BURTOLDO TAUBERT, PAYSAGE PROVENçALBurtoldoBURTOLDO TAUBERT, PAYSAGE PROVENçALBurtoldo Taubert(French, 1915-1974)Paysage Provençal, 1963oil on canvassigned lower left B Taubert signed to reverse Burtoldo Taubert, dated and titled, with number 894.9 1/2 x 13in (24 x 3
BAUDELAIRE, GAUTIER, FLAUBERT, AND OTHERSBaudelaire,BAUDELAIRE, GAUTIER, FLAUBERT, AND OTHERSBaudelaire, Gautier, Flaubert, Corneille, and many othersLot includes 30 volumes: 1. (2vols.) Charles Baudelaire, Les Fleurs du Mal; Les Epaves, Notice, Notes et Eclaircissements de M. Jacques Crepet.
A Chinese green, aubergine and yellowA Chinese green, aubergine and yellow glazed dragon bowl, 20th c, with an export porcelain blue and white teapot and cover, late 18th c, painted with landscapes, 13cm h, a Chinese Canton famille rose teapot and cover and another incised decoration, 22cm diam, incised Kangxi mark, miscellaneous Chinese famille rose and other ginger jars and Japanese ceramics, early 20th c and later More Information Some damage and repair
DALE CHIHULY (AMERICAN, B. 1941) BLOWNDALE CHIHULY (AMERICAN, B. 1941) BLOWN GLASS FORM Signed and initialed 'P.P. -94' (to underside). Dale Chihuly (American, b. 1941)
Dale Chihuly has become an internationally celebrated personality in contemporary art and design, whose prominence in the field of contemporary studio glass is unmatched. During his many years as a teacher, Chihuly made a point of gathering artists from all media to work with him and with glass, with the aim of introducing new points of view and infusing new energy into the process of glassworking.
In 1969, he took leadership of an important glass program at the Rhode Island School of Design (RISD) in Providence, and two years later, he founded Pilchuck Glass School, the premier international school for glass artists, with the Seattle art patrons Anne Gould Hauberg and John Hauberg. Students combined glass and other media in both glassblowing and installation work—often compensating in creative presentation for what they lacked in technique—and they were always encouraged by Chihuly to approach the material in unorthodox ways. With these achievements alone, Chihuly would be recognized for his enduring impact on the American studio glass movement, but he has been able to pursue a prolific and successful career as an artist as well.
While Chihuly’s work has changed dramatically throughout his nearly 50-year career, certain preferences have remained the same. He has always worked glass in a variety of sizes, from small vessels to room-size installations. He has always been interested in sculpture and in outdoor projects where the landscape may be used as a point of departure. Color, on the other hand, has been a gradual acquisition, from the muted, relatively monochromatic 1970s works, such as the Blanket Cylinders and early Seaforms, to the brilliant colors of the Macchias and Venetians in the 1980s and beyond.
PAIR CHINESE FAHUA OCTAGONAL MEIPINGPAIR CHINESE FAHUA OCTAGONAL MEIPING VASES, 13 1/2"TPair Chinese Fahua octagonal meiping vases glazed in aubergine & turquoise, 13 1/2" t x 7 3/4" d.
CHINESE YELLOW, GREEN & AUBERGINE DISH,CHINESE YELLOW, GREEN & AUBERGINE DISH, DAOGUANG P Chinese green and aubergine enameled yellow ground dish ,Daoguang Mark and of the Period, incised and enameled on the interior with two dragons contesting a flaming pearl surrounded by six floral pattern design, two dragon on the back as well, six Daoguang character mark underside D:4 1/4"(10.6 cm) Provenance: Sotheby's New York, Sep 29,2021 Lot 901 Link to HD Natural Light photos:Click here for high resolution imagesCondition: in overall good condition with 4 short faint hairline to the rim
2 CHINESE YELLOW,GEEN & AUBERGIN DISH,2 CHINESE YELLOW,GEEN & AUBERGIN DISH, GUANGXU P. 2 Chinese yellow ground green and aubergine dish, Guangxu mark and of the period, each with shallow rounded sides resting on a slightly tapered foot, finely incised and enameled on the interior with a medallion enclosing a green and an aubergine dragon contesting a flaming pearl, the yellow base inscribed with a six character reign mark Larger Plate D: 5 1/8"(13 cm) Smaller Plate D: 4 1/4??(10.5 cm) Provenance: larger plate was purchased from Christie's New York according to label,please note both plate are currently belong to a private New Jersey Collector Link to HD Natural Light photos:Click here for high resolution imagesCondition: larger plate has a chip and 2 faint hairline to the rim, smaller plate has a glaze line to the center and two faint hairline to the rim
ROSENTHAL "ZAUBERGARTEN" GLAZED PORCELAINROSENTHAL "ZAUBERGARTEN" GLAZED PORCELAIN VASE Rosenthal Porcelain Vase in the "Zaubergarten" [Enchanted Garden] pattern, designed by Walter Mutze (German, 1893-1963) with a mottled rust/rose ground and painted flowers outlined in gilt, marked to underside, circa 1950s. 12" H x 8.5" Diameter. Keywords: European, Ceramics, Vessel
HERMES LOGO SILK-CASHMERE PURPLE THROWHERMES LOGO SILK-CASHMERE PURPLE THROW BLANKET Hermes Paris Aubergine Throw Blanket, decorated with the Hermes logo, 85% cashmere and 15% silk, made in Italy, marked. 81" H x 30" W. Provenance: From a New York City Collection. Keywords: Luxury, Softness, French, Fashion, Eggplant
MAP, GERMAN SCHOOL (20TH CENTURY) GermanMAP, GERMAN SCHOOL (20TH CENTURY) German School (20th century), "Das Verzauberte Schlaraffenland," color printed map, overall (with board): 14"h x 18"w
(LOT OF 2) CHINESE GLAZED DISHES (lot(LOT OF 2) CHINESE GLAZED DISHES (lot of 2) Chinese glazed dishes. Comprising a peach-bloom glazed dish and a yellow ground aubergine and green glazed 'dragon' dish, Guangxu mark, 6" and 5.25" across.
CHINESE INCISE DECORATED AND AUBERGINECHINESE INCISE DECORATED AND AUBERGINE GLAZED 'DRAGON' DISH Chinese incise decorated and aubergine glazed 'dragon' dish. Qianlong six-character mark, 7.125" across.
A PRUSSIAN WORLD WAR I MODEL 1915 PICKELHAUBEA PRUSSIAN WORLD WAR I MODEL 1915 PICKELHAUBE HELMET A Prussian World War I Model 1915 Pickelhaube helmet, the black hat with an applied Hapsburg eagle, headed by a spike finial, leather lining marked #68R, 8.25"h x 10"w x 6"d. Provenance: Property from the private collection of Stephen and Lynette Schwartz of Stephen's Antiques, Tiburon, CA
6VOL SIGNED BOOKS BY VARIOUS AUTHORS6VOL SIGNED BOOKS BY VARIOUS AUTHORS Six volumes of the following books signed by the authors: A Georgia Lawyer: His Observations and Public Service by Stirling Price Gilbert. Published 1945 by The University of Georgia Press. Signed by author on front free end paper with another signature taped down. Dauber: A Poem by John Masefield. Published 1913 by William Heinemann. Signed by author with inscription on front free end paper. The Celestine Sibley Sampler: Writings and Photography with Tributes to the Beloved Author and Journalist. Published 1996 by Peachtree Atlanta. Signed by the author on the front paper with an inscription. Stranger in Savannah by Eugenia Price. Published 1989 by Doubleday. Signed by the author with an inscription on the half-title page. A Reverence for Wood by Eric Sloane. Published 1965 by Wilfred Funk. Signed on the front free paper with a drawing of a barn by the artist. The Magical Realm of Sallie Middleton with Text by Celestine Sibley. Published 1980 by Oxmoor House. Signed by Celestine Sibley on the title page.
GUSTAVE FLAUBERT, MADAME BOVARY, PRINTEDGUSTAVE FLAUBERT, MADAME BOVARY, PRINTED 1857 Madame Bovary by Gustave Flaubert. Published in 1857 as two volumes in one. Bound in leather with marbled boards, spine has raised bands with gilt titling and decoration. 490pp. 8vo.
JEAN CRESPIN, GROSSE MARTYRBUCH, PRINTEDJEAN CRESPIN, GROSSE MARTYRBUCH, PRINTED 1606 Das Grosse Martyr-Buch und Kirchen-Historien: Worinnen herzliche und in Gottes Wort gegr?ndete Glaubens-Bek?ntn?ssen, Gespr?ch und Disputationen, wider die Ketzer und Feinde der G?ttlichen Wahrheit, sampt andern denckw?rdigen Reden und Thaten vieler heiliger M?rtyrer beschrieben. By Jean Crespin (1520-1572). Dated 1606 and printed by Guilielmum Antonium. Book has a lovely Renaissance hand tooled binding. Wooden boards. Raised bands on the spine. Excellent illustrated title page. Large quarto.
MONUMENTAL CHINESE ROOF TILE W/ SCHOLARMONUMENTAL CHINESE ROOF TILE W/ SCHOLAR & FU LION Monumental Chinese earthenware turquoise, aubergine and yellow glazed roof tile, late Ming or Early Qing, modeled as a scholar wearing a long-sleeved robe seated astride a Fu or Guardian Lion with a snarling visage, the lion grasping a brocade ball in its forepaws, the whole resting on a rectangular base with trailing yellow, celestial ribbons. Approximate Dimensions: h. 30.25", w. 9", d. 31".
WWI PRUSSIAN MODEL 1895 PICKELHAUBEWWI PRUSSIAN MODEL 1895 PICKELHAUBE Prussia/Germany,C. 1906A Prussian Model 1895 pickelhaube helmet with brass fittings and eagle, a brown leather liner, marked on the rear visor "IB 3C/1906 1906 I" and a small "56" size marking.
A LARGE CHINESE PORCELAIN BRUSH POTA LARGE CHINESE PORCELAIN BRUSH POT WITH FIGURES AT COURT A large porcelain brush pot hand painted in blue, aubergine, green, yellow and iron red with a continuous narrative of assembly in front of a Chinese ruler, comes together with a carved wooden stand.
A PAIR OF CHINESE GREEN GLAZED PARROTA PAIR OF CHINESE GREEN GLAZED PARROT FIGURES Late 19th century, a pair of Chinese export green glazed porcelain parrots seated on an aubergine and yellow glazed open rock base.
A PAIR OF CHINESE EGG AND SPINACH GLAZEDA PAIR OF CHINESE EGG AND SPINACH GLAZED BOWLS Two tea bowls glazed with tiger spot decoration in yellow, green and dark aubergine enamels, with six character Kangxi mark within double blue circles to the underside of each, come together with carved wooden stands.
MUSTARDSEED AND MOONSHINE ORIGINALS,MUSTARDSEED AND MOONSHINE ORIGINALS, A LARGE COLLECTION OF TABLEWARE Circa 2008-2012, hand-decorated and glazed ceramic made in Capetown, South Africa, (108) piece set includes: (12) Rock Rose octagonal dinner plates (11 in.) (one with rim chip); (12) Rock Rose salad plates in green, cerulean blue, and tangerine (8 in.); (12) Rock Rose double handled cream soups and (12) saucers (7 in.) in green and aubergine (2 1/4 x 5 5/8 x 7 in.); (12) Lettuce chargers (13 1/4 in.); (1) Lettuce center bowl (6 3/8 x 10 1/2 in.); (1) Tulip center bowl (6 x 9 5/8 in.) (small rim chip); (11) Fritillaria cups in green and aubergine (4 in.); (3) piece Chinese Lantern tea set, includes teapot (7 in.), creamer, and sugar (2 3/4 in.) (lid with two small chips to rim underside); (12) demitasse cups in various floral patterns (2 1/8 in.); (15) cups in various floral patterns (2 3/8 in. tallest); (4) serving trays in various foliate patterns (largest 19 5/8 in. with small rim chip to underside); small footed dish (4 1/2 in.). All marked to underside.
A JAPANESE PORCELAIN SHISHI FOO LIONA JAPANESE PORCELAIN SHISHI FOO LION Edo period (1615-1868), porcelain with cream and purple aubergine glaze, the shishi guardian lion stands with its mouth open and tongue out, wide bulging eyes, backbone is articulated and its tail is swirled fancifully up to its side, originally one of a pair.
TWO ANTIQUE ENGLISH LAP DESKS SecondTWO ANTIQUE ENGLISH LAP DESKS Second half 19th century, the larger in rosewood veneers, with hinged lid, campaign style brass inlays, aubergine leather writing service, with divided interior compartments and ink tray; the smaller in mahogany veneers, with hinged lid, brass escutcheon, purple velvet writing surface, three ink and pen compartments, cloth underside.
HAMEDAN CARPET 6'3" x 3'2" Medium lowHAMEDAN CARPET 6'3" x 3'2" Medium low dense wool lush pile on cotton foundation. Very finely hand-knotted rug. Field with central row of multicolor medallions and meandering floral designs on ruby red, aubergine and ivory background; borders with floral motifs on camel background; short fringe at one end and flat weave at another one. Persian, ca. 1980's/1990's
FRANKLIN LIBRARY 100 GREATEST BOOKSFRANKLIN LIBRARY 100 GREATEST BOOKS OF ALL TIMES, 60 VOL. Various Sizes 60 vol. Each leather bound with gilt edging, including, Henry Adams, "The Education of Henry Adams", 1982; "The Confessions of Saint Augustine", 1976; Aristophanes, "Five Comedies", 1982 (2 copies); Sir Francis Bcon, "Essays Advancement of Learning New Atlantis", 1982;Charles Baudelaire, "The Flowers of Evil", 1977; William Blake, "Songs of Innocence and of Experience", 1980; Geovanni Boccaccio, "The Decameron", 1970; Emily Bronte, "Wuthering Heights", 1975; John Bunyan, "The Pilgrim's Progress", 1976; Joseph Conrad, "Lord Jim", 1977; Miguel de Cervantes Saavedra, "Don Quixote de La Mancha", 1976; Charles Darwin, "The Origin of Species", 1975; Daniel Defoe, "The Fortunes and Misfortunes of the Famous Moll Flanders", 1978; Charles Dickens "David Copperfield", 1976; Feodor Dostoevsky, "Crime and Punishment", 1975; George Elliot, "The Mill on the Floss", 1982; Euripides, "1976; William Faulkner, "The Sound and the Fury", 1976; Henry Fielding, "Tom Jones, 1979; Gustave Flaubert, "Madame Bovary", 1978; Johann Wolfgang von Goethe, "Faust", 1979; Pere Gotiot, "Balzac", 1977; Thomas Hardy, "The Return of the Native", 1978; Ernest Hemingway, "A Farewell to Arms", 1975; Henrik Ibsen, "Six Plays", 1977; Henry James, The Ambassadors", 1980; Henry James, "Nine Tales", 1977 (2 copies); Franz Kafka, "The Trial", 1977; D.H. Lawrence, "Women in Love", 1979; Thomas Mann, "Five Stories", 1977; Herman Melville; "Moby-Dick", 1974; John Stewart Mill, "Political Writings", 1982; Moliere, "Seven Plays", 1980; Blaise Pascal, "Notes from the Editors", 1979; Patronius, "Satyricon", 1980; Plutarch, "Twelve Illustrious Lives", 1981; Edgar Allan Poe, "Tales of Edgar Allan Poe", 1974; Marcel Proust, "Swann's Way, 1982 (2 copies); Francois Rabelais, "Gargantua and Pantagruel", 1978; Jean Racine, "Six Tragedies", 1982 (2 copies); Jean Jacques Rousseau, "Political Writings, ", 1982; William Shakespeare, "Six Histories", 1981; William Shakespeare, "Tragedies",1975; Bernard Shaw, "Three Plays", 1979; "The Tragedies of Sophocles", 1981; Laurence Sterne, "The Life & Opinions of Tristram Shandy, Gentleman", 1980; Robert Louis Stevenson, "Treasure Island", 1975; Jonathan Swift, "Gulliver's Travels", 1974 (2 copies); William Makepeace Thackeray, "Vanity Fair, "1977; Henry David Thoreau, "Walden", 1976 (2 copies); Loe Tolstoy, "War and Peace", 1981; Ivan Turgenev, "Fathers and Sons", 1981; Mark Twain, "The Adventures of Huckleberry Finn", 1975; Emile Zola, "Nana", 1981.
ANONYMOUS (20TH CENTURY) 20" x 24" StillANONYMOUS (20TH CENTURY) 20" x 24" Still life with onions and aubergines. Oil on canvas, signed by unidentified artist lower right, in decorative frame, overall 27" x 31".
THREE RARE ILLUSTRATED CHILDREN'S BOOKSTHREE RARE ILLUSTRATED CHILDREN'S BOOKS Comprising Paul West, THE PEARL AND THE PUMPKIN illus. by W. W. Denslow (NY: Dillingham, cop. 1904) 4to, cloth with paper onlay; Eva Katherine Gibson, ZAUBERLINDA, THE WISE WITCH (Chicago: Stevens, cop. 1901) 4to, pictorial cloth, title page detached, other faults; and Grace D. Boylan, YAMA YAMA LAND illus. by Edgar Keller (Chicago: Reilly & Britton, cop. 1909) 4to, cloth with paper onlay, frontis. detached, cover dusted.
EPHRATA TURTEL TAUBE, DATED 1762, ETC.EphrataEPHRATA TURTEL TAUBE, DATED 1762, ETC.Ephrata Turtel Taube , dated 1762 , together with an Ephrata Journey of a Pilgrim Jon Bunian dated 1754 , the first German translation of Pilgrim's Progress . Exhibited at Ephrata Cloister, 2012.
Competitive in-house shipping is available for this lot.
Condition:
The first in poor condition. The second has wear to binding and rebound.
MUSIC MANUSCRIPT FOR TURTEL TAUBE HYMNALMUSIC MANUSCRIPT FOR TURTEL TAUBE HYMNAL OF 1749Music manuscript for Turtel Taube Hymnal of 1749 , with staves embellished with colorful script, after 1810, probably of Snow Hill origin. Exhibited at Ephrata Cloister, 2012.
Competitive in-house shipping is available for this lot.
Condition:
Splits to binding/wear.
PENNSYLVANIA MANUSCRIPT MUSIC BOOKPennsylvaniaPENNSYLVANIA MANUSCRIPT MUSIC BOOKPennsylvania manuscript music book, ca. 1820s , probably Snow Hill, inscribed Daniel___ , together with an Ephrata music manuscript Turtel Taube short version, 1747. Exhibited at Ephrata Cloister, 2012.
Competitive in-house shipping is available for this lot.
Condition:
Music book probably had no back cover. Losses to bindings. Expected wear.
EPHRATA MANUSCRIPT MUSIC BOOK FOR TURTELEPHRATA MANUSCRIPT MUSIC BOOK FOR TURTEL TAUBEEphrata manuscript music book for Turtel Taube , 1747, the signature on the flyleaf of Dr. Jacob Konigmacher , together with a manuscript music book for hymnal Weyrauchs Hugel , 1739, signed by Esther Landis, a member of the Ephrata congregation, with ornamentation. Exhibited at Ephrata Cloister, 2012.
Competitive in-house shipping is available for this lot.
Condition:
Losses to spine of both. Typical wear for the age.
EPHRATA TURTEL TAUBE, DATED 1747EphrataEPHRATA TURTEL TAUBE, DATED 1747Ephrata Turtel Taube , dated 1747, inscribed Catharine Hoch 1792 and This book was sold by William Fleagle Executor of Charles Hoch and was bought for the Society of Snowhill December 1864 , together with an Ephrata songbook. Exhibited at Ephrata Cloister, 2012.
Competitive in-house shipping is available for this lot.
Condition:
Binding missing to songbook. Other binding in poor condition.
DALE CHIHULY (AMERICAN, B.1941) "ROMANDALE CHIHULY (AMERICAN, B.1941) "ROMAN RED SEAFORM PAIR" 2006 Blown glass, from Chihuly's Seaforms series, with original box and display case. Inscribed Chihuly PP06.
Dale Chihuly (American, b. 1941)
Dale Chihuly has become an internationally celebrated personality in contemporary art and design, whose prominence in the field of contemporary studio glass is unmatched. During his many years as a teacher, Chihuly made a point of gathering artists from all media to work with him and with glass, with the aim of introducing new points of view and infusing new energy into the process of glassworking.
In 1969, he took leadership of an important glass program at the Rhode Island School of Design (RISD) in Providence, and two years later, he founded Pilchuck Glass School, the premier international school for glass artists, with the Seattle art patrons Anne Gould Hauberg and John Hauberg. Students combined glass and other media in both glassblowing and installation work - often compensating in creative presentation for what they lacked in technique - and they were always encouraged by Chihuly to approach the material in unorthodox ways. With these achievements alone, Chihuly would be recognized for his enduring impact on the American studio glass movement, but he has been able to pursue a prolific and successful career as an artist as well.
While Chihuly’s work has changed dramatically throughout his nearly 50-year career, certain preferences have remained the same. He has always worked glass in a variety of sizes, from small vessels to room-size installations. He has always been interested in sculpture and in outdoor projects where the landscape may be used as a point of departure. Color, on the other hand, has been a gradual acquisition, from the muted, relatively monochromatic 1970s works, such as the Blanket Cylinders and early Seaforms, to the brilliant colors of the Macchias and Venetians in the 1980s and beyond.
PAIR OF CHINESE GREEN, AUBERGINE ANDPAIR OF CHINESE GREEN, AUBERGINE AND OCHRE GLAZED PORCELAIN SEATED BUDDHISTIC LIONS9 x 3 x 3 5/8 in.
Condition
Minor wear and in good condition.
Notwithstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
PAIR OF CHINESE AUBERGINE, GREEN ANDPAIR OF CHINESE AUBERGINE, GREEN AND OCHRE GLAZED PORCELAIN MODELS OF BUDDHISTIC LIONS WITH PUPPY AND BALL13 1/2 x 4 1/2 x 3 1/2 in.
Condition
Minor wear and in good condition.
Notwithstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.