- Set of Six Elizabethan Hammered Silver
Set of Six Elizabethan Hammered Silver Sixpence Buttons, 1569-1575 in a velvet lined Victorian leather case case 5 x 3.5 in — 12.7 x 8.9 cm
- Elizabethan Walnut Refectory Table,
Elizabethan Walnut Refectory Table, c.1600 the massive single plank top above three drawers, all supported by baluster turned legs with an 'H' stretcher
Special location notice below.
34.75 x 91.5 x 30.75 in — 88.3 x 232.4 x 78.1 cm
- Elizabethan Inlaid Oak Court Cupboard,
Elizabethan Inlaid Oak Court Cupboard, late 16th century with two cabinet doors each with compass rose flanking a central panel over a wide moulded and carved apron all supported on massive baluster legs with a plank undershelf
54.5 x 60 x 26.5 in — 138.4 x 152.4 x 67.3 cm
- AN ELIZABETHAN OAK COURT CUPBOARD basically
AN ELIZABETHAN OAK COURT CUPBOARD basically late 16th century, with a hinged rectangular top above a strapwork frieze with foliate corbels and a pair of doors with arcaded panels flanked by caryatids, the sides with cruciform panels centred by a stylised flowerhead, the base with a leaf-carved frieze supported on fluted “cup and cover” uprights, the platform base carved with lunettes, 119.5cm high x 124.5cm wide
- AN ELIZABETHAN STYLE OAK DRAW-LEAF REFECTORY
AN ELIZABETHAN STYLE OAK DRAW-LEAF REFECTORY TABLE the later rectangular top with cleated ends and extending sections at either end, over a plain frieze and supported on gadrooned and fluted legs with carved capitals and joined by moulded stretchers, 226cm long (extending to 396cm long) x 89cm wide Provenance: According to family records this table was owned by Hubert Hutchings of Sandford Orcas Manor in the 19th century.
- A Victorian walnut dressing mirror,
A Victorian walnut dressing mirror, the reverse of the moulded frame inset with Berlin woolwork picture of the Last Supper and crested by an Elizabethan Revival cartouche, on ball joint and quadruple legs with volute feet, 44.5cm More Information Good condition and fine quality. Note: glass original but silvering effected by damp
- WILLIAMSON TABLE LAMP, AFTER DUFFNER
WILLIAMSON TABLE LAMP, AFTER DUFFNER & KIMBERLY "ELIZABETHAN" Leaded glass, carved and gesso gilt wood and metal base.
- EARLY 20TH C. QUARTER SAWN OAK CUPBOARDEnglish
EARLY 20TH C. QUARTER SAWN OAK CUPBOARDEnglish circa 1920, the Elizabethan Revival case showing a flute-carved splashboard over a pair of cupboard doors with figural carved panels and carved, turned columns fronting a shelved interior, the sides decorated with full length carved figures of huntsmen, raised overall upon compressed bun feet. Measuring 54.75" high x 48" wide x 18.5" deep.
- AN ELIZABETHAN SILVER RATTAIL FLATWARE
AN ELIZABETHAN SILVER RATTAIL FLATWARE SERVICE FOR TWELVE, MARK OF TIFFANY & CO. London (circa 1956-1977), (133) pieces total to include: (12) dinner knives (10 1/8 in.), (12) luncheon knives (8 3/4 in.), (12) dinner forks (7 5/8 in.), (12) luncheon forks (7 in.), (12) salad forks (6 3/4 in.), (24) teaspoons (6 in.), (12) round bowl soup spoons, (8) iced tea spoons, (4) fruit spoons, an oval bowl soup spoon, (12) flat handle butter spreaders, (4) demitasse spoons, a cold meat fork, a pierced cold meat fork, (2) tablespoons, a large serving spoon (9 3/4 in.), a sugar spoon, a master butter knife, and a cheese knife; all with "B" monogram to underside of handle, presented in a fitted wood box.
- ASSORTED COLLECTIBLE ITEMS Including
ASSORTED COLLECTIBLE ITEMS Including an American Elizabethan Revival mahogany curio rack, 3rd quarter 19th century; a pair of cast iron Hessian Soldier andirons, 19th century, 20 1/2 in. H.; and a wrought iron fire tool set with stand, 27 in. H.
- 22 VOLUMES THE HARVARD CLASSICS22 volumes
22 VOLUMES THE HARVARD CLASSICS22 volumes Harvard Classics leather bound books, P.F. Collier & Son Corporation, New York, 62nd printing, 1969. Including: Bacon Milton Browne, English Essays, Franklin & Penn, Cervantes, R.H. Dana Jr. Two Years Before the Mast, American Historical Documents, Walton & Bunyan, Ralph Waldo Emerson Essays & English Traits, Stories From the Thousand and One Nights, Prefaces & Prologues, English Poetry (3 volumes), The Divine Comedy, Edmund Burke, The Odyssey of Homer, Folklore & Fable, Charles Darwin The Voyage of Beagle, Plato, Plutarch's Lives, Essays English & American, Elizabethan Drama. Each book 8 5/8" x 5 3/4". Burke first pages torn, one English Poetry spine torn, Fables spine torn, corners bumped and some with minor discoloration and scratches to covers.
- TUDOR MILITARY SUIT OF ARMOR PRINT,
TUDOR MILITARY SUIT OF ARMOR PRINT, 1905 Chromolithograph from "An Almain Armourer?s Album: Selections from an Original MS in Victoria and Albert Museum, South Kensington," London 1905, Harold Arthur Lee Dillon, editor, W. Griggs, publisher, after the 16th century original by Jacob Haider, depicting color illustrations of armor from the Tudor and Elizabethan eras in Great Britain, as worn by Important courtiers and military leaders, this image of Lord Buckhurst, annotated K.G., indicating knighthood in the Order of the Garter. Image: 18.25" H X 11.25" W; frame: 22.5" H X 16" W. Nicks and losses to ebonized frame.
- TUDOR JOUSTING & HORSE ARMOR PRINTS,
TUDOR JOUSTING & HORSE ARMOR PRINTS, 1905 - PAIR Two chromolithographs depicting jousting armor and matching horse armor from "An Almain Armourer?s Album: Selections from an Original MS in Victoria and Albert Museum, South Kensington," London 1905, Harold Arthur Lee Dillon, editor, W. Griggs, publisher, after the 16th century original by Jacob Haider, depicting color illustrations of armor from the Tudor and Elizabethan eras in Great Britain, as worn by Important courtiers and military leaders, this pair of Sir Henry Lee and the Earl of Pembroke, both annotated K.G., indicating their knighthood in the Order of the Garter; Image: 18.25" H X 11.25" W; frame: 22.5" H X 16" W. Nicks and losses to ebonized frames, both with water damage to bottoms of images.
- TUDOR MILITARY SUITS OF ARMOR PRINTS,
TUDOR MILITARY SUITS OF ARMOR PRINTS, 1905 - PAIR Two chromolithographs from "An Almain Armourer?s Album: Selections from an Original MS in Victoria and Albert Museum, South Kensington," London 1905, Harold Arthur Lee Dillon, editor, W. Griggs, publisher, after the 16th century original by Jacob Haider, depicting color illustrations of armor from the Tudor and Elizabethan eras in Great Britain, as worn by Important courtiers and military leaders, this pair of Sir Henry Lee (III) and Sir Christopher Hatton, both annotated K.G., indicating knighthood in the Order of the Garter. Image: 18.25" H X 11.25" W; frame: 22.5" H X 16" W. Nicks and losses to ebonized frames.
- FINE FRENCH RASPBERRY COTTON AND LINEN
FINE FRENCH RASPBERRY COTTON AND LINEN VELVET GAUFFRAGE SOFA WITH THREE MATCHING BOLSTERS WITH A BULLION FRINGE AND ROSETTES, DESIGNED BY STEPHEN BASTWith two early Belgian tapestry pillows with custom 'Elizabethan' velvet lozenge trim and tassels.
36 1/2 x 9 ft. x 38 in., height of seat 19 1/2 in.
Condition
In good overall condition with minor wear to the armrests and backrest. Expensively upholstered and finely crafted with a deep seat. Structurally sound.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
- FINE GOTHIC REVIVAL CARVED ROSEWOOD
FINE GOTHIC REVIVAL CARVED ROSEWOOD MARBLE TOP TABLE29 x 44 x 44 in.
Note: The above offered "table is one of several hexagonal marble-topped examples squarely in the refined Louis Philippe style. These tables almost certainly were made in the shop of a French cabinetmaker like Alexander Roux. No table of this form is labeled or associated with a bill of sale. The principal motifs associated with the Louis Philippe style, often wrongly identified as Charles X, are magnificently arrayed in the offered table. The flat base with three trefoil feet is seen in many examples of American furniture and was a recognized hallmark of the Gothic style, although it sometimes supported tables, stands, and screens with Elizabethan or classical detailing. The six cluster columns with floral bud bases and capitals are somewhat ambiguous in style but certainly suggest medieval carving. Hanging inside the columns in a sort of clerestory area is a tracery lantern that had to be assembled and installed before the table was assembled. Both the columns and the lantern enter a large block which in turn supports two horizontal rails from which the six frieze rails are suspended. The frieze is worked in another characteristic Louis Philippe motif that was much copied in England and America, the clipped ogival arcade with turned pendants and corner turrets. Other fine details of the table include reel and arch moldings. Not all New York Gothic furniture with Louis Philippe traits was made by French cabinet makers. English and German competitors incorporated some of the ornamental vocabulary of French furniture in their production models by mid-1840's, but these makers rarely achieved the sophisticated effects seen here, nor did they lavish as much fine workmanship on their products. This table represents a high point in New York City production between the waning of late classical and early mannerist (pillar and scroll) style and the triumph of the rococo revival in the 1850s." - Robert F. Trent.
An identical table sold in these galleries on April 2, 2016, Lot 2, The Collection of Judith Hollander, for $25,000 hammer price.
Condition
In good restored condition. The replaced marble top with minor staining, pitting and scuffing. Formerly had a wooden top, now lacking. Minor chips to the edges. Some repairs to the pendants. Scattered staining to the center of the pedestal base. One, possibly two feet facings replaced. Larger acorn finial and several smaller ones replaced. In generally good condition and refinished. Structurally sound. Very fine quality.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
- ELIZABETHAN STYLE SPIRAL TWIST ARMCHAIR
ELIZABETHAN STYLE SPIRAL TWIST ARMCHAIR Early 20th century, walnut, later plush damask style upholstery with brass nail head trim, together with a light blue velvet throw pillow adorned with an antique silver embroidered crown, spiral twist arms, legs and stretcher featuring carved female busts to each knuckle.
- OAK REFECTORY TABLE Elizabethan Style
OAK REFECTORY TABLE Elizabethan Style Long Table, ca 1920s, having a 6-plank top with butterfly joints and applied breadboard ends, ornately carved frieze, set on bulbous cup and cover turned legs, stretcher base, 32" H, 7' 8" L x 34" W.
- Carved oak Elizabethan Revival armchair
Carved oak Elizabethan Revival armchair with pierced back, caned seat, barley twist turnings, 44"h x 20"w
- (2) Miniature Elizabethan portrait prints,
(2) Miniature Elizabethan portrait prints, hand tinted, mirrored frames (one with cracked panel), 9-7/8" x 8-3/4", c/o Ludovic Stewart 2nd Duke of Lennox and 1st Duke of Richmond (after) Paul van Somer, James Marquis of Hamilton
- CASTLE HEDINGHAM POTTERY CHARGER, ENGLAND,
CASTLE HEDINGHAM POTTERY CHARGER, ENGLAND, SECOND HALF 19TH CENTURY, England, second half 19th century, mauve and blue decorated with inscribed jardinière and mask centering scrollwork adorned with birds and snakes, raised castle mark and inscribed on the reverse "E Bingham" and "Elizabethan Pattern" and date 1580, dia. 13 3/4 in.
- FOUR TREEN MINIATURE BOXESFour treen
FOUR TREEN MINIATURE BOXESFour treen miniature boxes; one snuff box carved in the form of a Victorian ladies boot (3" x 3.5"), a change purse in the form of a realistic tied bag with brass thumb latch and segmented silk interior (2.75" x 2.5"), a shallow box in burl wood with integral wooden hinge (2.5" x 2.5"), and a molded composite velvet lined jewel box simulating bog oak with couple in Elizabethan costume playing chess (3" x 2.5").
- GILT TIN VICTORIAN RELIEF PANELS 17
GILT TIN VICTORIAN RELIEF PANELS 17 ?" x 13 ½" each overall A set of two relief panels Elizabethan Court scenes, gilt on tin, under glass in black frames.
- American Elizabethan Spool-Turned Stained
American Elizabethan Spool-Turned Stained Walnut Bedstead, of Gothic inspiration, third quarter 19th century, the headboard with peaked crest and having a paneled frame, the footboard with turned spindles, h. 60\", interior w. 47\", l. 71\", exterior w. 53\", l. 76\".
- Near-Pair of Elizabethan-Style Spool-Turned
Near-Pair of Elizabethan-Style Spool-Turned Walnut Side Tables, each with a scalloped top and cut-out apron, raised on spool-turned legs, one example fitted with a drawer, h. 28\", w. 25-1/2\", d. 17\".
- American Elizabethan Mahogany and Marble-Top
American Elizabethan Mahogany and Marble-Top Side Table, mid-19th century, the elongated and serpentine top with its original conforming white marble over the base, supported by spool-turned and fretwork-paneled ends joined by a spool-turned stretcher, h. 27-1/2\", w. 34\", d. 16\".
- Elizabethan Barley-Twist Bishop\'s Armchair,
Elizabethan Barley-Twist Bishop\'s Armchair, late 19th century, the back and seat featuring needlework gothic panels with crosses and arches, h. 36\".
- Pair of English Carved and Dark-Stained
Pair of English Carved and Dark-Stained Oak Bracket Shelves, with, respectively, bust-length heads of a 17th century gentleman in a ruff and a stern Elizabethan matron, fourth quarter 19th century, h. 8\".
- Two Victorian Carved Chairs, one a
Two Victorian Carved Chairs, one a Victorian oak chair with\"barley-twist\" stiles, plank seat and cabriole legs, the other a Victorian walnut Elizabethan Revival chair with turned stiles and an upholstered seat with a fringe and tassel apron, each with a carved splat, h. 45\".
- WORK ON PAPER, JACK OGDEN Jack Ogden
WORK ON PAPER, JACK OGDEN Jack Ogden (American, b. 1933), Untitled (Elizabethan Men), 1973, watercolor and graphite on paper, initialed and dated lower right, sight: 21"h x 25.5"w, overall (with frame): 29.5"h x 34.5"w
- . seal-top and slip-top spoons, collection
. seal-top and slip-top spoons, collection of five. sterling silver. result: $5,313. estimate: $1,500–2,500. Spoons feature fig-shaped bowls:
Elizabethan slip-top spoon, mark a dove holding olive branch (Jackson, Rev. ed, pg. 105, line 1), possibly Noah Farmer, 1600. Marked to bowl and stem. Stem engraved ‘S’, the terminal scratch-engraved with a cross or ‘t’. Measures 6.375 h inches, 1.5 ozt.
Elizabethan seal-top spoon by Patrick Brue, 1582. Marked to bowl and stem. Reverse of the bowl engraved ‘CSB’, the finial later engraved with script monogram ‘AW’. Measures 6 h inches, 1 ozt.
Elizabethan seal-top spoon by Francis Jackson, 1564. Marked to bowl and stem. Measures 5.8125 h inches, 1.1 ozt.
Charles II seal-top spoon by Steven Venables, 1661. Marked to bowl and stem. Measures 5.875, 1.1 ozt.
Charles I slip-top spoon, 1632. Marked to bowl and stem. Apparently lacking maker's mark. Measures 6.875 h inches, 1.5 ozt.
- . provincial spoons, collection of four.
. provincial spoons, collection of four. England, silver. result: $3,500. estimate: $1,500–2,500. Charles I provincial slip-top spoon, c. 1640. Marked in bowl and three times on back of stem with mark T/M in heart. Measures 6.75 h inches, 1.5 ozt.
Seal-top spoon, possibly by Thomas Dare, c. 1650. Marked to bowl and reverse. Measures 6.75 inches, 1.51 ozt.
Elizabethan provincial seal-top spoon by John Gladwin and John Utting, Lichfield, c. 1580. Marked on bowl and twice on back of stem with maker's mark. Measures 6.375 h inches, 1.4 ozt.
Charles I provincial Puritan spoon, mark spoked circle enclosing six pellets, probably Wessex, c. 1640. Marked on bowl, the reverse of bowl prick-engraved ‘I?/MR/1665’. Measures 7.125 h inches, 1.5 ozt.
- Edward Hole (Holles). Charles I Apostle
Edward Hole (Holles). Charles I Apostle spoon. c. 1629, sterling silver. 7? h in. result: $3,900. estimate: $1,500–2,500. Features fig-shaped bowl, tapering faceted stem, and gilt Apostle finial of St. James the Greater, the nimbus with rays. Marked to bowl and stem. 1.8 ozt.
Sold with two additional spoons:
Elizabethan seal-top spoon, marked a dove holding olive branch (Jackson, Rev. ed, pg. 105, line 1), possibly Noah Farmer, London, 1602. Finial engraved ‘ER’, the reverse of stem engraved ‘Breadalbane’. Marked to bowl and stem. Measures 6.375 h inches, 1.1 ozt.
Charles I slip-end spoon by William Cary, London, c. 1645. Marked to bowl and stem, the reverse of bowl marked ‘B/NI’. Measures 6.375 h inches, 1.2. ozt. Provenance: Collection of Gavin Campbell, 1st Marquess of Breadalbane (1851-1922) (seal-top spoon) | Antique Silver Spoons, Gloucestershire (Apostle and seal-top spoons) | Private Collection
- William Cawdell. Elizabethan seal-top
William Cawdell. Elizabethan seal-top spoon. 1597, sterling silver. 6¾ h in. result: $3,120. estimate: $1,000–1,500. Features fig-shaped bowl and faceted tapering stem. Finial prick-engraved ‘E*D’. Marked to bowl and stem.Sold with a hand-written note from Charles Oman and the original Biggs of Maidenhead box and label. 1.8 ozt. Provenance: Acquired in 1951 from Biggs of Maidenhead, Ltd. by Charles Oman | Antique Silver Spoons | Private Collection
- ROYAL DOULTON CHARACTER JUG, WILLIAM
ROYAL DOULTON CHARACTER JUG, WILLIAM SHAKESPEARE D7136Character Jugs of the Year 1999. Stamped to base ROYAL DOULTON.
A large Royal Doulton character jug modeled as the giant of Elizabethan drama, with Masks of Comedy and Tradegy and Globe Theatre handle. Stamped to base ROYAL DOULTON.
Artist: Robert Tabenor, Shane Ridge
Issued: 1998
Dimensions: 7.5"H x 9.5"W
Manufacturer: Royal Doulton
Country of Origin: England
- ROYAL DOULTON QUEEN ELIZABETH I HN5704
ROYAL DOULTON QUEEN ELIZABETH I HN5704 ROYALTY FIGUREThis figure of Queen Elizabeth I, inspired by portraits by artists such as Nicholas Hilliard, depicting her in a typical costume of the age.
The long gown is made from sumptuous velvet decorated with rich embroidery, jewels at the neckline and a long V-shaped bodice. The frilled collar was made from fine linen and shaped into crisp folds with starch and heated irons. The deep saffron yellow dress was one of the most expensive colors to produce in Elizabethan times.Royal Doultons limited edition Young Queens collection portrays each of the monarchs at a moment early in their reign. In creating the designs for each study, artist Neil Faulkner has researched period details such as costume, hairstyle and jewelery and combined these with a regal pose that captures the spirit of each queen. Royal Doulton artists have interpreted his designs using the latest ceramic decorative techniques and colours to create masterpieces of sculptural art. #youngqueen #QEI Artist: Neil Faulkner
Issued: 2014
Dimensions: 9.25"H
Manufacturer: Royal Doulton
Country of Origin: England