as the Pierce-Arrow Motor Company, becoming chairman of the company’s board of directors in 1916. Clifton was also the founding president of the National Automotive Chamber of Commerce.
Clifton joined the Albright Art Gallery Board in 1914, serving initially on the finance committee before becoming vice president and then president, a role he held from 1918 until his death in 1928. In addition to his dedication to the Buffalo AKG, Clifton also served as president of Buffalo General Hospital, and during World War I, he was president of the Allied War Relief and of the Fatherless Children of France. In recognition of his support, especially for children orphaned by the war, Clifton was made a Chevalier of the Legion of Honor by the French government.
Sir Thomas Lawrence, P.R.A. (Bristol, London, 1769-1830)
Sir Thomas Lawrence was an English portrait painter and the fourth president of the Royal Academy. Self-taught, he was a brilliant draughtsman and known for his gift of capturing a likeness, as well as his virtuoso handling of paint. Lawrence was also a collector and formed one of the finest collections of Old Master drawings ever known. His first royal commission was from Queen Charlotte, whose portrait he painted in 1789.
Arthur Oraine (British 20th century)Arthur Oraine (British 20th century) Golfing lithograph 15 x 24 inches.
Arthur William Head (1861-1930)Arthur William Head (1861-1930) - Oil painting - ''Windmill at Sunset'' canvas 17ins x 11.5ins signed in gilt moulded frame and glazed Provenance: Direct descent from artist to vendor who is the artists grandson
Arthur SharpProspect of a CountryArthur SharpProspect of a Country Housesigned and dated 1931 lower leftwatercolour 35cm x 54cm (13.75" x 21")
MALLORY, KING ARTHUR, BEARDSLEYMALLORY, KING ARTHUR, BEARDSLEY ILLUSTRATOR, 1893 Sir Thomas Mallory THE BIRTH LIFE AND ACTS OF KING ARTHUR... (London: Dent, 1893) One of 300 copies on handmade paper; 2 vols., 4to, pictorial cloth.
Arthur Weaver (British, 1918-2008),Arthur Weaver (British, 1918-2008), Gardner Dickinson Watches Archer Putt on the 17th (Road Hole) Alcan Tournament, St. Andrews, 1967, watercolor and gouache over charcoal, signed lower right "A. Weaver 1967" and titled lower left, 18-7/8 x 25 in., modern gilt wood frame,