GROUP OF ASSORTED SEWING NOTIONS & NATIVEGROUP OF ASSORTED SEWING NOTIONS & NATIVE AMERICANca. 19th century; non-Native brown wool drawstring bag with metal and white beadwork accent, dated 1893, 4 1/2"x 7 1/2", Condition: late drawstring replaced; Sioux tribe attributed buckskin and sunburst beadwork decorated pocket watch case, 2 1/2"x 3", Condition: good, substantial wear; pair of beadwork on fabric shirt collar accents (?), 2"x 3 1/4" each, Condition: substantial wear and some bead loss; Native American buckskin and beadwork turtle fetish, early form, in display frame, 3"d; display frame with buckskin and beadwork decorated drawstring bag attributed to the Chippewa tribe, fully embellished with strung fringe beads, 2 3/4"x 4" with 3" fringes
Arthur Secunda (American, 1927-2022)Arthur Secunda (American, 1927-2022) (5) serigraphs, includes (4) "Chippewah Seasons" and "Four Trees", silkscreen on paper, each pencil signed "Secunda", each approximately 17" x 23" image, very good condition
CHIPPEWA INDIAN CHIEFS BANDOLIER, CA.CHIPPEWA INDIAN CHIEFS BANDOLIER, CA. 1890Chippewa Indian Chiefs bandolier, ca. 1890, with floral and foliate decoration on a white ground, printed cotton lining, 43" x 16 3/4". Bought from Arnold Marcus Chernoff, Lyons , Illinois, in August 1977 (with copy of write-up on Chernoff stationary).
Competitive in-house shipping is available for this lot.
Condition:
Losses to wool tassels, sporadic bead loss.
POWDER HORN ENGRAVED WILLIAM E. HORNERPowderPOWDER HORN ENGRAVED WILLIAM E. HORNERPowder horn, engraved William E. Horner, with wooden stopper and point, approx 16"l, 1.25lbs **Note: No known connection, however there was a William Edmonds Horner (Virginia, Pennsylvania, 1793-1853) commissioned as surgeon's mate in the army in 1812. He served through the war with England on the Canadian frontier, and in the Niagara frontier at the head of Lake Erie, tending the wounded from the battles of Chippewa, Bridgewater, Black Rock, and Fort Erie.**
HAND-COLORED LITHOGRAPH ON PAPER, 'META-KOOSEGA'FramedHAND-COLORED LITHOGRAPH ON PAPER, 'META-KOOSEGA'Framed lithograph in color on paper, "Meta-Koosega a Chippeway Warrior," printed by I.T. Bowen's Lithographic Establishment, copyright c.1838, tear toward bottom, sight: approx 19.5"h, 13.25"w, overall: approx 24.5"h, 18.25"w, 5lbs
Navajo and Jemez Silver and Mosaic InlayNavajo and Jemez Silver and Mosaic Inlay Cuff Bracelets
third quarter 20th century
lot of 3, includes:
a tapered cuff, set with colorful mosaic inlay; marked STERLING DINE and signed by Frank Chee (Diné, 20th century)
cuff width 3/4 inch, interior circumference 5-1/2 inches x gap length 1-1/8 inches, weight 31.5 dwt.
a slender cuff, set with colorful cobblestone inlay; marked STERLING and signed by Terrance Emery, Jr. (Jemez-Chippewa, 20th century)
cuff width 1/4 inch, interior circumference 5-5/8 inches x gap length 7/8 inch, weight 20.5 dwt.
a wide cuff with mosaic inlaid katsina figures accented by two rows of turquoise cabochons; signed H. SPENCER (Diné, act. since 1970s)
cuff width1-5/8 inches, interior circumference 5-1/2 inches x gap length 1-1/8 inches, weight 55.8 dwt.
HISTORY OF THE INDIAN TRIBES OF NORTHHISTORY OF THE INDIAN TRIBES OF NORTH AMERICA. Three volume folio, History of the Indian Tribes of North America, with biographical sketches and anecdotes of the principal chiefs. Philadelphia: Frederick W. Greenough, 1838 [vol. 1], Daniel Rice and James G. Clarke, 1842 [vol. 2], Daniel Rice and James G. Clark, 1844 [vol. 3]., Prov. Ex. Samuel Colt Family. All three books have been rebound by Case, Lockwood and Brainard Co. Hartford CT. 108 of the original 120 plates present. Vol I. Missing frontispiece and three plates; #79 Hayne Hudjihini - #97 Chippeway Squaw and Child, and associated pages. - #101 Petelasharro.Vol. II - Missing plates #199 Asseola, #223 Tshizunhaukau and #232 Kanapima.Vol III. Starts with frontispiece and opens to Pg. # 46. 18 plates present, contact for list of included plates.Binding size, 19.75” x 14.75”.
OJIBWAY / CHIPPEWA BEADED ARM CUFF,OJIBWAY / CHIPPEWA BEADED ARM CUFF, CA. 1930An Ojibway / Chippewa beaded arm cuff with centre flower flanked by green leaves, all on a white background with blue border, circa 1930. Ex Mickey Ryan collection. From 1918-1940 Mickey Ryan and his brother Pat operated an exclusive freight route over the Fitz-Smith portage (Northwest Territories) where this object was collected. Dimensions, 11" x 4.5". FRANCAIS: Brassard perlé Ojibway / Chippewa avec une fleur centrale flanquée de feuilles vertes, le tout sur un fond blanc avec une bordure bleue, circa 1930. Ex-collection Mickey Ryan. De 1918 à 1940, Mickey Ryan et son frère Pat ont exploité une route de fret exclusive au-dessus du portage Fitz-Smith (Territoires du Nord-Ouest) où cet objet a été récupéré.
WOLF CARVINGAn Ojibway / Chippewa carvingWOLF CARVINGAn Ojibway / Chippewa carving of a stylized lying wolf in original brown and green paint, found on the Saugeen territory, Owen Sound. 1925-50. H: 4"; L: 18"; W: 5". Field Collection.
VINTAGE CHIPPEWA INDIAN STURGEON FISHVINTAGE CHIPPEWA INDIAN STURGEON FISH DECOY.Vintage Carved and Painted Wood Sturgeon Fish Decoy. Attributed to Arno Lau, Chippewa Indian from Stock Bridge, WI. With applied brass and tin fins and tail. 18" long. Condition: : good with wear.
LAFAYETTE AND NATIVE AMERICAN PRINTS1stLAFAYETTE AND NATIVE AMERICAN PRINTS1st item: Colored engraving published by E. Farrell, New York, titled " Genl. Lafayette's Departure from Mt. Vernon, 1784". Housed in a gilt and black painted wooden frame. Sight - 21" H x 27 1/4" W. Framed - 25 1/2" H x 31 1/2" W. 2nd & 3rd items: 2 JT Bowen colored lithographs depicting a Chippeway and Seminole Native American Indian chiefs. Sight - 8 7/8" H x 5 7/8" W. Framed - 13 7/8" H x 10 3/4" W. Late 19th century. Provenance: Forest Heights, Knoxville, TN collection.
Condition:
1st item: Overall toning. Evidence of water damage to top margin and lower margin. 2nd & 3rd item: Water damage to lower margin of both. Wear/losses to gilt frames.
NATIVE AMERICAN/WESTERN U.S. EXPEDITIONNATIVE AMERICAN/WESTERN U.S. EXPEDITION EPHEMERA1st item: "Map Showing the Location of the Indian Reservations Within the Limits of the United States and Territories" compiled from the Official and other Authentic Sources, under the Direction of the Honorable John H. Oberly, Commissioner of Indian Affairs. William H. Rowe, Draughtsman, photo lithographed with printed color by Norris Peters, published by Office of Indian Affairs, Washington, D.C., 1888. Issued with the Annual Report of the Department of the Interior. Map depicting the United States, detailing the locations in color of Native American reservations such as the "Indian Territory" of the Cherokee, Creek, Chotaw, etc. in what would become the state of Oklahoma. Includes inset maps of "Indian Territory" lower center, "Mission Ind. Res. in California" and "Alaska", lower left. Title and scale of statue miles, lower right, references, left center. "West from Greenwich", centered above map, "West from Washington", centered below map. Map surrounded by scale notations and triple line border. Image - 20 3/4" H x 32 3/4" W. Sheet - 22 1/2" H x 34" W. 2nd item: "U. States Indian Frontier in 1840" Map, by George Catlin, lithographed with printed color by Tosswill and Company, published for the Domestic Committee of the Board of Missions by Daniel Dana, Jr., New York, 1844. From "Journal of a Tour in the "Indian Territory"." by Nathaniel Sayre Harris; Episcopal Church . Board of Missions. Domestic Committee. Map depicting the locations in color of the Native American tribes that had been moved west of the Mississippi River as of 1840 including the Sacs and Foxes, Kickapoo, Delawares, etc., and the surrounding states. Uncolored territories of the Chippeways, Sioux, Crows, etc., Texas and Mexico surround colored areas. Map surrounded by notations and line border. Image - 8 1/2" H x 5 1/8" W. Sheet - 9 3/4" H x 6" W. 3rd-29th items: 27 lithographs, most with hand coloring, from the "Report of the United States Pacific Railroad Expedition and Surveys (USPRR) CAL (Senate Document: Reports of Explorations and Surveys to Ascertain the Most Practicable and Economical Route for a Railroad from the Mississippi River to the Pacific Ocean)", circa 1855. The prints feature scenic views from the American West including "The Great Basin from the Canada de Las Uvas with Lost Mountains in the Distance", drawn by Charles Koppel, lithographed by August Hoen and Company, Baltimore, images of Native Americans such as "Distribution of Goods to the Assiniboines", drawn by John M. Stanley, lithographed by Sarony, Major and Knapp, New York, and U.S. Military bases including "U. S. Military Post Benicia". "Near Mouse River" print housed in plastic sleeve. Images approximately - 6 1/8" H x 9 1/4" W. Sheets approximately - 8 1/2" H x 11 1/2" W. 30th-34th items: 4 tinted lithographs from "Report of an Expedition Down the Zuni and Colorado Rivers", by Captain Lorenzo Sitgreaves, Corps of Topographical Engineers, circa 1854. Titles include "Zuni Indian [Buffalo Dance]" and "Canon Peak from Camp 7", both drawn by Richard H. Kern, lithographed by the Ackerman Firm, New York, "View Near Gypsum Bluffs on Red-River" and "Mount Webster", both lithographed by Henry Lawrence, New York. Images approximately - 3 7/8" H x 7" W. Sheets approximately - 5 7/8" H x 8 3/4" W. 35th-38th items: 3 tinted lithographs from United States Geological Surveys (USGS), including "Mt. Agassiz - Unita Range - Utah" and "Eocene Bluffs -Green River - Wyoming" from the "Geological Exploration of the Fortieth Parallel", circa 1870-1880, and "Bullion Ravine Looking East. Diorite. Mt. Kate in the Middle Distance" from "Geology of the Comstock Lode and the Washoe District, with Atlas, USGS Monograph", by G. F. Becker, 1882. Images approximately - 9" H x 6 1/4" W. Sheets approximately - 12" H x 9 1/4" W. 39th-46th items: Assorted grouping of Native American colored lithographs, including "Hos-ta, (The Lightning.) Governor of the Pueblo of Jemez. Aug. 20", illustrated for United States Executive Documents. 31rst Cong., 1st sess., 1849-1850, drawn by Richard H. Kern, lithographed by Peter S. Duval, Philadelphia, circa 1894, "PL. CXVII" from the Bureau of Ethnology Eigth Annual Report, 1892, "Sioux War Shirt, Apache Caps, Pouches, Moccasins, Totems, &c." with "Description and Explanation of Plate II" text page, published by A. D. Worthington and Company, Hartford, "Lamina XCIII T. IX. 24. Tejidos.", and "91", "286", and "291", by George Caitlin. "Hosta" housed in plastic sleeve. "PL. CXVIII" mounted to matte. Images range in size from 6 3/4" H x 4" W to 5 1/2" H x 8" W. Sheets range in size from 8 7/8" H x 5 3/8" W to 7 1/2" H x 11 1/8" W. All items mid/late 19th century. Provenance: Collection of Charles and Ann Wells, Nashville, Tennessee. (Higher-resolution photos are available at www.caseantiques.com)
Condition:
1st item: Toning impressions from colored areas on surface of map. Minute black scuffs along lower right paper crease. 15" section of left edge of map cut away, paper tears, top left edge of sheet. Toning impressions visible en verso. 2nd item: Minute toning spots across top of sheet. Toning spots visible en verso. 3rd-29th items: Light overall toning, foxing spots, and water damage. Several sheets with rough edges from book removal. Two pieces of white tape, top left and right of "Butte de Morale" print. 30th-34th items: Light overall toning and foxing spots. "Canon Peak" with rough top edge from book removal. "Zuni Indian" with piece of scotch tape, top left corner, and paper tear, top right corner. 35th-38th items: Light overall toning. 39th-46th items: Light overall toning. Foxing spots, largest 1/4", top left of "298".
2 MCKENNEY HALL LITHOGRAPHS W/ BOOK2 MCKENNEY HALL LITHOGRAPHS W/ BOOK SHEETThomas Loraine McKenney (American, 1785-1859) and James Hall (American, 1793-1868). Two lithographs from the "History of the Indian Tribes of North America," depicting two portraits of Native American men. One labeled "Wakechai, A Saukie Chief," with the book sheet along the verso. The other labeled "No-Tin, A Chippewa Chief."
Literature: Thomas McKenney and James Hall, "History of the Indian Tribes of North America, with Biographical Sketches and Anecdotes of the Principal Chief. Embellished with One Hundred and Twenty Portraits, from the Indian Gallery in the Department of War, at Washington," Philadelphia: Frederick W. Greenough, 1838-1844.
Provenance: from the collection of an important Minneapolis institution.
(Each) Sight; height: 18 in x width: 13 in. Framed; height: 28 1/2 in x width: 23 1/2 in.
Condition:
Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
INDIAN WHY STORIES 1ST ED. LINDERMANINDIAN WHY STORIES 1ST ED. LINDERMAN C.M. RUSSELLThis is a Scarce First Edition of "Indian Why Stories: Sparks from War Eagle's Lodge-Fire" written by Frank Linderman and illustrated by Charles Russell and published in 1915. The book is comprised of numerous Native American Indian folklore stories including "Why the Chipmunk's Back is Striped", "Why Blackfeet Never Kill Mice", "Why the Indians whip the Buffalo-Berries from the Bushes" and many more. The book is a renowned collaboration between Linderman and Russell who were good friends. Frank Bird Linderman was a Montana writer, politician, Native American ally and ethnographer. Born in Cleveland, Ohio, he went West as a young man and became enamored of life on the Montana frontier. While working as a trapper for several years, he lived with the Salish and Blackfeet tribes, learning their cultures. He later became an advocate for them and for other Northern Plains Indians. He wrote about their cultures and worked to help them survive pressure from European Americans. For instance, he supported establishment of the Rocky Boy Indian reservation in Montana for landless Ojibwe (Chippewa) and Cree, and continued as an advocate for Native Americans to his death. Charles Marion Russell, also known as C. M. Russell, Charlie Russell, and "Kid" Russell, was an American artist of the American Old West, known as "the cowboy artist", a prolific artist who created more than 2,000 paintings of cowboys, Native Americans, and landscapes set in the western United States and in Alberta, Canada, in addition to bronze sculptures. This red cloth bound gold gilt illustrated hardcover is in good overall condition, scuffing observed on cover edges. Intact pages have painted top edge, fore edge appears deckled, age tanning with slight foxing exhibited. No other obvious marring noted. Measures 6.25"W x 8.25"L x 1.25"D
MONTANA NORTHERN PLAINS INDIANS DEERMONTANA NORTHERN PLAINS INDIANS DEER FOOT QUIRTFeatured in this lot is a deer foot handled riding quirt from the Northern Plains Indians in Montana. The early vintage piece shows a sinew sewn braided leather or rawhide handle with deer foot hoof and sinew sewn saddle leather ends. This also has a saddle leather and braided rawhide loop remnant. Northern Plains Tribes included Assiniboine (Yankton Sioux), Blackfeet, Crow (Apsaalooke), Plains Cree, Plains Chippewa (Ojibwa), Mandan, Hidatsa, Arikara, Lakota. A quirt, or short riding whip, was used to urge a horse to greater speed. But Native warriors also used them to “count coup.” A warrior would gallop up to an enemy in battle and, instead of killing him, would touch him with his quirt or with a special coup stick. In good overall condition, nice patina observed throughout. Handle is 8.75"L, overall length is 25.5"L
MCKENNEY AND HALL INDIAN LITHOGRAPH:MCKENNEY AND HALL INDIAN LITHOGRAPH: ''OKEE-MAKEE-QUID, A Chippeway Chief'', sight size 10'' x 6'', framed 15.5'' x 7.25''.
CONDITION: Some toning and browning especially around the margin edges, couple small spots of foxing.
4 PIECE BEADED BAGS AND BELT: Comprising;4 PIECE BEADED BAGS AND BELT: Comprising; 1- Native American pouch with a beaded floral medallion. 1- Heavily beaded blue ground Chippewa pouch with colorful medallions. 1- Nez purse with a beaded floral design on wool frame with leather strap. 1- Tooled & woven leather belt with a Bald Eagle in center. Largest Approx. 12.5'' h x 11.5'' w.
CONDITION: Wear to interior of blue ground pouch consistent with age and use.
5 NATIVE AMERICAN INDIAN BEADED PIECES:5 NATIVE AMERICAN INDIAN BEADED PIECES: 1) Vintage American Indian beaded necklace in Green and white with blue and red accents; 2) Vintage beaded cloth sun necklace with white beads on neck drop and circumference of sun with orange, brown and white inside the tin ''hat'' circumference; 3) Small beaded pipe holder?; 4) Chippewa beaded bag with floral design and zipper, 6.25'' x 6.25''. 5) Native American Indian, finely beaded larger, two-sided double flap pouch - bag. The piece shows excellent beadwork on both sides with a traditional double flap design. The bag construction with early trade clothes with glass trade seed beads in white, yellows, blues, green, red, pink and clear pony beads.
CONDITION: 1) Some staining on hide, otherwise in very good condition; 2) Floral designs appear to be intact. Frequent turquoise beading along side seams and top edge are missing; 4) Zipper works and lining is intact. Missing some beads on bottom corners and sides; 5) Top of the bag hems are apart and frayed and beads are missing all of which is appropriate for presumed age - perhaps around 100 years old.
2 CHIPPEWA? BEADED PIPE/TOBACCO BAGS:2 CHIPPEWA? BEADED PIPE/TOBACCO BAGS: 1) Possibly Chippewa, this bag has floral designs on both sides and measures 30'' long x 7.5'' w including fringe; 2) Possibly Chippewa, this bag has floral designs on both sides and measures 27'' long x 6.25'' w.
CONDITION: 1) Some staining on hide, otherwise in very good condition; 2) Floral designs appear to be intact. Frequent turquoise beading along side seams and top edge are missing.
1900'S CHIPPEWA BEADED BANDOLIER BAG:1900'S CHIPPEWA BEADED BANDOLIER BAG: Ojibwe bag fully beaded on broad cloth and black velvet. Glass trade beads, loom beaded tabs to bottom, 14''w. x 40''l. plus 3'' fringe. Some loose beading, in need of slight restoration, bag tacked shut and Velcro attached verso for display.
CONDITION: Some loose beading, in need of slight restoration, bag tacked shut and Velcro attached verso for display. Signs of normal wear.
19TH C. CHIPPEWA SPIKE WAR CLUB: Ball19TH C. CHIPPEWA SPIKE WAR CLUB: Ball head war club with spike, attributed to the Chippewa Native American Indians of Wisconsin, of solid root burl. Tapered handle adorned with brass trade tacks. Approx. 18.75'' l x 7'' l x 2.5'' w.
CONDITION: Wear commensurate with age and use.
FOUR PIECE UNFRAMED MCKENNEY & HALLFOUR PIECE UNFRAMED MCKENNEY & HALL NATIVE AMERICAN PRINTS: 1) Itcho-Turtinnuggee; 2) Wakechai, a Saukie Chief; 3) On-Ge-Wae, a Chippewa Chief; 4) Tah-col-o-quoit. All 19.75'' x 14''.
CONDITION: 1) Minor handling creases and scattered spots of foxing, pinholes at the corners, very small tear in right margin; 2) Scattered toning, small tear in the right margin, some scattered foxing, handling creases; 3) Large repair to tear extending almost all the way through above the Chief's head, some scattered staining and foxing; 4) Visible toning with scattered minor handling creases and foxing.
FOUR UNFRAMED MCKENNEY & HALL NATIVEFOUR UNFRAMED MCKENNEY & HALL NATIVE AMERICAN PRINTS: 1) Me-na-wa, a Creek warrior; 2) Kai-pol-e-quah, White-Nosed Fox; 3) Waa-Top-E-Not; 4) No-Tin, a Chippewa Chief. All 19.75'' x 14''.
CONDITION: Scattered toning, frittering along the edges, and scattered handling creases and foxing. Several tears along the margin edges.
FOUR UNFRAMED MCKENNEY & HALL NATIVEFOUR UNFRAMED MCKENNEY & HALL NATIVE AMERICAN PRINTS: 1) Ka-Ta-Wa-Be-Da, a Chippewa Chief; 2) Wa-Kawn-Ha-Ka, a Winnebago Chief; 3) Foke-Luste-Hajo, a Seminole; 4) Shar-I-Tar-Ish, a Pawnee Chief. All measure 19.75'' x 14''.
CONDITION: Pinholes in corners, some minor frittering along the edges, very minor handling creases, some scattered foxing.
FOUR UNFRAMED MCKENNEY & HALL NATIVEFOUR UNFRAMED MCKENNEY & HALL NATIVE AMERICAN PRINTS: 1) A-Chippewa-Widow; 2) A-Mis-Quam, a Winnebago Brave; 3) Wat-Che-Mon-Me, an Ioway Chief; 4) Tustennuggee Emathla or Jim Boy, a Creek Chief. All measure 19.75'' x 14''.
CONDITION: Pinholes in the corners, scattered foxing and toning, minor handling creases.
DAVID BRADLEY, KICKING BEAR, 1991DavidDAVID BRADLEY, KICKING BEAR, 1991David Bradley, (Chippewa, b. 1954) Kicking Bear, 1991, oil on canvas initialed and dated lower right: DB 91 inscribed verso upper stretcher bar: Kicking Bear oil on canvas Dimensions: 12 1/8 x 9 1/4 in. (30.80 x 23.50 cm.) Provenance: The Georgia and Charles Loloma Collection
DAVID BRADLEY, THE SANTA FE TRAIL REVISITED,DAVID BRADLEY, THE SANTA FE TRAIL REVISITED, 1987David Bradley, (Chippewa, b. 1954) The Santa Fe Trail Revisited, 1987, acrylic on canvas signed and dated lower left: DAVID BRADLEY ©87 acrylic on canvas Dimensions: 30 1/8 x 36 1/8 in. (76.52 x 91.76 cm.) Provenance: The Georgia and Charles Loloma Collection
SAM ENGLISH, THE DRUM SONGSam English,SAM ENGLISH, THE DRUM SONGSam English, (Turtle Mountain Chippewa, b. 1942) The Drum Song, watercolor on paper signed lower left: English watercolor on paper Dimensions: 28 x 22 in. (71.12 x 55.88 cm.), Frame: 34 x 28 x 1 1/2 in. (86.36 x 71.12 x 3.81 cm.) Provenance: Private Collection, South Dakota
DAVID BRADLEY, A PAIR OF SANTA FE INDIANDAVID BRADLEY, A PAIR OF SANTA FE INDIAN MARKET DOLLARSDavid Bradley, (Chippewa, b. 1954) A Pair of Santa Fe Indian Market Dollars, lithograph print each signed lower left: David Bradley / H.G.I. lithograph print Dimensions: each: 11 1/8 x 23 5/8 in. (28.26 x 60.01 cm.) Provenance: Private Collection, California
DAVID BRADLEY, THE BERRY PICKER, 1974DavidDAVID BRADLEY, THE BERRY PICKER, 1974David Bradley, (Chippewa, b. 1954) The Berry Picker, 1974, acrylic on canvas signed and dated middle right: DAVID BRADLEY '74 inscribed verso: "The BERRY PickER" / David Paul Bradley / Bo 11.33 / Window Rock acrylic on canvas Dimensions: 11 x 14 in. (27.94 x 35.56 cm.), frame: 16 3/8 x 19 3/8 in. (41.59 x 49.21 cm.) Provenance: Private Collection, New Mexico
DAVID BRADLEY, SCENE FROM A WESTERNDAVID BRADLEY, SCENE FROM A WESTERN MOVIE, 1981David Bradley, (Chippewa, b. 1954) Scene from a Western Movie, 1981, acrylic on canvas signed lower right: David P. Bradley ©1981 acrylic on canvas Dimensions: 40 x 40 in. (101.60 x 101.60 cm.), frame: 40 1/2 x 40 1/2 x 1 3/4 in. (102.87 x 102.87 x 4.45 cm.) Provenance: Private Collection, New Jersey
SAIGE LAFOUNTAIN, STONE SCULPTURE, 2014SaigeSAIGE LAFOUNTAIN, STONE SCULPTURE, 2014Saige LaFountain, (Chippewa/Diné [Navajo], 20th/21st Century) Stone Sculpture, 2014, carved stone inscribed: SAIGE LAFOUNTAIN - 14 carved stone Dimensions: 27 3/4 x 12 x 7 1/2 in. (70.5 x 30.5 x 19.1 cm.), With base: 30 1/2 x 11 x 9 in. (77.5 x 27.9 x 22.9 cm.) Provenance: The Estate of Buddy and Connie S. Sanchez
PRESLEY LAFOUNTAIN, UNTITLED (LOVINGPRESLEY LAFOUNTAIN, UNTITLED (LOVING SPIRIT), 2002Presley LaFountain, (Chippewa, 1956 - 2023) Untitled (Loving Spirit), 2002, carved stone inscribed near base: P. LaFountain 02 carved stone Dimensions: 21 x 12 x 4 1/2 in. (53.34 x 30.48 x 11.43 cm.) Provenance: The Estate of Buddy and Connie S. Sanchez
TWO TIM BLUEFLINT RAMEL, CHIPPEWA ANDTWO TIM BLUEFLINT RAMEL, CHIPPEWA AND COMANCHE, SILVER AND TURQUOISE RINGSTim Blueflint Ramel,(Chippewa and Comanche, 20th C.) 2 Silver and Turquoise Rings, Silver and Cairco Lake Turquoise, ca. 2018, Stamped Verso on Band: Blueflint, .925 Overall Weight: 19.2 grams Ring Size: 9 Height: 1 1/2 in. (3.8 cm.) Nevada #8 and Silver Turquoise Ring ca. 2018, Stamped Verso on Band: Blueflint, .925 Overall Weight: 18.6 grams Size 9 ¾ Height: 2 in. (5.1 cm.) Provenance:Private Collection, Texas
MCKENNEY & HALL, POCAHONTAS AND CHIPPEWAMCKENNEY & HALL, POCAHONTAS AND CHIPPEWA CHIEF Thomas McKenney (American, 1785-1859) and James Hall (American, 1793-1868) after Charles Bird King (American, 1785-1862). "O - Hya - Wa - Mince - Kee, Chippewa Chief" -1844 and "Po - Ca - Hon - Tas" -1842 Hand colored engravings from "History of the Indian Tribes of North America with Biographical Sketches and Anecdotes of the Principal Chiefs" Approx. 19.75" x 13.75" (sheet, each)
3 PCS, MCKENNEY & HALL NATIVE AMERICAN3 PCS, MCKENNEY & HALL NATIVE AMERICAN CHIEFS Thomas McKenney (American, 1785-1859) and James Hall (American, 1793-1868) after Charles Bird King (American, 1785-1862). "Ne O Mon Ne, Ioway Chief", "Julcee Mathla, Seminole Chief" and "Wa Em Boesh Kaa, Chippeway Chief" -1830s & 1840s,