- GEORGES SCHREIBER (AMERICAN 1904-1977),
GEORGES SCHREIBER (AMERICAN 1904-1977), JAZZ, LITHOGRAPH, FRAME: 16-3/4 X 20-3/4 INGeorges Schreiber (American 1904-1977), Jazz, Lithograph, Frame: 16-3/4 x 20-3/4 in
- GEORGES SCHREIBER (AMERICAN 1904-1977),
GEORGES SCHREIBER (AMERICAN 1904-1977), QUINTET, LITHOGRAPH, FRAME: 16-3/4 X 20-3/4 INGeorges Schreiber (American 1904-1977), Quintet, Lithograph, Frame: 16-3/4 x 20-3/4 in
- George Schreiber
(American, 1904-1977)
Untitled
George Schreiber
(American, 1904-1977)
Untitled (Orchestra), 1957
watercolor
signed and dated lower left
Sight: 19 x 29 inches.
Property from the Estate of Leona Chanin
- GEORGES SCHREIBER (AMERICAN 1904-1977),
GEORGES SCHREIBER (AMERICAN 1904-1977), NOON, LITHOGRAPH, 1942, FRAMED 18 X 22 INGeorges Schreiber (American 1904-1977), Noon, Lithograph, 1942, Framed 18 x 22 in
- GEORGES SCHREIBER (1904-1977) PENCIL
GEORGES SCHREIBER (1904-1977) PENCIL SIGNED LITHOGeorges L. Schreiber (1904-1977)Southern Siesta (1939)The lithograph published by Associated American Artists in an edition of 218 prints is signed by the artist in pencil below the image lower right. The original AAA label is present verso.Image measures 9 x 12 and sheet is 12 x 16 inches.Very good condition, the full untrimmed sheet, not laid down, no damage, stain, puncture or repair; framed to archival standards in acid free mounts.
- GEORGES SCHREIBER (1904-1977) PENCIL
GEORGES SCHREIBER (1904-1977) PENCIL SIGNED LITHOGeorges L. Schreiber (1904-1977)Going Home (1946)The lithograph from an edition of 250 prints is signed by the artist in pencil below the image lower right.Image size 9 x 13.25, frame measures 17.5 x 21.25 inches.Very good to fine condition, the full untrimmed sheet, not laid down, no damage, stain, puncture or repair; framed to archival standards in acid free mounts. Because this print is from a collection well-known by this auction firm for more than twenty years, it has not been removed from its framing for inspection. As with all lots we offer, the condition is guaranteed to be as stated or a full refund will be issued.
- PRINTS, GEORGE SCHREIBER (lot of
PRINTS, GEORGE SCHREIBER (lot of 2) George Schreiber (American, 1904-1977), "Going Home" and "Circular Motion," lithographs, each pencil signed lower right, images: 9.25"h x 13.5"w/10.25"h x 13.5"w, overall (with mat/each): 14"h x 18"w
- George Schmidt (American/New Orleans,
George Schmidt (American/New Orleans, b. 1944) , pair of color monotypes on heavy paper depicting horses and their riders, pencil signed and dated "George Schmidt '02", with artist's copyright lower right, inscribed in pencil lower left "Monotype", sight 9" x 11". Glazed, handsomely matted and presented in dark wood frames en suite.
- GEORGES SCHREIBER (NEW YORK/BELGIUM,
GEORGES SCHREIBER (NEW YORK/BELGIUM, 1904-1977), HAPPY NEW YEAR, 1950., LITHOGRAPH, 9.5” X 12.5”. MATTED 16” X 20”.GEORGES SCHREIBER, New York/Belgium, 1904-1977, Happy New Year, 1950. Published by Associated American Artist's, New York. Edition of 50. Signed in pencil lower right. Dimensions: Lithograph, 9.5" x 12.5". Matted 16" x 20".
- GEORGES SCHREIBER (1904-1977) PENCIL
GEORGES SCHREIBER (1904-1977) PENCIL SIGNED LITHOGeorges L. Schreiber (1904-1977)Rain (1942)The lithograph published by Associated American Artists in an edition of 250 prints is signed by the artist in pencil below the image lower right and titled verso by the original AAA label.Image measures 9.75 x 13 and sheet is 12.5 x 16.5 inches.Apparently the condition is very good, very clean, intact, no visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.
- George Schmidt (American/New Orleans,
George Schmidt (American/New Orleans, b. 1944) "George Ohr Throwing Pots at the New Orleans Art Pottery Company, Baronne Street, New Orleans, 1889", oil on canvas, 2003, copyrighted, signed and dated lower left "George Schmidt '03", verso with gallery label "George Schmidt Gallery, New Orleans", 32-1/2" x 44-1/2". Presented in its original painted wood frame. Ex-collection: Dr. James W. Nelson, Gonzales, Louisiana.
- GROSZ GEORGE George Grosz. 30 Drawings
GROSZ GEORGE George Grosz. 30 Drawings and Watercolors. New York: Erich S. Herrmann 1944. Folio publisher's printed boards spiral-bound. Inscribed on the title page and painted over by Grosz with blue paint. Minor fading to boards; crease to rear board.
- GEORGE SCHREIBER (1904-1977): WALKING
GEORGE SCHREIBER (1904-1977): WALKING INTO THE WIND Lithograph signed lower right. 10 3/4 x 14 1/2 in. (sight) 15 x 19 1/4 in. (frame).
- GEORGE SCHMIDT (AMERICAN/LOUISIANA)George
GEORGE SCHMIDT (AMERICAN/LOUISIANA)George Schmidt (American/Louisiana, b. 1944), "Rex Court", oil on canvas, signed lower right, 81 in. x 122 in., unframed. (4 pcs.)
- Essig George Emerick [American
Essig George Emerick [American 1838-1926] watercolor of lighthouses with a two-masted schooner probably off the New Jersey coast and signed l.l. "Geo. E. Essig". 13.5"x25"
- GEORGE SCHNEIDER (AMERICAN 20TH
GEORGE SCHNEIDER (AMERICAN 20TH CENTURY), THE WRESTLERS, MIXED MEDIA, FRAME: 20-3/4 X 16-3/4 INGeorge Schneider (American 20th Century), The Wrestlers, Mixed Media, Frame: 20-3/4 x 16-3/4 in
- GEORGE GROSZ (GERMAN, 1893-1959)
GEORGE GROSZ (GERMAN, 1893-1959) KUNSTLER UND MODELL WATERCOLOR, REED PEN AND PEN AND INK ON PAPER: 23 X 17 1/4 IN.Framed; lower right signed: Grosz; Watercolor, reed pen and pen and ink on paper: 23 x 17 1/4 in. Provenance: Studio of artist, Berlin, executed in 1928. Artist's property in USA, 1933-1957. Libauer family private collection, Baltimore, Maryland , 1957-present
- Georg
Georg
- George Schmidt (American/New Orleans,
George Schmidt (American/New Orleans, Contemporary) "Edgar Degas Painting Portrait in a Cotton Office, New Orleans", offset chromolithograph, 3/50, sight 12" x 11", titled, dated and pencil signed on basal edge "George Schmidt". Glazed, matted and presented in a black wooden frame.
- YURI (GEORGE) SCHWEBLER (YUGOSLAVIAN/AMERICAN,
YURI (GEORGE) SCHWEBLER (YUGOSLAVIAN/AMERICAN, 1942-199...Yuri (George) Schwebler
Yugoslavian/American, 1942-1990
Mirror Veil , 1979
Mixed media, signed, titled, and dated to interior
Sheets of glass, layered and constructed in an architectural, modernist manner to sequester small rocks, a mirrored backdrop to the shadowbox containment.
Yuri Schwebler was born in Nazi-occupied Yugoslavia in 1943. His early childhood was clearly marked by the times, his father facing all from conscription into the Wehrmacht to the tortures of a Russian Labor camp, which would lead to the breaking of both his legs. Once the family was reunited in 1956, they wasted no time in emigrating, Schwebler and both younger sisters in tow, to Delaware.
Fresh out of Western Maryland College (now McDaniel College), Schwebler was drafted in to the United States Army Reserve in 1965. After his discharge, he started using the anglicized name George Schwebler. By 1967, he moved to Washington, D.C., and in 1970, moved with his wife, Joanne Hedge, to Marin County, California, and worked briefly at the Sausalito Art Center. When the marriage dissolved in March 1970, he spent two months at the Mendocino State Hospital before returning to Washington, D.C. He moved to New York in 1980, and stopped making art around 1981.
His CV in “The Studio” catalog staked Schwebler's roots in DC, complimented by numerous gallery exhibitions as well as exhibitions at the Phillips Collection and the Corcoran Gallery of Art. He earned an NEA fellowship in 1975, a sculpture installed at ArtPark in 1976, and was included in the 10th Paris Biennale of Young Artists in 1977. In a 1981 exhibition in the Hudson River Museum, Schwebler recreated art studios of sculptors Alexander Calder (In the Tracks of Calder), Piet Mondrian, Alberto Giacometti (Giacometti’s Table [Where Painting Meets Sculpture], 1981), David Smith and Constantin Brancusi, with his own artistic sensibilities.
Schwebler died at age 47 on March 3, 1990, in Marlborough, New York by suicide and carbon monoxide poisoning. He was survived by his partner, artist Enid Sanford, his mother Eva (née Lasi) Schwebler, and two sisters. His work was part of the posthumous retrospective art exhibition, Yuri Schwebler: The Spiritual Plan (2020) curated by John James Anderson at the American University Museum.
Shadowbox: 15 1/8 x 20 x 8 1/8 in. (38.4 x 50.8 x 20.6 cm.)
The Artist,
Ex Iowa Wesleyan University collection;
Bequeathed by the Alden Lowell Doud Estate, Washington D.C.
Alden Lowell Doud (American, 1935-1912) of Iowa City, formerly of Douds, was a former First Lieutenant and Captain of the U.S. Army Judge Advocate General Corp. After serving in the military, he joined the Office of the Legal Adviser in the U.S. State Department in 1967 where he became the first Assistant Legal Adviser for Environmental Affairs. He authored the first drafts of several important environmental treaties including the World Heritage Convention. He was also a member of the U.S. delegation in the negotiations forming the International Telecommunications Satellite Consortium (INTELSAT).
In 1973, Mr. Doud joined the World Bank Legal Department as its principal administrative attorney and rose to the title of Chief Counsel until his retirement in 1996. Post retirement,
he studied at the Courtlaud Institute of Art in London and continued art studies at Bard Graduate Center in New York City.
He moved to Iowa City in 1998 and served as Chairman of Board of Trustees of Iowa Wesleyan until 2005 when he received an honorary degree Ll. D. and was made Chairman Emeritus. He was a member of University of Iowa President's Club, the Members Council of the University Museum of Art, the Harvard Club of New York City, and other arts related organizations.
Condition:
Any condition statement is given as a courtesy to a client, is an opinion, and should not be treated as a statement of fact. Reference to condition written, oral or within a condition report shall not be regarded as a full account of condition and may not include all defects, alterations, or restorations. Absence of a condition report does not imply a lot is flawless or lacking imperfections or damage. Selkirk Auctioneers & Appraisers shall have no responsibility for any error or omission. Returns shall not be accepted on the basis of condition.
- George Grosz (German 1893-1959)
George Grosz (German 1893-1959) Recalling the Time of the Three Soldiers 1942 ink on paper signed George Grosz and dated (lower right) 22 1/2 x 14 1/2 inches.
- George F. Schultz (American 1869-1934)
George F. Schultz (American 1869-1934) The Lake oil on canvas laid to board signed Geo. F. Schultz (lower right) 6 3/4 x 10 inches.
- YURI (GEORGE) SCHWEBLER (YUGOSLAVIAN/AMERICAN,
YURI (GEORGE) SCHWEBLER (YUGOSLAVIAN/AMERICAN, 1942-199...Yuri (George) Schwebler
Yugoslavian/American, 1942-1990
Protractor Box , 1977
Mixed media, signed, titled, and dated to verso
A large protractor, the shadowbox backing shaded white.
Yuri Schwebler was born in Nazi-occupied Yugoslavia in 1943. His early childhood was clearly marked by the times, his father facing all from conscription into the Wehrmacht to the tortures of a Russian Labor camp, which would lead to the breaking of both his legs. Once the family was reunited in 1956, they wasted no time in emigrating, Schwebler and both younger sisters in tow, to Delaware.
Fresh out of Western Maryland College (now McDaniel College), Schwebler was drafted in to the United States Army Reserve in 1965. After his discharge, he started using the anglicized name George Schwebler. By 1967, he moved to Washington, D.C., and in 1970, moved with his wife, Joanne Hedge, to Marin County, California, and worked briefly at the Sausalito Art Center. When the marriage dissolved in March 1970, he spent two months at the Mendocino State Hospital before returning to Washington, D.C. He moved to New York in 1980, and stopped making art around 1981.
His CV in “The Studio” catalog staked Schwebler's roots in DC, complimented by numerous gallery exhibitions as well as exhibitions at the Phillips Collection and the Corcoran Gallery of Art. He earned an NEA fellowship in 1975, a sculpture installed at ArtPark in 1976, and was included in the 10th Paris Biennale of Young Artists in 1977. In a 1981 exhibition in the Hudson River Museum, Schwebler recreated art studios of sculptors Alexander Calder (In the Tracks of Calder), Piet Mondrian, Alberto Giacometti (Giacometti’s Table [Where Painting Meets Sculpture], 1981), David Smith and Constantin Brancusi, with his own artistic sensibilities.
Schwebler died at age 47 on March 3, 1990, in Marlborough, New York by suicide and carbon monoxide poisoning. He was survived by his partner, artist Enid Sanford, his mother Eva (née Lasi) Schwebler, and two sisters. His work was part of the posthumous retrospective art exhibition, Yuri Schwebler: The Spiritual Plan (2020) curated by John James Anderson at the American University Museum.
Shadowbox: 16 1/4 x 16 1/4 x 8 1/8 in. (41.3 x 41.3 x 20.6 cm.)
The Artist,
Ex Iowa Wesleyan University collection;
Bequeathed by the Alden Lowell Doud Estate, Washington D.C.
Alden Lowell Doud (American, 1935-1912) of Iowa City, formerly of Douds, was a former First Lieutenant and Captain of the U.S. Army Judge Advocate General Corp. After serving in the military, he joined the Office of the Legal Adviser in the U.S. State Department in 1967 where he became the first Assistant Legal Adviser for Environmental Affairs. He authored the first drafts of several important environmental treaties including the World Heritage Convention. He was also a member of the U.S. delegation in the negotiations forming the International Telecommunications Satellite Consortium (INTELSAT).
In 1973, Mr. Doud joined the World Bank Legal Department as its principal administrative attorney and rose to the title of Chief Counsel until his retirement in 1996. Post retirement,
he studied at the Courtlaud Institute of Art in London and continued art studies at Bard Graduate Center in New York City.
He moved to Iowa City in 1998 and served as Chairman of Board of Trustees of Iowa Wesleyan until 2005 when he received an honorary degree Ll. D. and was made Chairman Emeritus. He was a member of University of Iowa President's Club, the Members Council of the University Museum of Art, the Harvard Club of New York City, and other arts related organizations.
Condition:
Any condition statement is given as a courtesy to a client, is an opinion, and should not be treated as a statement of fact. Reference to condition written, oral or within a condition report shall not be regarded as a full account of condition and may not include all defects, alterations, or restorations. Absence of a condition report does not imply a lot is flawless or lacking imperfections or damage. Selkirk Auctioneers & Appraisers shall have no responsibility for any error or omission. Returns shall not be accepted on the basis of condition.
- GEORGE GROSZ (GERMAN, 1893–1959)
GEORGE GROSZ (GERMAN, 1893–1959) 24 ½" x 19 ½" "Married Couple", 1923. Photolithograph on wove paper, signed and dated in pencil lower right, annoted "No. 37 Ehepaar" (married couple) lower left, inscriptions in German (10th anniversary and others) and estate stamp verso, matted and framed.
- GEORGE GROSZ, ELABORATE SIGNATURE
GEORGE GROSZ, ELABORATE SIGNATURE DESIGN George Grosz (German, 1893-1959), "George Grosz", 1959, ink on paper, gallery label verso, 5"h x 8"w (sight), 10.5"h x 12.5"w (frame)
- AL SCHREIBER (AMERICAN, B. 1929)
AL SCHREIBER (AMERICAN, B. 1929) 12¼" x 14¾" sheet "Chicago". 3-D Offset Lithograph, signed, titled, and numbered 724/895 lower margins in ink, not framed.
- GEORGE GROSZ (GERMAN, 1891-1959)George
GEORGE GROSZ (GERMAN, 1891-1959)George Grosz (German, 1891-1959) , "Dunes and Grass", drypoint etching on paper, pencil-signed lower right, sheet 13 1/8 in. x 16 1/4 in., framed . Ill.: Dückers, Alexander. George Grosz: Das Druckgraphishe Werk. Catalogue Raisonné. San Francisco: Alan Wofsy Fine Arts, 1995, pl. E109 II/II
- GEORGE GROSZ (GERMAN, 1893-1959)
GEORGE GROSZ (GERMAN, 1893-1959) BOCKBIER, 1929 WATERCOLOR, REED PEN AND PEN AND INK ON PAPER: 18 X 24 1/2 IN.Framed, lower left signed and dated: Grosz, 1929; Watercolor, reed pen and pen and ink on paper: 18 x 24 1/2 in. Provenance: Studio of artist, Berlin, executed in 1929. Artist's property in the USA, 1933-1957. Libauer family private collection, Baltimore, Maryland 1957-present
- GEORGE GROSZ. "ACH, KNALLIGE WELT,
GEORGE GROSZ. "ACH, KNALLIGE WELT, DU SELIGES ABNORMITäTENKABINETT," OFFSET PHOTOLITHOGRAPH (German, 1893-1958). Offset photolithograph, 1921, plate XIV from Ecce Homo, sight size: 12 x 9 in., framed.
- GEORGES SCHREIBER LITHOGRAPH "HAYING"Georges
GEORGES SCHREIBER LITHOGRAPH "HAYING"Georges Schreiber New York / Belgium 1904-1977) Lithograph "Haying" , circa 1930s, produced in 1936 for TE WPA the Federal Art Project (1935-1941), pencil signed lower right G. Schreiber.
Site: 8 ¼ in. x 13 in. Overall: 14 ¾ in. x 18 ¾ in.
Schreiber has a storied history of exhibits including the Carnegie Institute, Corcoran Gallery of Art, Pennsylvania Academy of Fine Arts, Art Institute of Chicago, Whitney Museum of American Art, Metropolitan Museum and the Museum of Modern Art.
Condition:
Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
- GEORGE EHRENFRIED GROSZ (AMERICAN/GERMAN,
GEORGE EHRENFRIED GROSZ (AMERICAN/GERMAN, 1891 - 1959)S...George Ehrenfried Grosz (American/German, 1891 - 1959) Street Scene with Figures watercolor on paper signed lower right Grosz 12" x 9 1/2" Provenance: Estate of Dr. Thomas & Alice Kugelman, Bloomfield, Connecticut; Gift of the artist to Dr. Bernhard Kugelmann (1900 - 1938), c. 1936, as thanks for bringing his belonging from Germany during the Nazi regime.
Condition:
All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
- George Grosz
(German/American,
George Grosz
(German/American, 1891-1959)
Serenata, 1928
lithograph
signed inpencil (lower right)
Sight 19 1/2 x 15 3/4 inches.
- WORK ON PAPER, THOMAS SCHINDLER
WORK ON PAPER, THOMAS SCHINDLER Thomas Schindler (German, b. 1959), Untitled, 1987, watercolor and pastel on paper, signed and dated lower right, overall (with frame): 17.5"h x 23"w
- HEINRICH GRAF VON LUCKNER (GERMAN,
HEINRICH GRAF VON LUCKNER (GERMAN, 1891-1970), SAUKT GEORGE (ST. GEORGE) Drypoint etching, 1922, pencil signed, dated, and titled lower margin, matted and framed.
- GEORGE SHUMATE (AMERICAN), GEESE
GEORGE SHUMATE (AMERICAN), GEESE IN FLIGHT Watercolor and gouache on paper, signed lower center and dated 1983, matted and framed under glass.
- GEORGE GROSZ (1893-1959): ''FOLLEREI''
GEORGE GROSZ (1893-1959): ''FOLLEREI'' Watercolor on paper signed lower left. Provenance: Sotheby's sale #6985 lot 211; Property from the Collection of the late Samuel N. Friedman. 18 5/8 x 14 1/2 in. 26 1/2 x 22 1/4 in. (frame).