- Frank Charl
Frank Charl
- Frank Charl
Frank Charl
- Charles Alias/Costume design probably
Charles Alias/Costume design probably for Herodias in Richard Strauss's 'Salome', 1911/signed and dated 1910/watercolour, 25cm x 15.5cm/Note: The reverse of the picture frame notes that Charles Alias designed a production of Strauss's Electra in 1909 at the Alhambra Theatre and two years later in 1911 for one of Salome
- CHARLES HERMET PAIR OF HAND-COLORED
CHARLES HERMET PAIR OF HAND-COLORED LITHO ILLUSTRATIONSCharles Edmond Hermet
(French, 1882-1959)
Two snowy carriage scenes
Hand-colored lithographs on paper
8 1/2" x 13" (each)
Each plate-signed "Harry Eliott," Hermet's pseudonym. Each is presented behind glass in a frame that measures 13 1/2" x 17 3/4".
Condition
Good condition, noting some even overall toning from light exposure. General wear to the frames.
- Charles C. Hofmann (German/American
Charles C. Hofmann (German/American 1821-1882) oil on tin View's of the Buildings & Surroundings of the Berks County Almshouse the... ?
- Attr: Charles Samuel Herve A group
Attr: Charles Samuel Herve A group of beautifully cut & pasted silhouettes in one frame under glass; two bust views and two of the entire figure lettered "Brothers Rothschilds" and with the name "Charles Herve" at the lower left. Hand written label verso.
- Charles Blondin French street scene
Charles Blondin French street scene well listed artist 1920 - 2004 on canvas image area 21'' x 25''
- HERMANN MAX PECHSTEIN (GERMAN 1881-1955)
HERMANN MAX PECHSTEIN (GERMAN 1881-1955) A COLOR WOODCU...HERMANN MAX PECHSTEIN (German 1881-1955) A COLOR WOODCUT, "Portrait of August Bebel," 1916, on paper, initialed in plate L/L, signed in pencil L/R, numbered L/L, image: 15 7/8" x 13 1/2"; sheet: 23 5/8 x 16 3/4". Note: A dark, rich black over tan ink impression of Max Pechstein's very rare woodcut portrait of August Bebel (1840-1913), influential German socialist politician, writer and human rights activist. The sheet noted in German handwriting as a "probedruck" proof copy and is numbered "2" of an unknown edition. A 1945 letter from Pechstein to his son mentions the creation of the woodcut of Bebel in reference to Pechstein's political awakening to social struggles in pre-World War I Germany. Krüger H165. Provenance: Property from the Ismar Littmann Family Collection.
Condition:
Very good condition overall with a few spots of foxing and areas of light staining in margins. Color and black ink bleed to verso. A small tear and loss to bottom sheet edge. Pencil notations in margins. Hinged to backing board and matted. The Ismar Littmann Family Collection was originally amassed by famed German patron of the arts and attorney Ismar Littmann and then later by other family members. A friend to many of the artists he collected, Littmann did most of his acquiring of avant-garde art during the 15 years preceding the 1933 installation of the political regime, which forcibly removed and sold a large part of his collection that totaled over 6,000 works. Although Littmann died in 1934, part of the family was able to emigrate to the United States and Israel with a portion of the collection and a continued interest in European art of the early 20th century. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
- H.A. Van Valkenburgh (American,
H.A. Van Valkenburgh (American, 20th century), Charl
- After Franz Charlet (Belgian, 1862-1928)
After Franz Charlet (Belgian, 1862-1928) Color etching on paper softly colored in greys, pinks and yellow, the sentimental domestic scene is signed at the lower right, numbered 118 at the lower left and with a blind stamp at the lower left. The upper left edge of the plate is inscribed with the publisher (George Petit, Paris, ca. 1909). The plate measures approx. 20" x 23-3/4", and the print is matted and framed under glass overall approx. 33-1/2" x 36-1/2".
- After Johann Baptist Hermann (German,
After Johann Baptist Hermann (German, 1664-1724) and Pieter Schenk (Dutch, 1693-1775) pair of double-hemisphere world maps, offset chromolithographs, sight 16" x 19". Glazed, matted and presented in carved giltwood frames (two pieces).
- ATTRIBUTED TO CHARLES HERMANS OIL
ATTRIBUTED TO CHARLES HERMANS OIL PAINTINGAttributed to Charles Hermans, Belgium (1839 - 1924). 'Brussels at Dawn'. Oil on canvas. Unsigned canvas with signature on stretcher on verso. Canvas measures 24 1/4" H x 31 3/4" W, framed 39 1/2" x 33".
- CHARLES PAUL GRUPPE (AMERICAN,
CHARLES PAUL GRUPPE (AMERICAN, 1860 - 1940) 15 ¼" x 11 ?" "Holland" as painted by Charles P. Gruppe, 1914. A folding green cloth portfolio with gilt title, gilt reproduction of signature and photo of windmill on cover, with 24 illustrations in the text and 12 photogravures, published by W.W. Sijthoff's Uitgevers-Maatschappij, Leiden, inscribed and signed inside by the artist ."[...] S.S. Potsdam Aug 1st 1914 Charles P. Gruppe".
- Franz Xavier Habermann (1721-1796),
Franz Xavier Habermann (1721-1796), German TWO WORKS: VUE DE LA HAUTE VILLE À QUEBECK & VUE DE LA PLACE CAPITAL À QUEBECK TWO WORKS: VUE DE LA HAUTE VILLE À QUEBECK & VUE DE LA PLACE CAPITAL À QUEBECK
- Charles-Clement Bervic (French,
Charles-Clement Bervic (French, 1756-1822), after Antoine Francois Callet
Louis XVI and Marie Antoinette (a pair of works), early 19th century
mezzotint
32 1/4 x 25 1/2 inches (frames).
- Charly Leonard (Belgian, 1894-1953)
Jeunne
Charly Leonard (Belgian, 1894-1953)
Jeunne Femme en Buste
bronze
signed to base
Height 24 1/2 inches.
- CHARLES AND RAY EAMES FOR HERMAN
CHARLES AND RAY EAMES FOR HERMAN MILLER DKX-2 Charles and Ray Eames for Herman Miller DKX-2, 32"h
- A pair of portrait prints of King
A pair of portrait prints of King Charles and Queen Henrietta Maria after Van Dyck by I. Suyderhoof approx. 27 x 39 cm.
- Charles X Carlson (American, 1902-1991)
Charles X Carlson (American, 1902-1991) PA artist, "Hans Herr House" watercolor on paper, signed "Charles X. Carlson", 15" x 21-1/2" sight, framed 23-1/4" x 29-1/4", good condition
- Charles Paul Gruppe (American 1860-1940)
Charles Paul Gruppe (American 1860-1940) Dutch Girl Knitting Sgn. Lower right Chas. P. Gruppe. O/C. Condition: Original condition & frame.Dimensions: 24'' x 16''Provenance: Property from The Strong sold to benefit the museum's collections fund.E
- Charles Paul Gruppe American, 1860-1940
Charles Paul Gruppe American, 1860-1940 November Day
Estimate:$1,500-$2,500
- Charles Paul Gruppe (American,
Charles Paul Gruppe (American, 1860-1940) "Dutch Woman Looking Out to the Countryside", oil on canvas, 19" x 15", signed lower right "Chas P. Gruppe". Presented in a handsome giltwood frame.
- Charles A Somerville Gurney/Girl
Charles A Somerville Gurney/Girl on a Pony/with another girl holding a leading rein and dog at her side/monochrome wash heightened in white, 19cm x 23cm
- CHARLES MARCHAND (GERMAN. 1843-1942)
CHARLES MARCHAND (GERMAN. 1843-1942) PAINTINGSigned l/l CH. Marchand (Karl Kaufmann), and inscribed Vienna, dated 1881lower right. Oil on Canvas. 27 by 42 in., overall in a giltwood frame 32 by 46 in.
- L?O HERMANN (French 1853-1927).
L?O HERMANN (French 1853-1927). IN THE CARDINAL'S STUDIO signed lower right. Oil on canvas - Framed 8 1/2 in. x 7 in.
- Charles George Werner (American
Charles George Werner (American 1909 - ) oil on canvas WPA style New York City scene 1949 signed lower right and dated '49 pencil inscription verso ''Holland Tunnel'' framed ss: 11 1/2'' h. x 15 1/2'' w. [Provenance: Purchased from Stewart Galleries Palm Springs CA.]
- Charles Blondin (French 20th c.)
Charles Blondin (French 20th c.) two oils on canvas "Champs Elysee" signed 7 1/2 in. x 9 3/8 in. and "Rue Royale et église de la Madeleine" signed titled en verso 7 1/2 in. x 10 3/8 in. both framed.
- *Studio of Daniel Mytens the Elder
*Studio of Daniel Mytens the Elder (Dutch 1590-1648) Portrait of King Charles I oil on canvas 28 3/4 x 24 inches.
- Heran Chaban (French 1887-1939)
Heran Chaban (French 1887-1939) Bateau a Voiles color mezzotint signed (lower right) and numbered (lower left) 21 1/2 x 16 inches.
- Charles-Nicholas Cochin the Younger
Charles-Nicholas Cochin the Younger (French 1715-1790) Nine works engravings 9 5/8 x 7 9/8 inches (visible).
- Charles A. Halle (19th C. French
Charles A. Halle (19th C. French school) oil on panel view of sluggish river in summer and house by wooded banks signed ''Ch. Halle'' LR measurements in pen on stretcher verso overall craquelure some water damage to gilt liner damage to panel corners gilt frame not examined out of frame ss: 19 1/4'' h. x 25 1/2'' w. [Copy of 13 May 1986 letter from art appraiser Michel de Kerdour from the Galerie d'Art in Qubec Canada available to successful bidder]
- CHARLET Franz (Belgium 1862-1928):
CHARLET Franz (Belgium 1862-1928): ''Playing with the Dolls'' Dutch Interior Genre Scene Etching / Aquatint sight size 24'' x 20'' pencil signed lower right numbered 18 lower left printed in Paris in 1919 framed 32'' x 27 1/2''.
- After Daniel and Hieronymous Hopfer/Charles
After Daniel and Hieronymous Hopfer/Charles V, Holy Roman Emperor 1519-1556/bust portrait/engraving, 24cm x 16cm/and another engraving of Solomon Emperor of Turkey
- BLONDIN, Charles, (American, 20th
BLONDIN, Charles, (American, 20th C.): ''Champs Elysee'', Parisian streetside, OIL/Canvas, 13'' x 18'', framed 19 1/4'' x 24 1/4''
- PRINT, CHARLES SORLIER AFTER MARC
PRINT, CHARLES SORLIER AFTER MARC CHAGALL Charles Sorlier (French, 1921-1990) after Marc Chagall (Russian/French, 1887-1985), "The Tribe of Naphtali," lithograph in colors from "Twelve Maquettes of Stained Glass Windows for Jerusalem," pencil signed lower right, edition XL/LXXV, published by Mourlot, Paris, image: 24.25"h x 18"w, overall (with frame): 33.25"h x 26"w
- HERMANN, O/C IMPRESSIONIST MANOR
HERMANN, O/C IMPRESSIONIST MANOR SCENEMax Hermann (German, 1879-1954), signed lower left. Frame size: 28 3/4" high, 34" wide. Repairs, frame wear.
Condition:
Auction buying is wholesale and not the same as retail store or retail internet buying. There are no returns based on condition. Our auction items are mostly vintage, mostly from estates, and are not in perfect condition. The items are sold "as is", and we are acting as agents, not as principals. Accordingly, prospective buyers are entirely responsible for determining the physical condition of lots prior to and as a condition to bidding. Bidders are obligated to determine their level of interest in and value of the items based solely on their own review. To assist prospective bidders in this endeavor, we offer in person open-house preview days prior to the auction, and also provide written condition reports in response to emailed requests submitted to condition@woodburyauction.com at least two days prior to the auction. The printed catalog lot information is a best efforts presentation of our opinion, rendered on a time-sensitive schedule, and is provided for guidance only, without legal obligation, and does not constitute a "statement of fact". The absence of condition statements in a lot catalog entry does not mean that the item is in perfect condition or is without defects. Please understand that our duty is to present the items fairly for bidder consideration and that the bidder's duty is to make independent investigation of the condition of items before bidding.