- Bernard Bloch Full Figural Tobacco
Bernard Bloch Full Figural Tobacco Jar Depiction of Gambrinus Terracotta container with rich matte hues of red blue and green depicting "King Gabrinus" in fur trimmed cape with crown and sword hoisting a mug of his mythic creation sitting on top of a barrel. Impressed BB 131.
- Mettlach stein #702 titled 'Gambrinus
Mettlach stein #702 titled 'Gambrinus on Parade', 1/2 litre.
8.25"h x 4"dia
Condition: Good.
- German Salt Glaze Pottery Stein
German Salt Glaze Pottery Stein ''Gambrin'' high-relief pewter lid circa 1840's 9'' tall
- GEORGE BRAUN AND FRANZ HOGENBERGER
GEORGE BRAUN AND FRANZ HOGENBERGER (1541-1622) and (C.1538-1590) CANTEBRIGIA - CAMBRIDGE Engraving: 17 3/4 x 13 in. (sight size) Framed
- Braun & Hogenberg, LYMPURCH, Limburgum
Braun & Hogenberg, LYMPURCH, Limburgum Oppidum Galliae Belgicae vulgo Lympurch, gallice Lembor dr., printed in 1575, taken from Koeman Atlantes Neerlandici II: p. 17, map 18, City of Limburg (Germany), plate size 11 3/4" x 19 1/2" Estimate $200-400
- GEORGE BRAUN AND FRANZ HOGENBERGER
GEORGE BRAUN AND FRANZ HOGENBERGER (1541-1622) and (C.1538-1590) VENICE Hand coloured engraving: 19 x 13 14 in. Framed
- George Braun (German 1541-1622)
George Braun (German 1541-1622) and Franz Hogenberg (c.1538-1590)/Caprarola arx et Horti Farnesiani/black and white engraving from 'Civitates Orbis Terrarum', 40cm x 53cm
- HUBERINUS, Caspar, (German, 1500-1553):
HUBERINUS, Caspar, (German, 1500-1553): Important Reformation Work, ''UNDE GÜDICHEIT GADES'' by Caspar Huberinus (also, Caspar Hueber or Kaspar Huber). Magdeborch (Magdeburg): n.p., 1562. [Bound with:] Huberinus, Caspar. Vam Waren Erkentenisse Gades. Magdeborch: Andreas Ghene, 1562. Together, 2 volumes bound into one volume. Octavo, elaborate blind-stamped pig featuring the holy family front and rear with decorative panels of iconic symbols and the date ''1564'', [viii], 169, [ii] leaves + [ix], 283, [iv] leaves. Foreword by Martin Luther, decorative initials. Cover is worn and lacks original clasps; interior clean and tight. Among scholars dealing with studies on the history of the Reformation there is a growing consensus that not only the great reformers, but also the other theologians who popularized and propagated Luther's teaching are worthy of attention. One such figure is the all but forgotten Caspar Huberinus (1500-1553), whose works are of greatest importance for the history of spirituality. Caspar was a personal friend of Martin Luther. 6 3/4'' x 5'' x 2 1/2''.CONDITION: Please note condition in description
- George Braun (1541-1622) and Franz
George Braun (1541-1622) and Franz Hogenberg (c.1538-1590)/Middelburgum Selandiae Opp Situ Opere at Mercimonis Florentiss/black and white engraved map from 'Civitates Orbis Terrarum', 40.5cm x 51cm
- HENRICK GOLTZIUS AND JAN PIETERSZ
HENRICK GOLTZIUS AND JAN PIETERSZ SAENREDAM (DUTCH, 1558-1617) JOHANNES ZURENIUS AND JUPITER PRESIDING OVER THE LIBERAL ARTS ENGRAVI...HENRICK GOLTZIUS and JAN PIETERSZ SAENREDAM, (DUTCH, 1558-1617) JOHANNES ZURENIUS and JUPITER PRESIDING OVER THE LIBERAL ARTS, Engravings: 5 x 4 in. and 10 x 6 3/4 in. (each sheet trimmed to plate) Each framed (2); the second work, by Saenredam after Goltzius
- PETRUS GERARDUS VERTIN (DUTCH,
PETRUS GERARDUS VERTIN (DUTCH, 1819-1893), GRENADIERSPOORT BINNENHOF, THE HAGUE Oil on mahogany panel, signed at lower left and with illegible date, retains old paper label and red wax collector's seal to the verso, presented in a later gilt frame with brass gallery plaque.
- GAUL, August, (German, 1869-1921):
GAUL, August, (German, 1869-1921): Sheep Grazing Grouping, Bronze, 5.5'' h., 11.5'' w., affixed to marble plinth, 6.5'' h., 12.5'' w., signed on base, H. Noack Friedenau, Berlin Foundry mark.
- Edwin Grienauer (German 1893-1964)
Edwin Grienauer (German 1893-1964) Herkules. Cast bronze with brown patina mounted on a black marble base "Grienauer '86" impressed in the base.
- LUDWIG GRAEFNER (GERMAN, 1862 -
LUDWIG GRAEFNER (GERMAN, 1862 - 1939) "THE FALCONER" Bronze on a marble base.
- GIAMBOLOGNA (AFTER), GRAND TOUR
GIAMBOLOGNA (AFTER), GRAND TOUR BRONZES After Giambologna (Flemish 1529-1608), "Mercury" and "Fortuna", bronze figures standing on wind issuing from the mouth of Zephyr, on red and black marble plinths, unsigned, 19.75"h x 4"w x 5"d (the larger)
- Pair Gaudez bronz
Pair Gaudez bronz
- HENDRICK GOLTZIUS (DUTCH, 1558
HENDRICK GOLTZIUS (DUTCH, 1558 - 1617) FRANçOISE VAN EGMOND Engraving.
- Basilius Besler (German, 1561-1629)
Basilius Besler (German, 1561-1629) "Sabdariffa, Kali Minus, Campanula", hand-colored copper engraving, sight 19" x 16", Germany, 1613. Glazed, matted and handsomely framed.
- CARL RUNGIUS (1869-1959), THE ANSWER
CARL RUNGIUS (1869-1959), THE ANSWER FROM THE BARREN Fine Art
- MARINUS GIDDING (DUTCH, 1863-1925)Marinus
MARINUS GIDDING (DUTCH, 1863-1925)Marinus Gidding (Dutch, 1863-1925) , "A View of Leiden, the Netherlands", oil on panel, signed lower right, "Leiden" inscribed en verso, inscribed on reverse of frame, 6 1/2 in. x 7 3/4 in, framed, overall 12 7/8 in. x 14 in. x 2 in. Condition: Overall fair condition.
- HEINRICH CAMPENDONK, DUTCH/GERMAN
HEINRICH CAMPENDONK, DUTCH/GERMAN (1889-1957), DIE BETTLER (AFTER BRUEGHEL), 1922, WOODCUTHeinrich Campendonk, Dutch/German, (1889-1957) Die Bettler (after Brueghel), 1922, woodcut loose, unframed. Provenance: From a private collector, Indianapolis. From the archives of AskArt: After his studies under Dutch artist Johan Thorn Prikker at the Krefeld "Kunstgewerbeschule", Heinrich Campendonk followed Franz Marc's invitation to the Bavarian village of Sindelsdorf and moved there in 1911. At that time Heinrich Campendonk already found the basic subject of his works: the depiction of harmony between man and beast, Creation, the infinite circle of life and death. He produced paintings, watercolors, gouaches and his first woodcuts. In Sindelsdorf the artist met other members of the "Blauer Reiter" group and participated in one of the group's exhibitions that very same year. Two years later, Heinrich Campendonk also showed his work together with the "Blauer Reiter" at the "Erster Deutscher Herbstsalon" at Herwarth Walden's gallery "Der Sturm" in Berlin. During these years Campendonk's artwork was influenced by Marc, Macke and Kandinsky. A stiff geometrical form language was combined with color in pure complementary contrasts to a dynamic, rhythmic form language. In 1916 Heinrich Campendonk moved to Seeshaupt at the Starnberger See, from where he went on extensive travels. At that point Campendonk's painting was marked by softly flowing forms, large calm areas of intensive light and lyrical, often fairytale-like mood. He also produced works in glass painting. In 1926 Campendonk was appointed professor at the Düsseldorf Art Academy. Campendonk gained acclaim as an artist since the mid-1920s particularly through numerous glass windows he made for churches and public buildings (such as the Düsseldorf parliament building and the Paulskirche and the Essen Münster etc.). When he was dismissed from his teaching profession in 1933, he emigrated to the Netherlands, where he accepted a teaching position for "monumental and decorative art" at the "Rijksakademie van beeldende Kunsten" in Amsterdam. After the end of the war, Campendonk did not return to Germany. He continued to work as a teacher and received numerous orders for glass windows in the Netherlands and Germany. In 1956 Campendonk was awarded the Quellinus Prize by the city of Amsterdam and made knight of the order "De Nederlandse Leeuw". woodcut
- CARL RUNGIUS (1869-1959), GOATS
CARL RUNGIUS (1869-1959), GOATS Fine Art
- Gustav Grohe (German, 1826-1906),
Gustav Grohe (German, 1826-1906), silverplate and parcel-gilt galvanic bronze charger depicting a mournful Venus in the garden of Adonis, fourth quarter 19th century, centering on a circular plaque in high relief, the outer rim decorated with acanthus scrolls and putto masques, dia. 16-1/2", h. 3-1/2".
- FRIEDRICH GORNIK (1877-1943) AUSTRIANFriedrich
FRIEDRICH GORNIK (1877-1943) AUSTRIANFriedrich Gornik, a finely patinated 20th century bronze inkstand sculpted in the form of a striding lion and lioness atop a naturalistic ground - a lidded compartment opening to access an inkwell, all fitted above a full length pen trough. Signed F. Gornik, Austria. Dimensions, 6" h x 14.5" w x 6" d.
- Gertrud Caspari The Nativity hand
Gertrud Caspari The Nativity hand coloured engraving 31cm x 94cm (12.25" x 37")
- German regimental stein; Gardist
German regimental stein; Gardist Kremer, 1908, Pewter lid wit seated soldier, lion thumb latch, lithophane base with military couple. 12 1/4"H. Good condition.
- Wilhelm Posoreck (1880-) a bronze
Wilhelm Posoreck (1880-) a bronze figure of a Spartan warrior on square marble base signed Gladenberks = Bronze giesserei G.m.t.H and 04 27ins Estimate ?300-500 There is an old chip to the front right corner of the plume of the helmet there is a screw thread at one end of the bow and an aperture in the other hand suggesting that there were terminals to the bow which the warrior is holding and have been lost a good even dark patina throughout with some slight knocks and grazes at the base but nothing serious currently loose on the base and will need re-fixing to the iron clasp which sits on top of the marble marble with a few small chips but otherwise ok. Shipping to London we recommend Mailboxes on 00441273 70620 or email info@mbebrighton.co.uk FURTHER IMAGES ALREADY AVAILABLE AT WWW.GORRINGES.CO.UK Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?800
- After Hendrick Goltzius (Dutch,
After Hendrick Goltzius (Dutch, 1558–1617)
20th Century
The Circumcision (from the Life of the Virgin)
engraving
18 1/2 x 13 3/4 inches (plate).
- HOPPENBRAUERS, O/B DUTCH WINTER
HOPPENBRAUERS, O/B DUTCH WINTER LANDSCAPEwith deer. Johannes Franciscus Hoppenbrouers (Dutch 1791 -1866). Signed lower left. Frame size: 13 3/4" high, 18" wide.
Condition:
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- Eduard von Grützner (German 1846-1925)
Eduard von Grützner (German 1846-1925) Card game w/Friar Sgn. lower right Grützner. O/C. Sgn. lower right Grutzner. O/C.Condition: Repaired punctures touch up.Dimensions: 27'' x 20''E
- *GRAAF REGNIER DE De virorum organis
*GRAAF REGNIER DE De virorum organis generationi inservientibus. Leiden and Rotterdam: Ex Officina Hackiana 1668. 12mo contemporary calf. First edition with engraved title page portrait and ten (of 11) fold-out engraved plates. Bookplate and library card holder tipped to pastedowns; library stamp to endpapers; wear to edges of some pages; 1 plate only partially extant; tears to all plates; light rubbing to boards.
- GERHARD ARIJ LUDWIG MORGENSTJERNE
GERHARD ARIJ LUDWIG MORGENSTJERNE MUNTHE (GERMAN/DUTCH, 1875-1927) 19 ¾" x 23 ¾" Katwijk beach with sailboat and onlooker, 1914. Oil on canvas, signed "G. M. Munthe" and dated "14" lower left, framed in a wood carved and painted period frame with shell motif made by The Sala Bros. of Leiden, overall 26 ½" x 30 ½". Provenance: Acquired in Amsterdam by L'eau du Art Gallery of Nijmegen, Netherlands; purchased by currnet owner from L'eau du Art Gallery in June, 2009.
- Attributed to Grinling Gibbons
Attributed to Grinling Gibbons (Anglo-Dutch, 1648-1721)
17th/18th Century
Flowers in Vase Supported by a Wounded Dragon
carved wood
13 3/4 x 10 inches (sight).
- Pair of Guido Gambone ceramic boars
Pair of Guido Gambone ceramic boars (Italian, 1909-1969), runny polychrome glazes, bases signed "Gambone/Italy", 5-1/4 x 6 in. Minor glaze flaws as made, overall light crazing, one small chip.
- German School (First Quarter 18th
German School (First Quarter 18th Century), pair of hand-colored copper engravings of a horse standing near the coast with ruins in the distance and of a horse standing in a hilly landscape, by Baron D'Eisenberg, sight 8-1/2" x 12". Glazed, handsomely matted and framed en suite.
- Lot: German Steins '' Alt-Grenzau
Lot: German Steins '' Alt-Grenzau Western Germany''.