- A GROUP OF BRONZE AND TERRACOTTA ARTICLESAn
A GROUP OF BRONZE AND TERRACOTTA ARTICLESAn eight piece group of patinated bronze and terracotta figural articlesvarious artists20th centuryIncluding models of animals, a dancing figure and a pair of bookends.height of tallest 7 3/4in (19.5c
- A MARGARET BRUTON TERRAZZO PAINTED LOW
A MARGARET BRUTON TERRAZZO PAINTED LOW TABLEA Margaret Bruton terrazzo, cream painted and lacquer low tableprobably supplied by Frances Elkinsmid 20th centuryThe top decorated with a crab and sea shells within waves, signed with the artists ini
- A MARGARET BRUTON TERRAZZO PAINTED LOW
A MARGARET BRUTON TERRAZZO PAINTED LOW TABLEA Margaret Bruton terrazzo cream painted and lacquer low tableprobably supplied by Frances Elkinsmid-20th centurySigned with the artists initials MB.height 13in (33cm); width 31in (104cm); depth 31in
- A GROUP OF BRONZE AND TERRACOTTA ARTICLESAn
A GROUP OF BRONZE AND TERRACOTTA ARTICLESAn eight piece group of patinated bronze and terracotta figural articlesvarious artists20th centuryIncluding models of animals, a dancing figure and a pair of bookends.height of tallest 7 3/4in (19.5c
- EIGHT CONTINENTAL MIXED MEDIA PORTRAIT
EIGHT CONTINENTAL MIXED MEDIA PORTRAIT MINIATURESA group of eight Continental mixed media portrait miniaturesvarious artists19th-20th century89, 92, 97, 98, 101, 126Comprising after Greuze Allegory of Innocence porcelain, after Lawrence Le Roi de Ro
- ROBERT WILLIAM WOOD, THE WHITE MTS (MOUNTAINS)Robert
ROBERT WILLIAM WOOD, THE WHITE MTS (MOUNTAINS)Robert William Wood (American, 1889-1979)The White MTS (Mountains)oil on canvassigned lower left Robert Wood, titled to reverse, with artists stamp24 x 60in (61 x 152cm)
- Berrisford Hill - Large Watercolour.
Berrisford Hill - Large Watercolour. Original artwork by renowned British artist Berrisford Hill.A stunning example of the artists work "Scottish Winter Scene with Falcon" Signed Lower left.Height 72cm frame 50cm imageWidth 91cm 70cm
- Jenny Richards Pastel "The Pheasant"20th
Jenny Richards Pastel "The Pheasant"20th Century artists monograme lower right, titled verso.Height 36cmWidth 42cm
- FRAMED WATERCOLOR ON PAPER STAR FRAKTUR
FRAMED WATERCOLOR ON PAPER STAR FRAKTUR DRAWINGca. late 19th century; school child drawing with fine watercolor geometric six-point star with balloon accent in vibrant colors, the painting on rag paper, unsigned, the form used by some noted earlier artists within Schwenfelder Community, framed in a stained pine frame, 7 1/2"x 7 1/4" framed; [Note: attributed to Schwenfelder Community by prior owner]; Condition: one fold present, overall good
- FRAMED FRAKTUR WATERCOLOR OF "VIBRANT
FRAMED FRAKTUR WATERCOLOR OF "VIBRANT BIRD ONFlower Stem" ca. 1830; ink and watercolor on rag laid paper with forms of various artists, possibly an unregistered Bucks Co. artist; the long tail distelfink type bird with vibrant green body with multiple color yellow and red infill and vibrant yellow and red wings, the bird resting on large tapering stem flower in triangular base, a secondary bloom of bold blue, green, red and yellow star flowers arches over the bird, framed in a veneered period frame, 11"x 15 1/2"; [Note: artist is unattributed but follows forms of Herr Family, Rudolph Landes and David Kulp vibrant colors used]; Condition: center fold, some water stains along right edge
- INK & WATERCOLOR BARBARA EBERSOL BOOKPLATE
INK & WATERCOLOR BARBARA EBERSOL BOOKPLATE FOR LYDca. 1871 bookplate in 1856 Lancaster imprint; pasted into front cover of "Ausbund… Christliche Lieder" leather bound printed by Johann Bär und Sohnen, Lancaster; the bookplate with Barbara's name and one of her noted designs, the double rare cross-stitch flower design as called in Luthy reference has checkerboard worked orange and yellow painted design in a small ink lined field, bookplate with green and orange sawtooth border, bookplate with a three panel design, 4"x 6 1/4"x 2 1/2"; [Provenance: This bookplate is pictured in the book "Two Amish Folk Artists"; Condition: cover bound with tape as binding, tape stains to right corners of bookplate, some water stains, unknown if book is compete but cover is missing binding and clasps
- RARE FORM BARBARA EBERSOL BOOKPLATE
RARE FORM BARBARA EBERSOL BOOKPLATE FOR LEA ZUG (Zca. 1860 dated bookplate; early date bookplate placed on back of front cover with rare eight-point compass star with pinwheel/windmill pattern in block pattern, watercolor tempura done with ink accents on lined paper, predominant colors are green and orange, one of the earliest Frakturs known to have been done by Barbara Ebersol, 5"x 7 1/4"x 2"; [Provenance: This bookplate is pictured in the book "Two Amish Folk Artists"; Condition: pencil ownership written "Aaron Glick" on top of bookplate, book has comical tin and brass applied corner and central diamond design accents, binding is taped, book is an Ausbund (missing title page)
- Collection of Autographs and Signatures
Collection of Autographs and Signatures of Artists, Writers, Intellectuals, Actors and Composers, mid-20th century Including Bertrand Russell 1963 signed note, Norman Rockwell, Margaret Thatcher, Walt Disney, Alfred Hitchcock, Richard Nixon, RIchard Rogers, Aaron Copland, Anton Kuerti, a 1974 Massey Hall programme signed by Birgit Nilsson, Jon Vickers, William Wilderman, Zubin Mehta, Artur Rubenstein signed 1966 programme and a further autograph, Arthur Fiedler, Pablo Picasso, Theodore White, Ted Sorensen signed note and card, Arthur Schlesigner Jr.. signed note and card, Walter Lippman signed article and card, Malcolm Muggeridge 1972 letter, Konrad Adenauer, Ludwig Ehard autographed photograph, Dr. Olaf Helmer signed note, Bing Crosby, Bob Hope signed photograph, Richard Burton, Danny Kaye, Jimmy Durante, Liberace, Sid James signed photograph and card, Douglas Fairbanks, Harold Macmillan, Pope Paul VI printed signature on photograph, Albert Schweitzer unsigned photograph with note signed by Nurse Hanna Oberman, Coretta Scott King 1973 signed letter, Cardinal P.E. Leger, signed letter, Edward Heath, Errol W. Barrow, Clementine Spencer Churchill, Queen Victoria carte de visite with printed signature, various sizes
largest 11 x 8.5 in — 27.9 x 21.6 cm
- Various Unidentified Artists, Nuu-chah-Nulth
Various Unidentified Artists, Nuu-chah-Nulth MODEL TOTEM POLES one bearing a stamp reading: "Ye Olde Curiosity Shop / Colman Dock / Seatle Wash" largest 8.75 x 6.75 x 1.25 in — 22.2 x 17.1 x 3.2 cm
- Various Unidentified Artists, Nuu-chah-nulth
Various Unidentified Artists, Nuu-chah-nulth TWO MODEL TOTEM POLES largest 8.75 x 2 x 2 in — 22.2 x 5.1 x 5.1 cm
- Napachie Sharky ??? ?? (1971-2018);
Napachie Sharky ??? ?? (1971-2018); Various Artists, Kinngait (Cape Dorset), Naujaat (Repulse Bay) SEAL, KNIFE WITH BEAR HEAD HANDLE, BIRD, TWO FIGURES SEAL, KNIFE WITH BEAR HEAD HANDLE, BIRD, TWO FIGURES
- Various Artists, Coast Salish & Nuu-chah-nulth
Various Artists, Coast Salish & Nuu-chah-nulth THREE MODEL TOTEM POLES stamped "Chief White Eagle" largest 11 x 7 x 2 in — 27.9 x 17.8 x 5.1 cm
- Sammy Nassak (1905-1988); Charlie Epoo
Sammy Nassak (1905-1988); Charlie Epoo (1913-1985); Unidentified Artists, Kangirsuk (Payne Bay), Inukjuak (Port Harrison) WALRUS, TWO BIRDS, BEAR unsigned; disc number inscribed; unsigned tallest 6.25 x 3 x 2.75 in — 15.9 x 7.6 x 7 cm
- Twamie Okaitok (1900-1963); Unidentified
Twamie Okaitok (1900-1963); Unidentified Artists, Puvirnituq (Povungnituk) THREE HUNTERS signed in Roman; signed in syllabics; unsigned tallest 6 x 4 x 2.25 in — 15.2 x 10.2 x 5.7 cm
- Utagawa Hiroshige (1797-1858), Utagawa
Utagawa Hiroshige (1797-1858), Utagawa Kunisada (Toyokuni III 1786-1865), Utagawa Sadahide (1807-1873), and Others, Eight Woodblock Prints, 19th-20th Century Consisting of early and posthumous prints, including artists such as Hiroshige, Kunisada, Sadahide, Kunichika, and more; one print framed
frame 11.8 x 14.8 in — 30 x 37.6 cm
- A Group of Seven Woodblock Prints of
A Group of Seven Woodblock Prints of Famous Japanese Paintings Depicting various famous paintings in miniature formats by artists such as Maruyama Okyo, Tani Buncho, Ogata Korin, and Matsumara Goshun
each sheet approximately 9.6 x 5.9 in — 24.5 x 15 cm
- Allan Yeomans and Unidentified Artists
Allan Yeomans and Unidentified Artists A GROUP OF THREE MODEL TOTEMS signed Allan Yeomans and inscribed age 12; raven figure inscribed with initials MS tallest height 15 in — 38.1 cm
- Miscellaneous items, including Victorian
Miscellaneous items, including Victorian and later metalware, a tinplate model John Deere tractor, 36cm l, country artists farming groups, etc
- Dame Laura Knight DBE, RA (1877-1970)
Dame Laura Knight DBE, RA (1877-1970) - Little Dutch Girl, signed, watercolour, 35.5 x 18.5cm Painted in 1906 on the artist's second painting sojourn at Laren, HollandProvenance: Laura Knight's sister-in-law Agnes ("Tag") Knight by 1907; with Mary Lindsay (nee Eady), Lady Monteath (1905-1994) c1941; anon sale Bonhams, 11 November 2008 to R John Croft FCA, great nephew of Dame Laura Knight. Laura and Harold Knight first visited Laren in 1905 having been invited to join the British artist Henry Silkstone Hopwood (1860-1914) for a six weeks' painting trip. The Knights lodged at the "vrouw Kan". Laura and Harold Knight revisited Laren in Spring 1906, having purchased a six months' return ticket for £1 at Tower Wharf. Following the success of the Leicester Galleries' exhibition of that year, they returned to Laren in 1907; this time staying at one of the larger farms outside the village, but taking their meals at the widow Kan's boarding house. In her autobiography, Laura Knight describes a game the Americans staying at the artists' colony played: a version of baseball that became the couple's favourite exercise, the last game being played on Christmas day 1907. Laura and Harold Knight left Laren for the last time in January 1908. More Information Good condition
- Charles William Sharpe (1818-1889) and
Charles William Sharpe (1818-1889) and others - A series of 29 portraits of eminent natural philosophers, 29, mixed method engravings after various artists and photographers, each with facsimile sitter's signature, 21.5 x 16cm, framed (29) More Information Mostly good, light stains or severely stained
- Advertising. ROWNEY'S ARTISTS' OIL &
Advertising. ROWNEY'S ARTISTS' OIL & WATER COLOURS glass shop display tablet, Burnham London, c1905, 24 x 29cm, in the original reeded frame with, on the reverse, the printed trade label of Burnham & Co Deptford, scarce More Information Cracked
- Silver coins - Crown 1935 (3), bronze
Silver coins - Crown 1935 (3), bronze coronation medal 1911, several cap badges including Artists Rifles and four various badges
- FIVE PRINTS FROM THE PUEBLO INDIAN PAINTING
FIVE PRINTS FROM THE PUEBLO INDIAN PAINTING PORTFOLIO Editions d'Art C. Szwedzicki, 98 - Rue de France - Nice (France)'. Color lithographs. Artists including (2) Richard Martinez, Miguel Martinez, Louis Gonzalez.
- RICHARD HAYLEY LEVER (AMERICAN, 1876-1958)
RICHARD HAYLEY LEVER (AMERICAN, 1876-1958) "MENEMSHA, MARTHA'S VINEYARD" Watercolor on paper. Signed 'Hayley Lever' (lower right) and dated '1931'.
Richard Hayley Lever (American, 1876-1958)
Born in Adelaide, Australia in 1876, Hayley Lever was known for his town-shore landscapes and still-life painting in a style that combined impressionism with vivid colors and strong lines of realism - post impressionism. In his use of color, he was deeply influenced by Vincent Van Gogh. He freely explored numerous styles based on impressionism but was never locked into any particular style.
He showed early art talent and traveled to England in 1893. He studied art in London and then painted at an artists' colony in Cornwall on the seacoast of St. Ives where he began his seacoast paintings. He received much attention in Europe for these works. In 1908, he did a series of paintings called "Van Gogh's Hospital, Holland" expressing the profound influence he felt of that artist.
Lever came to America in 1911, encouraged by American artist Ernest Lawson whom he knew in France, and was soon counted among the most widely exhibited artists in New York City.
- ALEXIS JEAN FOURNIER (AMERICAN, 1865-1948)
ALEXIS JEAN FOURNIER (AMERICAN, 1865-1948) Circa 1898-1900. Watercolor/gouache and pencil on paper. Signed 'Alexis Jean Fournier' (lower left).
Alexis Jean Fournier (American, 1865-1948)
Born on the fourth of July, 1865 in St. Paul, Minnesota, Alexis Jean Fournier was one of the most flamboyant and enduring figures of the Arts and Crafts Movement and was also an Impressionist painter of major importance in Minneapolis from 1883 to 1893. Fournier, a Barbizon-style artist, whose career as the "Roycroft Court Painter" spanned over forty-five years, has been lauded as one of the most prolific artists of the Arts and Crafts period as well as an influential force in Elbert Hubbard's Roycroft community in East Aurora, New York. Fournier died January 20th, 1948, but he made a lasting influence on American art and the world around him through his landscape paintings and his role in the Arts and Crafts movement. Fournier is most known for his impressionist seasonal landscapes, still lifes, and genre paintings.
- ALEXIS JEAN FOURNIER (AMERICAN, 1865-1948)
ALEXIS JEAN FOURNIER (AMERICAN, 1865-1948) FRENCH LANDSCAPE Oil on canvas. Signed 'Alex Fournier' (lower left).
Alexis Jean Fournier (American, 1865-1948)
Born on the fourth of July, 1865 in St. Paul, Minnesota, Alexis Jean Fournier was one of the most flamboyant and enduring figures of the Arts and Crafts Movement and was also an Impressionist painter of major importance in Minneapolis from 1883 to 1893. Fournier, a Barbizon-style artist, whose career as the "Roycroft Court Painter" spanned over forty-five years, has been lauded as one of the most prolific artists of the Arts and Crafts period as well as an influential force in Elbert Hubbard's Roycroft community in East Aurora, New York. Fournier died January 20th, 1948, but he made a lasting influence on American art and the world around him through his landscape paintings and his role in the Arts and Crafts movement. Fournier is most known for his impressionist seasonal landscapes, still lifes, and genre paintings.
- EMILE A. GRUPPE (AMERICAN, 1896-1978)
EMILE A. GRUPPE (AMERICAN, 1896-1978) "BEND IN THE RIVER, VERMONT" Oil on canvas. Signed 'Emile A. Gruppe' (lower right).
Emile A. Gruppe (American, 1896-1978)
Emile Albert Gruppe was an American painter, known for impressionistic landscapes and Massachusetts coastal and marine paintings. Gruppe was born in Rochester, New York and lived the early years of his life in the Netherlands as his father, Charles P. Gruppe, painted with the Hague School of art and acted as a dealer for the Dutch painters in the United States. He made his permanent studio in Gloucester, Massachusetts and became a member of the Cape Ann school of artists. Although he is best known for his variety of impressionistic landscapes, he also painted figures and portraits. His modern style was largely inherited from the French impressionist Monet.
- EMILE A. GRUPPE (AMERICAN, 1896-1978)
EMILE A. GRUPPE (AMERICAN, 1896-1978) GLOUCESTER Oil on canvas. Signed 'Emile A. Gruppe' (lower right).
Emile A. Gruppe (American, 1896-1978)
Emile Albert Gruppe was an American painter, known for impressionistic landscapes and Massachusetts coastal and marine paintings. Gruppe was born in Rochester, New York and lived the early years of his life in the Netherlands as his father, Charles P. Gruppe, painted with the Hague School of art and acted as a dealer for the Dutch painters in the United States. He made his permanent studio in Gloucester, Massachusetts and became a member of the Cape Ann school of artists. Although he is best known for his variety of impressionistic landscapes, he also painted figures and portraits. His modern style was largely inherited from the French impressionist Monet.
- EMILE A. GRUPPE (AMERICAN, 1896-1978)
EMILE A. GRUPPE (AMERICAN, 1896-1978) "FALL BEECH TREES" Oil on canvas. Signed 'Emile A. Gruppe' (lower right) and titled 'Fall Beech Trees' (on reverse).
Emile A. Gruppe (American, 1896-1978)
Emile Albert Gruppe was an American painter, known for impressionistic landscapes and Massachusetts coastal and marine paintings. Gruppe was born in Rochester, New York and lived the early years of his life in the Netherlands as his father, Charles P. Gruppe, painted with the Hague School of art and acted as a dealer for the Dutch painters in the United States. He made his permanent studio in Gloucester, Massachusetts and became a member of the Cape Ann school of artists. Although he is best known for his variety of impressionistic landscapes, he also painted figures and portraits. His modern style was largely inherited from the French impressionist Monet.
- EMILE A. GRUPPE (AMERICAN, 1896-1978)
EMILE A. GRUPPE (AMERICAN, 1896-1978) HARBOR WITH SAILBOAT Oil on canvas. Signed 'Emile A. Gruppe' (lower left). Original frame.
Emile A. Gruppe (American, 1896-1978)
Emile Albert Gruppe was an American painter, known for impressionistic landscapes and Massachusetts coastal and marine paintings. Gruppe was born in Rochester, New York and lived the early years of his life in the Netherlands as his father, Charles P. Gruppe, painted with the Hague School of art and acted as a dealer for the Dutch painters in the United States. He made his permanent studio in Gloucester, Massachusetts and became a member of the Cape Ann school of artists. Although he is best known for his variety of impressionistic landscapes, he also painted figures and portraits. His modern style was largely inherited from the French impressionist Monet.
- EMILE A. GRUPPE (AMERICAN, 1896-1978)
EMILE A. GRUPPE (AMERICAN, 1896-1978) "WINTER AFTERGLOW" Oil on canvas. Signed 'Emile A. Gruppe' (lower right) and dated '1927'. Original giltwood Newcomb Macklin frame.
Emile A. Gruppe (American, 1896-1978)
Emile Albert Gruppe was an American painter, known for impressionistic landscapes and Massachusetts coastal and marine paintings. Gruppe was born in Rochester, New York and lived the early years of his life in the Netherlands as his father, Charles P. Gruppe, painted with the Hague School of art and acted as a dealer for the Dutch painters in the United States. He made his permanent studio in Gloucester, Massachusetts and became a member of the Cape Ann school of artists. Although he is best known for his variety of impressionistic landscapes, he also painted figures and portraits. His modern style was largely inherited from the French impressionist Monet.