- VALESKA SOARES (B. 1957): UNTITLED (MODEL
VALESKA SOARES (B. 1957): UNTITLED (MODEL AFTER VANISHING POINT)Metal with perfume, 1998, incised with initials, dated and numbered 3/5 on the underside.
13 1/4 x 14 5/8 in.
Note: Brooklyn-based Brazilian artist Valeska Soares' sculpture and installation work use sensory and conceptual techniques to create environments and experiences that are inviting, and also disturbing. She trained in modernist architecture and uses materials associated with building construction, such as steel and mirror, to make her art. In this work, Soares combines heavy, reflective metal with the ethereal scent of perfume to create an evocative experience for the viewer while displaying her interest in the physicality of the construction. This work is a model after her large-scale installation piece from 1998 titled Vanishing Point which arranged stainless steel tanks filled with water and perfume on the floor of a room. The scent we have used in this work is called Chord, handmade by Hudson, NY perfumers 2 Note. It combines Bergamot, Grapefruit and Petitgrain for a fresh, clean scent that speaks to Soares' interest in what she calls the 'ideal space' of the garden.
Condition
A spot of old adhesive at top. Some residue from the perfume. Otherwise in very good condition.
Notwithstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
- BERGAMOT BRASS WORKS BELT BUCKLEDesigned
BERGAMOT BRASS WORKS BELT BUCKLEDesigned with Native American with full headdress. Bergamot Brass Works imprint.
Issued: 20th century
Dimensions: 4.5"L x 3.5"W
Manufacturer: Bergamot Brassworks
Country of Origin: United States
Condition:
Age related wear.
- LALIQUE CRYSTAL PERFUME, LE PARFUMA
LALIQUE CRYSTAL PERFUME, LE PARFUMA soft and delicate fragrance for women. The top notes are West Indian bay, bergamot, and pink pepper. The heart notes are jasmine, heliotrope, and almond. Lalique factory label
Issued: c. 2005
Dimensions: 2.5"L x 2.5"W x 3.75"H
Manufacturer: Lalique
Country of Origin: France
Condition:
Age related wear.
- NINA RICCI LALIQUE PERFUME, CAPRICEFactory
NINA RICCI LALIQUE PERFUME, CAPRICEFactory sealed perfume bottle, made by Lalique for Caprice fragrance. Top notes: blossoms, bergamot, and leaf green. Base notes: moss, benzoin, musk, vetiver, and sandalwood. Nina Ricci Caprice backstamp. Bottle made by Lalique backstamp.
Issued: 1960
Dimensions: 2.75"L x 2"W x 3.75"H
Manufacturer: Nina Ricci
Country of Origin: France
Condition:
Age related wear.
- MOORCROFT POTTERY RACHEL BISHOP VASE,
MOORCROFT POTTERY RACHEL BISHOP VASE, FLORIAN DREAMA stunning squatted cream-colored ground vase with beautiful pink Wild Bergamot-like flowers and fine tube lining. Moorcroft marked. Artist's marking on the base.
Artist: Rachel Bishop
Issued: c. 2004-2005
Dimensions: 8"W x 6.5"H
Manufacturer: Moorcroft
Country of Origin: England
Condition:
Age related wear.
- A Delft Blue and White Tobacco Jar
18th
A Delft Blue and White Tobacco Jar
18th Century
the body decorated with a figure in a harbor above the label De Koophandel Bergamot, with an MQ/ 8 mark to the underside.
Height 15 1/2 inches.
- FRANCISCO "FRANK" ROMERO, (B. 1940,
FRANCISCO "FRANK" ROMERO, (B. 1940, AMERICAN), "UNTITLED," 2007, SCREENPRINT IN COLORS ON PAPER, IMAGE/SHEET: 19.5" H X 28" WFrancisco "Frank" Romero, (b. 1940, American) "Untitled," 2007 Screenprint in colors on paper Edition 7/70 Signed and numbered at the lower left: F Romero; title and date povided by the printer/publisher, Self Help Graphics and Art, Los Angeles, CA Image/Sheet: 19.5" H x 28" W Provenance: The Carolyn J. Adrian Collection, South Pasadena, CA Notes: Sometimes known as "Blue Freeway" or "Turquoise Freeway," Romero's title for this work was simply "Untitled." Throughout his 40-year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four, Romero and fellow artists Carlos Almaraz, Beto de la Rocha and Gilbert Lujan, helped to define and promote the new awareness of La Raza through murals, publications and exhibitions. Los Four's historic 1974 exhibition at the Los Angeles County Museum of Art was the country's first show of Chicano art at a major art institution. Since then, Romero has successfully balanced a career in both the public and private arenas. He has completed over 15 murals throughout the city, and was a key contributor to the 1984 Olympic Arts Festival with "Going to the Olympics," a large-scale mural which adorns one of Los Angeles' busiest freeways (Highway 101). Romero has shown extensively in the United States, Europe and Japan. Notable exhibitions include: "Chicanarte"(L.A. Municipal Gallery), "Hispanic Art in the United States" (Corcoran Gallery, Washington D.C. and national tour), "Le Demon des Anges" (Nantes, France; Barcelona,Spain; Lund Sweden and Brussels, Belgium), and "American Kaleidoscope" (National Museum of American Art, Smithsonian Institution, Washington D.C.). His work is featured in many permanent collections, including the National Museum of Art in Washington D.C., the Los Angeles County Museum of Art, and the Carnegie Museum in Oxnard, CA. Francisco Romero was a recipient of the prestigious 2001/2001 COLA Award Grant. Romero's works can be seen at the Patricia Correia Gallery at Bergamot Station in Santa Monica and his newly created 44' mural, The L.A. River, is currently on display at the Natural History Museum in Los Angeles' L.A.: Light/Motion/Dreams exhibition. Screenprint in colors on paper Dimensions: Image/Sheet: 19.5" H x 28" W Provenance: The Carolyn J. Adrian Collection, South Pasadena, CA
- FRANK ROMERO, (B. 1941, AMERICAN), "CROSSROADS
FRANK ROMERO, (B. 1941, AMERICAN), "CROSSROADS SCHOOL", SCREENPRINT IN COLORS ON PAPER, IMAGE: 24" H X 32" W; SHEET: 28.25" H X 36.25"Frank Romero, (b. 1941, American) "Crossroads School" Screenprint in colors on paper Edition HC 4/6, aside from the edition of 100 Signed, titled, numbered and inscribed in pencil in the lower margin; with an unidentified blindstamp in the lower left margin corner Image: 24" H x 32" W; Sheet: 28.25" H x 36.25" W Provenance: The Carolyn J. Adrian Collection, South Pasadena, CA Notes: The variant titled for this screenprint is "Crossroads School at Santa Monica Airport" Throughout his 40-year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four, Romero and fellow artists Carlos Almaraz, Beto de la Rocha and Gilbert Lujan, helped to define and promote the new awareness of La Raza through murals, publications and exhibitions. Los Four's historic 1974 exhibition at the Los Angeles County Museum of Art was the country's first show of Chicano art at a major art institution. Since then, Romero has successfully balanced a career in both the public and private arenas. He has completed over 15 murals throughout the city, and was a key contributor to the 1984 Olympic Arts Festival with "Going to the Olympics," a large-scale mural which adorns one of Los Angeles' busiest freeways (Highway 101). Romero has shown extensively in the United States, Europe and Japan. Notable exhibitions include: "Chicanarte"(L.A. Municipal Gallery), "Hispanic Art in the United States" (Corcoran Gallery, Washington D.C. and national tour), "Le Demon des Anges" (Nantes, France; Barcelona,Spain; Lund Sweden and Brussels, Belgium), and "American Kaleidoscope" (National Museum of American Art, Smithsonian Institution, Washington D.C.). His work is featured in many permanent collections, including the National Museum of Art in Washington D.C., the Los Angeles County Museum of Art, and the Carnegie Museum in Oxnard, CA. Francisco Romero was a recipient of the prestigious 2001/2001 COLA Award Grant. Romero's works can be seen at the Patricia Correia Gallery at Bergamot Station in Santa Monica and his newly created 44' mural, The L.A. River, is currently on display at the Natural History Museum in Los Angeles' L.A.: Light/Motion/Dreams exhibition. Screenprint in colors on paper Dimensions: Image: 24" H x 32" W; Sheet: 28.25" H x 36.25" W Provenance: The Carolyn J. Adrian Collection, South Pasadena, CA
- FRANK ROMERO, (B. 1941, AMERICAN), "UNTITLED,"
FRANK ROMERO, (B. 1941, AMERICAN), "UNTITLED," CIRCA 2007, SCREENPRINT IN COLORS ON PAPER, IMAGE: 24" H X 30" W; SHEET: 28" H X 34" WFrank Romero, (b. 1941, American) "Untitled," circa 2007 Screenprint in colors on paper One of ten artist's proofs aside from the edition of unknown size Signed, numbered and inscribed "8/10 AP" in pencil in the lower margin, at left: F Romero; Self Help Graphics and Art, Los Angeles, CA, prntr./pub., with their blindstamp in the lower right corner of the image; an unidentified blindstamp in the lower margin, at right Image: 24" H x 30" W; Sheet: 28" H x 34" W Provenance: The Carolyn J. Adrian Collection, South Pasadena, CA Notes: Sometimes known as "Uptown," "Blue Freeway," or "Highways," according to the printer/publisher, Self Help Graphics and Art, the artist's title for this work was simply "Untitled." Throughout his 40-year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four, Romero and fellow artists Carlos Almaraz, Beto de la Rocha and Gilbert Lujan, helped to define and promote the new awareness of La Raza through murals, publications and exhibitions. Los Four's historic 1974 exhibition at the Los Angeles County Museum of Art was the country's first show of Chicano art at a major art institution. Since then, Romero has successfully balanced a career in both the public and private arenas. He has completed over 15 murals throughout the city, and was a key contributor to the 1984 Olympic Arts Festival with "Going to the Olympics," a large-scale mural which adorns one of Los Angeles' busiest freeways (Highway 101). Romero has shown extensively in the United States, Europe and Japan. Notable exhibitions include: "Chicanarte"(L.A. Municipal Gallery), "Hispanic Art in the United States" (Corcoran Gallery, Washington D.C. and national tour), "Le Demon des Anges" (Nantes, France; Barcelona,Spain; Lund Sweden and Brussels, Belgium), and "American Kaleidoscope" (National Museum of American Art, Smithsonian Institution, Washington D.C.). His work is featured in many permanent collections, including the National Museum of Art in Washington D.C., the Los Angeles County Museum of Art, and the Carnegie Museum in Oxnard, CA. Francisco Romero was a recipient of the prestigious 2001/2001 COLA Award Grant. Romero's works can be seen at the Patricia Correia Gallery at Bergamot Station in Santa Monica and his newly created 44' mural, The L.A. River, is currently on display at the Natural History Museum in Los Angeles' L.A.: Light/Motion/Dreams exhibition. Screenprint in colors on paper Dimensions: Image: 24" H x 30" W; Sheet: 28" H x 34" W Provenance: The Carolyn J. Adrian Collection, South Pasadena, CA
- FRANCISCO "FRANK" ROMERO, (B. 1941),
FRANCISCO "FRANK" ROMERO, (B. 1941), "FREEWAY - FOUR LEVEL," 2003, WOODCUT ON CREAM PAPER, IMAGE: 21" H X 16" W; SHEET: 28.5" H X 22.5"Francisco "Frank" Romero, (b. 1941) "Freeway - Four Level," 2003 Woodcut on cream paper Edition: 23/30 Signed and numbered in pencil in the lower margin: F Romero; titled and dated on a label affixed to the verso of the shrink wrap; an unidentified blindstamp in the lower right margin corner Image: 21" H x 16" W; Sheet: 28.5" H x 22.5" W Provenance: The Carolyn J. Adrian Collection, South Pasadena, CA Notes: Throughout his forty-year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective Los Four, Romero and fellow artists Carlos Almaraz, Beto de la Rocha, and Gilbert Lujan helped to define and promote the new awareness of La Raza through murals, publications, and exhibitions. Los Four's historic 1974 exhibition at the Los Angeles County Museum of Art was the country's first show of Chicano art at a major art institution. Since then, Romero has successfully balanced a career in both the public and private arenas. He has completed over fifteen murals throughout the city and was a key contributor to the 1984 Olympic Arts Festival with "Going to the Olympics," a large-scale mural which adorns one of Los Angeles' busiest freeways (Highway 101). Romero has shown extensively in the United States, Europe, and Japan. Notable exhibitions include: "Chicanarte"(L.A. Municipal Gallery), "Hispanic Art in the United States" (Corcoran Gallery, Washington D.C. and national tour), "Le Demon des Anges" (Nantes, France; Barcelona, Spain; Lund, Sweden; and Brussels, Belgium), and "American Kaleidoscope" (National Museum of American Art, Smithsonian Institution, and Washington D.C.). His work is featured in many permanent collections, including the National Museum of Art in Washington D.C., the Los Angeles County Museum of Art, and the Carnegie Museum in Oxnard, CA. Francisco Romero was a recipient of the prestigious 2001/2001 COLA Award Grant. Romero's works can be seen at the Patricia Correia Gallery at Bergamot Station in Santa Monica and his newly created 44' mural, "The L.A. River," is currently on display at the Natural History Museum in Los Angeles' "L.A.: Light/Motion/Dreams" exhibition. Woodcut on cream paper Dimensions: Image: 21" H x 16" W; Sheet: 28.5" H x 22.5" W Provenance: The Carolyn J. Adrian Collection, South Pasadena, CA
- FRANK ROMERO, (B. 1941), "PALM DRIVE-IN,"
FRANK ROMERO, (B. 1941), "PALM DRIVE-IN," 2002, WOODCUT ON CREAM PAPER, IMAGE: 22.25" H X 16" W; SHEET: 29.5" H X 22.5" WFrank Romero, (b. 1941) "Palm Drive-In," 2002 Woodcut on cream paper Edition: 25/30 Signed and numbered in pencil in the lower margin: F Romero; titled and dated by repute; an unidentified blindstamp in the lower right margin corner Image: 22.25" H x 16" W; Sheet: 29.5" H x 22.5" W Provenance: The Carolyn J. Adrian Collection, South Pasadena, CA Notes: Throughout his forty-year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective Los Four, Romero and fellow artists Carlos Almaraz, Beto de la Rocha, and Gilbert Lujan helped to define and promote the new awareness of La Raza through murals, publications, and exhibitions. Los Four's historic 1974 exhibition at the Los Angeles County Museum of Art was the country's first show of Chicano art at a major art institution. Since then, Romero has successfully balanced a career in both the public and private arenas. He has completed over fifteen murals throughout the city and was a key contributor to the 1984 Olympic Arts Festival with "Going to the Olympics," a large-scale mural which adorns one of Los Angeles' busiest freeways (Highway 101). Romero has shown extensively in the United States, Europe, and Japan. Notable exhibitions include: "Chicanarte"(L.A. Municipal Gallery), "Hispanic Art in the United States" (Corcoran Gallery, Washington D.C. and national tour), "Le Demon des Anges" (Nantes, France; Barcelona, Spain; Lund, Sweden; and Brussels, Belgium), and "American Kaleidoscope" (National Museum of American Art, Smithsonian Institution, and Washington D.C.). His work is featured in many permanent collections, including the National Museum of Art in Washington D.C., the Los Angeles County Museum of Art, and the Carnegie Museum in Oxnard, CA. Francisco Romero was a recipient of the prestigious 2001/2001 COLA Award Grant. Romero's works can be seen at the Patricia Correia Gallery at Bergamot Station in Santa Monica and his newly created 44' mural, "The L.A. River," is currently on display at the Natural History Museum in Los Angeles' "L.A.: Light/Motion/Dreams" exhibition. Woodcut on cream paper Dimensions: Image: 22.25" H x 16" W; Sheet: 29.5" H x 22.5" W Provenance: The Carolyn J. Adrian Collection, South Pasadena, CA
- FRANK ROMERO, (B. 1941), "NEW FOLLIES,"
FRANK ROMERO, (B. 1941), "NEW FOLLIES," 2004, ACRYLIC AND MIXED MEDIA ON PAPER, 26" H X 42" WFrank Romero, (b. 1941) "New Follies," 2004 Acrylic and mixed media on paper Signed in pencil at the lower left: F Romero; signed again, partially, along the upper edge, at right; titled and dated by repute 26" H x 42" W Provenance: The Carolyn J. Adrian Collection, South Pasadena, CA Notes: Throughout his forty-year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective Los Four, Romero and fellow artists Carlos Almaraz, Beto de la Rocha, and Gilbert Lujan helped to define and promote the new awareness of La Raza through murals, publications, and exhibitions. Los Four's historic 1974 exhibition at the Los Angeles County Museum of Art was the country's first show of Chicano art at a major art institution. Since then, Romero has successfully balanced a career in both the public and private arenas. He has completed over fifteen murals throughout the city and was a key contributor to the 1984 Olympic Arts Festival with "Going to the Olympics," a large-scale mural which adorns one of Los Angeles' busiest freeways (Highway 101). Romero has shown extensively in the United States, Europe, and Japan. Notable exhibitions include: "Chicanarte"(L.A. Municipal Gallery), "Hispanic Art in the United States" (Corcoran Gallery, Washington D.C. and national tour), "Le Demon des Anges" (Nantes, France; Barcelona, Spain; Lund, Sweden; and Brussels, Belgium), and "American Kaleidoscope" (National Museum of American Art, Smithsonian Institution, and Washington D.C.). His work is featured in many permanent collections, including the National Museum of Art in Washington D.C., the Los Angeles County Museum of Art, and the Carnegie Museum in Oxnard, CA. Francisco Romero was a recipient of the prestigious 2001/2001 COLA Award Grant. Romero's works can be seen at the Patricia Correia Gallery at Bergamot Station in Santa Monica and his newly created 44' mural, "The L.A. River," is currently on display at the Natural History Museum in Los Angeles' "L.A.: Light/Motion/Dreams" exhibition. Acrylic and mixed media on paper Dimensions: 26" H x 42" W Provenance: The Carolyn J. Adrian Collection, South Pasadena, CA
- FRANK ROMERO, (B. 1941), "CALIFORNIA
FRANK ROMERO, (B. 1941), "CALIFORNIA PLAZA," 2001, SCREENPRINT IN COLORS ON PAPER, IMAGE/SHEET: 37.75" H X 25.875" WFrank Romero, (b. 1941) "California Plaza," 2001 Screenprint in colors on paper Edition: 58/140 Partially signed and numbered lower left: F Rome; titled and dated by repute; Self Help Graphics and Art, Los Angeles, CA, prntr./pub., with their blindstamp in the lower right corner Image/Sheet: 37.75" H x 25.875" W Provenance: The Carolyn J. Adrian Collection, South Pasadena, CA Notes: Throughout his forty-year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective Los Four, Romero and fellow artists Carlos Almaraz, Beto de la Rocha, and Gilbert Lujan helped to define and promote the new awareness of La Raza through murals, publications, and exhibitions. Los Four's historic 1974 exhibition at the Los Angeles County Museum of Art was the country's first show of Chicano art at a major art institution. Since then, Romero has successfully balanced a career in both the public and private arenas. He has completed over fifteen murals throughout the city and was a key contributor to the 1984 Olympic Arts Festival with "Going to the Olympics," a large-scale mural which adorns one of Los Angeles' busiest freeways (Highway 101). Romero has shown extensively in the United States, Europe, and Japan. Notable exhibitions include: "Chicanarte"(L.A. Municipal Gallery), "Hispanic Art in the United States" (Corcoran Gallery, Washington D.C. and national tour), "Le Demon des Anges" (Nantes, France; Barcelona, Spain; Lund, Sweden; and Brussels, Belgium), and "American Kaleidoscope" (National Museum of American Art, Smithsonian Institution, and Washington D.C.). His work is featured in many permanent collections, including the National Museum of Art in Washington D.C., the Los Angeles County Museum of Art, and the Carnegie Museum in Oxnard, CA. Francisco Romero was a recipient of the prestigious 2001/2001 COLA Award Grant. Romero's works can be seen at the Patricia Correia Gallery at Bergamot Station in Santa Monica and his newly created 44' mural, "The L.A. River," is currently on display at the Natural History Museum in Los Angeles' "L.A.: Light/Motion/Dreams" exhibition. Screenprint in colors on paper Dimensions: Image/Sheet: 37.75" H x 25.875" W Provenance: The Carolyn J. Adrian Collection, South Pasadena, CA
- FRANK ROMERO, (B. 1941), "COUSIN MARY
FRANK ROMERO, (B. 1941), "COUSIN MARY HELEN IN HER DODGE," 1993, SCREENPRINT IN COLORS ON PAPER, IMAGE/SHEET: 30" H X 39.5" WFrank Romero, (b. 1941) "Cousin Mary Helen in her Dodge," 1993 Screenprint in colors on paper One of five artist's proofs aside from the edition of unknown size Signed, dated and inscribed "Art. Proof 5/5" in ink at the lower left: F. Romero; titled on a label affixed to the verso of the foam board Image/Sheet: 30" H x 39.5" W Provenance: The Carolyn J. Adrian Collection, South Pasadena, CA Notes: Throughout his forty-year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective Los Four, Romero and fellow artists Carlos Almaraz, Beto de la Rocha, and Gilbert Lujan helped to define and promote the new awareness of La Raza through murals, publications, and exhibitions. Los Four's historic 1974 exhibition at the Los Angeles County Museum of Art was the country's first show of Chicano art at a major art institution. Since then, Romero has successfully balanced a career in both the public and private arenas. He has completed over fifteen murals throughout the city and was a key contributor to the 1984 Olympic Arts Festival with "Going to the Olympics," a large-scale mural which adorns one of Los Angeles' busiest freeways (Highway 101). Romero has shown extensively in the United States, Europe, and Japan. Notable exhibitions include: "Chicanarte"(L.A. Municipal Gallery), "Hispanic Art in the United States" (Corcoran Gallery, Washington D.C. and national tour), "Le Demon des Anges" (Nantes, France; Barcelona, Spain; Lund, Sweden; and Brussels, Belgium), and "American Kaleidoscope" (National Museum of American Art, Smithsonian Institution, and Washington D.C.). His work is featured in many permanent collections, including the National Museum of Art in Washington D.C., the Los Angeles County Museum of Art, and the Carnegie Museum in Oxnard, CA. Francisco Romero was a recipient of the prestigious 2001/2001 COLA Award Grant. Romero's works can be seen at the Patricia Correia Gallery at Bergamot Station in Santa Monica and his newly created 44' mural, "The L.A. River," is currently on display at the Natural History Museum in Los Angeles' "L.A.: Light/Motion/Dreams" exhibition. Screenprint in colors on paper Dimensions: Image/Sheet: 30" H x 39.5" W Provenance: The Carolyn J. Adrian Collection, South Pasadena, CA
- DONATA WENDERS: "UNTITLED/WOMAN MOPPING/HAVANA
DONATA WENDERS: "UNTITLED/WOMAN MOPPING/HAVANA CUBA, 1998""silver gelatin print 1 out of a limited edition of 10 Provenance: with gallery label from Bergamot Art Station, Santa Monica 11 x 14 inches Condition:
- Framed Items, Lanterns, Collectibles
Framed Items, Lanterns, Collectibles to include The Neverout insulated kerosene safety lamp rose mfg co., guys dropper mining lamp, (3) cast metal painted curtain tie backs, old timer schrade walden 150T fixed blade knife with leather sheath, Balfour Dupont Gunpowder belt buckle, Bergamot Brass Works country Western belt buckle, Pottsville PA Yuengling & Son inc. beer tray and Louis F. Neuweiler's Sons Allentown PA beer tray, assorted framed items and painting, along with a bronze Goyne plaque 1776-1978
- Lilly, Magnus, Mabee & Reynard glass
Lilly, Magnus, Mabee & Reynard glass medicine bottles; rhodium oil, bergamot, squill, etc. Lilly bottle: 8"H.
- Large Japanese Imari Porcelain Charger,
Large Japanese Imari Porcelain Charger, first half 20th century, decorated in underglaze blue, polychrome enamels and gilding with a central medallion of lotus and alternating reserve panels of peonies and lakeside landscapes, the base with a seal of a bergamot and floral sprays, dia. 18-3/4".
- Good Chinese Export Imari Porcelain
Good Chinese Export Imari Porcelain Charger, Qianlong Reign (1736-1795), decorated in underglaze blue, iron red and gilding with a central design of a lotus blossom resting on a curled leaf, flowering magnolia, bergamot and a fruiting vine, the rim decorated with three sprays of peonies and foliage, dia. 13-7/8". Ex-collection: #2682 B. F. Edwards and Geoffrey Waters, London, with attendant labels on the reverse for both.