Watson (O) British Studio Pottery andWatson (O) British Studio Pottery and others on the same (44)/Provenance: from the Henry Sandon Study Collection
MULTICOLOR THEO AND SUSAN HARLANDERMULTICOLOR THEO AND SUSAN HARLANDER POTTERY VASETheo and Susan Harlander ceramic vase. Hand decorated with vertical scenes down the top two-thirds.. Signed on the bottom. Very good condition with some flaking around the top edge. 10.75" H x 4.5" W. Examine all photos closely. Contact AAG for more detailed information if needed. AAG is not responsible for any errors or omissions to any lots. All sales are final and sold as is. In house shipping is not available on this lot, please contact one of our third party shippers for a quote. According to Winnipeg Art Gallery, German immigrants Theo and Susan Harlander established the Brooklin Pottery studio in 1952 in Brooklin, Ontario, introducing a continental approach to the field of Canadian studio production. They specialized in custom-ordered household items. Theo would throw the pieces on the wheel and Susan decorated them with freehand sgraffito patterns, designs incised or scratched through the slip or glaze to the earthenware ground. The incised designs on Harlander pieces wrap effortlessly around the vessel form, displaying Susan’s exceptional understanding of design aesthetics. The Harlanders added new breadth to early Canadian studio pottery, introducing a distinct modernist, design-centric style that contrasted with the more common yet well-executed functional wares (such as those influenced by Bernard Leach and the early British studio pottery movement) made during this time period. (#957)
HARLANDER MODERERNIST GEOMETRIC VASETheoHARLANDER MODERERNIST GEOMETRIC VASETheo and Susan Harlander ceramic vase, hand decorated with geometric design. Signed on the bottom. Very good condition. 7" H x 6" W. Examine all photos closely. Contact AAG for more detailed information if needed. AAG is not responsible for any errors or omissions to any lots. All sales are final and sold as is. In house shipping is not available on this lot, please contact one of our third party shippers for a quote. According to Winnipeg Art Gallery, German immigrants Theo and Susan Harlander established the Brooklin Pottery studio in 1952 in Brooklin, Ontario, introducing a continental approach to the field of Canadian studio production. They specialized in custom-ordered household items. Theo would throw the pieces on the wheel and Susan decorated them with freehand sgraffito patterns, designs incised or scratched through the slip or glaze to the earthenware ground. The incised designs on Harlander pieces wrap effortlessly around the vessel form, displaying Susan’s exceptional understanding of design aesthetics. The Harlanders added new breadth to early Canadian studio pottery, introducing a distinct modernist, design-centric style that contrasted with the more common yet well-executed functional wares (such as those influenced by Bernard Leach and the early British studio pottery movement) made during this time period. (#880)
4 PC. HARLANDER/LORENZEN CANADIAN POTTERYVase4 PC. HARLANDER/LORENZEN CANADIAN POTTERYVase and 2 plates by Theo and Susan Harlander. Larger plate is shown in 'Form & Fantasy', Ceramics by Theo & Susan Harlander (Book Included in lot). Vase is 15" H with chip to inside rim. Two plates are 7.75" (Chip) and 11.75" W. This lot also includes a Ernst & Alma Lorenzen ceramic footed tray with heavy restoration. Tray is 10" x 12". All are signed on bottom. Examine all photos closely. Contact AAG for more detailed information if needed. AAG is not responsible for any errors or omissions to any lots. All sales are final and sold as is. In house shipping is not available on this lot, please contact one of our third party shippers for a quote. According to Winnipeg Art Gallery, German immigrants Theo and Susan Harlander established the Brooklin Pottery studio in 1952 in Brooklin, Ontario, introducing a continental approach to the field of Canadian studio production. They specialized in custom-ordered household items. Theo would throw the pieces on the wheel and Susan decorated them with freehand sgraffito patterns, designs incised or scratched through the slip or glaze to the earthenware ground. The incised designs on Harlander pieces wrap effortlessly around the vessel form, displaying Susan’s exceptional understanding of design aesthetics. The Harlanders added new breadth to early Canadian studio pottery, introducing a distinct modernist, design-centric style that contrasted with the more common yet well-executed functional wares (such as those influenced by Bernard Leach and the early British studio pottery movement) made during this time period. Ernst (1911-1990) & Alma (1916-1998) Lorenzen, from Nova Scotia, are known for their pottery and more specifically their mushrooms. The New York Times featured an article on the Lorenzen's and their mushrooms in 1985. Through the years they have become internationally recognized. (#979, 981, 980, 1141)
2 PIECES OF THEO AND SUSAN HARLANDER2 PIECES OF THEO AND SUSAN HARLANDER POTTERYTheo and Susan Harlander ceramic footed bowl and vase. Hand decorated with figural designs, signed on the bottom. Very good condition with some minor chips. Bowl 6.5" H x 8" W, vase 6.75" H. Examine all photos closely. Contact AAG for more detailed information if needed. AAG is not responsible for any errors or omissions to any lots. All sales are final and sold as is. In house shipping is not available on this lot, please contact one of our third party shippers for a quote. According to Winnipeg Art Gallery, German immigrants Theo and Susan Harlander established the Brooklin Pottery studio in 1952 in Brooklin, Ontario, introducing a continental approach to the field of Canadian studio production. They specialized in custom-ordered household items. Theo would throw the pieces on the wheel and Susan decorated them with freehand sgraffito patterns, designs incised or scratched through the slip or glaze to the earthenware ground. The incised designs on Harlander pieces wrap effortlessly around the vessel form, displaying Susan’s exceptional understanding of design aesthetics. The Harlanders added new breadth to early Canadian studio pottery, introducing a distinct modernist, design-centric style that contrasted with the more common yet well-executed functional wares (such as those influenced by Bernard Leach and the early British studio pottery movement) made during this time period. (#977)
THEO & SUSAN HARLANDER CERAMIC BOWLTheoTHEO & SUSAN HARLANDER CERAMIC BOWLTheo and Susan Harlander ceramic bowl. Hand decorated depicting a hunting scene. Signed on the bottom. Very good condition. 4.25" H x 8.75" W. Examine all photos closely. Contact AAG for more detailed information if needed. AAG is not responsible for any errors or omissions to any lots. All sales are final and sold as is. In house shipping is not available on this lot, please contact one of our third party shippers for a quote. According to Winnipeg Art Gallery, German immigrants Theo and Susan Harlander established the Brooklin Pottery studio in 1952 in Brooklin, Ontario, introducing a continental approach to the field of Canadian studio production. They specialized in custom-ordered household items. Theo would throw the pieces on the wheel and Susan decorated them with freehand sgraffito patterns, designs incised or scratched through the slip or glaze to the earthenware ground. The incised designs on Harlander pieces wrap effortlessly around the vessel form, displaying Susan’s exceptional understanding of design aesthetics. The Harlanders added new breadth to early Canadian studio pottery, introducing a distinct modernist, design-centric style that contrasted with the more common yet well-executed functional wares (such as those influenced by Bernard Leach and the early British studio pottery movement) made during this time period. (#1089)
GROUP OF BRITISH STUDIO POTTERY INCLUDINGGROUP OF BRITISH STUDIO POTTERY INCLUDING SVEND BAYER AND DYLAN BOWEN JUG HEIGHT: 5 IN. (12.7 CM.), BOWL WIDTH: 5 3/4 IN. (14.6 CM.), DISH WIDTH: 6 3/4 IN. (17 CM.)GROUP OF BRITISH STUDIO POTTERY INCLUDING SVEND BAYER AND DYLAN BOWEN, the group comprises two blue-glazed bowls by Svend Bayer, two small glazed earthenware sliptrailed dishes by Dylan Bowen, and a sliptrailed jug by Dawn Lesh, for Wenford Bridge, impressed marks for the potter and the pottery (5) Dimensions: Jug Height: 5 in. (12.7 cm.), Bowl width: 5 3/4 in. (14.6 cm.), dish width: 6 3/4 in. (17 cm.) Provenance: Collection of Nancy and Andrew Rama Svend Bayer bowls purchased from the potter, Dylan Bowen dishes also purchased from the potter
MARIANNE DE TREY AND OTHER BRITISH STUDIOMARIANNE DE TREY AND OTHER BRITISH STUDIO POTTERY CERAMICSMARIANNE DE TREY AND OTHER BRITISH STUDIO POTTERY CERAMICS, Marianne de Trey (British, 1913-2016) a small porcelain bowl covered in celadon glaze with wax resist and cobalt decoration, shallow impressed dTe mark, glaze filled, on the foot; Colin Kellam (British, b. 1942) small bulbous ridged jar with two lugs, in poured glazes and brush work decoration; a small bowl with grey ash glaze and varicolored fish scale mosaic decoration in the well, both with impressed KK mark; William Fishley Holland (British, 1889-1969) early 20th century copper drip-glaze jug, pale green with a yellow ochre interior, made at Fremington, and a green glazed juglet, impressed potter's marks; William Marshall (British 1923-2007) small tile with abstract cream and dark brown decoration, impressed WM mark; Benjamin Eeles (British 20th/21st Century) small shallow green glazed dish, the well decorated with bird with raised wings, incised rim, impressed BE mark; Robert Goldsmith (British, 20th/21st Century) Selbourne Pottery mug in a blue glaze slip trail decoration, impressed Selbourne Pottery mark; a small low Dartington Pottery lidded circular box in grey glaze with iron slip decoration to the top, impressed Dartington mark (9) Provenance: Marianne de Trey bowl purchased at Adam Cooper, Studio Ceramics, 10/29/2021, Lot 386, Colin Kellam lugged jar purchased from Paul Rice Gallery, the William Marshall tile from Oxford Ceramics Collection of Nancy and Andrew Ramage
GROUP OF EARLY 20TH CENTURY BRITISHGROUP OF EARLY 20TH CENTURY BRITISH STUDIO POTTERY HEIGHT OF TALLEST: 8 1/4 IN. (21 CM.)GROUP OF EARLY 20TH CENTURY BRITISH STUDIO POTTERY, Denise Wren (British, 1891-1979) for Oxshott Pottery amphora style jar with a thick blue glaze lightly striated in brown, Oxshott carved into base with impressed mark; Dennis Lucas (British, 1926-1999) for Hastings Pottery a narrow vase glazed in a pale grey lavender with poured dark brown glaze, Hastings Pottery written in pencil to base; Judith Partridge (British, 20th Century) for Rodmell Pottery high shouldered vase in oatmeal glaze with brown painted decoration, impressed mark; Chris Lewis (British, b. 1951) dark brown glaze stoneware bowl with oatmeal and incised decoration, probably South Heighton Pottery, East Sussex, impressed marks; Dimensions: Height of tallest: 8 1/4 in. (21 cm.) Provenance: Collection of Nancy and Andrew Ramage
An Upchurch pottery baluster shapedAn Upchurch pottery baluster shaped vase in muted monochrome tones 14.25ins high (impressed mark to base) and a British Studio pottery two-handled vase in grey monochrome tones 9.25ins high (indistinctly signed and dated 1941)