- 1 vol. White, E.B. Charlotte's
1 vol. White, E.B. Charlotte's Web. New York: Harper, (1952). First edition. 12mo, orig. blue lettered & black pictorial tan cloth; light edge wear, d/j (corners slightly chipped, spine ends chipped, front joint stressed, some chipping & wear to spine panel - minor loss of lettering & design elements). Illus. by Garth Williams. VG-.
- 1 vol. White, E.B. Charlotte's
1 vol. White, E.B. Charlotte's Web. New York: Harper & Brother, (1952). First edition. 8vo, orig. lettered & decorated light tan cloth; minor wear (spine slightly darkened, very minor edge wear, small red Valentine die cut pasted to center of back panel). Illus. by Garth Williams. Attractive copy.
- 2 vols. White, E.B. Charlotte's
2 vols. White, E.B. Charlotte's Web. New York: Harper & Brothers, (1952). First edition. 12mo, orig. blue lettered & black pictorial tan cloth; light edge wear, d/j (light edge wear, occasional minor creasing to edges, spine panel ends slightly chipped & abraded). Illus. by Garth Williams. Signed by E.B. White on 1/2 title. VG/VG+. * Stuart Little. New York: Harper & Brothers, (1945). First edition, book club issue. 12mo, orig. pictorial tan cloth; slightly smudged, d/j (light edge wear & minor chipping). Illus. by Garth Williams. Signed by E.B. White on front free endpaper recto.
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- Charlotte Strickland and Juliana
Charlotte Strickland and Juliana Sabina Strickland/Caterpillars/a collection of unmounted drawings, some inscribed and some unfinished/in pencil and watercolour, various sizes
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- CHARLOTTE RILEY WEBB, ATLANTA (20TH/21ST
CHARLOTTE RILEY WEBB, ATLANTA (20TH/21ST CENTURY), WOMEN DANCING, ACRYLIC ON PAPER, 17 1/4"H X 41"W (SIGHT), 26 3/4"H X 50 1/4"W (FRAME)Charlotte Riley Webb, Atlanta, (20th/21st Century) Women Dancing, acrylic on paper signed lower right. An Atlanta native, raised in Cleveland, Ohio, Charlotte earned her BFA from The Cleveland Institute of Art. Beginning her MFA at Georgia State, she has continued her education and artistic growth, exploring new mediums through numerous art workshops and art colonies.Charlotte's rhythmic style with its bright bold colors easily translated into the illustrations for seven children's books and being a contributing artist to "Our Children Can Soar" earned her a 2010 NAACP Image Award. Webb has woven forms and a bold color palette into compositions of pastels and paintings she calls "Earth Tunes. It was in this series that she marked her complete transition from representational art to abstraction even though she had hinged on the abstraction genre for many years. Her series, "Still Running Lines Through My Head", highlights the spoken, written memories and experiences of this artist.Charlotte's lifetime interests in theater, poetry, literature and music resonated, and evolved into her art and became the impetus behind these works. She is now focused on creating her current series based on the poetic and musical works of two amazing women.A NAWA member, Pollack Krasner recipient as well as numerous other awards and residences, her 40 year retrospective exhibition of all of these series has thus far been exhibited at, the Hammonds House Museum in Atlanta, Dec. 2010, the NAAHBCU Museum in Montgomery, Alabama and the Bessie Smith Museum in Chattanooga, TN and in part in several fine art galleries throughout the country. Charlotte was honored to be one of the 2011 judges for the Atlanta Dogwood Festival and the 2011 Bombay Sapphire regional finalist, exhibited in Miami's Art Basel. She has been featured in several publications, most recently in the International Review of African American Artists, 2012 and in the Contemporary Women Artists XVI Exhibition, Longevity, at the St. Louis University Museum of Art. acrylic on paper Dimensions: 17 1/4"H x 41"W (sight), 26 3/4"H x 50 1/4"W (frame)
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- CHARLOTTE CULOT: "SOFA & WALLPAPER"gouache
CHARLOTTE CULOT: "SOFA & WALLPAPER"gouache on brown paper 45 x 75 inches Condition:
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- MOLLY NYE TOBY FLORAL SPIDER WEB
MOLLY NYE TOBY FLORAL SPIDER WEB WC PAINTING Massachusetts,1893-1984Depicting a bunch of lavender flowers with green foliage and a black and yellow spider on a web.
- Two Charl
Two Charl
- Marguerite Kirmse (American, 1885-1954)
Marguerite Kirmse (American, 1885-1954) etching "The Spider Web", depicting a Scottie dog looking at a spider, etching on paper, pencil signed, inscribed "to Mr. R. T. Townsend with compliments of the artist", 6-5/8" x 4-5/8", framed 15-1/4" x 12-1/4", good condition, not inspected out of frame
- Frank Charl
Frank Charl
- Charlotte Strickland and Juliana
Charlotte Strickland and Juliana Sabina Strickland and others/Ducks, Buzzards, Merlin, Owl and four other watercolour drawings/six inscribed on the reverse/various sizes
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Frank Charl
- Charleston, South Carolina needlework,
Charleston, South Carolina needlework, kneeling hunter with dog before a cross, stitched at bottom "Worked by Elizabeth Malone at the Academy of the Sisters of Our Lady of Mercy. Charleston S. Carolina", wool on canvas, circa 1860-1870, unframed, 17-1/2 x 20-3/4 in. Several horizontal splits in canvas, losses to wool, fading, grime. Private Collection, Charlotte, North Carolina.
- Charlotte Strickland and Juliana
Charlotte Strickland and Juliana Sabina Strickland/Specimens of Plants/twenty-five botanical and other drawings
- Alexander Calder (American, 1898-1976)
Alexander Calder (American, 1898-1976) Flies In The Spider Web, 1975, edition 17/175, signed in pencil lower right "Calder" and with publisher's blindstamp "Trans World Art, NV", color lithograph on paper, 19-5/8 x 25-1/2 in.; metal frame,
- CHARLES WEBSTER HAWTHORNEAmerican
CHARLES WEBSTER HAWTHORNEAmerican 1872-1930Venetian lady. Signed lower left C.W. Hawthorne''.Exhibited:Chrysler Art Museum of Provincetown: Hawthorne Retrospective June 16 through September 17 1961. Provincetown Art Association: Charles W. Hawthorne Oils and Watercolors September 24 through November 21 1999. Provenance: Private Collection Provincetown Massachusetts.Oil on canvas 40'' x 29''. Framed.''
- Two African-American watercolors,
Two African-American watercolors, children seated: one of a boy at a table with plate, signed middle bottom "C. Webb", inscribed verso "First one I ever made in Asheville"; one of a girl holding a glass and titled verso "Pansy" and inscribed "Original in Asheville", signed "CWP", watercolors over pencil on paper, American School, early 20th century, unframed, both 8 x 6 in. Light foxing, toning.
- Webb (T) A New Select Collection
Webb (T) A New Select Collection of Epitaphs, 2vols., S Bladen London 1775 and Black (W) The Strange Adventures of a Phaeton
- Alexander Calder (American, 1898-1976)
Alexander Calder (American, 1898-1976) Flies In The Spider Web, 1975, edition 56/175, signed in pencil lower right "Calder" and with publisher's blindstamp "Trans World Art, NV", color lithograph on paper, 19-7/8 x 25-1/2 in.; black-painted frame,
- Bronte (Charlotte) Works, 12 vols,
Bronte (Charlotte) Works, 12 vols, 8vo., cont. half blue stained calf, Dent 1902 (3rd edition) and Ainsworth (W H) Works of, 8 vols.
- Spider-Woman #1 CGC 9.6 Marvel
Spider-Woman #1 CGC 9.6 Marvel Comics. Click for full description...
- SAMPLER. Charlotte Funnell England
SAMPLER. Charlotte Funnell England 1816 silk on wool. Tiny stitches depict two pair of Adam and Eve one pair having blue skin crows baskets and monkey-like dogs. Good color. In an older frame 14 1/2''h. 13''w. Bright colors on a clean ground. The wool has several small holes.
- Two Frozen Charlotte's, approx
Two Frozen Charlotte's, approx 13cm H each
- Bates, H. E. Charlotte's Row, 1931,
Bates, H. E. Charlotte's Row, 1931, d.w.; The Poacher, 1935, d.w. and 28 others, mostly First Editions. 8vo., orig. cloth (30)
- SPIDER BY ELIJAH PIERCE (COLUMBUS
SPIDER BY ELIJAH PIERCE (COLUMBUS OHIO 1892-1984). Wood carving signed and dated 1-14-75 on the back. Relief carved plaque of a spider in its web with original polychrome paint. In a painted frame backed with cardboard 16''h. 13 1/4''w. Back has attached address label.
- 2 vols. Caskell, Elizabeth C.
2 vols. Caskell, Elizabeth C. The Life of Charlotte Bronte. London: Smith, Elder, 1857. First edition. 8vo, later 19th-Century 3/4 dark blue crushed morocco & cloth, gilt, re-backed with spines laid-down, t.e.g.; occasionally scuffed. With frontispieces (portrait & view), ms. facsimile (called for to face p. 84 in vol. 1 but on verso of p. 327 in vol. 2). With 1/2 titles & 16 pp. pub. cat, dated March, 1857, at back of vol. 2. Very occasional minor internal foxing.