FOUR 19TH CENTURY BLACK GROUND GOUACHEFOUR 19TH CENTURY BLACK GROUND GOUACHE FIGURESFour 19th century black ground gouache figures from PompeiiSchool of Michelangelo Maestri (1741-1812)lot includes: the Muses, Clio (Memory and History) and Melpomene (Tragedy) from the Greek pantheon,
PUBLISHED MESOPOTAMIAN GLAZED HEAD -PUBLISHED MESOPOTAMIAN GLAZED HEAD - GYPSUM & BITUMENAncient Near East, Mesopotamia, Kassite period, ca. 14th to 13th century BCE. Staring past the confine of time, a head depicting a haunting guise carved in soft white glazed gypsum with a petite nose and mouth that appears secondary to the large almond-shaped eyes. The hollow eyes, arching eyebrows, and grooved neck are all inlaid with chalky-white shell fragments, each component held in place with thin layers of jet-black bitumen. Each ear sports three perforations with one being filled with a miniscule ear spool. Someone likely sculpted this figure for religious reasons; the figures with large eyes would have been placed in temples atop ziggurats. The striking eyes are a dominant feature of this kind of sculpture, likely representing a state of ecstatic prayer, and would have contributed to the sanctity of the temple. Custom lucite display stand included. Size: 1.75" W x 2.125" H (4.4 cm x 5.4 cm); 3.5" H (8.9 cm) on included custom stand.
While the ancient Egyptians popularized the use of faience in their artistic creations, it was in fact the ancient Mesopotamians that created the substance. Faience and its wide use in ancient art was invented during the Ubaid period of early Mesopotamia (ca. 6000 to 3800 BCE) and was employed to fashion countless types of items including dishes and vessels, molded figures, and others. Tiles made of faience were used to line the walls of some architectural buildings and were painted with vibrant and expertly-designed embellishments. Over time, the ancient Mesopotamians developed religious and spiritual uses for faience, creating abstract anthropomorphic and zoomorphic representations of deities and other religious imagery to use for votive offerings and temple decorations.
Throughout much of the second millennium, faience expanded to be used for wearable jewelry, pendants, and smaller decorations made to resemble stylized anthropomorphic figures. However, according to Scottish Archaeologist Jane McIntosh, PhD, “pendants in the form of women’s faces, inlaid with bitumen or pieces of colored faience set in bitumen…were also popular throughout Mesopotamia” (McIntosh, Jane. Ancient Mesopotamia: New Perspectives. ABC-CLIO, 2005, p. 254). Though the popularization and perfection of faience may have proliferated throughout the time of Egyptian Dynasticism, it was the Mesopotamians who began utilizing such substances to create truly spectacular works of art.
Published in "Beloved by Time: Four Millennia of Ancient Art." Fortuna Fine Arts, Ltd., New York, 2000, p. 10, fig. 4.
For a strikingly similar example, please see The Metropolitan Museum of Art, accession number 32.37: https://www.metmuseum.org/art/collection/search/322601
For another very similar example, please see The British Museum, object reference number 1927,0527.224: https://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=369388&partId=1&images=true
Provenance: East Coast collection, New York Gallery, New York City, New York, USA, acquired before 2010; Published in "Beloved by Time: Four Millennia of Ancient Art." Fortuna Fine Arts, Ltd., New York, 2000
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
A Certificate of Authenticity will accompany all winning bids.
PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm.
Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping.
#133243
Condition:
Surface wear and abrasions commensurate with age as expected, small chips to brow, neckline, nose, and verso, losses to shell and bitumen inlays on eyebrows, eyes, and neck, with minor encrustations, and light discoloration. Smooth feel and bubbled verso likely a result of being exposed to elevated temperatures. Light earthen and mineral deposits throughout.
TWO EARLY TIN LIGHTING OBJECTSAmerican,TWO EARLY TIN LIGHTING OBJECTSAmerican, possibly 18th century, comprising: Paul Revere type punched tin lantern, hinged front door, hanging loop, 15 x 5-1/4 in.; tin candle sconce, 11 x 8-1/2 x 2-1/2 in.
Provenance: Thomas W. Bradley and Clionike Bradley, Kalamazoo, Michigan
Condition:
surface dirt, some rust and corrosion, dents, possible solder repairs, wax accretion
EARLY WROUGHT IRON RUSHLIGHTBritish/American,EARLY WROUGHT IRON RUSHLIGHTBritish/American, possibly 17th/18th century, on carved wood base, 13 x 5 x 3 in.
Provenance: Thomas W. Bradley and Clionike Bradley, Kalamazoo, Michigan
Condition:
wax accretion, some rust to iron, base with remnants of applied label(?), scattered cracks and edge chips
TWO WROUGHT IRON FLOOR RUSHLIGHTSAmerican,TWO WROUGHT IRON FLOOR RUSHLIGHTSAmerican, 18th/19th century, one 26 in.; one with adjustable shaft, extends to 39 in.
Provenance: Thomas W. Bradley and Clionike Bradley, Kalamazoo, Michigan
Condition:
surface dirt and wax accretion, scattered areas of rust; taller example slightly off center
FLEMISH BRASS REPOUSSE TWO LIGHT SCONCEContinental,FLEMISH BRASS REPOUSSE TWO LIGHT SCONCEContinental, probably 18th century, octagonal back plate with repousse floral and fruit decoration, two S scrolled candle arms, 14-1/2 x 11-3/4 x 3-3/4 in.
Provenance: Thomas W. Bradley and Clionike Bradley, Kalamazoo, Michigan
Condition:
surface dirt, minor warping to back plate, some cracks to back plate at center raised area, candle arms slightly loose
PENNSYLVANIA FEDERAL PAINTED PINE STEPBACKPENNSYLVANIA FEDERAL PAINTED PINE STEPBACK CUPBOARDcirca 1790-1810, upper case with molded ogee cornice, paneled doors, interior shelves, arched base, lower case with three deep drawers over paneled doors, dovetailed bracket feet, 86-3/4 x 64 x 19-1/2 in.
Provenance: Jess Pavey, Birmingham, Michigan; Thomas W. Bradley and Clionike Bradley, Kalamazoo, Michigan
Condition:
structurally sound, surface has been dry scraped with remnants of old, possibly original paint, replaced hinges, interior lacking one hanging rail, small filled areas and small repairs, return molding along proper left side with partial replacement at center, other scattered wear from age and use
RHODE ISLAND QUEEN ANNE CHERRY HIGHRHODE ISLAND QUEEN ANNE CHERRY HIGH CHEST, JESS PAVEY P...circa 1740-1760, stepped cornice, original batwing brasses, dovetailed upper case with four drawers, lower case with three deep drawers, shaped apron, cabriole legs, pad feet, 66-1/2 x 39-3/4 x 20-1/2 in.
Provenance: Jess Pavey, Birmingham, Michigan; Thomas W. Bradley and Clionike Bradley, Kalamazoo, Michigan
Condition:
resurfaced, upper case with repair to proper right return near top, returns with slight board separation and thin cracks, lower case with replaced drawer runners, small loss to apron molding, legs and feet with minor old insect damage and small losses, feet are original, other general wear from age and usage
EARLY PENNSYLVANIA FOLK ART GREY PAINTEDEARLY PENNSYLVANIA FOLK ART GREY PAINTED HANGING WALL S...early to mid 18th century, pierced arch crest, molded cornice, shelved case with decorative scrolled surround, sloped base, 25 x 15 x 11-1/4 in.
Provenance: Jess Pavey, Birmingham, Michigan; Thomas W. Bradley and Clionike Bradley, Kalamazoo, Michigan
Condition:
likely repainted long ago with scattered paint losses throughout, top with loose molding on proper right side, scattered small wood losses, loss to front corner molding, wood separation along backboard, wear and abrasions from significant age and use
WILLIAM AND MARY MAPLE GATE LEG TABLENewWILLIAM AND MARY MAPLE GATE LEG TABLENew England, comprised of 18th century and later elements, drop leaf top, long frieze drawer, turned legs and stretchers, gate leg supports, bun feet, 27-1/2 x 56 x 46 in.
Provenance: Thomas W. Bradley and Clionike Bradley, Kalamazoo, Michigan
Condition:
retains good structural integrity, as noted comprised of 18th century and later elements, secondary wood frame runners have been rebuilt/replaced, later hinges and screws, minor old repairs to some stretchers, top with shrinkages and marks, other wear expected with age, use and restoration
NEW ENGLAND QUEEN ANNE MAPLE PORRINGERNEW ENGLAND QUEEN ANNE MAPLE PORRINGER TOP TEA TABLE, J...circa 1740, Connecticut or Rhode Island, shaped porringer top, bracketed apron, tapered cylindrical legs, raised pad feet, chestnut secondary wood, 27 x 36 x 24-3/4 in.
Provenance: Jess Pavey, Birmingham, Michigan; Thomas W. Bradley and Clionike Bradley, Kalamazoo, Michigan
Condition:
in generally good condition considering age, refinished, scattered old insect damage (not active) with areas of later infill, other small filled areas, general wear expected with age and use
FROG SMITH(American/Florida, 1896-1993)
LogFROG SMITH(American/Florida, 1896-1993)
Log Cabin in the Suwanee River Country, signed lower right "Frog Smith", paint on paper, 12-1/4 x 21 in.; original wood frame, 17-1/4 x 25-1/4 in.
Provenance: Thomas W. Bradley and Clionike Bradley, Kalamazoo, Michigan
Condition:
painting taped to what appears to be an artist-made mat, mat with some toning and paint smears; frame with light wear
FROG SMITH(American/Florida, 1896-1993)
DowlingFROG SMITH(American/Florida, 1896-1993)
Dowling Camp Mill at Slater, FL., signed lower right "Frog Smith", paint on paper, 14-1/2 x 22 in.; wood frame, 17-3/4 x 25-3/4 in.
Provenance: Thomas W. Bradley and Clionike Bradley, Kalamazoo, Michigan
Condition:
floating under glass in frame, minor surface abrasions; frame with light scratches
FROG SMITH(American/Florida, 1896-1993)
TheFROG SMITH(American/Florida, 1896-1993)
The Towles House at Punta Rassa, signed lower right "Frog Smith", paint and mixed media on paper, 16-1/4 x 20 in.; original wood frame, 17 x 20-3/4 in.
Provenance: Thomas W. Bradley and Clionike Bradley, Kalamazoo, Michigan
Condition:
framed under glass, surface appears to be very good, not examined out of frame; frame with light wear
CLIO HINTON HUNEKER BRACKEN, AMERICANCLIO HINTON HUNEKER BRACKEN, AMERICAN (1870-1925), UNTITLED (BOWL WITH TWO NUDES), BRONZE, DIAMETER: 15 INCHES, HEIGHT: 6 3/4 INCHESCLIO HINTON HUNEKER BRACKEN, American, (1870-1925) Untitled (Bowl with Two Nudes), bronze signed "Clio Bracken", with foundry mark "Roman Bronze Works N.Y." bronze Dimensions: diameter: 15 inches, height: 6 3/4 inches Provenance: Private Collection, Massachusetts. Tags: sculpture, 19th century, mythological, female artist, woman artist Condition: We are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon’s is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD “AS IS” IN ACCORDANCE WITH THE CONDITIONS OF SALE.
HENRI MAIK, LION & CUBS, O/CLion withHENRI MAIK, LION & CUBS, O/CLion with two cubs. Oil on canvas by Henri Hecht Maik (French 1922-1993) Signed and dated to 1978 at upper right. Excellent condition. Sight size is 9" x 12 5/8", framed to 17 1/4" x 20 5/8" shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
A French Empire Gilt Bronze FiguralA French Empire Gilt Bronze Figural Clock
19TH CENTURY
depicting Clio, the Muse of History and Music, the white enamel dial signed Decaux a Paris.
Height 21 1/2 x width 17 5/8 x depth 6 1/2 inches.
TWO COLOR ENGRAVINGS, 'CLIO' AND 'CALLIOPE',TWO COLOR ENGRAVINGS, 'CLIO' AND 'CALLIOPE', 22 X 19 INCHESTwo Color Engravings, 'Clio' and 'Calliope', 22 x 19 inches
NORTON MCNAUGHTON JACKET, CLIO VESTNORTON MCNAUGHTON JACKET, CLIO VEST AND A NORTON NEW YORK PINK SILK SHIRT AND TANK TOPNorton McNaughton Jacket, Clio Vest and a Norton New York Pink Silk Shirt and Tank Top
SEVEN BOTTLES OF VINTAGE SPANISH BODEGASSEVEN BOTTLES OF VINTAGE SPANISH BODEGAS RED WINE:SEVEN BOTTLES OF VINTAGE SPANISH BODEGAS RED WINE: Bodegas El Nido 'Clio,' Jumilla, Spain, 2004 (2) and 2006 (2); Bodegas Alto Moncayo Garnacha 2003 (3).
4 REPRODUCTION GREEK POTTERY VESSELS44 REPRODUCTION GREEK POTTERY VESSELS4 reproduction museum copy Greek pottery vessels. 3 jugs, smallest labeled "Corinthian Copy 670 BC Hand Made," medium labeled "Mynoan Real Copy 1500 BC Heraclion Musicians Hand Made in Greece Copy"; two handled vase labeled "Museum Copy Skypos 550 BC. Largest jug 7 5/8"H to top of handle. Minor flakes and losses to decoration on largest jug, flakes to decoration and repairs to handles on vase, flakes to decoration on medium sized jug.
Largest jug 7 5/8" to top of handle.
TWO APPLIED LABEL BOTTLES LATE 18TH/EARLYTWO APPLIED LABEL BOTTLES LATE 18TH/EARLY 19TH CENTURY HEIGHTS APPROX. 9.75”.TWO APPLIED LABEL BOTTLES, Late 18th/Early 19th Century, Olive green blown contact mold bottles. Labels marked "Brig Clio". The vessel was a whaler out of Nantucket. Dimensions: Heights approx. 9.75". Provenance: The Estate of Paul and Diane Madden, Sandwich, Massachusetts.
FRANK RELLE (AMERICAN/LOUISIANA, B.FRANK RELLE (AMERICAN/LOUISIANA, B. 1976)Frank Relle (American/Louisiana, b. 1976), "Clio", 2011, c-print, signed, titled and dated lower margin, inscribed and numbered "6/15" en verso, signed and dated artist label attached to backing paper, 22 in. x 16 in., framed, overall 27 3/4 in. x 35 1/4 in. x 1 1/4 in. Ill.: New York Times, Mar. 14, 2014.
PAIR OF FRENCH BRONZE FIGURES OF CALLIOPEPAIR OF FRENCH BRONZE FIGURES OF CALLIOPE AND CLIO
19TH CENTURY dark brown patina, one holding a stylus and leaning on a book, the other holding a shabti and a stylus, both on lobed rectangular black slate plinth bases with green marble inset panels(2)37cm high Provenance: Careston Castle, Brechin, Angus
WEDGWOOD BLACK JASPERWARE TWO HANDLEDWEDGWOOD BLACK JASPERWARE TWO HANDLED URN LAMP Wedgwood black Jasperware two-handled urn now mounted as a lamp on a base elaborately decorated in the Jasperware manner, likely 20th century, the oak and acanthus-applied lid (final lost through drilling) above a clean neck, the body of the urn decorated with a grape leaf frieze. floral garlands and cartouches with images of the muses of poetry Clio and Erato, the acanthus applied socle above a plinth decorated with palmettes.
FRENCH EMPIRE STYLE SILVER PLATED FIGURALFRENCH EMPIRE STYLE SILVER PLATED FIGURAL CENTREPIECE PEDESTAL BOWL WITH COBALT BLUE GLASS INSERT, WMF, CA. 1900-1918 18 ¼" x 13" Cast silver plated centerpiece with wide deep bowl with cobalt blue hand blown glass insert with beveled edges; top bowl gallery with openwork alternating flaming campana urns flanked by griffins with laurel leaf wreaths; on fully cast sculpture of the goddess of history Clio, standing on an openwork pedestal with figures of gods and goddess, acanthus leaves, on four scroll acanthus leaf and lion paw feet. Fully marked with WMF hallmarks (used for export to France, ca. 1900-1918) on foot bottom.
A Höchst Porcelain Figure of Clio
CircaA Höchst Porcelain Figure of Clio
Circa 1775
bearing a six-spoke wheel mark in underglaze blue to the underside.
Height 8 5/8 inches.
Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields
LG JAMES ZACCARO PHOTOGRAPH & FILM COLLECTIONLG JAMES ZACCARO PHOTOGRAPH & FILM COLLECTION New York,1936-2017Includes photographs and film reels by James "Jim" Zaccaro and his wife Dolores. James Zaccaro had a rich career partnering with photographer Tony Petrucelli creating ads during the golden age of advertising and created over 2500 commercials for Dr. Pepper, Busch Gardens and American Tourister as well as winning awards at the Cannes Film Festival, Clios, International Broadcast, and New York Art Directors Club.
Collection of Various Pottery to includeCollection of Various Pottery to include Wedgwood Creamware Lampbase Clio Vase Various Commemorative Mugs Masons Commemorative Prince Charles Beswick Barn Owl 2026 (10)
Wedgwood Clio Part Teaset and Bowl etcWedgwood Clio Part Teaset and Bowl etc (41)
A Good collection of pottery to includeA Good collection of pottery to include Wedgwood Clio bowl Commerative mug by Richard Guyatt Wild Strawberry vase various commerative mugs by Shelley Royal Albert etc
Wedgwood Clio Part Dinner Service comprisingWedgwood Clio Part Dinner Service comprising 1 x Serving Plate 6 x Dinner Plates 1 x 8'' Plate Coffee Pot Soup / Cereal Bowls Sauce Boat Stands 6 Royal Doulton Whisky Glasses and 6 Small Wine Glasses (28)
Wedgwood Clio Part Dinner Service comprisingWedgwood Clio Part Dinner Service comprising 1 Serving Plate 6 x Dinner Plates 2 x 8'' Plates Coffee Pot Cream Jug 3 x Soup/Cereal Coffee Cup Coffee Saucers and 6 x Doulton Crystal Wine Goblets (27)
Wedgwood Clio Part Dinner Service comprisingWedgwood Clio Part Dinner Service comprising 1 Serving Plate 6 x Dinner Plates 2 x 8'' Plates 3 Soup/ Cereal 1 x Coffee Pot and Cream Jug also 6 x Royal Doulton Small Liquer Glasses 6 x Small Wine and 6 x Sherry/Port (33)
Wedgwood Clio Dinner Plates x 15 andWedgwood Clio Dinner Plates x 15 and Royal Doulton Crystal Whisky Glasses and 5 x Port/Sherry Glasses (26)
Wedgwood Clio Dinner Plates x 15 andWedgwood Clio Dinner Plates x 15 and Royal Doulton Crystal 6 Small and 6 Large Wine Goblets (27)