- A set of six George V silver bean terminal
A set of six George V silver bean terminal coffee spoons, by C W Fletcher, Sheffield 1928 and a set of six silver hafted tea knives (2 cases) More Information Good condition
- A set of twelve Edwardian silver coffee
A set of twelve Edwardian silver coffee spoons and sugar tongs, Dog Nose pattern with rat tail, by C W Fletcher, Sheffield 1908 and 1909, cased, a silver teaspoon and sugar sifter, etc, 6ozs More Information Condition evident from image
- SCULPTURE, FLETCHER BENTON Fletcher
SCULPTURE, FLETCHER BENTON Fletcher Benton (American, 1931-2019), "Folded Circle/Double," 1977, bronze and acrylic lacquer, signed verso, edition 1/8, overall (with base): 39"h x 16"w x 16"d. Provenance: Purchased from John Berggruen Gallery (San Francisco, CA), 1977.
- COURT OF EDWARD III, DOCUMENT FROM 1328
COURT OF EDWARD III, DOCUMENT FROM 1328 An original manuscript document from the court of Edward III of England containing the fancy calligraphy of the day showing cartoons of a bird, a person?s head and typical ballooning of the top line words. Written on vellum and punched to fit into bindings. Mounted in a plexiglass covered frame to a black background and sealed. Comes with a letter dated Dec 22, 1999, mounted to the verso, from H. George Fletcher, director of the Brooke Russell Astor Special Collections department of the New York Public Library. The document is quoted as being the confirmation of the rights of a certain abbey St. Victor and speaks of three manors in England that produce income for the abbey.
- SIXTY DIFFERENT SORTS OF ORNAMENTS INVENTED
SIXTY DIFFERENT SORTS OF ORNAMENTS INVENTED BY...Sixty Different Sorts of Ornaments Invented by Gaetano Brunetti, Italian Painter. Very Useful to Painters, Sculptors, Stone-Carvers, Wood-Carvers, Silversmiths, &c. by Gaetano Brunetti, London: 1736 , engraved by H. Fletcher and J. Rocque. The first rococo design book published in Britain. Provenance: 1736 Mr. P. Raisbrack . . . Reced. in full, G. Brunetti (inscribed and signed).
Competitive in-house shipping is available for this lot.
Condition:
Contains sixty-one plates including title page and subscription page. Good condition, several pages with discoloration, overall very light foxing.
- THREE NEEDLEWORK SAMPLERSThree needlework
THREE NEEDLEWORK SAMPLERSThree needlework samplers, to include Lucinda ___ Fales 1797 , Sarah Fletchers 1822 , and a Sarah Good 1838 deer hunting scene.
Competitive in-house shipping is available for this lot.
- 1. -The Flowering of American Folk Art,
1. -The Flowering of American Folk Art, Jean Lipman and Alice Winchester, 1987, hard cover with dust jacket (excellent) 2. -The Index of American Design, Erwin O. Christensen, 1950, hardcover with plain dust jacket (good) 3. -American Folk Painters of Three Centuries, Hudson Hill Press/Jean Lipman & Tom Armstrong, 1st ed, 1980, soft cover (excellent) 4. -American Folk Painters of Three Centuries, Hudson Hill Press/Jean Lipman&Tom Armstrong, 1st ed, 1980, hard cover, no dust jacket (good/excellent) 5. -Young Faces, Hirshl & Adler Folk, 1987, soft cover, excellent 6. -Images of Childhood- An Illustrated Social History, Anita Schorsch, 1979, 1st ed, hard cover, (dust jacket with some tears and losses) 7. -Little by Little, Nina Fletcher Little, 1998, soft cover (excellent) 8. -Michigan Folk Art, It’s Beginnings to 1941, Michigan State University, 1976, soft cover, 104pp (1 1?4 inch “bite” out of lower corner front cover) 9. -Metalworking Early America, Donald Fennimore, 1996, hardcover with dust jacket (small tear to dust jacket) 10.-American Expressions of Liberty, Mingel International Museum, 1996, hard cover with dust jacket (excellent) 11.-Young America, A Folk Art History, Lipman, Warren and Bishop, 1986, soft cover (excellent) 12.-American Folk Art, Expressions of a New Spirit, Museum of America Folk Art, 1982, hard cover with dust jacket (good) 13.-American Painted Furniture, Dean Fales, 1972, 1st ed, hardcover no dust jacket, occasional underlining of text in pen 14.-American Folk Portraits, Paintings and Drawings from the Abby Aldrich Rockefeller Folk Art Center, 1981, hard cover with dust jacket (good/excellent) 15.-American Folk Portraits, Paintings and Drawings from the Abby Aldrich Rockefeller Folk Art Center, 1981, hard cover with dust jacket (excellent)(another copy) 16.-America’s Quilts and Coverlets, Carleton Safford and Robert Bishop, 1972, hard cover with dust jacket (excellent) 17.-Folk Art in Maine, Uncommon Treasures 1750-1925, Kevin Murphy ed, 2008, hard cover with dust jacket (good/excellent) 18.-American Naïve Paintings of the 18th and 19th Centuries, 111 Masterpieces from the Collection of Edgar William and Bernice Chrysler Garbisch, 1969, soft cover (good) 8/28/2023 19.-Weathervanes, Charles Klamkin, 1973, hardcover, no dust jacket (good) 20.-Weathervanes, Charles Klamkin, 1973, hardcover with dust jacket with minor losses 21.-Yankee Weathervanes, Myrna Kaye, 1975, 1st ed, hard cover with dust jacket (good) 22.-Yankee Weathervanes, Myrna Kaye, 1975, 1st ed, hard cover with dust jacket (good), (another copy) 23.-A Gallery of American Weathervanes and Whirligigs, Bishop and Coblentz, 1984, hard cover with dust jacket (excellent) 24.-American Antique Weathervanes, The Complete Illustrated Westervelt Catalog of 1883, A.B. & W.T. Westervelt, Dover, 1982, soft cover (2 page loose) 25.-Illustrated Catalog/Pricelist, Copper Weathervanes Manufactured by Thomas Jones, soft cover, 80 pp (excellent) 26.-Horsing Around, 19th Century Cast Iron Hitching Posts, Collection of Bill and Bunny Savino, 2008, soft cover (excellent) 27.-Northeast Auctions Catalog: The Collection of John Howland Ricketson III, May 29, 1993, soft cover (excellent) 28.-Litchfield County Furniture, 1730-1850, Litchfield Historical Society, 1969, soft cover (excellent) 29.-Pennsylvania Clocks and Clockmakers, George H. Eckhardt, 1955, hard cover with dust jacket with minor tear 30.-A Treasury of American Clocks, Brooks Palmer, 1967, hard cover with dust jacket (excellent) 31.-The Book of American Clocks, Brooks Palmer, 1974 printing, hard cover with dust jacket (excellent) 32.-English Sliver, Judith Banister, 1966, hardcover with dust jacket (excellent) 33.-Chinese Export Porcelain, An Historical Survey, Elinor Gordon ed, Antiques Magazine CT Transfer Fee $20
- STUDIO OF ALLAN RAMSAY
HALF LENGTH PORTRAIT
STUDIO OF ALLAN RAMSAY
HALF LENGTH PORTRAIT OF ANDREW FLETCHER, LORD MILTON Feigned oval, oil on canvas76cm x 63.5cm (30in x 25in)Literature: Alastair Smart, Allan Ramsay, 1998. Smart lists the present example as in a Private Collection and is signed and dated 1748. He notes a further eight versions.
- FLETCHER MARTIN "PORTRAIT OF A WOMAN"
FLETCHER MARTIN "PORTRAIT OF A WOMAN" OIL ON BOARD Fletcher Martin (American, 1904-1979) "Portrait of a Woman," oil on board, signed upper right: "Martin," bearing label on reverse: "The Elsie Perrin Williams Memorial Art Museum (London, Canada)." Image: 7.5" H x 5.5" W; frame: 16.25" H x 14" W x 1.25" D.
- HENRY FLETCHER 18TH C. BOTANICAL ENGRAVINGS
HENRY FLETCHER 18TH C. BOTANICAL ENGRAVINGS Henry Fletcher (British, 18th century), "April" and "July", pair of hand-colored engravings from "Twelve Months of Flowers," published by Robert Furber, 1730. Image 15.75"H x 11.75" W, frame 22.75" H x 17" W.
- BOOKS ON LONDON, ENGLAND, AND BRITAIN,
BOOKS ON LONDON, ENGLAND, AND BRITAIN, 9 Group of art reference / coffee table books on Fashion and Style comprising - Above London by Robert Cameron and Alistair Cooke / Bodley Head London: Portrait of a City by Reuel Golden / Taschen Craftsmen and Interior Decoration in England 1660-1820 by Geoffrey Beard / Bloomsbury Books The House of Parliament by Sir Harry Boyne / Batsford London Overlooked by Geoffrey Fletcher / Hutchinson Debrett?s The Stately Homes of Britain by Sibylla Jane Fowler / Webb & Bower The Inspiration of the Past: Country House Taste in the Twentieth Century by John Cornforth / Viking Blenheim Revisited: The Spencer-Churchills and their Palace by Hugh Montgomery-Massingberd / Bodley Head The Treasure Houses of Britain: Five Hundred Years of Private Patronage and Art Collecting by National Gallery of Art & Yale University Press
- JOSEF PRESSER (AMERICAN, 1907-1967).
JOSEF PRESSER (AMERICAN, 1907-1967). Mixed media on paper. "Central Park Band Shell". Signed lower right. Fletcher Gallery label affixed verso. From an Ardsley, NY collection. Dimensions: Sight: 18.5" high x 21.75" wide Condition: Good. Glass.
- ETHEL MAGAFAN (AMERICAN, 1916-1993).
ETHEL MAGAFAN (AMERICAN, 1916-1993). Oil on board. "Woodstock Landscape". c. 1940. Signed lower left. Fletcher Gallery label affixed verso. From an Ardsley, NY collection. Dimensions: 8" high x 10" wide Condition: Surface scuffs and scratches.
- ASSEMBLED ENGLISH PART FLATWARE SERVICEComprising:
Six
ASSEMBLED ENGLISH PART FLATWARE SERVICEComprising:
Six pistol handled dinner knives with steel blades and filled handles, indistinctly marked
Five pistol handled lunch knives with steel blades and filled handles, indistinctly marked
Two dinner knives with steel blades and filled handles, mark C W Fletcher & Son Ltd, London, 1982
Two three pronged dinner forks, mark of James Robinson, London, 1962
A set of five crested George II forks, mark of Ebenezer Coker, London, date mark indistinct
A pair of crested teaspoons, mark of Charles Jackson, London, date mark indistinct
Together with:
A Tiffany & Co. silver serving spoon, marked 'Sterling'
A Russian silver spoon, marked '.84'
Three pairs of silver plate servers
A silver plate carving set
A silver plate carving knife
A silver plate serving spoon
A silver plate mounted wood spoon
A pierced serving spoon
A pair of servers with cut glass handles
Two pie slices
Three ladles
Five various coffee spoons
The dinner knives 9 1/2 in. long, 25.3 oz. approx. weighable, (53 pcs).
Condition
Wear consistent with age and use. The knives with bruises to the handles, some of the pistol handle dinner knives with loose blades. The English flatware with wear and abrasions consistent with use. The silver plate and metal wares with nicks and wear.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
- FRANCIS BEAUMONT AND JOHN FLETCHER:
FRANCIS BEAUMONT AND JOHN FLETCHER: FIFTY COMEDIES AND TRAGEDIESOne volume, printed by J. Macock, for John Martyn, Henry Herringman, Richard Marriot, 1679.
14 5/8 x 10 x 3 3/8 in.
Condition
Cracks, wear, fading and staining to the binding. The pages with some staining, soft creasing and minor nicks to the edges of the pages.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
- ATTRIBUTED TO GAINSBOROUGH DUPONT (C.
ATTRIBUTED TO GAINSBOROUGH DUPONT (C. 1754-1797): THE RIGHT HONORABLE WILLIAM PITT, CHANCELLOR OF THE EXCHEQUEROil on canvas, unsigned, with label from Henry Graves, London.
50 x 40 in., 57 x 47 in. (frame).
Note: Once thought to be by Thomas Gainsborough, this portrait was attributed to Gainsborough Dupont from photographs in 1981 by Sir Ellis Waterhouse. In his written opinion of the work, Sir Waterhouse notes that the treatment of the ruff and the tassel are characteristic of Dupont and not Gainsborough. He also notes that the original Gainsborough portrait of William Pitt is in the collection of the Art Gallery of Havana, bequeathed by Oscar Cintas. Dupont painted another portrait of Pitt which was offered at auction at Christie's, NY, 25 May 1999, Lot 83.
Literature: J. Holland Rose, Litt. D., William Pitt and the National Revival , London, 1911; C.R.L. Fletcher, Historical Portraits 1700-1850 , Oxford, 1919, Part II, Vol. IV; C.F. Ellis Waterhouse, Gainsborough , London, 1958, #545.
Condition
A skillful L-shaped repair at center just into the eye at right, inpainted. Some surface soiling, craquelure and scattered inpainting. Otherwise in very good condition. Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
- A GROUP OF 4 DECORATIVE CLOCKS INC.
A GROUP OF 4 DECORATIVE CLOCKS INC. MAPPIN &WEBB 1) an Angelus electric clock (not tested for function), 2) A Halcyon Days enamel clock in the Chinese taste, with key, 3) a Mappin & Webb hanging clock in gilt metal, (old solder repair at bottom edge of trim), and 4) an antique cased carriage clock, with key, engraved "Presented to Jas. E. Fletcher, Esq/ by the Post Office, Telegraph, Engineering/ and Commercial Staffs. Darlington District/ Sept 1908". From a Park Ridge, NJ estate. Condition: All clocks sold as is, where is, with no guarantee of functionality.
- SPANISH-AMERICAN WAR ERA USN LONG GLASS
SPANISH-AMERICAN WAR ERA USN LONG GLASS IN TIN CASE WITH OWNER'S NAME 'JOSEPH B. FLETCHER' Single Draw Brass, unmarked, with braided horsehair wrap, having sliding lens covers at both ends, 1" objective, stored in blue painted tin lidded tube with friction cap, painted with owner's name and "USN" in gold amid surrounding scrollwork. Long glass is 19" to 29" long, with fine optics. 27 1/2" x 3" tube. Stiff slide.
Possibly owed by Master Carpenter Joseph B. Fletcher of the USS "Vandalia", an armed sloop that served as the Flagship of the Pacific Station in 1888. Sunk by hurricane off Aoia, Samoa March 15, 1889. Fletcher continued service through the war to 1900.
- 10PC STERLING SALT & PEPPER SHAKERS
10PC STERLING SALT & PEPPER SHAKERS & A LIGHTER Ten piece group of American and English mainly weighted sterling silver table articles comprising, three pairs of salt and pepper shakers including Reed & Barton, three single shakers, one with a plated top and colorless glass body, one Hawkes, one marks of Blackmore & Fletcher Limited, 1940, Birmingham, and a Frank. M. Whiting & Company mounted lighter, all appropriately marked Approximate dimensions: tallest h. 4.75"; total approx. weight of the Blackmore & Fletcher 1.23 ozt.
- AMERICAN SCHOOL (19TH CENTURY,), THE
AMERICAN SCHOOL (19TH CENTURY,), THE OLD PARSONAGE, COHASSET, MASSACHUSETTS., OIL ON CANVAS, 12" X 16". FRAMED 14.75" X 18.5".AMERICAN SCHOOL, 19th Century, The Old Parsonage, Cohasset, Massachusetts. Charmingly detailed. Signed lower right "M.A. Cole". Location identified on an old handwritten label verso; additional information provided on a contemporary label. Includes a stereopticon card depicting the building. Dimensions: Oil on canvas, 12" x 16". Framed 14.75" x 18.5". Provenance: Gift to a previous owner by noted folk art and Americana collector Nina Fletcher Little.The Collection of Bob & Nancy Skinner.
- COLLECTION OF EIGHT SMALL BASKETS 19TH
COLLECTION OF EIGHT SMALL BASKETS 19TH CENTURY HEIGHTS FROM 1.25" TO 6.5".COLLECTION OF EIGHT SMALL BASKETS, 19th Century, Varied forms, mostly Native American examples but one possibly Shaker. Includes a nesting set and a birch box containing a handwritten note "Nina L. gave me this long ago" (most likely referencing noted folk art and Americana collector Nina Fletcher Little). Dimensions: Heights from 1.25" to 6.5". Provenance: The Collection of Bob & Nancy Skinner.
- BATH, MAINE NEEDLEWORK SAMPLER AND FAMILY
BATH, MAINE NEEDLEWORK SAMPLER AND FAMILY RECORD DATED 1810 12" X 15.5" SIGHT. FRAMED 14.75" X 18".BATH, MAINE NEEDLEWORK SAMPLER AND FAMILY RECORD, Dated 1810, "Wrought by Lucy Hildreth Bath Sept. 4th AD 1810". Genealogical research indicates Lucy Fletcher Hildreth was born in 1799 or 1800 in Massachusetts, the second child of Hosea Hildreth and his second wife, Lucy Fletcher, but by 1804 the family had moved to Maine. Upper panel with two alphabets, numerals and a country house. Central panel with "A Familys Record of the Family of Hosea Hildred AE 38 * Lucy Hildreth AE 38", listing the names and ages of their six children. Maker's inscription below. Lower panel depicts an inn with a large sign hanging off the side of the building, a potted flowering plant, and a flock of birds hovering above a young maiden. Geometric border. Includes a patch of fabric handwritten "Susan Libby", possibly the name of Lucy's teacher, which had been attached to the linen backing verso prior to framing. Dimensions: 12" x 15.5" sight. Framed 14.75" x 18".
- FLETCHER &GARDINER COIN SILVER COMPOTEAmerican
FLETCHER &GARDINER COIN SILVER COMPOTEAmerican Classical Coin Silver Compote, Fletcher & Gardiner (Thomas Fletcher and Sidney Gardiner), act. Boston, 1808-1811 and Philadelphia, 1811-1827, mark rubbed; everted rim cast with shells and foliate scrolls, stepped pedestal foot with die-rolled borders, h. 5 1/4 in ., dia. 9 1/2 in., wt. 22.15 troy ozs. Ref.: Fennimore, Donlad L. Silversmiths to the Nation: Thomas Fletcher & Sidney Gardiner: 1808-1842, a nearly identical border on a baptismal basin from 1824 is illustrated p. 167; Hollan, Catherine B. Philadelphia Silversmiths and Related Artisans to 1861, pl. 72.
- (6) Folk art paintings and sculptures
(6) Folk art paintings and sculptures to include an unsigned mixed media sculpture of a horse, 12"L, a papier mache Tubby Brown style fish mobile, unsigned, a 'licenced junk dealer' tin and paint decorated pendant, a Rosie Lee Light (American/Tennessee, 1948-2003) 3-flower painting on wood, a folk painted George Carlin quote on wood signed PAE along with a portrait painting signed Rosalind M. (Fletcher?), on wood, 24 1/4" x 18:
- EARLY TERNA. Elmer Crowell (1862-1952)
East
EARLY TERNA. Elmer Crowell (1862-1952)
East Harwich, MA, c. 1915
12 1/4 in. long
An early and rare carving of a life-size tern accurately capturing the attitude of these elegant hunters. The full body is adorned with the painter’s best “wet-on-wet” dry brushed plumage. Subtle details include the crossed primary feathers being separated by an incised line and the long forked tail below showing a gently undulating line on the inside. The bird is perched on a base made to resemble a smoothed rock which has an early crisp oval brand, consistent with the quality of the work.
This early work stands out among the maker’s standing terns. Indeed, it caught the eye of the early and influential Americana authority Nina Fletcher Little (1903-1993), who acquired it for her own collection. From there it was retained by her son in his collection.
While terns were never considered a delicacy, they were shot in great numbers because their beautiful feathers fetched high prices due to the robust millinery trade. The 1897 passage of a Massachusetts law prohibiting the sale of plumes was a monumental first step in the conservation of avian species in America.
Excellent original paint with light wear, very minor touch-up to small crack in tip of wing on right side, 2/3 bill replacement.
Provenance: Nina Fletcher Little Collection
Warren M. Little Collection, by descent from the above
Private Collection, acquired from the estate of the above
Literature: Stephen B. O'Brien Jr. and Chelsie W. Olney, "Elmer Crowell: Father of American Bird Carving," Hingham, MA, 2019, p. 199, related example illustrated.
- MINIATURE GREEN-WINGED TEAL HENA. Elmer
MINIATURE GREEN-WINGED TEAL HENA. Elmer Crowell (1862-1952)
East Harwich, MA, c. 1910
3 in. long
An early example with detailed feathering and the maker's circular "M'F'R" ink stamp on the bottom.
Original paint with light wear.
Provenance: Nina Fletcher Little Collection
Warren M. Little Collection, by descent from the above
Private Collection, acquired from the estate of the above
- MINIATURE GOLDENEYE HENA. Elmer Crowell
MINIATURE GOLDENEYE HENA. Elmer Crowell (1862-1952)
East Harwich, MA, c. 1910
3 1/2 in. long
An early example with detailed feathering and the maker's circular "M'F'R" ink stamp on the bottom.
Original paint with light wear.
Provenance: Nina Fletcher Little Collection
Warren M. Little Collection, by descent from the above
Private Collection, acquired from the estate of the above
- MINIATURE GOLDENEYE DRAKEA. Elmer Crowell
MINIATURE GOLDENEYE DRAKEA. Elmer Crowell (1862-1952)
East Harwich, MA, c. 1930
4 in. long
The bird displays the maker's rectangular stamp on the bottom.
Original paint with light wear.
Provenance: Nina Fletcher Little Collection
Warren M. Little Collection, by descent from the above
Private Collection, acquired from the estate of the above
- MINIATURE GROUSEA. Elmer Crowell (1862-1952)
East
MINIATURE GROUSEA. Elmer Crowell (1862-1952)
East Harwich, MA, c. 1920
3 3/4 in. tall
The species is written in ink on a sticker on the underside of the base.
Original paint with light wear and touch-up to bill.
Provenance: Nina Fletcher Little Collection
Warren M. Little Collection, by descent from the above
Private Collection, acquired from the estate of the above
- MINIATURE SEMI-PALMATED PLOVERA. Elmer
MINIATURE SEMI-PALMATED PLOVERA. Elmer Crowell (1862-1952)
East Harwich, MA, c. 1910
2 1/4 in. long
An excellent early example with an inked species inscription on the bottom.
Original paint with light wear.
Provenance: Nina Fletcher Little Collection
Warren M. Little Collection, by descent from the above
Private Collection, acquired from the estate of the above
- MINIATURE RUDDY TURNSTONEA. Elmer Crowell
MINIATURE RUDDY TURNSTONEA. Elmer Crowell (1862-1952)
East Harwich, MA, c. 1930
3 in. long
A popular and colorful shorebird with the maker's rectangular stamp on the bottom of the base.
Original paint with light wear.
Provenance: Nina Fletcher Little Collection
Warren M. Little Collection, by descent from the above
Private Collection, acquired from the estate of the above
- MINIATURE AVOCETA. Elmer Crowell (1862-1952)
East
MINIATURE AVOCETA. Elmer Crowell (1862-1952)
East Harwich, MA, c. 1910
2 3/4 in. tall
An exceptional and rare early avocet in bright breeding plumage bearing the maker's inked "M'F'R" stamp on the underside.
Original paint with light wear and two-thirds of bill is replaced.
Provenance: Nina Fletcher Little Collection
Warren M. Little Collection, by descent from the above
Private Collection, acquired from the estate of the above
- EXCEPTIONAL MINIATURE BLACK-BELLIED
EXCEPTIONAL MINIATURE BLACK-BELLIED PLOVERA. Elmer Crowell (1862-1952)
East Harwich, MA, c. 1910
2 1/2 in. long
This early dropped-wing plover is among the maker's finest miniature carvings. The well-proportioned bird has a plump body with a narrow tail above split wing tips which are tucked beneath. The base displays an inked species inscription on the bottom.
Excellent original paint with a tight crack to left side of neck.
Provenance: Nina Fletcher Little Collection
Warren M. Little Collection, by descent from the above
Private Collection, acquired from the estate of the above
- A SET OF EIGHT GILTWOOD WALL BRACKETS
A SET OF EIGHT GILTWOOD WALL BRACKETS of semi-circular form, modern, four 25cm x 20cm and four 20cm x 18cm (8) Provenance: Bt. Beaumont & Fletcher, 134 Lots Road, London SW10 ORJ.
- WWI depiction of figures pushing a boat
WWI depiction of figures pushing a boat back to sea, signed lower center, H.N. Fletcher. Image 13.5” x 20” Overall 17.5” x 24” Condition: not examined out of frame CT Transfer Fee $20
- MARK FLETCHER (CANADIAN, 20TH CENTURY)
MARK FLETCHER (CANADIAN, 20TH CENTURY) RED ROOF AT BLUE BEACH MIXED MEDIA ON PAPER; SIGNED, TITLED AND DATED '96 AT BOTTOM; TITLED TO GALLERY LABEL Image 17 x 25 in — 43.2 x 63.5 cm