ATLAS COMICS BLACK KNIGHT #4 CGC 4.5ATLAS COMICS BLACK KNIGHT #4 CGC 4.5 United States1955Atlas Comics Black Knight issue 4 from November, 1955. The book featured a Crusader backup story with art by Fred Kida and John Romita. Per the CGC census 6 in 4.5, 15 higher. CGC 4.5 w/ Off-White/White Pages
ATLAS COMICS BLACK KNIGHT #5 CGC 1.8ATLAS COMICS BLACK KNIGHT #5 CGC 1.8 United States1956Atlas Comics Black Knight issue 5 from April, 1956. The book featured cover art by Joe Maneely and was the last issue within series. Per the CGC census 2 in 1.8, 45 higher. CGC 1.8 w/ Cream/Off-White Pages
ATLAS COMICS BLACK KNIGHT #3 CGC 4.5ATLAS COMICS BLACK KNIGHT #3 CGC 4.5 United States1955Atlas Comics Black Knight issue 3 from September, 1955. The book featured cover art by Joe Maneely. Per the CGC census 5 in 4.5, 27 higher. CGC 4.5 w/ White Pages
ATLAS COMICS BLACK KNIGHT #2 CGC 7.0ATLAS COMICS BLACK KNIGHT #2 CGC 7.0 United States1955Atlas Comics Black Knight issue 2 from July, 1955. The book featured cover art by Joe Maneely with story by Stan Lee. Per the CGC census 2 in 7.0, 5 higher. CGC 7.0 w/ Off-White Pages
ATLAS COMICS BLACK KNIGHT #1 CGC 2.5ATLAS COMICS BLACK KNIGHT #1 CGC 2.5 United States1955Atlas Comics Black Knight issue 1 from May, 1955. The book featured the origin and first appearance of the Black Knight and the Crusader. Per the CGC census 10 in 2.5, 86 higher. CGC 2.5 w/ Off-White/White Pages
TOBY PRESS BLACK KNIGHT #1 CBCS 6.0TOBY PRESS BLACK KNIGHT #1 CBCS 6.0 United States1953Toby Press Black Knight issue 1 from May, 1953. The book featured the first appearance of the Black Knight (Sir Robert, Earl of Denhope) and a bondage cover by Ernest Schroeder, only issue within series. CBCS 6.0 w/ Off-White Pages
MARVEL COMICS AVENGERS #48 CGC 9.0 UnitedMARVEL COMICS AVENGERS #48 CGC 9.0 United States1968Marvel Comics Avengers issue 48 from January, 1968. The book featured the first appearance of Dane Whitman as the new Black Knight and a Magneto and Toad appearance. Per the CGC census 165 in 9.0, 176 higher. CGC 9.0 w/ Off-White/White Pages
BLACK KNIGHT INLINE MUZZLE LOADER RIFLEBLACK KNIGHT INLINE MUZZLE LOADER RIFLE United States,.50 caliber, serial number 117643, black composite stock, blued finish, marked on the left side of the receiver rail "MML INC BLACK KNIGHT", marked on the right side of the barrel "BLACK POWDER ONLY 50 CAL MADE IN USA", with a brass-tipped composite ramrod.
BLACK KNIGHT PARTIAL DINNER SERVICEBLACK KNIGHT PARTIAL DINNER SERVICE Comprising 25 pieces.
2 Vintage Chess Board Games. Includes2 Vintage Chess Board Games. Includes Chess for Juniors with board, box, plastic pieces (missing one black knight) and instructions, has wear, and dirt scuffs on the game board and box, and one box corner is split. Also includes a Renaissance Chessmen set by E. S. Lowe, plastic reproduction set with all pieces, board, and instructions, in good condition - board has scuffs and wear, box with missing side pieces and has corner tears. We do our best to describe all items in detail and provide pictures. If you have any doubt, please ask questions! We will provide extra pictures, or can schedule an in person or video conference preview at your convenience. In house Flat Rate Shipping of $20 is a domestic shipping estimate and includes insurance. We will gladly combine multiple lots for your convenience and economy. Each additional doll item we can pack in the same box is $5. Please feel free to contact us with any questions.
ROYAL DOULTON, BLACK KNIGHT & BAVARIANROYAL DOULTON, BLACK KNIGHT & BAVARIAN PORCELAIN Dinner Plates. From a Norwalk CT estate. Dimensions: Doulton 10.5", Black Knight 9.5" and Bavarian 9.75". Condition: Good.
GROUPING OF THREE PARTIAL PORCELAINGROUPING OF THREE PARTIAL PORCELAIN SERVICES. To include 12 Wedgewood Florentine W1266 plates (11.75" dia), 11 Bavaria green plates (10.75" dia), and 14 Black Knight, Hohenberg Bavaria 7621 plates (8" x 8"). From a Hastings-on-Hudson, NY estate. Condition: Crazing, wear to patina, as well as utensil marks on Wedgewood plates. Chips, and gilt wear as well as utensil marks to Bavaria plates. Chips and utensil marks to plates.
SET OF TWELVE BLACK KNIGHT GILT PORCELAINSET OF TWELVE BLACK KNIGHT GILT PORCELAIN SERVICE PLATES First half 20th century, Bavarian porcelain with hand-painted multi-floral motifs, within gilt and blue paneled borders, all marked to underside.
Good Set of Twelve Black Knight, Bavaria,Good Set of Twelve Black Knight, Bavaria, Parcel-gilt Rose du Barry-Bordered Ivory Porcelain Dessert Plates, in the Louis XVI taste, first quarter 20th century, each with five equidistant oval celadon green medallions centering Classical figures, each example fully backstamped, dia. 9\".
(12 PC) BLACK KNIGHT HOHENBERG BAVARIA(12 PC) BLACK KNIGHT HOHENBERG BAVARIA PORCELAIN PLATES...DESCRIPTION: (12 Pc) A Black Knight Hohenberg Bavaria porcelain plates set of four. Each plated is crafted in white porcelain china, decorated with a floral green grounded motif rim and a central motif depicting a bouquet of flowers on a footed base. CIRCA: 20th Century. ORIGIN: Germany. DIMENSIONS: W: 10 1/2". Have a similar item to sell? Contact: Info@Akibaantiques.com. CONDITION: Good vintage condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS(305)-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission."
(23 PC) BAVARIAN PORCELAIN PLATES SETDESCRIPTION:(23 PC) BAVARIAN PORCELAIN PLATES SETDESCRIPTION: (23 Pc) A set of bavarian porcelain plates in green color with a central decoration depicting a floral basket and further embellished with gold gilt accents. Marked "Black Knight Registered USA. Bavaria". This set includes eleven (11) dinner plates and twelve (12) dessert plates.
CIRCA: 20th Century.
ORIGIN: Germany.
DIMENSIONS: W: 10 1/2" and W: 7 7/8".
Have a similar item to sell? Contact: Info@Akibaantiques.com.
CONDITION: Vintage used condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS(305)-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission."
SET OF 12 DINNER PLATES MARKED BLACKSET OF 12 DINNER PLATES MARKED BLACK KNIGHTSet of twelve porcelain dinner plates marked Black Knight, gold and green, 10.5" Dia.
Condition:
excellent no chips or cracks, decoration also in very good condition
SET OF TWELVE BLACK KNIGHT DINNER PLATES,SET OF TWELVE BLACK KNIGHT DINNER PLATES, HAVING FLORAL...Set of Twelve Black Knight Dinner Plates, having floral center design and large gilt rim, diameter 10 7/8 inches.
Condition:
All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
12 GERMAN & AUSTRIAN PORCELAIN PLATES1212 GERMAN & AUSTRIAN PORCELAIN PLATES12 German & Austrian porcelain plates: pair of crown Saxe frog plates, hand painted Royal Munich, Black Knight Bavaria, O & EG Royal Austria, 2 J&C Louise Bavaria, plate with dancing figures marked Germany, MZ Austria, 2 PSAG Bavaria, Uno Favorite Bavaria. Saxe frog plates 9 3/4"-diameter
Y RARE AND IMPORTANT FRENCH GOTHIC IVORYY RARE AND IMPORTANT FRENCH GOTHIC IVORY COMPOSITE CASKET
CIRCA 1330 the panels intricately carved in bas-relief to include scenes from the Medieval tales Queste del Saint Graal and Tristan & Isolde, with later brass brackets, straps and handle25cm wide, 11cm high, 13cm deepProvenance: Property from Tornaveen House, AberdeenshireCurrently only eight other complete secular ivory coffrets like the present one are known. These so-called composite caskets are mostly in important museum collections around the world.[1] With all panels intricately carved in bas-relief, the high quality of the workmanship is immediately visible, while a closer look reveals the richness of the motifs. It gives us a beautiful insight into the medieval fascination with the concept of courtly love.The present example likely originated in a workshop in Paris around 1330, due to the similarities with the existing ones. The exact meaning behind the iconological programs of these caskets has long been a subject for discussion between scholars.One thing the panels on all these caskets have in common is the link to medieval courtly literature, tales of love usually between knights and noble ladies emphasising nobility and chivalry, popular in Europe since around the time of the First Crusade in 1099. On this coffret, the two main tales the panels relate to are most likely Tristan and Isolde, and the Queste del saint grail.[2]The two panels on the right side probably refer to the famous medieval romance, Tristan and Isolde. This tale, based on a Celtic legend, centres around the young knight Tristan, who travels to Ireland to ask for the hand of princess Isolde on behalf of his uncle King Mark of Cornwall. After slaying a dragon there, the princess agrees to marry King Mark. On the journey back Tristan and Isolde drink the love potion prepared by the queen for her daughter and King Mark and fall for each other. The main part of the romance is focussed on King Mark trying to prove their secret love affair and punishing them.Although this legend has been retold many times, one of the most popular ones is the version by Béroul, a Norman or Breton poet of the 12th century. According to his account, King Mark asks King Arthur to try his wife Isolde at court for her unfaithfulness. To have Isolde exonerated from the charges, she and Tristan concoct a clever ruse. Tristan disguises himself convincingly as a poor leper, begging for alms on the banks of the river Malpas. When the royal party arrives, he carries her across the river, so Isolde can truthfully swear in front of the court that “no man ever came between my thighs except the leper who carried me on his back across the ford and my husband, King Mark”. This oath was seemingly so convincing, that everyone hearing it applauded it, and King Arthur made Mark promise to never slander her again.The front left panel shows Tristan carrying Isolde across the river, her headdress clearly indicating she is a married woman. After Isolde is safe, Tristan dresses up as the Black Knight and joins the jousting, a scene represented on the left end panel of the casket.The carvings on the front right and right end panel allude to another preeminent story, the Queste del saint grail, the story of the fabled Holy Grail, part of the Arthurian Legend. It begins at King Arthur’s court with a gathering of the well-known Knights of the Round Table. Just before dinner a sword in a stone appears miraculously floating in the river below the castle. Lancelot’s claims that whoever tries to remove the weapon will be gravely wounded does not deter his companions eager for adventure. Only the recently arrived Galahad can withdraw the sword, which he uses to achieve the quest for the grail.The carving next to the lock on the right of a man presenting his arm with severed hand to a king and queen probably relates to this, he having failed to retrieve the sword and receiving this grisly injury in trying so. The sword over the altar on the right end panel possibly refers to the divine and miraculous nature of the weapon Galahad obtained. The scene on the right end could either show the appearance of the grail just after Arthur, Galahad, and the knights of the Round Table sit down to eat, or when Galahad and his companions finally encounter the grail at the end of the story, or a conflation of the two. That the figure in the middle of the right end panel lacks a crown suggests that he is Galahad and not Arthur. The lions shown on the lid support this identification, as the grail castle was guarded by lions and surrounded by water.The wild men presented in intricate detail fighting to conquer a castle on the lid, and again defeated and in chains on the back panel, are a very popular motif in medieval imagery, ubiquitously represented in art of the highest quality from the early 14th century and continuing well into the sixteenth century[3]. Wild men represented the opposite of accepted standards of society, subliminally implying chaos, insanity and ungodliness. Especially in the 14th century the wild men seem to take on an erotic role, seen storming the Castle of Love in several artworks, one of the most common allegorical scenes in which the winning of a lady’s heart is depicted as the siege of a castle[4]. The carving on this coffret actually is reminiscent of the so-called Academy Casket (see image 1), now lost.[5]Unusual on this panel is the wild man wearing a crown. There are some wild men wearing crowns in 15th century German tapestries (image 2), but we don’t have an explanation why the carver added one in this case.The overall iconography of this casket seems to confirm the general notion that they were made as courting or wedding gifts for noble ladies, personalised to the commissioner’s preferences, as all the panels include notions of love and chivalry, to perhaps represent wishes for the future relationship especially important to the suitor. These very personal meanings have been lost to time, yet make this coffret extraordinarily intriguing.Another element making this casket so significant is the impeccable provenance. We can trace it all the way back to the beginning of the 17th century, as it is mentioned in the family genealogy of the Baird family of Auchmedden[6] in relation to Thomas Baird[7]. According to this text, he became a friar of a monastery in Besançon, Burgundy, in 1615. Letters from his uncle Andrew, who was staying close by in France, to his father Gilbert mention him to be hard of learning and ‘incapable of any of the sciences’. His saving grace was said to being excellent at mechanics, having made ‘an oblong, small chest of ivory 10 inches long, 5 broad, and 4 high, delicately carved in bas-relief, with the chisel, upon the top and sides into figures of knight-errants, distrest [sic] damsels, and enchanted castles, taken from some of the old romances which were so much in vogue in that age’.None of the letters later on in the genealogy indicate as to why the author thinks the casket was made by Thomas Baird, and not just sent over to his family as a gift. We don’t know if it was Thomas himself trying to make up for his shortcomings as a scholar by telling his family he was the talented maker, or if this is down to family lore evolving over the centuries. The casket would have already been nearly 300 years old at the time of Thomas’ acquisition.A footnote in the genealogy places the casket in the editor W. N. Fraser’s possession in 1870, which gives us the firm link to the present-day vendors, who are descendants by marriage of the Baird family.[1] Metropolitan Museum of Art, New York, 17.190.173, 1988, 16; British Museum, London, Dalton 386; Victoria and Albert Museum, London, 146.1866; Walters Museum, Baltimore, 71.264; Barber Institute of Fine Arts, Birmingham; Bargello, Florence, 123 c.; Cathedral Treasury, Krakow; Winnipeg Art Gallery[2] Thanks to Paula Mae Carns for identifying the various iconography[3] Timothy Husband, Metropolitan Museum of Art, Gloria Gilmore-HouseMetropolitan Museum of Art, 1980, p. 4[4] Timothy Husband, Metropolitan Museum of Art, Gloria Gilmore-HouseMetropolitan Museum of Art, 1980, p. 73[5] The location of all panels from this dismantled casket is unknown, apart from the back panel which is now in the Metropolitan Museum of Art in New York (2003.131.2). This casket is known from an eighteenth- century engraving (see Lévesque de Ravalière).[6] Genealogical collections concerning the sir-name of Baird, and the families of Auchmedden, Newbyth, and Sauchton Hall in particular : with copies of old letters and papers worth preserving, and account of several transactions in this country during the last two centuries: Baird, William, 1700 or 1701-1777, edited by W. N. F. Fraser, London 1870, page 21[7] The exact dates for Thomas Baird are unknown, however he is known to be the third son of Gilbert Baird (1551-1620), and he resided in France from at least 1609.Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/
ROYAL WORCESTER & BLACK KNIGHT DINNERROYAL WORCESTER & BLACK KNIGHT DINNER PLATES: Comprising; 8- Royal Worcester dinner plates, having an enameled scrolling foliate design with bountiful cornucopia and instrument medallions. 12- Bavarian Black Knight dinner plates, having a floral urn & scrolling foliate motif with a central floral medallion. Approx. 10.25'' Dia.
CONDITION: No condition issues to be noted.
1950S LORD ELGIN BLACK KNIGHT WATCHVintage1950S LORD ELGIN BLACK KNIGHT WATCHVintage Lord Elgin "Black Knight" men's wristwatch. 14k gold filled. New black leather strap. Watch has Benrus crown. shipping info This item can be shipped in-house.
GROUP PORCELAIN CUPS, SAUCERS, AND DISHESGROUP PORCELAIN CUPS, SAUCERS, AND DISHES 19th/20th c., incl. cups, saucers, small dishes, etc., Coalport, Richard Ginori, B & Co., Royal Worcester, Black Knight, Wedgwood, Schlagenwald, Carlsbad, etc., incl. cups, saucers, small dishes, etc., 7.75"dia (largest), 2"h x 2.75"w (smallest)
SET OF 12 GOLD RIMMED BLACK KNIGHT DINNERSET OF 12 GOLD RIMMED BLACK KNIGHT DINNER PLATES SET OF 12 GOLD RIMMED BLACK KNIGHT 10.5" DINNER PLATES HAVING VIGNETTES OF NEOCLASSICAL FIGURES OF WOMEN IN VARIOUS ACTIVITIES SEPARATED BY EMBLEONIC MOTIFS, THEN A WIDER GOLD CAVETTO BORDER AND IMAGE OF HARP WITH FLORAL VINE CENTER DESIGN; 10.5"
MISC. GROUP OF 18 PORCELAIN PLATES MISC.MISC. GROUP OF 18 PORCELAIN PLATES MISC. GROUP OF 18 PORCELAIN PLATES INCLUDING BLACK KNIGHT, LIMOGES, HUTCHENREUTHER, AND FONDEVILLE
(7) HEREND & BLACK KNIGHT PORCELAIN(7) HEREND & BLACK KNIGHT PORCELAIN TABLEWARE(lot of 7) Porcelain tableware, including: (1) Herend "Kitty" round serving plate, embossed basket weave pattern border, center hand-painted tulip, approx 13"diam, (6) Black Knight dinner plates, yellow border, center reserve with three varied floral designs, approx 11"diam; 11.75lbs total
(11) BLACK KNIGHT 'FONTAINBLEAU' DINNER(11) BLACK KNIGHT 'FONTAINBLEAU' DINNER PLATES(lot of 11) Bavarian porcelain dinner plates, Black Knight, in the "Fontainbleau Cream" pattern, cobalt and embossed parcel gilt rim, surrounding cream ground, marked underfoot, approx 10"diam; 13.5lbs total **Provenance: The estate of Mr. Wesley and Mrs. Suzanne LaFever, Beverly Hills, California**
(82) PORCELAIN DINNER SERVICE, ANGELICA(82) PORCELAIN DINNER SERVICE, ANGELICA KAUFFMAN(lot of 82) Porcelain dinner service, possibly Bavarian, featuring images after works by Angelica Kauffman (Swiss, 1741-1807), marked with a black knight and warranted 22 karat gold underfoot, some gilt loss throughout, including: (12) dinner plates, approx 9.75"diam, (12) salad plates, approx 7 7/8"diam, (12) bread and butter plates, approx 6.25"diam, (12) soup bowls, approx 7.75"diam, (10) fruit/ dessert sauce bowls, approx 5 3/8"diam, (10) saucers, approx 5.5"diam, (7) teacups, approx 2.5"h, 4.5"w, 3.75"d, (1) coffee pot with lid, approx 9.75"h, 10"w, 6"d, (1) creamer, approx 3.75"h, 5.5"w, 4.25"d, (1) sugar with lid, approx 4.5"h, 6 3/8"w, 4.5"d, (1) sauceboat with attached underplate, approx 3 1/8"h, 7.25"diam, (1) serving platter, approx 16.5"l, 11.75"w, (1) serving bowl, approx 10"l, 7.25"w, (1) pickle dish, approx 8 7/8"l, 5.5"w; 48lbs total
U.S. MARINE FLYER’S BOMBER FLIGHTU.S. MARINE FLYER’S BOMBER FLIGHT JACKET VIETNAM ERA SIZE 42.U.S. MARINE FLYER'S BOMBER FLIGHT JACKET, Vietnam Era, Leather jacket with three unit patches and leather name tag. Squadron patch on right shoulder sleeve is HMM-162, which operated in Vietnam from 1963 to 1965. Squadron patch on right side is HMR(L)-262 "Flying Tigers", which operated in Vietnam from 1966 to 1971. Squadron patch on left side is HMM-264 "Black Knights". Dimensions: Size 42.
A Collection of Gilt and Cobalt DecoratedA Collection of Gilt and Cobalt Decorated Porcelain Plates
comprising eighteen Hutschenreuther dinner plates, eleven Black Knight chargers, and two Limoges Coronet painted cabinet plates; 31 items total.
Diameter of first 10 1/2 inches.
Property from the Estate of Norma and David McIntyre, Los Angeles, California
SET OF (11) VINTAGE GOLD ENCRUSTED LUNCHEONSET OF (11) VINTAGE GOLD ENCRUSTED LUNCHEON PLATES Mark of Black Knight, circa 1930, produced in Germany and decorated in the US, with very attractive arabesque design to rim.
BLACK KNIGHT, SET OF TWELVE GILT COBALTBLACK KNIGHT, SET OF TWELVE GILT COBALT RIM DINNER PLATES Mid 20th century, ivory colored porcelain with cobalt rim featuring raised gilt decoration, marked.
A SET OF SIX GILT ENCRUSTED DINNER PLATESA SET OF SIX GILT ENCRUSTED DINNER PLATES Made in USA, Black Knight, unidentified pattern.
GROUP OF AFRICAN AMERICAN MILITARY HISTORY:GROUP OF AFRICAN AMERICAN MILITARY HISTORY: BIOGRAPHY AND AUTOBIOGRAPHYGROUP OF AFRICAN AMERICAN MILITARY HISTORY: BIOGRAPHY AND AUTOBIOGRAPHY, titles include: Black Brass: Black Generals and Admirals in the Armed Forces of the United States; Militant Mediator: Whitney M. Young Jr.; Now the Hell Will Start: One Soldier's Flight from the Greatest Manhunt of World War II; Eugene Bullard: World's First Black Fighter Pilot; Transforming the Ranks: Black Female Sergeants Major; Give Me My Spirit Back: The Autobiography of Cecil Ward White, Major, US Army, Retired The Last of The Buffalo Soldier; The Character of Leadership; The Black Knight: An African-American Family's Journey from West Point-a Life of Duty, Honor and Country; For Race and Country: The Life and Career of Colonel Charles Young; Navigating the Seven Seas: Leadership Lessons of the First African American Father and Son to Serve at the Top in the U.S. Navy; two of Black Eagle: General Daniel 'Chappie' James, Jr.; The Best Man I Can Be: The Trials and Tribulations of a Black Chief Warrant Officer from World War II: The Astonishing Tale of One Man's Plight with American Racism; The Golden Thirteen: Recollections of the First Black Naval Officers; Italy And Back: A Black Man's Odyssey; Loving's Love: A Black American's Experience in Aviation; two of America's First Black General: Benjamin O. Davis, Sr., 1880-1970; Trailblazer: The U.S. Navy's First Black Admiral; My Rise To The Stars: How A Sharecropper's Daughter Became An Army General; My Journey to Betterment: An Autobiography; Tradition and Valor: A Family Journey; Into the Tiger's Jaw: America's First Black Marine Aviator; Black Cadet in a White Bastion: Charles Young at West Point; The Making Of a Hero: Sgt. Rodney M. Davis; Hathaway; Life of a Soldier; William Hall: Winner of the Victoria Cross; The Quiet One: General Roscoe Robinson Jr.; A Buffalo Soldier's Legacy (30) Provenance: Estate of General Colin L. Powell, to benefit America's Promise Alliance and the Colin Powell School at City College of New York.
SET OF TEN BAVARIAN PORCELAIN DINNERSET OF TEN BAVARIAN PORCELAIN DINNER PLATESgold and black mark "Black Knight", Hohenberg, Bavaria, "Antoinette" pattern Condition: good, no cracks or chips. Most with some wear to gilding of central medallion. Provenance: The Estate of Lee Phillip Bell, co-creator of 'The Young and the Restless' and 'The Bold and the Beautiful' 10 1/2 inches diameter Condition:
SALVADOR DALI (1904 - 1989): "THE BLACKSALVADOR DALI (1904 - 1989): "THE BLACK KNIGHT"drypoint etching; signed in pencil lower right; numbered 83/150 lower left; 20 x 28 1/2 inches sight; 30 1/2 x 39 inches frame Condition: