- GEORGES SCHREIBER (AMERICAN 1904-1977),
GEORGES SCHREIBER (AMERICAN 1904-1977), JAZZ, LITHOGRAPH, FRAME: 16-3/4 X 20-3/4 INGeorges Schreiber (American 1904-1977), Jazz, Lithograph, Frame: 16-3/4 x 20-3/4 in
- GEORGES SCHREIBER (AMERICAN 1904-1977),
GEORGES SCHREIBER (AMERICAN 1904-1977), QUINTET, LITHOGRAPH, FRAME: 16-3/4 X 20-3/4 INGeorges Schreiber (American 1904-1977), Quintet, Lithograph, Frame: 16-3/4 x 20-3/4 in
- GEORGES SCHREIBER (AMERICAN 1904-1977),
GEORGES SCHREIBER (AMERICAN 1904-1977), NOON, LITHOGRAPH, 1942, FRAMED 18 X 22 INGeorges Schreiber (American 1904-1977), Noon, Lithograph, 1942, Framed 18 x 22 in
- GEORGES SCHREIBER (1904-1977) PENCIL
GEORGES SCHREIBER (1904-1977) PENCIL SIGNED LITHOGeorges L. Schreiber (1904-1977)Southern Siesta (1939)The lithograph published by Associated American Artists in an edition of 218 prints is signed by the artist in pencil below the image lower right. The original AAA label is present verso.Image measures 9 x 12 and sheet is 12 x 16 inches.Very good condition, the full untrimmed sheet, not laid down, no damage, stain, puncture or repair; framed to archival standards in acid free mounts.
- GEORGES SCHREIBER (1904-1977) PENCIL
GEORGES SCHREIBER (1904-1977) PENCIL SIGNED LITHOGeorges L. Schreiber (1904-1977)Going Home (1946)The lithograph from an edition of 250 prints is signed by the artist in pencil below the image lower right.Image size 9 x 13.25, frame measures 17.5 x 21.25 inches.Very good to fine condition, the full untrimmed sheet, not laid down, no damage, stain, puncture or repair; framed to archival standards in acid free mounts. Because this print is from a collection well-known by this auction firm for more than twenty years, it has not been removed from its framing for inspection. As with all lots we offer, the condition is guaranteed to be as stated or a full refund will be issued.
- GEORGES SCHREIBER (NEW YORK/BELGIUM,
GEORGES SCHREIBER (NEW YORK/BELGIUM, 1904-1977), HAPPY NEW YEAR, 1950., LITHOGRAPH, 9.5” X 12.5”. MATTED 16” X 20”.GEORGES SCHREIBER, New York/Belgium, 1904-1977, Happy New Year, 1950. Published by Associated American Artist's, New York. Edition of 50. Signed in pencil lower right. Dimensions: Lithograph, 9.5" x 12.5". Matted 16" x 20".
- GEORGES SCHREIBER (1904-1977) PENCIL
GEORGES SCHREIBER (1904-1977) PENCIL SIGNED LITHOGeorges L. Schreiber (1904-1977)Rain (1942)The lithograph published by Associated American Artists in an edition of 250 prints is signed by the artist in pencil below the image lower right and titled verso by the original AAA label.Image measures 9.75 x 13 and sheet is 12.5 x 16.5 inches.Apparently the condition is very good, very clean, intact, no visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.
- Georg
Georg
- George Schreiber
(American, 1904-1977)
Untitled
George Schreiber
(American, 1904-1977)
Untitled (Orchestra), 1957
watercolor
signed and dated lower left
Sight: 19 x 29 inches.
Property from the Estate of Leona Chanin
- George Schmidt (American/New Orleans,
George Schmidt (American/New Orleans, b. 1944) , pair of color monotypes on heavy paper depicting horses and their riders, pencil signed and dated "George Schmidt '02", with artist's copyright lower right, inscribed in pencil lower left "Monotype", sight 9" x 11". Glazed, handsomely matted and presented in dark wood frames en suite.
- PRINTS, GEORGE SCHREIBER (lot of
PRINTS, GEORGE SCHREIBER (lot of 2) George Schreiber (American, 1904-1977), "Going Home" and "Circular Motion," lithographs, each pencil signed lower right, images: 9.25"h x 13.5"w/10.25"h x 13.5"w, overall (with mat/each): 14"h x 18"w
- GROSZ GEORGE George Grosz. 30 Drawings
GROSZ GEORGE George Grosz. 30 Drawings and Watercolors. New York: Erich S. Herrmann 1944. Folio publisher's printed boards spiral-bound. Inscribed on the title page and painted over by Grosz with blue paint. Minor fading to boards; crease to rear board.
- GEORGE GROSZ (GERMAN, 1893-1959)
GEORGE GROSZ (GERMAN, 1893-1959) KUNSTLER UND MODELL WATERCOLOR, REED PEN AND PEN AND INK ON PAPER: 23 X 17 1/4 IN.Framed; lower right signed: Grosz; Watercolor, reed pen and pen and ink on paper: 23 x 17 1/4 in. Provenance: Studio of artist, Berlin, executed in 1928. Artist's property in USA, 1933-1957. Libauer family private collection, Baltimore, Maryland , 1957-present
- GEORGE GROSZ. "ACH, KNALLIGE WELT,
GEORGE GROSZ. "ACH, KNALLIGE WELT, DU SELIGES ABNORMITäTENKABINETT," OFFSET PHOTOLITHOGRAPH (German, 1893-1958). Offset photolithograph, 1921, plate XIV from Ecce Homo, sight size: 12 x 9 in., framed.
- GEORGE GROSZ (GERMAN, 1891-1959)George
GEORGE GROSZ (GERMAN, 1891-1959)George Grosz (German, 1891-1959) , "Dunes and Grass", drypoint etching on paper, pencil-signed lower right, sheet 13 1/8 in. x 16 1/4 in., framed . Ill.: Dückers, Alexander. George Grosz: Das Druckgraphishe Werk. Catalogue Raisonné. San Francisco: Alan Wofsy Fine Arts, 1995, pl. E109 II/II
- G.K. (Georges Kugelmann) Benda
G.K. (Georges Kugelmann) Benda ''Mistinguett'' French poster under glass signed in the plate lower right: G.K. Benda
- [KURT SELIGMAN] UNE ECRITURE LISIBLE,
[KURT SELIGMAN] UNE ECRITURE LISIBLE, SIGNED Georges Hugnet, XXe Siecle Editions Chronique du Jour, 1938, #19/24 on Arches, from an edition of 255, signed on the colophon by Hugnet, inscribed and signed to Francois de Villenoisy from Seligman, frontispiece etching and 15 text illustrations, 1 hand-colored by Seligman, softcover in glassine wrapper, 11.25"h x 9"w
- GEORGE (SEM) GOURSAT (1863-1934),
GEORGE (SEM) GOURSAT (1863-1934), "CANNES", 1930, LITHOGRAPH IN COLORS ON PAPER, 28.5" H X 44.25" WGeorge (SEM) Goursat, (1863-1934) "Cannes", 1930, Lithograph in colors on paper From the edition of unknown size and date Monogrammed in the stone lower left: SEM; Draeger IMP, Paris, France, prntr. Lithograph in colors on paper Dimensions: Sight: 28.5" H x 44.25" W
- George Schmidt (American/New Orleans,
George Schmidt (American/New Orleans, Contemporary) "Edgar Degas Painting Portrait in a Cotton Office, New Orleans", offset chromolithograph, 3/50, sight 12" x 11", titled, dated and pencil signed on basal edge "George Schmidt". Glazed, matted and presented in a black wooden frame.
- GEORGES SCHREIBER LITHOGRAPH "HAYING"Georges
GEORGES SCHREIBER LITHOGRAPH "HAYING"Georges Schreiber New York / Belgium 1904-1977) Lithograph "Haying" , circa 1930s, produced in 1936 for TE WPA the Federal Art Project (1935-1941), pencil signed lower right G. Schreiber.
Site: 8 ¼ in. x 13 in. Overall: 14 ¾ in. x 18 ¾ in.
Schreiber has a storied history of exhibits including the Carnegie Institute, Corcoran Gallery of Art, Pennsylvania Academy of Fine Arts, Art Institute of Chicago, Whitney Museum of American Art, Metropolitan Museum and the Museum of Modern Art.
Condition:
Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
- GEORGES SPIRO (FRENCH 1909-1994)
GEORGES SPIRO (FRENCH 1909-1994) LITHOGRAPHDESCRIPTION: A lithograph in colors, depicting a surrealist composition, hand signed and numbered 57/150 in pencil. Framed under glass. CIRCA: 20th Century ORIGIN: France DIMENSIONS: H. 29.5" x W. 25.5" CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
- GEORGE SCHREIBER (1904-1977): WALKING
GEORGE SCHREIBER (1904-1977): WALKING INTO THE WIND Lithograph signed lower right. 10 3/4 x 14 1/2 in. (sight) 15 x 19 1/4 in. (frame).
- GEORGES MATHIEU (b. 1921): ABSTRACT
GEORGES MATHIEU (b. 1921): ABSTRACT COMPOSITION White ink on black paper signed and dated '58 lower right matted and framed; 24 3/4 x 14 1/4 in. (sight). Provenance: Ex collection Robertson and Mary Paige Alford.
- YURI (GEORGE) SCHWEBLER (YUGOSLAVIAN/AMERICAN,
YURI (GEORGE) SCHWEBLER (YUGOSLAVIAN/AMERICAN, 1942-199...Yuri (George) Schwebler
Yugoslavian/American, 1942-1990
Mirror Veil , 1979
Mixed media, signed, titled, and dated to interior
Sheets of glass, layered and constructed in an architectural, modernist manner to sequester small rocks, a mirrored backdrop to the shadowbox containment.
Yuri Schwebler was born in Nazi-occupied Yugoslavia in 1943. His early childhood was clearly marked by the times, his father facing all from conscription into the Wehrmacht to the tortures of a Russian Labor camp, which would lead to the breaking of both his legs. Once the family was reunited in 1956, they wasted no time in emigrating, Schwebler and both younger sisters in tow, to Delaware.
Fresh out of Western Maryland College (now McDaniel College), Schwebler was drafted in to the United States Army Reserve in 1965. After his discharge, he started using the anglicized name George Schwebler. By 1967, he moved to Washington, D.C., and in 1970, moved with his wife, Joanne Hedge, to Marin County, California, and worked briefly at the Sausalito Art Center. When the marriage dissolved in March 1970, he spent two months at the Mendocino State Hospital before returning to Washington, D.C. He moved to New York in 1980, and stopped making art around 1981.
His CV in “The Studio” catalog staked Schwebler's roots in DC, complimented by numerous gallery exhibitions as well as exhibitions at the Phillips Collection and the Corcoran Gallery of Art. He earned an NEA fellowship in 1975, a sculpture installed at ArtPark in 1976, and was included in the 10th Paris Biennale of Young Artists in 1977. In a 1981 exhibition in the Hudson River Museum, Schwebler recreated art studios of sculptors Alexander Calder (In the Tracks of Calder), Piet Mondrian, Alberto Giacometti (Giacometti’s Table [Where Painting Meets Sculpture], 1981), David Smith and Constantin Brancusi, with his own artistic sensibilities.
Schwebler died at age 47 on March 3, 1990, in Marlborough, New York by suicide and carbon monoxide poisoning. He was survived by his partner, artist Enid Sanford, his mother Eva (née Lasi) Schwebler, and two sisters. His work was part of the posthumous retrospective art exhibition, Yuri Schwebler: The Spiritual Plan (2020) curated by John James Anderson at the American University Museum.
Shadowbox: 15 1/8 x 20 x 8 1/8 in. (38.4 x 50.8 x 20.6 cm.)
The Artist,
Ex Iowa Wesleyan University collection;
Bequeathed by the Alden Lowell Doud Estate, Washington D.C.
Alden Lowell Doud (American, 1935-1912) of Iowa City, formerly of Douds, was a former First Lieutenant and Captain of the U.S. Army Judge Advocate General Corp. After serving in the military, he joined the Office of the Legal Adviser in the U.S. State Department in 1967 where he became the first Assistant Legal Adviser for Environmental Affairs. He authored the first drafts of several important environmental treaties including the World Heritage Convention. He was also a member of the U.S. delegation in the negotiations forming the International Telecommunications Satellite Consortium (INTELSAT).
In 1973, Mr. Doud joined the World Bank Legal Department as its principal administrative attorney and rose to the title of Chief Counsel until his retirement in 1996. Post retirement,
he studied at the Courtlaud Institute of Art in London and continued art studies at Bard Graduate Center in New York City.
He moved to Iowa City in 1998 and served as Chairman of Board of Trustees of Iowa Wesleyan until 2005 when he received an honorary degree Ll. D. and was made Chairman Emeritus. He was a member of University of Iowa President's Club, the Members Council of the University Museum of Art, the Harvard Club of New York City, and other arts related organizations.
Condition:
Any condition statement is given as a courtesy to a client, is an opinion, and should not be treated as a statement of fact. Reference to condition written, oral or within a condition report shall not be regarded as a full account of condition and may not include all defects, alterations, or restorations. Absence of a condition report does not imply a lot is flawless or lacking imperfections or damage. Selkirk Auctioneers & Appraisers shall have no responsibility for any error or omission. Returns shall not be accepted on the basis of condition.
- George Grosz (German 1893-1959)
George Grosz (German 1893-1959) Recalling the Time of the Three Soldiers 1942 ink on paper signed George Grosz and dated (lower right) 22 1/2 x 14 1/2 inches.
- GEORGE BARBIER (1882-1932) LAISSEZ-MOI-FEULE!.
GEORGE BARBIER (1882-1932) LAISSEZ-MOI-FEULE!. Color pochoir; Frame: 15.25'' x 12.25'' 11'' x 8'' (sight) Condition: No Specific Condition Recorded - Sold As Is
- PFAHLER Georg Carl (German 1926-):
PFAHLER Georg Carl (German 1926-): Abstract Composition Serigraph 25 1/2'' x 25 1/2'' signed verso dated 6/80 gilded frame with wear 33'' x 33''.
- GEORGE SCHMIDT (AMERICAN/LOUISIANA)George
GEORGE SCHMIDT (AMERICAN/LOUISIANA)George Schmidt (American/Louisiana, b. 1944), "Rex Court", oil on canvas, signed lower right, 81 in. x 122 in., unframed. (4 pcs.)
- GEORGES (JIRI KARPELES) KARS (CZECH
GEORGES (JIRI KARPELES) KARS (CZECH REPUBLIC/ FRANCE/ SPAIN/ SWITZERLAND, 1882-1945) Woman in Fur Coat Seated on a Bed, oil on canvas, signed lower right and dated '20, also signed verso, in gilt deep cove frame with grey painted liner, OS: 26 3/4" x 23 1/4", SS: 21 1/4" x 17 3/4". Light rippling at top, cleaned.
- GEORGE GROSZ. "DER MENSCH IST GUT,"
GEORGE GROSZ. "DER MENSCH IST GUT," OFFSET LITHOGRAPH (German, 1893-1958). Offset photolithograph, 1921, plate XII from Ecce Homo, sight size: 11 1/2 x 8 1/2 in., framed.
- GEORGES BRAQUE (FRANCE, 1882-1963)
GEORGES BRAQUE (FRANCE, 1882-1963) "l'Etang", (V.187), lithograph, from the series "Lettera Amorosa", 1963, pencil signed and numbered 25/75, titled on Berggreun & Cie of Paris label verso, in a water gilt molded frame, French-ruled mat, UV plexiglass, OS: 18 3/4" x 20 1/4", SS: 8 1/4" x 10 1/4". Fine condition.
- GEORGES BRAQUE ABSTRACT LITHOGRAPH
GEORGES BRAQUE ABSTRACT LITHOGRAPH France,1882-1963From "Derriere Le Miroir" depicting a bird soaring over an abstracted landscape.
- George Rodrigue (American/Louisiana,
George Rodrigue (American/Louisiana, b. 1944), offset lithograph poster for Le Salon Exhibition Award of the Grand Palais, Paris, published by the Societe Des Artistes Francais and Societe Internationale Des Beaux-Arts, 33" x 22". Glazed and presented in a stained molding frame.
- GEORGE GROSZ (GERMAN, 1893–1959)
GEORGE GROSZ (GERMAN, 1893–1959) 24 ½" x 19 ½" "Married Couple", 1923. Photolithograph on wove paper, signed and dated in pencil lower right, annoted "No. 37 Ehepaar" (married couple) lower left, inscriptions in German (10th anniversary and others) and estate stamp verso, matted and framed.
- GEORGE GROSZ (GERMAN, 1893-1959)
GEORGE GROSZ (GERMAN, 1893-1959) BOCKBIER, 1929 WATERCOLOR, REED PEN AND PEN AND INK ON PAPER: 18 X 24 1/2 IN.Framed, lower left signed and dated: Grosz, 1929; Watercolor, reed pen and pen and ink on paper: 18 x 24 1/2 in. Provenance: Studio of artist, Berlin, executed in 1929. Artist's property in the USA, 1933-1957. Libauer family private collection, Baltimore, Maryland 1957-present
- WORK ON PAPER, GEORGES REDON Georges
WORK ON PAPER, GEORGES REDON Georges Redon (French, 1869-1943), "Le Canard Mange les Limaces," mixed media on paper, signed lower left, titled lower right, sight: 9"h x 13"w, overall (with frame): 14.75"h x 18.75"w. Provenance: Private Collection, California