A few examples of appraisal values for
BRUSH HOLDER

• TWO EAST ASIAN BRUSH HOLDERSTwo East
  TWO EAST ASIAN BRUSH HOLDERSTwo East Asian brush holdersOne with inkpot.length of larger 7 5/8in (19.5cm)
• CHINESE PORCELAIN BRUSH HOLDER DECORATED
  CHINESE PORCELAIN BRUSH HOLDER DECORATED WITH SHISHI AND BROCADE BALL IN UNDERGLAZE BLUE ON AN OATMEAL CRACKLE GROUND Chinese porcelain brush holder decorated with shishi and brocade ball in underglaze blue on an oatmeal crackle ground. The base with character reading 'wan' (trinket). 4-1/2" high x 2- 7 /8" diameter. Late 19th century.
• SELECTION OF ASIAN EXPORT WARE Including
  SELECTION OF ASIAN EXPORT WARE Including a Japanese boat-form censer, 19th century, with rooster prow and pagoda cover, 8 in. H., 11 in. W.; a pair of Canton enamel on copper vases, 19th century, as are, 8 1/4 in. H.; a pair of Japanese gilt cup plates, early 18th century; a Japanese Fukagawa brush holder, late 19th century, 4 in. Diam.; and a Swatow bowl, 19th century, 6 1/2 in. Diam.
• VINTAGE POTTERY VANITY MIRROR WITH HAND
  VINTAGE POTTERY VANITY MIRROR WITH HAND MOTIFS Vintage art pottery vanity mirror, with relief molded hands to function as toothbrush holders, soap dish, etc., impressed date mark: "1973." 10.25" H x 12" W x 3.5" D. Hairlines on proper left pinky.
• GROUPING OF ASIAN BRONZE AND CARVED
  GROUPING OF ASIAN BRONZE AND CARVED ITEMS. Includes a 19th century Japanese Yatate calligraphy brush holder; a highly carved wooden photo frame decorated with dragons; a highly carved oval frame decorated with dragons and cherry blossoms; and a highly carved rectangular framed mirror. From a Darien, CT estate. Dimensions: mirror measures approx. 9.375" w x 13.5" h. Condition: Good, with light surface scratches and minor dings/dents.
• STERLING. RAYMOND C YARD PERSONAL VANITY
  STERLING. RAYMOND C YARD PERSONAL VANITY ITEMS. Including a monogrammed Tiffany & Co. sterling oblong petite dish - stamped, "Tiffany & Co. Makers17999 8476 Sterling Silver 925/1000 M"; a monogrammed Tiffany & Co. sterling hinged stamp case with a gold wash to interior - stamped, "Tiffany & Co. Makers17220 654 Sterling Silver 925/1000 M"; a monogrammed Tiffany & Co. sterling hinged box with a gold wash to interior - stamped, "Tiffany & Co. Makers7969 8439 Sterling Silver 925/1000 M"; a monogrammed Tiffany & Co. sterling bottle - stamped, "Tiffany & Co. Makers17689 1469 Sterling Silver 925/1000 M 89"; a Rand & Crane petite sterling articulated oblong footed bowl- stamped, "Rand & Crane 1138X Sterling"; a monogrammed Meriden Brittania Co. Sterling mounted articulated basket with glass inserts - stamped, "Sterling 71"; a monogrammed The McChesney Co. sterling soap holder with gold wash to interior - stamped, "Sterling B32 MC"; and a monogrammed The McChesney Co. sterling toothbrush holder - stamped, "Sterling B92 MC". Total approx. weight is 28.1 troy (gross) excluding glass inserts. From a Hollis, NY estate. Dimensions toothbrush holder measures approx. 6.75" in length. Condition: Good, with light surface scratches and minor dings/dents. Glass inserts exhibit chips.
• A JAPANESE COPPER YATATE 20th century,
  A JAPANESE COPPER YATATE 20th century, yatate or traveling writing set, hexagonal form inkwell with reticulated foliate sides having acanthus leaf decoration over and below, brush holder with applied figural dragon and conforming acanthus decoration terminating in an elephant handle, appears unmarked.
• CHINESE POTTERY TREE FORM BRUSH HOLDER
  CHINESE POTTERY TREE FORM BRUSH HOLDER AND A DOG FORM WATER DROPPERThe brush holder with impressed seal mark. The brush holder 2 1/2 x 5 1/2 x 2 in., the dropper 2 x 2 1/2 x 4 in. Condition Each with minor wear and in good condition. Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• Old Japanese Copper Yatate Brush Holder
  Old Japanese Copper Yatate Brush Holder 14''
• PAINTED PIG-SHAPED SHAVING BRUSH HOLDER,
  PAINTED PIG-SHAPED SHAVING BRUSH HOLDER, 19TH C.A painted wooden brush holder in the shape of a pig, having a shelf and two hooks, 19th century. Complete with three brushes and a comb. The brush holder measures 7.75 x 13.5 inches. Condition Original paint has worn in areas around the snout and around the shelf.
• PAIR OF DRESDEN VANITY BRUSH STANDSWell
  PAIR OF DRESDEN VANITY BRUSH STANDSWell modelled as 3 cherubs supporting the brush holders, hand-decorated in gilt and painted florals. One brush holder requires re-attachment, marked. Each measuring, 5 1/2" high.
• CHINESE PORCELAIN BRUSH REST, KANGXI
  CHINESE PORCELAIN BRUSH REST, KANGXI PERIODA porcelain brush holder, depicting a mouse beneath curling tendrils attached to a oval pond. L: 10.5 cm, H: 7.5 cm Provenance: From E&J Frankel, Ltd. located in New York. Established in 1967, is one of the oldestgalleries in the United States specializing in Asian Art.
• NINE VAR. WHITE IRONSTONE TOOTHBRUSH
  NINE VAR. WHITE IRONSTONE TOOTHBRUSH HOLDERS.Lot of Nine Various White Ironstone China Toothbrush Holders. 4-1/2" to 6-1/2"h. Condition: : Very good with a few hairlines. Condition: Condition: : Very good with a few hairlines.
• ANTIQUE AND VINTAGE WRITING AND PAINTING
  ANTIQUE AND VINTAGE WRITING AND PAINTING ITEMS.Lot of Antique and Vintage Writing and Painting Items. Including blotters, ink wells and brush holders. Longest 9"l. Condition: : Good with wear. Condition: Condition: : Good with wear.
• PORCELAIN FLOW BLUE FLORAL LIDDED TOOTHBRUSH
  PORCELAIN FLOW BLUE FLORAL LIDDED TOOTHBRUSH HOLDERAccented in gold gilt. Includes tray drainer. Factory reproduction mark to base. Issued: 20th century Dimensions: 2.5"L x 3"W x 3"H
• 2PC ROSEVILLE POTTERY VANITY SET, COLONIALSet
  2PC ROSEVILLE POTTERY VANITY SET, COLONIALSet includes wash basin and toothbrush holder. Stoneware is sponge painted with blue and tan with light glaze and gilding on handles. Largest piece: 16"L x 16"W x 5"H. Issued: 20th century Country of Origin: United States Condition: Age related wear.
• 19TH CENT. CHINESE CARVED BONE BRUSH
  19TH CENT. CHINESE CARVED BONE BRUSH HOLDERDESCRIPTION: a 19th cent. Chinese carved brush holder featuring in a cylindrical form, finely carved at the foundation of the structure with open work patterns., decorated with detailed motifs of village scenes. Completed along the bottom with scrolling vine and lotus flower motifs. CIRCA: 19th Cent. ORIGIN: China DIMENSIONS: H: 6" W: 3.5" CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• STEUBEN ROUGE FLAMBE TUMBLERDESCRIPTION:
  STEUBEN ROUGE FLAMBE TUMBLERDESCRIPTION: Steuben rouge flambe tumbler with tomato red towards orange coloring. Finished with random reeding at the bottom, and pontil. Soda- Lime Glass Reference: Shape 6359, See advertising brochure where this piece is identified in the brochure as to shape #, not shown in Gardner. Fig. 6.15 p. 140 of Frederick Carder and Steuben Glass by Thomas P. Dimitroff. Likely, a set with Toothbrush Holder #6767, Piece # 245. Attribution to original owner, an employee of Steuben. Pictured at p. 99 of Objects of Desire, The Art of Frederick Carder by Alan Shovers Opaque and lined with flint white per Beth Shaut of Rockwell=s. Beth Shout originally opined that this wasn't an authentic piece of Rouge Flambe because she never saw rouge flambe with reeding. She also opined that Frederick Carder never signed pieces with that form of signature on the side of a piece, except for Intarsia pieces. Subsequently, on around Feb. 26, 2002 she reported talking to Bobby Rockwell who Said it was Steuben and that the color and translucency on the edge was from being over cooked. She then goes on to apologize because she was wrong. In Glass Art Reflect the Future: Art and technical glass from the collection of The Paul Vickers Gardner Glass Center, Published at Alfred University 2002 p.3 it states: Carder never produced this fragile glass commercially; 25 large pieces known to exist may be viewed in the Frederick Carder Collection of the Corning Museum of Glass. The experimental pieces in the exhibit demonstrate the variance between translucency and opacity, depending on the degree of crystallization that occurred. Jim Barlow reports on 5/30/02 following a research trip to the Rakow that he found a reference to a rouge flambe with reeded know shape #6158(puff box/candy jar). Retail $6.00; in Cerise Ruby the most common color, $7.50. This is the least likely glass to be encountered among any of the Carder opaques or semi opaques, or for that matter, among almost any type of his glass. A vivid dense warm red leaning toward the yellow or orange direction, it is made of a combination of chemicals, one of which was selenium that required careful proportioning and manipulation to produce the rich tomato-like color. Mr. Carder state that this was very difficult to make and that very few pieces were made. Ill. No. H-23, see p. 112 Carder=steuben Glass Handbook and Price Guide by John F. Hotchkiss. Provenance: Estate of Mr. and Ms. Alan Shovers Acquired 4/12/01 from dealer Neil Kohut of Los Vegas, NV CIRCA: 1900s DIMENSIONS: H: 4.5" x D: 2.75" CONDITION: Small chip in base. Normal signs of age. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• STEUBEN ROUGE FLAMBE TUMBLERDESCRIPTION:
  STEUBEN ROUGE FLAMBE TUMBLERDESCRIPTION: Rouge flambe toothbrush holder with tomato red towards orange coloring and random reeding at the bottom. Soda-lime glass. Signed Fredk Carder at the side, above the reeding. Reference: Shape 6767, p. 245 Gardner. Pictured at p. 99-100 of Objects of Desire, The Art of Frederick Carder by Alan Shovers Eric E. Ericson in the first volume to his treatise, A Guide to Colored Steuben Glass 1903 - 1933 p. 9 says, Frederick Carders favorite and most difficult glass to make was the only production to carry his personal AFREDK CARDER in bold Spencerian script. Other special presentation pieces were often signed in the same manner, but these were not production Steuben in the sense we shall consider in this treatise. See Advertising brochure where this piece is identified in the brochure as to shape Fig. 6.15 p. 140 of Frederick Carder and Steuben Glass by Thomas P. Dimitroff. At p. 239 Fig. 10.92, a paperweight cologne is shown with the Intarsia style signature on the base on the side. Shape shown on the cover of Frederick Carder steuben Glass by Marshall Ketchum. See shape p. 55 of A Guide to Colored Steuben Glass 1903 - 1933 by Eric E. Ericson. Jim Barlow reports on 5/30/02 following a research trip to the Rakow that he found a reference to a rouge flambe with reeded know shape #6158(puff box/candy jar). Retail $6.00; in Cerise Ruby the most common color, $7.50. Toothbrush holders were commonly sold in sets with a tumbler and a soap dish. There is a matching Rouge Flambe tumbler, shape 1185, with reeding. In Alan Shovers collection, piece. This is the least likely glass to be encountered among any of the Carder opaques or semi opaques, or for that matter, among almost any type of his glass. A vivid dense warm red leaning toward the yellow or orange direction, it is made of a combination of chemicals, one of which was selenium that required careful proportioning and manipulation to produce the rich tomato-like color. Mr. Carder states that this was very difficult to make and that very few pieces were made. lll. No. H-23, see p. 112 Carder steuben Glass Handbook and Price Guide by John F. Hotchkiss. Like Mandarin Yellow, Rouge Flambe was also inspired by Chinese porcelains; both these glasses were made in shapes suggestive of oriental ceramics, and both were difficult to produce and particularly vulnerable to breakage caused by strains within the glass. Rouge Flambe pieces range in color from a rich red, as in Color Plate XXIII A, which was the color Carder was seeking, to an orange or coral tone. The color was produced by the addition of selenium and cadmium sulfide to the glass batch. As a result of the production difficulties, Rouge Flambe was made for only about two years, probably in 1916 and 1919. (See also Color Plate XXIV A.) The Glass of Frederick Carder by Paul V. Gardner, p. 81 Viewing Plate XXIII of Gardner the tallest piece is 6 2 A. Also, the decorated piece shown at plate XXIV is 4 1/4" H. Rouge Flambe is among the rarest of Carder glasses. Fig. 8.58, p. 198 of Frederick Carder and Steuben Glass by Thomas P. Dimitroff. Technical production difficulties, such as glass formulas that yielded unstable glass, also could result in very few items be made. This was the case with Mandarin Yellow, Rouge Flambe, and Moresque. As a result, all of these types are rare and extremely valuable. p. 239 In Color, this ware resembles a delicate tomato-red. It was made of the metallic substance selenium and a precise amount of cadmium sulfide. The manufacture of this glass was quite precarious due to the delicacy involved in both the melting process and heat treatment. The finished product has a soft, warm appearance. The marketing of this product was quite late in the 1920's and perhaps a year into the 1930's. It is an exceedingly scarce item, little being made or sold due to the tumultuous period of introduction. P. 67 of a Guide to Colored Steuben Glass 1903 -1933 (Book I), by Eric E. Ericson. Another of the little-seen type of Steuben Glass but remembered once seen for its striking rich red tomato color in a dense opaque body which Mr. Carder reported as extremely difficult to make and likely to be unstable structurally. The few pieces that are seen are almost without exception in important collections and therefore, like similar rarities, values can be an approximation of what a seller and buyer might agree upon. The scale of value would place it above Intarsia and below Diatreta. As a more specific valuation, it may be placed somewhere between the low and mid five figure prices. Art Glass Prices #3 by John F. Hotchkis 1967). Rouge Flambe glass is one of the most strikingly explosive shades achieved in glass. In view of the exact control needed for the mix, as well as the proper heat of the fire, very little variation may occur before a piece falls short of its natural brilliance. These pieces must be recognized, as they were rarely signed, but using Steuben shapes as reference along with the outstanding red color, it is highly unlikely that one will overlook such a piece. Art Glass Nouveau by Ray and Lee Grove, p. 156. This rare art glass type, consisting of fewer than one hundred examples, was produced by Frederick Carder about 1916-1917. Its color, ranging from tomato red to orange, and even coral pink, has a bright surface texture and was not acidized or iridized. Proved to be fragile, causing straining and cracking of the glass the addition of minute, metallic flecks of chrome oxide gave the ware a pearly finish. P. 40 of The Collector's Encyclopedia on American Art Glass by John A. Shuman III. See, similar wise, also at p. 146 of American Art Nouveau Glass by Albert Christian Revi. Color shown in a plate in a 1926 AD in House and Garden labeled {Steuben Glass hand wrought in the old tradition and bearing the label Steuben Glass Blown and modeled (id) at Steuben Furnaces, Corning, N.Y. The inscription reads Rouge flamme (id), the color of the small plate, is one of the rarest and most striking colors ever developed in glass. On the record interview between Carder and Philpot. The Fieldstone Porch Presents Conversations with Carder on Steuben his American Art Glass Carder says, contrary to several books that say the Intarsia signature is engraved, that he signed the Intarsia pieces, estimated at 35 in number. In the book, For Real bob Rockwell The an and His Collection by Mary Elizabeth Wahlig at p. 119 the author says: As far as Bob can recall, Aurene is the only type he would sign with its name with one exception; Bob recalls, Carder did sign just one piece Rouge flambe, fred Carder. Opaque and lined with flint white per Beth Shaut of Rockwells. Beth Shaut originally opined that this wasn't an authentic piece of Rouge Flambe because she never saw rouge flambe with reeding. She also opined that Frederick Carder never signed pieces with that form of signature on the side of a piece, except for Intarsia pieces. Subsequently, on around Feb. 26, 2002 she reported talking to Bobby Rockwell who Said it was Steuben and that the color and translucency on the edge was from being over cooked. She then goes on to apologize because she was wrong. In Glass Art Reflect the Future: Art and technical glass from the collection of The Paul Vickers Gardner Glass Center, Published at Alfred University 2002 p.3 it states: Carder never produced this fragile glass commercially; 25 large pieces known to exist may be viewed in the Frederick Carder Collection of the Corning Museum of Glass. The experimental pieces in the exhibit demonstrate the variance between translucency and opacity, depending on the degree of crystallization that occurred. Jim Barlow examined additional pictures of the signature and concluded it was engraved. He states the signature is one of two things. The work of a Master engraver who isn't bothered by forging something or it is by the person who put on all the signatures on the pieces of Intarsia at Steuben. He concludes the signature looks awfully authenticate. See signature at p. 234 of Dimitroff, Fig. 10.83, Frederick Carder and Steuben Glass and also p. 135 of The Glass of Frederick Carder by Paul V. Gardner. Also p. 200 of Thomas P. Dimitroff's book in fig. 8.65 a Rouge Flambe piece is signed with the AFredk Carder on the bottom post-production. Perfect match on an Intarsia piece shown at https://www.glassclub.org/8_22x.htm Provenance: Estate of Mr. and Ms. Alan Shovers Acquired 3/8/02 from Troy Jenkins of Sarasota, FL. CIRCA: 1900s DIMENSIONS: H: 4.5" x D: 3" CONDITION: Great condition. Normal signs of age. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• GROUPING OF EARLY 20TH C. CHINESE PORCELAIN1st
  GROUPING OF EARLY 20TH C. CHINESE PORCELAIN1st item: Famille Rose porcelain teapot with female figural and landscape decoration and poem. Red seal mark to base. 6 7/8" H. Early 20th century. 2nd item: Pair of Chinese porcelain Famille Rose vases with scholar decoration and iron red band decoration to necks and bases. Bases marked CHINA and also with blue seal mark. 5 6/8" H. Early 20th century. 3rd item: Chinese Famille Rose shaped lidded brush holder with figural and landscape decoration. 1 1/4" H x 5" W x 2 3/8" D. Early 20th century. Condition: 1st item: Overall very good condition with some wear to decoration. Old yellow tape residue. 2nd item: Overall very good condition. 3rd: Overall wear to paint decoration.
• TIFFANY TRAVEL SET AND HEART DISH, 5
  TIFFANY TRAVEL SET AND HEART DISH, 5 ITEMSGroup of five (5) marked Tiffany sterling silver items including a partial sterling silver travel set consisting of a toothbrush holder and 2 canisters (3 1/2" H - 6 5/8" H), miniature "Bamboo" pill or pin box (1" x 1 7/8"), and a pierced heart shaped footed tray (7" x 6"). 14.720 total troy ounces. Estate of Jane McKinnon, Lenoir City, TN. (Higher-resolution photos are available at www.caseantiques.com) Condition: Denting to side of toothbrush holder and tallest canister. Overall general wear to all items. Pill box engraved.
• QING DYNASTY PORCELAIN BRUSH HOLDER
  QING DYNASTY PORCELAIN BRUSH HOLDER ON WOOD STANDQing dynasty porcelain brush holder on wood stand, the cylindrical brush holder is decorated with a scene of an artist showing his work to a wealth patron, label on bottom from Tung Tak Fine Arts reads "Circa Ching Dynasty Tung Chih A.D. 1862 1875". Brush holder appx 4 1/2"h x 2 1/2"dia.
• CHINESE BAMBOO BRUSH HOLDER W/ DRAGONChinese
  CHINESE BAMBOO BRUSH HOLDER W/ DRAGONChinese bamboo brush holder decorated with a beautifully detailed carving of a dragon in low relief. Height: 11 1/8 in x diameter: 4 3/4 in. Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
• TWO CHINESE DOUCAI ENAMELED VESSELSpossibly
  TWO CHINESE DOUCAI ENAMELED VESSELSpossibly late Ming dynasty, comprising a brush holder with fish decoration and a vase with mask form handles, decorated with flowers, taller 6-1/4 in. Provenance: Private Collection, Cincinnati, Ohio Condition: brush holder with hairline crack, wear to rim; vase with a few small chips, possibly firing flaws, chips to foot rim, embedded dirt, wear to enameled decoration
• 6 PIECES OF CHINESE ROSE MEDALLION PORCELAIN,
  6 PIECES OF CHINESE ROSE MEDALLION PORCELAIN, 19THThe 2 cylindrical brush holders pierced and with slightly raised/molded figure decoration Brush: 4.5" H x 2.5" diameter Property from the Washington Connecticut estate of a long-time American collector (DCUN8610/7)(WT)
• THREE CHINESE TABLE OBJECTScomprising:
  THREE CHINESE TABLE OBJECTScomprising: red lacquered pigskin box with brass mounts, dated c. 1880 by the Crane Gallery Inc., #2 on 2012 Crane appraisal; carved bamboo brush holder with incised lotus decoration, dated c. 1750 by Crane Gallery Inc., #19 on 2012 Crane appraisal; lobed rosewood brush pot, dated 18th century by Crane Gallery Inc., #29 on 2012 Crane appraisal; largest 2 x 7-1/2 x 4-1/4 in. Provenance: Collection of Max Loehr, Abby Aldrich Rockefeller Professor of Oriental Art, Harvard University, 1960; by descent in family Note: â—‰This lot contains animal or plant material that may be restricted under federal, state and/or local law. Prospective bidders should check all applicable government wildlife restrictions prior to placing a bid. The buyer is solely responsible for obtaining any necessary licenses or permits from federal, state and/or local authorities applicable to their purchase or transport of the object. Please note that bidders in New Jersey may not bid on any lots containing elephant ivory, mammoth ivory, or rhinoceros horn. Note: View the aforementioned appraisal documents at https://brunkauctions.com/the-max-loehr-collection-october-19-2023-asian-auction-appraisals/ Condition: surface dirt and scratches; box with minor losses; brush pots with cracks and separations
• A gentleman's shaving stand with brass
  A gentleman's shaving stand with brass gallery fitted a soap pot and brush holder, 37cm wide
• SHERLE WAGNER CHINOISERIE PORCELAIN
  SHERLE WAGNER CHINOISERIE PORCELAIN SINK: Comprising; Sink, Handles, Two Sink Faucets, Bamboo motif Toothbrush holder, Handles, Toilet paper holder, and some extra parts. Sing Approx. 8.5'' h x 19.25'' w x 15.25'' w. CONDITION: Chip at outer edge of sink (concealable with caulking), Toilet paper holder backings cracked. Possible missing a part.
• TWO CHINESE EXPORT CYLINDER VASES Guangxu
  TWO CHINESE EXPORT CYLINDER VASES Guangxu era, circa 1890s-1900 stone ware bamboo form vase, with lotus relief decoration. 8 1/2 in. H., 6 in. Diam. carved bamboo vase or brush holder, with carved relief decoration of figures in river scene. 13 in. H., 5 in. Diam.
• One bronze Chinese gate statuette with
  One bronze Chinese gate statuette with mark to bottom; some wear, some surface scratches; H 5 1/4" x W 5 1/2" x L 2 1/2" (approx.); one jade leaf-shaped brush holder; some wear; H 1 1/2" x W 4 3/4" x L 4 1/2" (approx.); one jade bunch of grapes; some wear; H 8 1/2" x W 6 1/2" x D 2 1/2" (approx.); one circular wooden stand; some wear, some marks; H 1 1/2 x D 5" (approx.); one oval wooden stand; some wear, some cracks, some scratches; H 2 1/8 x L 8" x W 5" (approx.); one circular wooden stand with three legs; some wear, some damages; some losses, sold as-is; H 3 1/2" x D 4 1/2" (approx.); one small metal salt cellar with chick topper; some wear, some surface scratches, some tarnishing; H 1 1/4" x W 1 1/4" x L 1 1/4" (approx.)
• Korean bowl-form celadon glazed brush
  Korean bowl-form celadon glazed brush washer with molded brush holder to interior, the interior with floral designs; glaze flaws, some wear, minor pitting; H 2" x D 4 1/4" (approx.)
• AMERICAN BRILLIANT GLASS BOWL PITCHER
  AMERICAN BRILLIANT GLASS BOWL PITCHER COMMODE SET United States,19th. CenturyA large American brilliant cut glass bowl and pitcher with brush holder and water cruet with glass.
• CHINESE BLUE & WHITE SILVER MOUNTED
  CHINESE BLUE & WHITE SILVER MOUNTED BRUSH HOLDER Chinese. Blue and white porcelain brush holder, having silver mounts, on wooden base, and decorated with a dragon and bat encircling a pearl, set against clouds. Unable to look for marks to the underside. Approx. overall h. 5.5".
• PAIR OF TURQUOISE GLAZED PORCELAIN BRUSH
  PAIR OF TURQUOISE GLAZED PORCELAIN BRUSH HOLDERS19th Century. Each cylindrical vessel pierced with blossoming bamboo, on carved gilt wood stands. Height 4 in. Diameter 2.5 in. (Cond: good, one stand with damages)
• A Pair of Chinese Green Overlay Milky
  A Pair of Chinese Green Overlay Milky White Glass Vases and A Chinese Blue Overlay Snow Flake Ground Glass Brush Holder 20TH CENTURY the brush holder decorated with flowering prunus, the vases with lotus. Length of largest 6 1/2 in., 16.5 cm.
• Six Chinese Famille Rose 'Flowers and
  Six Chinese Famille Rose 'Flowers and Butterflies' Porcelain Articles comprising two covered jars, two teapots, one small bottle vase, and one brush holder. Height of tallest 5 1/2 in., 14 cm.