A few examples of appraisal values for
FRITZ SCHOLDER

• FRITZ SCHOLDER, MATINEE COWBOYFritz
  FRITZ SCHOLDER, MATINEE COWBOYFritz Scholder (American (Luiseno), 1937-2005)Matinee Cowboy, circa 1975lithograph in colors on Arches wove papersigned, and numbered 77/150 in pencil; printers chop and blind stamps to lower left and
• FRITZ SCHOLDER, BICENTENNIAL INDIANFritz
  FRITZ SCHOLDER, BICENTENNIAL INDIANFritz Scholder (American (Luiseno), 1937-2005)Bicentennial Indian, circa 1974lithograph in colors on wove papersigned and numbered 5/125 in pencil to lower prints edge.22 1/4 x 29 1/2in (57 x 75cm) <
• FRITZ SCHOLDER, BUCKSKIN INDIANFritz
  FRITZ SCHOLDER, BUCKSKIN INDIANFritz Scholder (American (Luiseno), 1937-2005)Buckskin Indianlithograph in colors on wove paperfirst state impression, signed and numbered 17/30, to lower prints edge.30 x 22in (76 x 56cm) P
• FRITZ SCHOLDER (1937-2005), LITHOGRAPH,
  FRITZ SCHOLDER (1937-2005), LITHOGRAPH, HOPI DANCERSFritz Scholder (1937-2005), Lithograph, Hopi Dancers, Signed in pencil lower left & "46/75" center. Sheet size: 22" x 30"; frame:30 1/2" x 38 1/2". Very good condition.
• MARLEEN GOLD DESERT LANDSCAPE (OIL CA.
  MARLEEN GOLD DESERT LANDSCAPE (OIL CA. 1990S)Marleen Stein Gold (American, 1946-2020) Untitled (Desert Landscape), circa early 1990s Oil on canvas 49 1/2" x 69" A large canvas of desert shrubs and grasses, a scene from New Mexico. Housed in a slim wooden frame measuring 50 1/2" x 70". Marleen Gold received her BFA from the Kansas City Art Institute in 1979, influenced by her studies under Stanley Lewis, Wilbur Niewald, and Michael Walling. In 2022, the Kemper Museum of Contemporary Art celebrated her life and art with the retrospective "Deconstructing Marleen Gold," which related Gold's work to the likes of Lois Dodd, Wolf Kahn, and Fritz Scholder. Condition Very good condition.
• PABLO MILAN (1961-2017) ACRYLICPablo
  PABLO MILAN (1961-2017) ACRYLICPablo Antonio Milan (New Mexico, 1961-2017)The expressionist depiction of a Native American procession is signed lower right.Artist Fritz Scholder composed a similar composition, Indians with Umbrellas, that records Native Americans with colorful umbrellas in procession.Sight size measures 16.5 x 29.25 with a framed size of 24 x 37 inches.Very fine condition, the full untrimmed sheet, not laid down, no damage, stain, puncture or repair, very bright and clean.
• FRITZ SCHOLDER (AMERICAN, 1937-2005).
  FRITZ SCHOLDER (AMERICAN, 1937-2005). Lithograph. Untitled. Signed lower right. From a White Plains, NY collection. Dimensions: Sight: 25.5" high x 19.75" wide Condition: Minor toning. Framed behind glass, not examined out of frame.
• FRITZ SCHOLDER (1937-2005): RED INDIANFritz
  FRITZ SCHOLDER (1937-2005): RED INDIANFritz Scholder, Scottsdale, AZ, 1937-2005 Red Indian, color lithograph pencil-signed and numbered 93/100 color lithograph Dimensions: Sheet: 33 3/4 x 22 1/4 in. (85.7 x 56.5 cm.) Provenance: Property from the collection of Mitchell Friedman, master printer for Jim Dine 1974-1981 Condition: Water stains to lower edge and corners. Handling marks along edges. Crease to upper left corner. A spot of foxing to lower left quadrant. Residue from tape or glue along edges. Unframed
• CHRISTINE CAROL MCHORSE NATIVE AMERICAN
  CHRISTINE CAROL MCHORSE NATIVE AMERICAN TURTLE POT New Mexico, Arizona,1948-2021Squat pot with textured rim comprised of deep brown clay with highly polished finish. This pot won second place at the 1991 O'Odahm Tash Casa Grande Arts and Crafts Show and includes the ribbon. McHorse learned pottery from her husband's grandmother, Lena Archuleta of the Taos Pueblo, as well as art with sculptor Allan Houser and painter Fritz Scholder at the Institute of American Indian Arts in Santa Fe.
• PRINT, FRITZ SCHOLDER Fritz Scholder
  PRINT, FRITZ SCHOLDER Fritz Scholder (American, 1937-2005), "Dakota Winter Night, #2," 1973, lithograph, pencil signed lower right, edition 24/50, blind stamps to lower corners, image: 21.25"h x 30"w, overall (with frame): 27.25"h x 36.25"w
• Fritz Scholder 1937–2005. Indian with
  Fritz Scholder 1937–2005. Indian with Pistol. 1978, lithograph in colors. 22½ h × 29¾ w in. result: $1,500. estimate: $800–1,200. Signed and numbered to lower edge ‘33/150 Scholder’. This work is number 33 from the edition of 150.
• Fritz Scholder 1937–2005. Indian with
  Fritz Scholder 1937–2005. Indian with Pistol. 1978, lithograph in colors. 22½ h × 29¾ w in. result: $2,750. estimate: $800–1,200. Numbered ‘32/150 Scholder’. This work is number 32 from the edition of 150. Provenance: Hess Fine Art, St. Petersburg
• FRITZ SCHOLDER (1937 - 2005): SELF PORTRAIT
  FRITZ SCHOLDER (1937 - 2005): SELF PORTRAIT WITH DARKlithograph; signed lower right; numbered 39/100 lower left; 11 x 9 inches sight; 11 1/4 x 9 1/4 inches frame
• FRITZ SCHOLDER (1937-2005) ETCHING,
  FRITZ SCHOLDER (1937-2005) ETCHING, INDIAN PORTRAIT IN ...Large framed Fritz Scholder (1937-2005) etching and aquatint, "Indian Portrait in Roma, 1978, 28/90" depicting a portrait of an Indian against a golden wheat ground. Signed and chop mark lower left, numbered lower right. Dimensions: (image) 47"h x 39"w; (paper) 62"h x 44"w. Provenance: Gallery 10, Scottsdale, AZ, 1990. Scholder was born in Missouri but moved with his family to Sacramento, CA. He is best known for his depictions of Native Americans while blending in elements of contemporary society. He studied at Sacramento City College with Wayne Thiebaud and used elements of Pop Art, Abstract Expressionism, and Surrealism. For shipping quote, please contact Box Brothers Sacramento at boxbrosacto@gmail.com. Please note we do not accept credit cards. Condition: Framed in floating style but appears to have slipped and developed some waviness at corners. Please see photos. Witherells strives to provide as much information and photographs as possible but encourages in-person inspection by bidders. Condition: statements are only for general guidance and should not be relied upon as complete statements of fact and do not constitute a representation, warranty or assumption of liability by Witherells. All lots are sold "AS IS" under the Terms & Condition: s.
• FRITZ SCHOLDER "OWL AND MOUSE" ACRYLIC
  FRITZ SCHOLDER "OWL AND MOUSE" ACRYLIC ON CANVASFritz William Scholder V (American/La Jolla Band of Luiseno Indian, 1937-2005). Acrylic on canvas painting titled "Owl and Mouse" depicting an owl who has a freshly caught mouse in its beak, 2000. Signed along the upper right. Signed, titled, and dated along the verso. Scholder spent much of his early life moving throughout the Midwest, living in Minnesota, South Dakota, and Wisconsin. At seventeen, he attended the Mid-West Art and Music Camp at the University of Kansas where he studied with Robert B. Green. As a freshman at Wisconsin State University, he studied with Arthur Kruk, James Grittner, and Michael Gorski. In 1957 he followed his family to Sacramento, California where he studied with Wayne Thiebaud. He has met and worked with numerous designers and artists including Lloyd Kiva New, Charles Loloma, Max Cole, John Heric, and Bruce McGrew. His works often show the harsh, realistic side of Native Americans' lives and deaths including the effects of alcohol. His unique experience as a figure who never lived on or around other Native Americans allowed for a fresh perspective on Native American art, though it was sometimes controversial. He fused together Expressionism, Color Field, and Pop art to convey his perspective on his subjects. Unframed; height: 30 in x width: 30 in. Framed; height: 32 in x width: 32 in. Condition: The painting is in great condition with no rips, tears, or restorations. The colors are bold and bright and the surface is stable. There are areas where the paint has dripped down the canvas, likely original to the artistic process. Some light scratches or scuffs along the upper right; possibly original to the artistic process. Some soiling to the verso, likely original. Very light wear along the extreme edges of the canvas. No signs of restorations when inspected under UV light. Some light wear to the frame.
• FRITZ SCHOLDER "MONSTER LOVE, DREAM
  FRITZ SCHOLDER "MONSTER LOVE, DREAM C" LITHOGRAPHFritz William Scholder V (La Jolla Band of Luiseno Indian, 1937-2005). Lithograph on paper titled "Monster Love, Dream C" depicting an abstract scene, 1982. Pencil signed along the lower right; numbered 119/150 along the lower left. These works were distributed via the book "Fritz Scholder" published by Rizzoli, New York, in 1982. Scholder spent much of his early life moving throughout the Midwest, living in Minnesota, South Dakota, and Wisconsin. At seventeen, he attended the Mid-West Art and Music Camp at the University of Kansas where he studied with Robert B. Green. As a freshman at Wisconsin State University he studied with Arthur Kruk, James Grittner, and Michael Gorski. In 1957 he followed his family to Sacramento, California where he studied with Wayne Thiebaud. He has met and worked with numerous designers and artists including Lloyd Kiva New, Charles Loloma, Max Cole, John Heric, and Bruce McGrew. His works often show the harsh, realistic side of Native Americans' lives and deaths including the effects of alcohol. His unique experience as a figure who never lived on or around other Native Americans allowed for a fresh perspective on Native American art, though it was sometimes controversial. He fused together Expressionism, Color Field, and Pop art to convey his perspective on his subjects. Unframed; height: 19 1/4 in x width: 14 3/4 in. Image; height: 11 1/2 in x width: 9 3/4 in. Framed; height: 25 1/2 in x width: 20 1/2 in. Condition: The item is in good condition with no visible tears, creases, or restoration under UV light. The color is bold and bright. Very light wear to the frame, not inspected out of frame.
• SIGNED FRITZ SCHOLDER PAINTING - SKELETON,
  SIGNED FRITZ SCHOLDER PAINTING - SKELETON, 2001Fritz William Scholder (American - Mission/Luiseno, 1937-2005). "Quartz Mountain Skeleton" acrylic on paper, 2001. Signed (scratched into the paint) on upper left. Title, medium, and date are handwritten on the verso. A powerful painting by the legendary Fritz Scholder, depicting a striking skeletal figure, presented bust-length, wearing a white shirt and a black tie, with one bony hand before his torso. The figure is delineated in Scholder's signature explosive manner with loose brushstrokes and dramatic paint drips, in a bold palette of black and white against a red, black, and white background. A mesmerizing painting that conveys a deliciously macabre theme, "Quartz Mountain Skeleton" is among Scholder's visual commentaries on mortality and isolation, exuding an air of mystery, like the artist himself. Size: 30" L x 23" W (76.2 cm x 58.4 cm) Size of frame: 37.4" L x 30.8" W (95 cm x 78.2 cm) Scholder lived with skulls and skeletons in his Scottsdale, Arizona adobe home, intentionally placing them in his garden, his library, and his porch - and much of his oeuvre featured homages to these bony beings like this composition. Of course, Scholder is also admired for his powerful depictions of Native Americans that depart from stereotypes. Interestingly, although Scholder was enrolled as a member of the Luiseno tribe, he oftentimes claimed that he was not actually Indian. Nevertheless, his art demonstrated a refreshing rejection of sentimental, romantic portrayals of indigenous peoples. In his words, "I have painted the Indian real, not red." He based his imagery on actual historical research. For example, Scholder revealed that his painting of a Native American wrapped in an American flag, an image that has become iconic, was based on "19th-century prison photographs of Indians dressed in surplus flags in lieu of their confiscated tribal regalia." In addition to the meaningful political messages of this art, Scholder's style, with its kinetic brushwork and vibrant colors, have truly set him apart. Various art historians have described Scholder's style as a fusion of Pop Art and Abstract Expressionism. Scholder, however, referred to himself an "American expressionist" who celebrated paint and what it can do. In his words, "Paint drips, it smears. It's not because I'm trying to fool anyone into thinking this is a three-dimensional object on a two-dimensional surface ..." Provenance: ex-private Bishop Family Trust collection, the Trust of the late Bill Bishop, a noted antiquarian with shops in Scottsdale, Arizona and Allenspark, Colorado, USA, acquired before 2010 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #173008 Condition: Signed (scratched into the paint) by the artist on the upper left. Title, medium, and date are handwritten on the verso. This painting floats on a double matte, behind plexiglass, in a white-washed frame and has not been examined outside the frame; however, it appears to be in excellent condition. Frame has minor wear with some scuffs but is otherwise very good. Minor scuffs to the plexiglass. Wired for suspension and ready to display.
• SIGNED FRITZ SCHOLDER PAINTING - "BOLO
  SIGNED FRITZ SCHOLDER PAINTING - "BOLO BLUE TIE"Fritz William Scholder (American - Mission/Luiseno, 1937-2005). "Blue Bolo Tie" acrylic on paper, n.d. Signed in pencil at bottom. A striking painting by the legendary Fritz Scholder depicting a white-faced figure dressed in blue and wearing a bolo tie - a staple accessory of Native American peoples across the Southwest. The figure, perhaps representing Scholder himself, is presented half-length, facing forward, with hands either behind his back or hidden by the sleeves of his garment. He is delineated in Scholder's signature explosive manner with loose brushstrokes and dramatic paint drips, in shades of blue, black and white. This mesmerizing white-faced figure possesses an undeniably eerie quality characteristic of Scholder's visual commentaries on mortality and isolation, exuding an air of mystery, like the artist himself. Size with frame: 38" W x 52" H (96.5 cm x 132.1 cm) Fritz Scholder created powerful depictions of Native Americans that depart from stereotypes. Interestingly, although Scholder was enrolled as a member of the Luiseno tribe, he oftentimes claimed that he was not actually Indian. Nevertheless, his art demonstrated a refreshing rejection of sentimental, romantic portrayals of indigenous peoples. In his words, "I have painted the Indian real, not red." He based his imagery on actual historical research. For example, Scholder revealed that his painting of a Native American wrapped in an American flag, an image that has become iconic, was based on "19th-century prison photographs of Indians dressed in surplus flags in lieu of their confiscated tribal regalia." In addition to the meaningful political messages of this art, Scholder's style, with its kinetic brushwork and vibrant colors, have truly set him apart. Various art historians have described Scholder's style as a fusion of Pop Art and Abstract Expressionism. Scholder, however, referred to himself an "American expressionist" who celebrated paint and what it can do. In his words, "Paint drips, it smears. It's not because I'm trying to fool anyone into thinking this is a three-dimensional object on a two-dimensional surface ..." Provenance: ex-private Bishop Family Trust collection, the Trust of the late Bill Bishop, a noted antiquarian with shops in Scottsdale, Arizona and Allenspark, Colorado, USA, acquired before 2010 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #173003 Condition: Painting is hand signed in pencil at the bottom center and set in a custom wood frame with a white matte under glass. The artwork has not been examined outside the frame but appears to be in very nice condition with no signs of restoration. Fitted with suspension wire on verso and ready to display.
• SIGNED FRITZ SCHOLDER PRINT - "BLUE
  SIGNED FRITZ SCHOLDER PRINT - "BLUE PORTRAIT" (1991)Fritz William Scholder (American - Mission/Luiseno, 1937-2005). "Blue Portrait" Cyanotype Cliche-Verre, 1991. Edition 22 of 24, 1991. Hand signed and numbered in pencil on lower right. A fascinating portrait of a half-length figure who faces the viewer by the internationally acclaimed artist, Fritz Scholder. In addition to creating a deliciously spooky visage, Scholder employed the Cyanotype Cliche-verre process, thus achieving an intense blue tone that further imbues the figure with a specter-like quality. A mesmerizing, deliciously macabre piece, "Blue Portrait" is among Scholder's visual commentaries on mortality and isolation, exuding an air of mystery, just like the artist himself. Size (image): 22" W x 30" H (55.9 cm x 76.2 cm) Size (frame): 32" W x 40" H (81.3 cm x 101.6 cm) Fritz Scholder lived with skulls and skeletons in his Scottsdale, Arizona adobe home, intentionally placing them in his garden, his library, and his porch - and much of his oeuvre featured homages to these bony beings. Of course, Fritz Scholder is also admired for his powerful depictions of Native Americans that depart from stereotypes. Interestingly, although Scholder was enrolled as a member of the Luiseno tribe, he oftentimes claimed that he was not actually Indian. Nevertheless, his art demonstrated a refreshing rejection of sentimental, romantic portrayals of indigenous peoples. In his words, "I have painted the Indian real, not red." He based his imagery on actual historical research. For example, Scholder revealed that his painting of a Native American wrapped in an American flag, an image that has become iconic, was based on "19th-century prison photographs of Indians dressed in surplus flags in lieu of their confiscated tribal regalia." In addition to the meaningful political messages of this art, Scholder's style, with its kinetic brushwork and vibrant colors, have truly set him apart. Various art historians have described Scholder's style as a fusion of Pop Art and Abstract Expressionism. Scholder, however, referred to himself an "American expressionist" who celebrated paint and what it can do. In his words, "Paint drips, it smears. It's not because I'm trying to fool anyone into thinking this is a three-dimensional object on a two-dimensional surface ..." Please note: While the Cliche-Verre process was pioneered in France in 1839, the Cyanotype Cliche-Verre process was pioneered by Shahrokh Rezvani in Scottsdale, Arizona in 1977. Provenance: ex-private Bishop Family Trust collection, the Trust of the late Bill Bishop, a noted antiquarian with shops in Scottsdale, Arizona and Allenspark, Colorado, USA, acquired before 2010; ex-Altermann Galleries and Auctioneers, Santa Fe, New Mexico, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #174736 Condition: Set in custom matte under glass in a custom frame with suspension wire on verso for display. Has not been examined outside the frame but appears to be in excellent condition. Hand signed and numbered in pencil on lower right. Some scuffs to frame as shown. Altermann Galleries and Auctioneers label on verso of frame.
• FRITZ SCHOLDER, ANOTHER SPHINX, 1985Fritz
  FRITZ SCHOLDER, ANOTHER SPHINX, 1985Fritz Scholder, (Luiseño, 1937 - 2005) Another Sphinx, 1985, bronze, edition 3 of 12 inscribed near base: Scholder 3/12 [foundry mark] Given as a birthday present to Charles Loloma by Fritz Scholder in 1986, a hand-written note from Scholder accompanies this lot. bronze, edition 3 of 12 Dimensions: 4 7/8 x 11 x 4 1/2 in. (12.38 x 27.94 x 11.43 cm.) Provenance: The Artist The Georgia and Charles Loloma Collection
• FRITZ SCHOLDER, INDIAN ON HORSE, 1987Fritz
  FRITZ SCHOLDER, INDIAN ON HORSE, 1987Fritz Scholder, (Luiseño, 1937 - 2005) Indian on Horse, 1987, cyanotype cliche-verre, Artist's Proof signed lower left: Scholder editioned lower center: AP Published and printed by Shahrokh Rezvani at the Rezvani Workshop and Studio, Scottsdale, Arizona cyanotype cliche-verre, Artist's Proof Dimensions: 22 1/4 x 30 in. (56.52 x 76.20 cm.), Frame: 31 x 38 x 1 1/4 in. (78.74 x 96.52 x 3.18 cm.) Provenance: The Georgia and Charles Loloma Collection
• FRITZ SCHOLDER, DARK SHAMANFritz Scholder,
  FRITZ SCHOLDER, DARK SHAMANFritz Scholder, (Luiseño, 1937 - 2005) Dark Shaman, etching with hand coloring, edition 11 of 20 signed lower right: Scholder editioned lower left: 11 . 20 etching with hand coloring, edition 11 of 20 Dimensions: 24 x 17 1/2 in. (60.96 x 44.45 cm.), Frame: 38 1/8 x 30 1/8 x 1 1/4 in. (96.84 x 76.52 x 3.18 cm.) Provenance: The Artist The Georgia and Charles Loloma Collection
• FRITZ SCHOLDER, INDIAN WITH TOMAHAWK,
  FRITZ SCHOLDER, INDIAN WITH TOMAHAWK, 1975Fritz Scholder, (Luiseño, 1937 - 2005) Indian with Tomahawk, 1975, color lithograph, edition 22 of 75 signed lower right: Scholder editioned lower left: 22 . 75 color lithograph, edition 22 of 75 Dimensions: 30 x 22 1/4 in. (76.20 x 56.52 cm.), Frame: 37 5/8 x 29 5/8 x 1 5/8 in. (95.57 x 75.25 x 4.13 cm.) Provenance: The Georgia and Charles Loloma Collection
• FRITZ SCHOLDER, TAROT, 1987Fritz Scholder,
  FRITZ SCHOLDER, TAROT, 1987Fritz Scholder, (Luiseño, 1937 - 2005) Tarot, 1987, letterpress on handmade paper, edition 33 of 50 signed on info card: Fritz / Scholder / 33.50 created in collaboration with Dan Bayer, the set features five of the artist's favorite tarot cards - featuring: Le Pendu (The Hanged Man), La Mort (Death), L'Amoureux (The Lovers), Le Fol (The Fool), and Le Diable (The Devil) letterpress on handmade paper, edition 33 of 50 Dimensions: each: 4 3/4 x 2 1/2 in. (12.07 x 6.35 cm.) Provenance: The Georgia and Charles Loloma Collection
• FRITZ SCHOLDER, ENAMEL SKULL BOLO TIEFritz
  FRITZ SCHOLDER, ENAMEL SKULL BOLO TIEFritz Scholder, (Luiseño, 1937 - 2005) Enamel Skull Bolo Tie, steel and enamel marked verso: Scholder / ARTWEAR CONCEPT / LOS ANGELES overall weight: 1.9 oz, 52 grams steel and enamel Dimensions: Bolo: 2 3/8 x 1 5/8 in. (6.03 x 4.13 cm.), Hanging Length: 18 1/4 in. (46.36 cm.) Provenance: The Georgia and Charles Loloma Collection
• FRITZ SCHOLDER, FEATHERFritz Scholder,
  FRITZ SCHOLDER, FEATHERFritz Scholder, (Luiseño, 1937 - 2005) Feather, lithograph signed lower center: Scholder lithograph Dimensions: 7 3/4 x 6 1/8 in. (19.69 x 15.56 cm.), Frame: 16 3/4 x 14 3/8 x 1 1/4 in. (42.55 x 36.51 x 3.18 cm.) Provenance: Private Collection, New Mexico
• FRITZ SCHOLDER, PORTRAIT OF A DREAMFritz
  FRITZ SCHOLDER, PORTRAIT OF A DREAMFritz Scholder, (Luiseño, 1937 - 2005) Portrait of a Dream, lithograph, edition 40 of 120 editioned lower left: 40/120 signed lower right: Scholder Born in 1937 in Breckenridge, Minnesota, Scholder is one-quarter Luiseño. Fritz attended high school in Pierre, SD; one of his first teachers was Oscar Howe. In 1957, he studied with Wayne Thiebaud. Graduating with an MFA Degree in 1964 from the University of Arizona, Scholder became instructor in Advanced Painting and Contemporary Art History at the Institure of American Indian Arts in Santa Fe. lithograph, edition 40 of 120 Dimensions: 29 7/8 x 21 7/8 in. (75.88 x 55.56 cm.), Frame: 38 1/2 x 30 1/2 x 1 1/4 in. (97.79 x 77.47 x 3.18 cm.) Provenance: Private Collection, South Dakota
• FRITZ SCHOLDER, LOVERSFritz Scholder,
  FRITZ SCHOLDER, LOVERSFritz Scholder, (Luiseño, 1937 - 2005) Lovers, etching, edition 15 of 120 editioned lower left: 15/120 signed lower right: Scholder Born in 1937 in Breckenridge, Minnesota, Scholder is one-quarter Luiseño. Fritz attended high school in Pierre, SD; one of his first teachers was Oscar Howe. In 1957, he studied with Wayne Thiebaud. Graduating with an MFA Degree in 1964 from the University of Arizona, Scholder became instructor in Advanced Painting and Contemporary Art History at the Institure of American Indian Arts in Santa Fe. etching, edition 15 of 120 Dimensions: 16 1/8 x 21 1/4 in. (40.96 x 53.98 cm.), Matte: 25 3/4 x 30 7/8 in. (65.41 x 78.42 cm.) Provenance: Private Collection, South Dakota
• FRITZ SCHOLDER, SELF PORTRAIT IN BARCELONAFritz
  FRITZ SCHOLDER, SELF PORTRAIT IN BARCELONAFritz Scholder, (Luiseño, 1937 - 2005) Self Portrait in Barcelona, etching, edition 15 of 120 editioned lower left: 15/120 signed lower right: Scholder affixed to verso: Certificate of Authenticity Born in 1937 in Breckenridge, Minnesota, Scholder is one-quarter Luiseño. Fritz attended high school in Pierre, SD; one of his first teachers was Oscar Howe. In 1957, he studied with Wayne Thiebaud. Graduating with an MFA Degree in 1964 from the University of Arizona, Scholder became instructor in Advanced Painting and Contemporary Art History at the Institure of American Indian Arts in Santa Fe. etching, edition 15 of 120 Dimensions: 23 x 18 in. (58.42 x 45.72 cm.) Provenance: Perfect Hanging Gallery, South Dakota
• FRITZ SCHOLDER, DIOGENESFritz Scholder,
  FRITZ SCHOLDER, DIOGENESFritz Scholder, (Luiseño, 1937 - 2005) Diogenes, bronze, edition 12 of 12 inscribed: [cactus foundry mark] Scholder 12/12 bronze, edition 12 of 12 Dimensions: 30 x 14 1/2 x 9 1/2 in. (76.20 x 36.83 x 24.13 cm.) Provenance: Private Collection, New Mexico
• FRITZ SCHOLDER, INDIAN AT CROW FAIR,
  FRITZ SCHOLDER, INDIAN AT CROW FAIR, 1979Fritz Scholder, (Luiseño, 1937 - 2005) Indian at Crow Fair, 1979, lithograph, edition 16 of 20 edition lower left: 16.20 signed lower right: Scholder lithograph, edition 16 of 20 Dimensions: 33 3/4 x 44 1/4 in. (85.73 x 112.40 cm.) Provenance: Private Collection, New Jersey
• FRITZ SCHOLDER, HOPI DANCERS (SECOND
  FRITZ SCHOLDER, HOPI DANCERS (SECOND STATE), 1974Fritz Scholder, (Luiseño, 1937 - 2005) Hopi Dancers (Second State), 1974, lithograph touche, edition 64 of 75 signed lower left: Scholder editioned lower right of center: 64/75 lithograph touche, edition 64 of 75 Dimensions: 22 1/2 x 30 in. (57.15 x 76.20 cm.), Frame: 28 3/8 x 36 x 1 5/8 in. (72.07 x 91.44 x 4.13 cm.) Provenance: Private Collection, New Mexico
• FRITZ SCHOLDER, TAOS CLOUDSFritz Scholder,
  FRITZ SCHOLDER, TAOS CLOUDSFritz Scholder, (Luiseño, 1937 - 2005) Taos Clouds, acrylic on canvas signed lower right: Scholder acrylic on canvas Dimensions: 30 x 40 in. (76.20 x 101.60 cm.), frame: 32 x 42 1/8 x 2 in. (81.28 x 107 x 5.08 cm.) Provenance: Private Collection, New Mexico
• FRITZ SCHOLDER, A PAIR OF ENAMEL PINSFritz
  FRITZ SCHOLDER, A PAIR OF ENAMEL PINSFritz Scholder, (Luiseño, 1937 - 2005) A Pair of Enamel Pins, enamel, metal marked verso: Scholder / Art Wear Concepts Los Angeles enamel, metal Dimensions: buffalo: 2 x 2 1/4 in. (5.08 x 5.72 cm.), mummy cat: 2 1/2 x 3/4 in. (6.35 x 1.91 cm.) Provenance: The Georgia and Charles Loloma Collection
• FRITZ SCHOLDER, LARGE ETCHING WITH AQUATINT,
  FRITZ SCHOLDER, LARGE ETCHING WITH AQUATINT, 1978 Fritz Scholder (American, 1937-2005), "Fancy Dancer in Roma", on Magnani wove paper, pencil signed and numbered 35/90 on lower margins, framed under plexiglass, 47"h x 38"w (image), 67"h x 47"w (frame)
• FRITZ SCHOLDER (AMERICAN, 1937-2005)
  FRITZ SCHOLDER (AMERICAN, 1937-2005) "PORTRAIT WITH ORANGE BAR" Acrylic on canvas. Signed (lower left).