- ATTR GEORGE MORLAND, FIGURES IN WOODED
ATTR GEORGE MORLAND, FIGURES IN WOODED LANDSCAPEAttributed to George Morland (British, 1763-1804)Figures in wooded landscapeoil on canvas17 x 21in (43 x 53cm) Provenance:Property from a private collection, Los Angeles, California.
- Attributed to George Morland (1763-1804)
Attributed to George Morland (1763-1804) - Swine by a Pigsty, signed with initial(...M) and indistinctly dated, oil on panel, 21 x 26cmProvenance: A Grimwood Taylor, when at 36 St Mary's Gate, Derby (1882-1914) More Information Panel warped; horizontally split and repaired in, according to a note on reverse, 1983
- 3 GEORGE MORLAND PENCIL DRAWINGSGeorge
3 GEORGE MORLAND PENCIL DRAWINGSGeorge Morland (British, 1763-1804). 3 pencil drawings on paper. Man with horse, 9 5/8" x 7 5/8"; man with rope, 10" x 7"; seated woman, 6 3/4" x 8 3/8". All initialed G.M. lower right. One labeled in pencil "George Moreland", two "Original drawing by George Moreland". All unframed. All with some toning, foxing and discoloration to the paper.
Provenance: From the Estate of Angela Gross Folk.
- (4) FRAMED ENGLISH PRINTS AFTER GEORGE
(4) FRAMED ENGLISH PRINTS AFTER GEORGE MORLAND(lot of 4) Framed English prints on paper, after George Morland (1763-1804), including: (1) The Shepherds, (1) Return from Market, (1) Feeding the Pigs, (1) The Country Butcher, largest: sight: approx 21.25"h, 28.75"w, overall: approx 25.25"h, 32.75"w; 37.5lbs total
- CIRCLE OF GEORGE MORLAND (BRITISH, 1762/63-1804),
CIRCLE OF GEORGE MORLAND (BRITISH, 1762/63-1804), A COUNTRY ROAD WITH TRAVELER Oil on panel, unsigned, retaining old typed gallery label identifying artist as G. Morland, presented in an antique gilt composition frame retaining gallery label for F. Ainley of Preston in Lancashire.
- (21) Contemporary prints, artists include
(21) Contemporary prints, artists include Miguel Herrera, Barbara Davis Kerne, Peter Holstein, Anton Krajne, Peter Lister, Joe Price, Millicent Krouse, Carlos Marreiros, M. Krsmanovic, and George Morland, largest sheet size 35" x 23"
- ATTRIBUTED TO GEORGE MORLAND (1762-1804):
ATTRIBUTED TO GEORGE MORLAND (1762-1804): PORTRAIT OF A LADYPencil and chalk on blue/grey paper, unsigned, inscribed 'This chalk drawing by the late G. Morland was given to me by the Rev. Dr. Copeland of Chester-le-Street' on the reverse in another hand.
9 1/4 x 7 1/8 in. (sheet), 11 1/2 x 9 1/2 in. (frame).
Condition
Pale staining around the sheet edges. Otherwise in good condition.
Notwithstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
- MANNER OF GEORGE MORLAND (1762-1804):
MANNER OF GEORGE MORLAND (1762-1804): HUNTSMAN BY A TAVERN; AND IN THE STABLETwo oil on canvas, unsigned, lined.
Both 18 1/2 x 23 in., 22 3/4 x 27 3/4 in. (frame).
Condition
Both lined with craquelure, scattered inpainting and surface soiling.
Notwithstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
- FOLLOWER OF GEORGE MORLAND A man, boy
FOLLOWER OF GEORGE MORLAND A man, boy and dog sat by a stone wall watercolour 17 x 22cm
- GEORGE MORLAND brass tag lower central
GEORGE MORLAND brass tag lower central 1763-1806 woman with pigs. painting on canvas
Dimensions: H: 16.25 inches: W: 14 inches: Frame Height: 20.5 inches: Frame Width: 18.5 inches ---
Condition: repair to canvas. crack frame base and some minor loss to frame paint
- GEORGE MORLAND (1762-1804) BRITISHGeorge
GEORGE MORLAND (1762-1804) BRITISHGeorge Morland, taking a break, oil on canvas, signed and dated 1797 lower left, relined, 13" x16".
- GEORGE MORLAND (1762-1804) BRITISHGeorge
GEORGE MORLAND (1762-1804) BRITISHGeorge Morland, cooking under a tree, oil on board, signed lower left, 7" x 15.5".
- GEORGE MORLAND (1762-1804) BRITISHGeorge
GEORGE MORLAND (1762-1804) BRITISHGeorge Morland, watching the sheep, oil on panel, signed lower left, 13.5" x 20".
- SNIPE AND DUCK SHOOTING HAND COLORED
SNIPE AND DUCK SHOOTING HAND COLORED PRINTS.THOMAS ROWLANDSON (1756-1827) British, After GEORGE MORLAND (1763-1804) "Snipe Shooting" and "Duck Shooting" Hand Colored Prints. Published 1792 by J. Harris & Thomas Merle. Very good with minor foxing. In matching frames 23-1/2" x 27-1/2" overall.
Condition:
Very good with minor foxing.
- ROYAL DOULTON SERIES WARE VASE, HUNTING
ROYAL DOULTON SERIES WARE VASE, HUNTING MORLANDScene of a galloping huntsman holding his whip aloft. Rim and base designed with stylized scrolls and foliate.
Royal Doulton backstamp. #hunting #royaldoulton #englishlandscape
Artist: George Morland
Issued: 1901-1928
Dimensions: 6.75"H
Manufacturer: Royal Doulton
Country of Origin: England
- MANNER OF GEORGE MORLAND(British, 1763-1804)
Thatched
MANNER OF GEORGE MORLAND(British, 1763-1804)
Thatched Cottage with People and Ducks; signed lower left "Morland 1792"; Landscape with Cows in a River, signed indistinctly, oil on paper board, each 6-3/4 x 9-3/4 in.; matching 19th century lemon gilt wood frames, 10-1/4 x 13-1/4 in.
Provenance: Private Collection, Connecticut
Condition:
slight warp to boards, crackle; frames with some wear
- ATTRIBUTED TO GEORGE MORLAND(British,
ATTRIBUTED TO GEORGE MORLAND(British, 1763-1804)
Selling the Catch at Dusk, unsigned, oil on oak panel, 9-3/4 x 12 in.; gilt wood frame, 14-1/8 x 16-3/8 in.
Provenance: Private South Carolina Collection
Condition:
repair to horizontal split with associated retouch, other retouch primarily upper left, some crackle, light surface dirt; frame with abrasions
- GEORGE MORLAND (BRITISH 1763-1804)George
GEORGE MORLAND (BRITISH 1763-1804)George Morland (Brit: 1763-1804) Stable Scene with horse and dogs Oil on canvas Initialed CR "G.M." Having Hampton and Sons Depository label on verso Condition: : tear CR. 32" x 40"
Condition:
All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past. Condition: Reports are available by request and answered in the order they are received starting the week of the sale. Our online buyers premium is 28%.
- FOLLOWER OF GEORGE MORLAND
FIGURES IN
FOLLOWER OF GEORGE MORLAND
FIGURES IN A TAVERN INTERIOR Oil on canvas53cm x 46cm (21in x 18in)
- After George Morland/Stable Scene/Farmyard
After George Morland/Stable Scene/Farmyard Scene/two colour prints, 45cm x 53cm/in verre églomisé frames
- Follower of George Morland/Horses, Dogs
Follower of George Morland/Horses, Dogs and Figures Outside a Thatched Tavern/oil on board, 40.5cm x 54cm
- After George Morland/Man and Child/with
After George Morland/Man and Child/with pig and dog outside the sty/oil on canvas, 43cm x 55cm
- Manner of George Morland/Woman and Child/outside
Manner of George Morland/Woman and Child/outside a cottage with pigs/oil on canvas, 64cm x 78cm
- After George Morland/The Tavern Door/oil
After George Morland/The Tavern Door/oil on panel, 43.5cm x 54cm
- After George Morland/The Labourer's
After George Morland/The Labourer's Rest /oil on canvas, 29cm x 26cm
- Follower of George Morland/Figures Watching
Follower of George Morland/Figures Watching a Shipwreck/oil on panel, 20cm x 24.5cm
- Follower of George Morland/Cart Horses
Follower of George Morland/Cart Horses in a Stable/oil on canvas, 28cm x 39.5cm
- (4) BRITISH ANIMAL STUDIES, INCL. MORLAND
(4) BRITISH ANIMAL STUDIES, INCL. MORLAND Includes: Thomas Sydney Cooper (British 1802-1906), lamb or sheep, ink on paper, signed lower margin; William Mulready (Irish, 1786-1863), tortoises, 1828, ink and wash on paper, signed lower margin, dated upper edge; Robert Hills (English, 1769-1844), fallow deer, graphite on paper, dated 1816 lower right; and George Morland (English, 1763-1804), ten figures and a tree, no signature detected, each matted and framed, largest: 9.25"hx 6.25"w (sight), 16.25"h x 13.25"w (frame); smallest: 4.75"h x 2.5"w (sheet), 10.5"h x 8.25"w (frame)
- (2) FRAMED PRINTS AFTER GEORGE MORELAND(lot
(2) FRAMED PRINTS AFTER GEORGE MORELAND(lot of 2) Framed prints on paper, after George Morland (English, 1763-1804), including: (1) "Selling Peas," (1) "Selling Cherries," in black and gilt eglomise frames, sight: approx 17.25"h, 21.5"w, overall: approx 20"h, 24.25"w, 11lbs total
- (2) FRAMED DELIA PRINTS AFTER GEORGE
(2) FRAMED DELIA PRINTS AFTER GEORGE MORELAND(lot of 2) Framed prints on paper, after George Morland (English, 1763-1804), including: (1) "Delia in the Country," (1) "Delia in Town," in black and gilt eglomise frames, sight: approx 21.5"h, 17.25"w, overall: approx 24.25"h, 20"w, 11lbs total
- ATTRIBUTED TO GEORGE MORLAND (UNITED
ATTRIBUTED TO GEORGE MORLAND (UNITED KINGDOM, 1763-1804), AN ACTIVE FARMYARD., OIL ON CANVAS, 20" X 24". FRAMED 29" X 34".ATTRIBUTED TO GEORGE MORLAND, United Kingdom, 1763-1804, An active farmyard. Unsigned. Dimensions: Oil on canvas, 20" x 24". Framed 29" x 34".
- MANNER OF GEORGE MORLAND (EUROPE, 19TH
MANNER OF GEORGE MORLAND (EUROPE, 19TH CENTURY), DOMESTIC CHORES BY THE SHORE., OIL ON CANVAS, 28" X 36". FRAMED 38" X 45".MANNER OF GEORGE MORLAND, Europe, 19th Century, Domestic chores by the shore. Unsigned. Dimensions: Oil on canvas, 28" x 36". Framed 38" x 45".
- AFTER GEORGE MORLAND (BRITISH, 1763-1804),
AFTER GEORGE MORLAND (BRITISH, 1763-1804), RUSTIC COURTSHIP Etching and aquatint on laid paper, circa 1800, with printed signature and title lower margin, matted and framed.
- AFTER GEORGE MORLAND (BRITISH, 1763-1804),
AFTER GEORGE MORLAND (BRITISH, 1763-1804), THE RECKONING Mezzotint, printed 1895, print made by Beatrice Schütte (pencil signed at lower right) and published by I. P. Mendoza, retains labels to verso, in antique wooden frame with gilt fillet.
- AFTER GEORGE MORLAND (BRITISH, 1763-1804),
AFTER GEORGE MORLAND (BRITISH, 1763-1804), FEEDING THE PIGS AND THE FARMER'S STABLE Hand-colored prints, 20th century (after the etching and aquatint), both matted and framed, one not under glass.
- AFTER GEORGE MORLAND (BRITISH, 1763-1804),
AFTER GEORGE MORLAND (BRITISH, 1763-1804), A VISIT TO THE BOARDING SCHOOL Mezzotint in colors, printed by William Ward (English,1766-1826) after a painting by Morland, matted and framed.