JOHN BAGNOLD BURGESS (BRITISH,JOHN BAGNOLD BURGESS (BRITISH, 1830-1897) 17 ¼" x 20 ?" Portrait of a Peasant Girl. Oil on paper laid on canvas, signed "J. B. Burgess" lower right, in a gilded and carved wooden frame, overall 25 ½" x 21".
Burgess (19th Century)/Figure WalkingBurgess (19th Century)/Figure Walking on a Woodland Path/labelled to the frame/oil on panel, 10cm x 12.5cm
LINDA BURGESS (AMERICAN/MISSISSIPPI,LINDA BURGESS (AMERICAN/MISSISSIPPI, 20TH C.)Linda Burgess (American/Mississippi, 20th c.) , "Etude: Twilight Cantata", oil on gessoed paper, signed lower right, titled and inscribed on backing paper, 8 1/2 in. x 13 in., framed
John Bagnold Burgess, R.A. (British,John Bagnold Burgess, R.A. (British, 1830-1897) "In the Courtyard" Spanish loggia with priests oil on canvas signed and dated 1881 lower left with plaque on frame Burgess was a painter of Spanish genre scenes. The son of H.W. Burgess, a landscape painter to William IV, he exhibited works at the Royal Academy, the British Institution and the Society of British Artists at Suffolk Street. 39" x 28"
BURGESS, John Bagnold, (British,BURGESS, John Bagnold, (British, 1830-1897): Genre Scene with Young Pupils Reading in Secret in the Monastery with Elder Director Approaching, Oil/Canvas, 33'' x 44'', signed lower right.
CONDITION: Several scattered abrasions with paint loss, older reline, scattered inpaint.
JOHN BAGNOLD BURGESS (BRITISH,JOHN BAGNOLD BURGESS (BRITISH, 1830-1897), A FAMILY SCENE Oil on canvas, signed at lower left, presented in an antique gilt composition frame.
*Joseph Burgess (American 19th/20th*Joseph Burgess (American 19th/20th century) Portrait of Elizabeth Montrose with Dog 1932 oil on canvas signed (lower left) and dated 47 1/2 x 33 1/2 inches.
JOHN BURGESS (ENGLISH, 1814-1874),JOHN BURGESS (ENGLISH, 1814-1874), CHATEAU D'IF FROM LA CATALOGNE, MARSEILLES Watercolor and whitening on paper, signed and inscribed at lower right, matted and framed under glass.
An Art Nouveau Illustration BurgessAn Art Nouveau Illustration Burgess Stafford circa 1900 depicting a maiden wearing a flowering dress holding a cane with a butterfly at her hand signed lower right. Height 18 1/2 x width 5 7/8 inches.
Howard Leigh (American, 1896-1981),Howard Leigh (American, 1896-1981), European architectural scene; bridge with figures below, print; 18" x 25"; pencil signed and numbered 10/40 lower margin. Leigh worked in Chicago and Richmond, IN. He was a printmaker specializing in figures and architecture. He exhibited at the Paris Salon in 1927, and the Hoosier Salon in 1931.
Leigh (Samuel) The Panorama ofLeigh (Samuel) The Panorama of the Thames from London to Richmond, [1828-29], hand coloured aquatint, (approx. 200 x 18600mm when unfolded), original cloth boards, printed label on upper cover, modern morocco-backed cloth slipcase (without volume of text), 21.5cm by 1,890cm (when extended)/see illustration
WILLIAM BURGES (1827-1881)
BOOKWILLIAM BURGES (1827-1881)
BOOK OF COMMON PRAYER, 1871 tooled leather, hardstones, enamelled metal, the mounts made by Jes Barkentin, published Oxford University Press, 187119cm x 15cmProvenance: Lady Mary Vyner and Lady Ripon of Newby Hall, Yorkshire. John Gilbert Getty (1968-2020) with Paul ShutlerNote: In 1870 Frederick Vyner (1847-1870) was kidnapped by bandits while travelling in Greece. A large ransom was demanded and, in part, collected before his eventual murder. In his honour his mother Lady Mary Vyner and his sister Lady Ripon used the unspent ransom to commission two churches and this book of common prayer from the architect William Burges whose design for this binding is now held in the collection of the RIBA.The two churches commissioned are The Church of St Mary, Studley Royal and The Church of Christ the Consoler, Skelton-on-Ure, where identical armorial shields are incorporated into the architecture of the external buttresses. A memorial tablet for Frederick Vyner is in York Minster.
att. Eliza Burgess (Br. b. 1873)att. Eliza Burgess (Br. b. 1873) The Arrangementwatercolor and whitening on paper signed and dated at lower left ''Burgess '95 '' framed under glass.DOA 19.5 x 15 in.Small tear in lower right; abrasion to upper section.
LINDA BURGESS (AMERICAN/MISSISSIPPI,LINDA BURGESS (AMERICAN/MISSISSIPPI, 20TH C.)Linda Burgess (American/Mississippi, 20th c.) , "Silent Suite", oil on paper, signed lower right, artist and title inscribed on backing paper, 12 1/4 in. x 16 1/4 in., framed
William Burgess/The Anchor Inn,William Burgess/The Anchor Inn, Pegwell Bay/watercolour and bodycolour, 18cm x 22cm/Provenance: Heather Newman Gallery
* (FORE EDGE PAINTING) FOSTER BIRKET* (FORE EDGE PAINTING) FOSTER BIRKET illust. Poems by Thomas Hood. London: E. Moxon Son 1872. 4to red morocco decorated and lettered in gilt a.e.g. Fore edge painting of pastoral scene. Illustrated with numerous engravings throughout. Rubbing to boards with chipping to edges; intermittent foxing; offsetting from engravings.
FOUR, AFTER H. W. BURGESS, HANDFOUR, AFTER H. W. BURGESS, HAND COLORED LITHOS Four after Henry William Burgess (British 1809-1860), hand colored lithographs including "Thorn Trees" and "Spruce Fir", each depicting a different tree and pastoral background with plate number, title and publication details printed outside of the plate, printed by C. Hullmandel, framed. Approximate measurements: Thorn Trees, image h. 11", w. 15. 375"; frame h. 25. 25", w. 27. 25, d. 1. 125"; Spruce Fir, image h. 11", w. 15"; frame h. 25. 25", w. 27. 25", d. 1. 125"
''Dorian Leigh and Ray Bolger''''Dorian Leigh and Ray Bolger'' cover for Vogue December 15 1946 gelatin silver print on paper mounted to board. paper size: 13.75'' H x 10.75'' W.
Attributed to William James MullerAttributed to William James Muller (1812-1845)/In Leigh Woods, Clifton/oil on canvas, 30cm x 40.5cm
JOHN BURGESS, 19C WATERCOLOR, CHURCHAJOHN BURGESS, 19C WATERCOLOR, CHURCHA 19th century watercolor of the interior of a church by John Burgess (British, 1814–1874). Paper label verso reads "Interior of a Church, Abbeville, by J. Burgess. Purchased at the Society of Watercolors Spring Exhibition, 1870." Fine condition with no visible damage. Sight size is 18 1/2" x 11 1/2", framed to 27" x 21".
PRINT, AFTER GEORGE HENRY BURGESSPRINT, AFTER GEORGE HENRY BURGESS After George Henry Burgess (American, 1831-1905), "San Francisco in July, 1849," chromolithograph (cloth-backed), printed by H.S. Crocker Company, 1894, overall (unframed): 19.75"h x 38"w
'Spy' Leslie Matthew Ward (1851-1922)/'Judicial'Spy' Leslie Matthew Ward (1851-1922)/'Judicial Politeness' Portrait of The Rt Hon Sir C S C Bowen/watercolour, 28cm x 20.5cm and three Spy prints
Thomas Rowlandson (British 1756-1827)Thomas Rowlandson (British 1756-1827) Taking Possession of his Living and Pursued by a Bull (a pair of works from the Dr. Syntax series) handcolored engraving with aquatint Largest 4 1/2 x 7 1/4 inches.
John Leighton (1822-1912 British)John Leighton (1822-1912 British) Edwardian Woman Sitting in an Armchair Admiring a Floral Display
(Richard) Berkeley Sutcliffe (1918-1979)/The(Richard) Berkeley Sutcliffe (1918-1979)/The Guards Saw No One But a Girl in Rags/scene from Cinderella/watercolour with gouache, 26cm x 20cm/Provenance: Arthur Jeffress, Davis Street; sold at Holloways, Banbury, June 27 2001, Lot 140
William Robinson Leigh (1866-1955)William Robinson Leigh (1866-1955) Illustration Sgn. lower left W.R. Leigh. O/C. Reverse: Northwest April 1940.Condition: Original condition & frame.Dimensions: 26'' x 17''E
* (COLLECTED WORKS) BERGUER LIONEL* (COLLECTED WORKS) BERGUER LIONEL THOMAS The British Essayists; With Prefaces Biographical Historical and Critical. London: Printed for T. and J. Allman 1823. 45 vols. 12mo 3/4 calf over marbled boards spines lettered in gilt. Edgewear; corners bumped; renewed endpapers; intermittent foxing.
Arthur James Wetherall BurgessArthur James Wetherall Burgess RI, ROI (1879-1957) - The Scarborough Fishing Fleet, signed, signed again on the frame and inscribed on the artist's fragmentary label verso, oil on artist's board, 29.5 x 45cm More Information Good condition. Condition of the original lettered gilt slip indicating long preserved beneath glass; in 18th c style gilt frame
Leslie Duxbury (1921-2001)/StreetLeslie Duxbury (1921-2001)/Street Protest Outside the Midland Bank/black crayon sketch, 51cm x 38cm/unframed
NED BURGESS (NC, 1868-1958), REDHEADNED BURGESS (NC, 1868-1958), REDHEAD Churches Island, North Carolina, circa 1930s, carved and painted wood.
Leslie Duxbury (1921-2001)/LancashireLeslie Duxbury (1921-2001)/Lancashire Characters/six black crayon sketches, various sizes, 42cm x 29cm and smaller/unframed (6) Note: Artist, teacher and writer, Leslie Duxbury's early years were spent in Lancashire where he studied at Accrington School of Art. Initially his sketches and paintings focussed on scenes of working class life, capturing the characters of his childhood from care-worn miner's widows to farmers and pigeon fanciers in the style of the Kitchen Sink School whose more fam
Burkes Peerage, two vols and Nicholas,Burkes Peerage, two vols and Nicholas, Thomas. Annals & Antiquities of the County Families of Wales, two vols.
NED BURGESS (NC, 1868-1958), REDHEADNED BURGESS (NC, 1868-1958), REDHEAD Churches Island, North Carolina, circa 1920s, carved and painted wood, tack eyes.
LEIGH HUNT (AMERICAN 1858-1937),LEIGH HUNT (AMERICAN 1858-1937), HARBOR VIEW, 1890, SOFT-GROUND ETCHING, FRAME: 20 X 30 INLeigh Hunt (American 1858-1937), Harbor View, 1890, Soft-Ground Etching, Frame: 20 x 30 in
LYTTON EDWARD BULWER Works. London:LYTTON EDWARD BULWER Works. London: Routledge n.d. 11 vols. 8vo 3/4 leather.
RUTH PAYNE BURGESS (AMERICAN, 1865-1934)RUTH PAYNE BURGESS (AMERICAN, 1865-1934) UNTITLED (A NEW ENGLAND LANDSCAPE) ETCHING; SIGNED LOWER RIGHT Plate 6 x 9 in — 15.2 x 22.9 cm