- ALFRED COFFEY, NOON-TAHITI SHOWING MOOREA
ALFRED COFFEY, NOON-TAHITI SHOWING MOOREA ISLANDAlfred Coffey (Australian, 1859-1950)Noon-Tahiti showing Moorea Islandoil on canvassigned and titled lower right8 3/4 x 13 1/2in (22 x 34.3cm)
- Jefferson (Jeff) Rigby (1948-.) Australia,
Jefferson (Jeff) Rigby (1948-.) Australia, acrylic on board, Steam train at Port, signed and dated lower left, 31 cm x 60 cm
- Jefferson (Jeff) Rigby (1948-.) Australia.
Jefferson (Jeff) Rigby (1948-.) Australia. untitled, Steam train, oil, signed lower right, dated 2002, approx 25cm x 59cm
- Jefferson (Jeff) Rigby (1948-.) Australia,
Jefferson (Jeff) Rigby (1948-.) Australia, untitled, steam train, 23.5 cm x 69 cm , signed lower right
- J. Liddell Australia, two landscapes,
J. Liddell Australia, two landscapes, untitled, oils on boards, signed lower right, 21 cm x 36 cm (2)
- Kevin Charles (Pro) Hart (1928-2006)
Kevin Charles (Pro) Hart (1928-2006) Australia. Station Kids, oil on board, signed lower right, approx 20 cm x 19.5 cm
- Ian Hansen (1948-.) Australia, Morning
Ian Hansen (1948-.) Australia, Morning Departure, oil on board, signed lower right, 29 cm x 44 cm
- William John (Bill) O'Shea (1934-.)
William John (Bill) O'Shea (1934-.) Australia, Deserted Georges Plains, oil on board, signed lower right, 16 x 36.5 cm
- Henoch Raberaba (1914-75) Australia
Henoch Raberaba (1914-75) Australia (Aboriginal) central Australian scene, signed lower right, 15 cm x 25 cm
- Brian Charles Baigent (1929-2000) Australia,
Brian Charles Baigent (1929-2000) Australia, calm waters, Sydney harbour, oil on board, signed lower left, 23.5 cm x 34 cm
- Benjamin Landara (1921-85) Australia
Benjamin Landara (1921-85) Australia (Aboriginal) watercolour, signed lower right, approx 18.5cm x 27cm
- HARDING & BAZELEY "Spherical Weight
HARDING & BAZELEY "Spherical Weight Clock", English 20th century copy of the NICHOLAS RADELOFF 17th century version. Limited edition of 500 made for the Australian market this one being numbered 158, untested, approx 36cm H x 21cm Sq
- Andrew Park (Working 1940s-60s) Australia,
Andrew Park (Working 1940s-60s) Australia, The river path, oil on board, signed lower left. Provenance: Directly from the Hordern Family, approx 35cm x 45cm
- James Wynne (1944-.) Australia, Harbour
James Wynne (1944-.) Australia, Harbour view, oil on canvas, signed lower left, approx 39cm x 89cm
- Andrew Patsalou (c1955-.) Australia,
Andrew Patsalou (c1955-.) Australia, painting Galahs, signed dated lower right, 2001, approx 49cm x 75cm
- Frederic Bates (1918-2009) Australia,
Frederic Bates (1918-2009) Australia, Yellow Gums, overlooking Finnells Bay, watercolour, approx 35cm x 46cm
- D'Arcy W. Doyle (1932-2001) Australia,
D'Arcy W. Doyle (1932-2001) Australia, untitled, oil on board, signed lower right, approx 48.5 cm x 59 cm
- Gerrard George Lants (1927-98) Australia,
Gerrard George Lants (1927-98) Australia, watercolour, approx 25cm x 53cm
- Andrew Patsalou (c1955-.) Australia,
Andrew Patsalou (c1955-.) Australia, Birds of Paradise, painting, signed lower left and dated 2001, approx 49.5cm x 77.5cm
- Joseph Ambrose Frost (1953-.) Australia,
Joseph Ambrose Frost (1953-.) Australia, Morning Light Circular Quay East, oil on board, signed lower right, approx 14.5cm x 19.5cm
- Joseph Ambrose Frost (1953-.) Australia,
Joseph Ambrose Frost (1953-.) Australia, Sydney Harbour, oil on board, signed dated lower right 85, approx 13.5cm x 24cm
- Joseph Ambrose Frost (1953-.) Australia,
Joseph Ambrose Frost (1953-.) Australia, Sydney Harbour, oil on board, signed lower right, approx 15cm x 24cm
- Early 20th Century Australian carved
Early 20th Century Australian carved emu egg centrepiece, with a central emu egg carved with lyre bird and cockatoo, above electroplated silver stand, with central Aboriginal figure, unmarked, approx 27cm H
- Andrew Patsalou (c1955-.) Australia,
Andrew Patsalou (c1955-.) Australia, oil on board, two Kookaburras, signed lower left, dated 2002, approx 71cm x 50cm
- Two volume set of antique Royal Crest
Two volume set of antique Royal Crest Book, vol 1 & 11 Royal Book of Crests, Great Britain & Ireland Dominion of Canada India & Australia, Edited by Joseph Maclaren Edinburgh Thomas C Jack (2)
- Ian Hansen (1948-.) Australia, Afternoon
Ian Hansen (1948-.) Australia, Afternoon Departure, oil on board, signed lower right, approx 29.5cm x 37cm
- Australian motif pewter sculpture of
Australian motif pewter sculpture of Gallahs on branches mounted to a amethyst crystal section base, approx 13cm H x 11cm W x 15cm D
- Rare Australian Evan Jones mantle clock
Rare Australian Evan Jones mantle clock surmounted with aboriginal figure throwing boomerang, marked to dial Evan Jones Sydney. Movement number 1304. Case of square shape, with applied brass decoration. Has key, Running at time of inspection. approx 28cm H x 13cm W x 10cm D More Information Evan Jones was one of the great Australian silversmiths. Of his early life it appears not much is known, but he was likely to have arrived in Sydney from England at an early age. He served his apprenticeship under another of Australia's finest silversmiths, Christian Ludwig Quist in the 1860's, on completion of his apprenticeship, Jones took over the premises of Quist's workshop at 15, Hunter Street, Sydney. His output was prolilic and he opened up several branches in Sydney during the 1880's, with the principal workshop being located in Erskine Street in the 1890's. Perhaps one of his more well-known pieces is the gold crown made for King George of Tonga. Evan Jones died in 1917, below is his obituary that was published in the Sydney Daily Telegraph of the 11th May 1917: Alderman Evan Jones, a prominent figure in the municipal life of Sydney died at his home, Bingley, Wudgong Street, Mosman, yesterday morning after a protracted illness. Alderman Jones reached the allotted span on August 31st last year. He arrived in Australia from England whilst a lad and was educated at the Fort Street School. At the age of twelve, he went to work with Messrs. Hardy Brothers, Jewellers, Hunter Street in the city and later was employed by the firm of Hogarth & Erichsen. At the age of fourteen he was apprenticed to Mr. C.L. Quist from whom he received his training in the jewellery trade. Many valuable trophies remain as monuments to Alderman Jones' skill as a jeweller, among them being a silver mounted waddy which belongs to King Thakambau of Fiji on which, on the surrender of Fiji to the British Crown, was handed over with the kingdom and is now in the Tower of London. Alderman Jones first entered municipal life in 1882 as a representative of Denison. In 1866 he was appointed one of the Commissioners for The Colonial and Indian Exhibition held in London and a year later was appointed to a similar position in connection with the Adelaide Jubilee International Exhibition. In 1893 he was Commissioner at the Chicago Fair for Australia...he was also president of the Manufacturing Jewellers Association. In all he sat on the City Council for almost 23 years and several times might have occupied the mayoral chair had he accepted the advice of friends and council to contest the position. It was owing to his exertions that we have a Rotunda in Hyde Park which has been such a distinct benefit to the instrumentalists. He leaves a Widow and six children.
- Antique Australian cedar turned leg
Antique Australian cedar turned leg kitchen table, approx 70cm H x 150cm W x 115cm D
- Margaret Moir Southwell Woodward (1938-.)
Margaret Moir Southwell Woodward (1938-.) Figure Study, signed and dated lower right 94, Australian large work, approx 54.5cm x 75cm
- Antique engraving, The Australian International
Antique engraving, The Australian International Exhibition Building Sydney 1879, approx 25cm x 37cm
- Peter Jefferson White (Working 1980s-90s)
Peter Jefferson White (Working 1980s-90s) Australia, watercolour, Sydney harbour
- Benjamin Edwin Minns (1864-1937) Australia,
Benjamin Edwin Minns (1864-1937) Australia, Etching, two Australian Aboriginal heads, signed on the margin, approx 12cm x 18cm
- N. Campbell (Nancy) Napanangka (1961-.)
N. Campbell (Nancy) Napanangka (1961-.) Australia (Aboriginal) oil on canvas, 35.5 cm x 45.5 cm
- Brenda Lynch, Australian Aboriginal,
Brenda Lynch, Australian Aboriginal, oil on canvas, 36 cm x 45.5 cm
- Brenda Lynch Nungari, Australian Aboriginal,
Brenda Lynch Nungari, Australian Aboriginal, oil on canvas, 51 cm 61 cm circa 1980's Napperby station