A few examples of appraisal values for
BUFFALO BILL

• MARX TIN LITHOGRAPH WIND-UP BUFFALO
  MARX TIN LITHOGRAPH WIND-UP BUFFALO BILLMarx tin lithograph wind-up Buffalo Bill on horseback, 6 1/4" h. Competitive in-house shipping is available for this lot. Condition: Currently working, sporadic wear.
• COMMEMORATIVE BUFFALO BILL WINCHESTER
  COMMEMORATIVE BUFFALO BILL WINCHESTER MODEL 94 United States,.30-30 caliber, serial number WC79954, walnut stock with Buffalo Bill medallion on the right side of the butt, blued finish, octagonal barrel marked "Buffalo Bill Commemorative" on the right side, with the instructions and original box. Note: FFL
• WINCHESTER 30-30 MODEL 94 BUFFALO BILL
  WINCHESTER 30-30 MODEL 94 BUFFALO BILL COMMEMORATIVEWinchester .30 Model 94 (serial #:WC79910)Saddle ring carbine with 26-inch octagon barrel. Metal surfaces are blued with nickel finished forend cap, saddle ring and stud, trigger, hammer, buttplate, and loading gate. The smooth, straight grip stock and forend have a semi gloss finish and there is a nickel disk with profile bust of Buffalo Bill inlaid in the right side butt. Sights are a fixed post and elevation adjustable rear. Original box and paper work.Measures overall 44.5 inches with 26 inch barrel.New in box. Box in fair condition.
• SUSAN KLIEWER (B.1940) WESTERN BRONZE
  SUSAN KLIEWER (B.1940) WESTERN BRONZE GRAND ENTRYPainted bronze sculpture, "Grand Entry," Buffalo Bill Cody Stampede Rodeo, signed in cast Susan Kliewer (California, Arizona, b.1940), dated 1998, numbered 17/ 45, on rotating wood base, approx 25"h, 19"w, 12"d
• LIFE OF BUFFALO BILL, INSCRIBED BY MUSEUM
  LIFE OF BUFFALO BILL, INSCRIBED BY MUSEUM FOUNDERBook: "Last of the Great Scouts, The Life Story of 'Buffalo Bill", Helen Cody Wetmore and Zane Grey, Grosset & Dunlap, 1899, 1918, inscribed at the first interior page: "Good wishes of the author's daughter Mary Jester Allen, Founder, Buffalo Bill Museum, Cody, Wyoming", (Wetmore (1850-1911) was W.F. Cody's sister, Allen (1875-1960) was her daughter and Cody's niece), 333 pages, dust cover, 7.5"h, 1.25"w, 1.1/8"d. .75lbs
• COUTURE. HERMES TOILE KELLY SELLIER
  COUTURE. HERMES TOILE KELLY SELLIER 32 PURSE. Creme Toile canvas vintage Courchevel Hermes Kelly 32 with gold-plated hardware. From the 1978 collection. Includes lock, key, and clochette. From the familial estate of long term founder and owner of the Buffalo Bills, Ralph Cookery Wilson Jr. Dimensions: purse measures approx. 12.25" w x 5" d x 8.5" h, handle drop: 3". Condition: Good, used condition.
• COUTURE. LOUIS VUITTON VERNIS MELROSE
  COUTURE. LOUIS VUITTON VERNIS MELROSE HANDBAG. Louis Vuitton monogram Amarante Vernis Melrose handbag purse. With single rolled top handle, metal "V" accent at front, protective feet to underside, and dual zippered pockets at top. From the familial estate of long term founder and owner of the Buffalo Bills, Ralph Cookery Wilson Jr. Dimensions: 12" w x 5.25" d x 8" h; handle drop measures 4.5". Condition: Good, used condition.
• COUTURE. VINTAGE CHANEL MEDIUM BLACK
  COUTURE. VINTAGE CHANEL MEDIUM BLACK QUILTED BAG. Vintage Chanel medium black quilted double flag bag. With gold-tone hardware, convertible chain link and leather strap, and CC turn-lock closure. With burgundy leather interior. Accompanied by a Chanel Authenticity Card/Carte D'Authenticite, no. 0336866. From the familial estate of long term founder and owner of the Buffalo Bills, Ralph Cookery Wilson Jr. Dimensions: purse measures approx. 9.25" w x 2.75" d x 9.25" h, shoulder strap drop max: 17", shoulder strap drop minimum: 9.25". Condition: In good used condition. Interior pockets with some "peeling".
• JEWELRY. CADAR 18KT GOLD PYTHON BRACELET.
  JEWELRY. CADAR 18KT GOLD PYTHON BRACELET. Signed Cadar 18kt polished yellow gold wide Python bracelet. Stamped, "Cadar 2018 18K PY BY 1/2". Total approx. weight is 41.4 dwt (gross). From the familial estate of long term founder and owner of the Buffalo Bills, Ralph Cookery Wilson Jr. Dimensions: bracelet measures approx. 1.5" w x 6.75" in length. Condition: Good, with light surface scratches and minor dings/dents. (6) diamond form links missing.
• FREDERIC SACKRIDER REMINGTON (1861-1909):
  FREDERIC SACKRIDER REMINGTON (1861-1909): SEARCHING THE SLAINInk, wash and gouache on paper, 1895, signed 'Frederick Remington' lower right, with label from Barclay Fine Art, NY. 13 1/2 x 16 in. (sheet), 23 1/4 x 26 in. (frame). Note: This drawing was published in the June 1895 issue of The Cosmopolitan (page 187) as one of five illustrations for the story by Dan De Quille titled An Indian Story of the Sierra Madre . As per the label on the reverse, Peter Hassrick, Director of the Buffalo Bill Memorial Association in Cody, Wyoming authenticated the drawing on July 14, 1986 (#001053). Condition In very good condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• BUFFALO BILL'S WILD WEST SHOW PROGRAM,
  BUFFALO BILL'S WILD WEST SHOW PROGRAM, 1897 Published for shows in the "Greater New York Region," with insert at center, featuring advertisements for sponsoring businesses in Hartford, Ct., in May; 4to, saddle-stapled, with chromolithographed pictorial wraps.
• FREDERIC REMINGTON (1861-1909), FEEDING
  FREDERIC REMINGTON (1861-1909), FEEDING THE DOGS (HUNTING MUSK OX: FEED) Title: Frederic Remington (1861-1909), Feeding the Dogs (Hunting Musk Ox: Feed) Medium: oil en grisaille on canvas Dimensions: 22 x 20 Frame dimensions: 28 x 26 1/4 x 2 1/4 Notes: Born in 1861, in Canton, NY, Frederic Remington was the son of Seth Pierre Remington, a newspaper publisher, and Clara Sackrider Remington. He studied at the Yale School of Fine Arts from 1878 – 1879, but following the death of his father in 1880, he did not return to school, opting instead to work as a reporter for the Albany Morning Express. Later that summer, he vacationed and sketched in the Montana Territory, one of which was published in the Harper’s Weekly of February 25, 1882. He continued to sketch during travels through the New Mexico and Arizona Territories as well as Texas over the next two years. By 1887, Remington’s illustrations were regularly published in the various Harper’s publications (Bazaar, Monthly, Weekly, Young People) in addition to Scribner’s, Collier’s, and Century, among others. His works were exhibited widely: at The National Academy of Design, the American Watercolor Society, Boston Arts Club, the 1889 Paris International Exposition (he won the silver medal for his painting Last Lull in the Fight, now lost), the 1893 World’s Columbian Exposition in Chicago, and the Pennsylvania Academy of the Fine Arts. He continued to travel extensively throughout the Western States and territories, Canada, and Mexico, with additional excursions to Florida, Cuba, Europe, and Algiers. Beginning in the 1880s, his travels included time at Crow and Blackfeet Indian reservations, the Indian Territory (present day Oklahoma), the battlegrounds of Little Bighorn (July 1876) and Wounded Knee (December 1890), and Buffalo Bill Cody’s ranch in Wyoming. He made his last trip West in September of 1908 and died at his home in Ridgefield, CT in December 1909. Remington’s work can be divided into several categories, and this current example belongs to the most prolific of Remington’s oeuvre: illustrations. In the late 1880s and 1890s, these were primarily done en grisaille for easy reproduction in publications. Feeding the Dogs belongs to the artist’s mature painting style, where the tightly rendered compositions of his earlier work had developed into more modeled figures and lively, fluid scenes. The circular arrangement of the figure and the four dogs in the foreground is repeated several times, two dogs and a figure are visible in the middle ground and three additional figures and their dogs are arranged around the lodge in the background. The piece of food suspended between the primary figure’s outstretched arm and the two dogs leaping towards it and the raised whip of one of the other men convey a sense of action within the scene. In December 1895, Harper’s Monthly began publishing Caspar W. Whitney’s “On Snow-Shoes to the Barren Grounds.” The article spanned five issues, all accompanied by illustrations. Three main illustrations by Remington were included in each issue, the current example is the penultimate work for the end of the story. Whitney’s story describes his adventure to hunt in the Barren Grounds (or Barren Lands), an approximately 200,000-square-mile-area in northern Canada. The tundra region is nearly uninhabited and, at the time, accessible only by canoe during the summer months and by sled and snowshoe the rest of the year. The latter allowed better access to the area to hunt muskox. In a letter to Owen Wister (historian and writer of Western fiction,1860 – 1938) in October 1895, the artist noted that he was working on illustrations for Whitney’s Harper’s Monthly article. A second letter from Whitney to the artist on December 7, 1895, acknowledged that Whitney was pleased with the work and asked for additional illustrations. Since it is unclear if Remington had finished in December or was still working on the project in early 1896, the catalogue raisonne dates the current example and other illustrations for the story published in the February, March, and April issues with a date range of 1895 – 1896.
• THREE CAST IRON FIGURAL STILL BANKS.Three
  THREE CAST IRON FIGURAL STILL BANKS.Three Cast Iron Figural Still Banks. Humpty Dumpty Painted Red, Hubley Duck on Tub, Buffalo painted Red Marked Buffalo Billy, 3"- 5-1/2"h. Condition: : Good with wear. Condition: Condition: : Good with wear.
• 3 MID SIZE ROYAL DOULTON CHARACTER JUGS,
  3 MID SIZE ROYAL DOULTON CHARACTER JUGS, THE WILD WESTDoc Holliday, Wyatt Earp, Buffalo Bill. Artist: Stanley James Taylor, Robert Tabbenor Issued: 20th c. Dimensions: 6"H, tallest Manufacturer: Royal Doulton Country of Origin: England Condition: Overall good
• WILD BILL HICKOCK D6736 - ODD SIZE -
  WILD BILL HICKOCK D6736 - ODD SIZE - ROYAL DOULTON CHAR...Royal Doulton Character Jug, Wild Bill Hickock D6736 (black, brown and white coloration). Designed by Michael Abberley. Series: The Wild West Collection, issued 1985 -1989. Size: 5.5"H (odd)After serving as a Union scout in the American Civil War, James Butler Hickock (1837 - 1876) became a marshal and then sheriff of several western frontier towns. An excellent gunman, he earned his nickname from his trigger-happy method of upholding the law at the many shootouts that erupted from poker games. He toured briefly with Buffalo Bill's Wild West Show (1872 - 1873) and was later murdered at Deadwood. - Mystical Manufacturer: Royal Doulton Country of Origin: England
• BUFFALO BILL D6735 - ODD SIZE - ROYAL
  BUFFALO BILL D6735 - ODD SIZE - ROYAL DOULTON CHARACTER...Royal Doulton Character Jug, Buffalo Bill D6735 (light brown hat and buckskin jacket). Designed by Robert Tabb nor. Series: The Wild West Collection, issued 1985 - 1989. Size: 5.5"H (odd)William Frederick Cody (1846 - 1917) was a scout, plainsman, soldier in the Civil War, hotelier, rancher and showman. His expert marksmanship as a buffalo hunter earned him his nickname Buffalo Bill. In 1883, Cody and others formed "Buffalo Bill Wild West Show," a theatrical shooting exhibition, which became very successful and traveled through the U.S. and Europe. - Wild West Manufacturer: Royal Doulton Country of Origin: England
• ANNIE OAKLEY D6732 - ODD SIZE - ROYAL
  ANNIE OAKLEY D6732 - ODD SIZE - ROYAL DOULTON CHARACTER...Royal Doulton Character Jug, Annie Oakley D6732 (yellow hair; cream hat; brown tunic). Designed by Stanley J. Taylor. Series: The Wild West Collection, issued 1985 - 1989. Size: 5.25"H (odd)Phoebe Anne Moses (1860 - 1926) learned to shoot at the age of eight and helped support her family by killing game for a hotel in Cincinnati, Ohio. At 15, she defeated professional marksman Frank Butler in a shooting contest. She married him in 1876 and became a regular performer in shooting exhibitions, using the stage name Annie Oakley. She was a star of Buffalo Bill's Wild West Show from 1885 - 1901, when she was injured in a train accident and forced to retire. During World War I she trained American soldiers in marksmanship. - Wild West Manufacturer: Royal Doulton Country of Origin: England
• BUFFALO BILL D6735 - ODD SIZE - ROYAL
  BUFFALO BILL D6735 - ODD SIZE - ROYAL DOULTON CHARACTER...Part of The Wild West Collection. Royal Doulton backstamp. Artist: Robert Tabbenor Issued: 1985-1989 Dimensions: 5.5"H Manufacturer: Royal Doulton Country of Origin: England
• BUFFALO BILL D6735 - ODD SIZE - ROYAL
  BUFFALO BILL D6735 - ODD SIZE - ROYAL DOULTON CHARACTER...Light brown hat and buckskin jacket. Condition: Good
• WILD BILL HICKOCK D6736 - ODD SIZE -
  WILD BILL HICKOCK D6736 - ODD SIZE - ROYAL DOULTON CHAR...Black, brown and white coloration. After serving as a Union scout in the American Civil War, James Butler Hickock (1837 - 1876) became a marshal and then sheriff of several western frontier towns. An excellent gunman, he earned his nickname from his trigger-happy method of upholding the law at the many shootouts that erupted from poker games. He toured briefly with Buffalo Bill's Wild West Show (1872 - 1873) and was later murdered at Deadwood. Series: The Wild West Collection. Royal Doulton backstamp. Artist: Michael Abberley Issued: 1985 - 1989 Dimensions: 5.5"H Manufacturer: Royal Doulton Country of Origin: England Condition: Age related wear.
• BUFFALO BILL D6735 - ODD SIZE - ROYAL
  BUFFALO BILL D6735 - ODD SIZE - ROYAL DOULTON CHARACTER...Light brown hat and buckskin jacket. William Frederick Cody (1846 - 1917) was a scout, plainsman, soldier in the Civil War, hotelier, rancher and showman. His expert marksmanship as a buffalo hunter earned him his nickname Buffalo Bill. In 1883, Cody and others formed " Buffalo Bill Wild West Show," a theatrical shooting exhibition, which became very successful and traveled through the U.S. and Europe. Series: The Wild West Collection. Royal Doulton backstamp. Artist: Robert Tabbenor Issued: 1985 - 1989 Dimensions: 5.5"H Manufacturer: Royal Doulton Country of Origin: England Condition: Age related wear.
• ANNIE OAKLEY D6732 - ODD SIZE - ROYAL
  ANNIE OAKLEY D6732 - ODD SIZE - ROYAL DOULTON CHARACTER...Yellow hair; cream hat; brown tunic. Phoebe Anne Moses (1860 - 1926) learned to shoot at the age of eight and helped support her family by killing game for a hotel in Cincinnati, Ohio. At 15, she defeated professional marksman Frank Butler in a shooting contest. She married him in 1876 and became a regular performer in shooting exhibitions, using the stage name Annie Oakley. She was a star of Buffalo Bill's Wild West Show from 1885 - 1901, when she was injured in a train accident and forced to retire. During World War I she trained American soldiers in marksmanship. Series: The Wild West Collection. Royal Doulton backstamp. Artist: Stanley J. Taylor Issued: 1985 - 1989 Dimensions: 5.25"H Manufacturer: Royal Doulton Country of Origin: England Condition: Age related wear.
• BUFFALO BILL D6735 - ODD SIZE - ROYAL
  BUFFALO BILL D6735 - ODD SIZE - ROYAL DOULTON CHARACTER...Light brown hat and buckskin jacket. Series: The Wild West Collection. Royal Doulton backstamp. Artist: Robert Tabbenor Issued: 1985 - 1989 Dimensions: 5.5"H Manufacturer: Royal Doulton Country of Origin: England Condition: Good.
• WINCHESTER BUFFALO BILL REPEATING RIFLEWinchester
  WINCHESTER BUFFALO BILL REPEATING RIFLEWinchester Buffalo Bill Lever Action Repeating Rifle, commemorative model 94, .30-30, serial #WC39044. Housed in original box. Comes with strap attachment ring on the left of the receiver. Sides of receiver are stamped with thematic designs, "Buffalo Bill" and "E". Breech is stamped with "30-30", "Buffalo Bill Commemorative", "Winchester, Made in U.S.A.", and monogram "PW". Bottom of tubular magazine stamped with serial number. Lower tang is stamped "W.J. Curly Chief of Scouts". Buttstock is stamped with Buffalo Bill memorial seal. Barrel length - 25 1/4", Overall length - 44". Firearms made after 1898 require passing an FFL background check prior to transfer. Please be prepared with proper identification. Circa late 1960s. Condition: Overall good condition with minor oxidation.
• BUFFALO BILL LETTERHEAD.Buffalo Bill
  BUFFALO BILL LETTERHEAD.Buffalo Bill Letterhead. Circa 1909. Letterhead reading, "Buffalo Bill's Wild West Combined with Pawnee Bill's Far East, Season 1909, Buffalo Bill's Personal Farewell, An Educational Exhibition which no one can afford to miss." One full sheet of paper with "1909 advance draft" written in pencil, accompanied by a clipped letterhead. 8 _ x 10 _" and 8 _ x 3 _". Some spotting and foxing affecting image, paper clip marks, and some light folds on corners.
• BUFFALO BILL UNDER GENERAL CARR.Buffalo
  BUFFALO BILL UNDER GENERAL CARR.Buffalo Bill Under General Carr. Buffalo Bill and Pawnee Bill Film Company. One sheet (42 x 27"). One third of a three-sheet poster with an illustration of Buffalo Bill and his horsemen. Mounted on canvas, some tears repaired and chipping on margin with small losses.
• BUFFALO BILL'S WILD WEST 1902 EXCURSION
  BUFFALO BILL'S WILD WEST 1902 EXCURSION BROADSIDE.Buffalo Bill's Wild West 1902 Excursion Broadside. Broadside advertising a special excursion on the Central New England Railway to Hartford, on account of the appearance of Buffalo Bill's Wild West together with similar broadside for Excursion to Winsted, on account of the Sig Sautelles Great Show. Very good.
• BUFFALO BILL'S WILD WEST. PERCY VERTO.
  BUFFALO BILL'S WILD WEST. PERCY VERTO. PROPRIETOR AND P...Buffalo Bill's Wild West. Percy Verto. Proprietor and Premier Cineograph Manipulator. N.p., ca. 1900s. Illustrations from the show surround the central portrait of Buffalo Bill within the midsection of a buffalo; at top, a portrait of the Australian conjurer, escape artist, and early motion picture exhibitor Percy Verto appears. Perhaps a program centerfold. Scarce. Linen-backed. 25 x 20". "According to the Australian Papers, Percy Verto, described as the Handcuff King, is exciting on that side of the earth as much interest as did Houdini at the Alhambra last January" (Stanyon's Magic, Sept. 1901, [102]).
• BUFFALO BILL'S WILD WESTBuffalo Bill’s
  BUFFALO BILL'S WILD WESTBuffalo Bill’s Wild West and Congress of Rough Riders of the World. U.S. Cavalry Exercises. The Military Marvels of the World. Cincinnati: Enquirer Job Ptg., ca. 1890s. A 28-sheet color lithograph billboard (approx. 286 x 108”) mounted on old linen as one unit. Chipped at edges and at sheet breaks, scattered over-coloring, minor discolorations from tape repairs. While Buffalo Bill’s Congress of Rough Riders represented horsemen of many nationalities, this poster focuses, in patriotic and violent detail, on the American cavalry. The uniforms shown are consistent with those worn in the period in which the poster was produced, and which might have led viewers to an association with the Indian Wars then most active west of the Mississippi. Such an intermingling of realism with displays of supreme showmanship as depicted in the poster suggests an attempt to elevate the performance to something greater than mere entertainment.
• BUFFALO BILL’S WILD WESTBuffalo Bill’s
  BUFFALO BILL’S WILD WESTBuffalo Bill’s Wild West and Congress of Rough Riders of the World. A Group of Wild West Girls and Cowboys – The Virginia Reel on Horseback. Cincinnati: Enquirer Job Ptg., ca. 1890s. A 12-sheet color lithograph billboard (approx. 120 x 84”) mounted on old linen as one unit. With mild to heavy soiling, scattered chips and losses across image, some over-painting, but strong and colorful overall. Depicting one of the most popular and enduring features of Buffalo Bill’s show, the Virginia reel on horseback. In this portrayal, a gathering of men and women on horseback are shown on the open prairie, a section of them with brass instruments to accompany the couples’ dancing. Such imagery confirms what historian Louis Warren writes of the narrative backdrop of the performance, introduced about 1886, in which “a community in transition, either on their way across the prairie by wagon train or in the midst of building a ranch or town” would break into dance when some call for celebration was found (Buffalo Bill’s America [Knopf, 2005 pg. 250]). Possibly unique.
• BUFFALO BILL'S WILD WEST AND CONGRESS
  BUFFALO BILL'S WILD WEST AND CONGRESS OF ROUGH RIDERS O...Buffalo Bill's Wild West and Congress of Rough Riders of the World. The Duel of the Cannoneers Light Battery Artillery Exercises. Cincinnati: Enquirer Job Ptg., ca. 1890s. A 28-sheet color lithograph billboard (approx. 280 x 111") mounted on old linen as one unit. Central tear repaired, minor losses and scattered chips marginally. Scattered minor over-coloring, mostly at sheet breaks. Possibly unique.
• BUFFALO BILL: LIFE ON THE BORDER, AT
  BUFFALO BILL: LIFE ON THE BORDER, AT THE BOWERY THEATER...Buffalo Bill: Life on the Border, at the Bowery Theater. Richardson and Foos, ca. 1870s. Broadside for the plays at the Bowery Theater starring William F. Cody as Buffalo Bill in a romanticized depiction of his exploits. 9 x 24 _". Some small tears with one from the top affecting text, creased, light discoloration of paper, and pencil markings.
• BUFFALO BILL COMBINATION. HON. WILLIAM
  BUFFALO BILL COMBINATION. HON. WILLIAM F. CODY.Buffalo Bill Combination. Hon. William F. Cody. New York: Wheat & Cornett, ca. 1875. Early hand-tinted lithograph portrait, mounted and varnished on board. Top margin trimmed, printer's data intact below. 13 _ x 20". Scattered chips and tears across image, some over-coloring in margins. Poor.
• GROUP OF 36 BUFFALO BILL PULP NOVELS.Group
  GROUP OF 36 BUFFALO BILL PULP NOVELS.Group of 36 Buffalo Bill Pulp Novels. New York: Street & Smith, 1900s Ð 10s. Including "Border Stories" Nos. 7, 10, 18, 20, 21, 22, 26, 27, 39, 40, 43, 44, 60, 65, 69, 71, 73, 80, 98, 101, 109, 115, 119, 122, 127, 132, 134, 143, 145, 148, 149, 163, 169, 171, 207; and "Far West Library" No. 162. Beautifully illustrated color covers. 8vos. Age-consistent wear externally, bulk in good condition or better.
• AURORA ZOUAVES EUROPEAN TOUR DIARY AND
  AURORA ZOUAVES EUROPEAN TOUR DIARY AND EPHEMERA.Aurora Zouaves European Tour Diary and Ephemera. 1901. Binder with ephemera of the Aurora Zouaves, the precision marching team that was famous through the second half of the nineteenth century and early twentieth century. The Buffalo Bill Wild West Show, Barnum and Bailey, and Forepaugh and Sells Brothers Circus were among the many prominent venues that included them in their programs. This lot includes a manuscript diary describing, in detail, the various places the troupe toured while in Europe, in very literate and readable style, accompanied by cabinet cards and cartes-de-visite of Zouaves in costume, programs, parade photographs, and various other items. Very good.
• AURORA ZOUAVES SCRAPBOOK 1889-1900.Aurora
  AURORA ZOUAVES SCRAPBOOK 1889-1900.Aurora Zouaves Scrapbook 1889-1900. Oversize 36-page ledger from the Chicago, Burlington and Quincy Railway used as a scrapbook of ephemera relating to the Aurora Zouaves, including several large size multicolor broadsides announcing the appearance of the Zouaves, with military drills and reenactments of famous battles, including 1889 Prize Drill for the Championship of the U.S. between Aurora and Chicago; the National Drill and Military Encampment in Kansas City, 1890, with "sham battle;" July 4, 1894 Sham battle broadside; the 1895 Robert Burns anniversary, with "The Sepoys vs. British Soldiers" sham battle , with many clippings related to this Buffalo Bill Wild West Show associated drill group. Measures 18 x 11 _", binding loose, covers bumped and worn at edges. Contents generally good.