- Green John (American 20th C.):
Green John (American 20th C.): Illustration of a Young Couple Inspecting an Alfa Romeo Classic Gouache full paper size 20'' x 24'' marked John Green verso unframed.CONDITION: Scattered foxing throughout.
- The Green Bird Poster for the Galerie
The Green Bird Poster for the Galerie Maeght Signed by Marc Chagall Marc Chagall (Russian 1887-1985).? Lithograph in colors unnumbered edition of 1500 printed on lithograph Chagall / Galerie Maeght / Juin-Juillet 1962 signed in graphite l.r. Marc Chagall; 24.5 x 18.75 in. (Sight) Condition: Small?half inch perforation?in left wing of bird.? Tears at l.l. and l.r.? Paper discolored.?
- Two green mark house-form covered
Two green mark house-form covered cheese domes a green mark unicorn-form vase 9'' high a green mark Belleek Collector's Society plaque and a gold mark Belleek Christmas plate
- Grueby Arts & Crafts vase in matte
Grueby Arts & Crafts vase in matte green with overlapping leaves. Marked with impressed Grueby mark. Excellent condition. 7 1/2" tall.
- Attributed to Carl John David Nordell
Attributed to Carl John David Nordell (Massachusetts, 1885-1957), Lady in Green Dr
- GROUP OF DECORATIVE ITEMSGROUP
GROUP OF DECORATIVE ITEMSGROUP OF DECORATIVE ITEMS, square green glazed dish on rope brass stand, with parrot and cockatoo atop branches of flowers, marked to reverse 'zenlife store', 6 in. square; a paper box with black tones amidst a cornucopia of green, red and grey flowers, with silver lining, stamped on underside 'Jan McGregor Studios/Washi Box', h: 4 x w: 6.75 in.; and faceted plastic vase with silvertone rim, unmarked (4) Provenance: Estate of Supreme Court Justice Ruth Bader Ginsburg to Benefit Washington National Opera
- Seven pieces of green mark Belleek
Seven pieces of green mark Belleek including two swans two figural pitchers two heart-shape dishes and a bud vase with applied flowers
- GREEN FEATHER TREE. Germany early
GREEN FEATHER TREE. Germany early 20th century. White base with green and red stenciled wreaths is marked ''Germany''. Imperfections. 50''h.
- 3 pc green mark Beleek teaset,
3 pc green mark Beleek teaset, shamrock pattern, 5" h pot Estimate $60-90
- A green ground cache pot, probably
A green ground cache pot, probably Derby, with landscape and a D-shaped bough pot, Continental
- GREENE (G) THE HEART OF THE MATTER
GREENE (G) THE HEART OF THE MATTER first edition d.j. Heinemann 1948; with nine other Graham Greene first editions all with d.j.'s. Estimate ?200-300 The other books in the lot are: The Third Man - ink owners name 1950 Loser takes all - 1955 The Quiet American two copies a first 1958 and a 1960 reprint. A Burnt out case 1961 The Comedians 1966 May we borrow your husband 1967 A sense of reality ink owners name 1963 FURTHER IMAGES ALREADY AVAILABLE AT WWW.GORRINGES.CO.UK Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?200
- GREENE (G) THE BEAR FELL FREE signed
GREENE (G) THE BEAR FELL FREE signed limited edition no.176/250 with tan leather binding by Zangorski & Sutcliffe Grayson & Grayson 1935 Estimate ?150-250 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?200
- Carved green stone figure of an
Carved green stone figure of an owl , approx 25cm H
- Matte green stoneware strawberry
Matte green stoneware strawberry pot. Unmarked. Mint. 8" tall.
- HELENA MARKSON "NEWINGTON GREEN"
HELENA MARKSON "NEWINGTON GREEN" COLOR LITHOGRAPH "Newington Green" abrasct etching and aquatint on wove paper by Helena Markson (British-Israeli, 1934-2012), titled, numbered "47/50" and pencil signed to bottom, housed in a wood textured frame, artwork in overall good condition but frame is broken. Image: 22" H x 17.25" W; frame: 31.5" H x 25" W.
- Matte green Arts & Crafts vase.
Matte green Arts & Crafts vase. Unmarked. Mint. 3 1/4" tall.
- G
G
- MARIE LINNEKIN. "M.R. (GREEN),"
MARIE LINNEKIN. "M.R. (GREEN)," OIL (American, 1933-2017). Oil on canvas, 1989, signed "M. Linnekin" on verso, dated and titled on verso, 50 1/8 x 60 1/8 in., framed.
- GREENE (G) A VISIT TO MORIN green
GREENE (G) A VISIT TO MORIN green cloth with d.j. limited edition of 250 Heinemann 1959 Estimate ?80-120 Dust jacket grubby throughout with a water mark to the back cover and small tears at the top and bottom. Original green cloth in good bright condition. Internal pages clean and bright. FURTHER IMAGES ALREADY AVAILABLE AT WWW.GORRINGES.CO.UK Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?80
- MARK STEVEN GREENFIELD , UNTITLED
MARK STEVEN GREENFIELD , UNTITLED 2000Mark Steven Greenfield, Untitled 2000, Serigraph Signed lower right: Mark Steven Greenfield Serigraph Dimensions: 20" H x 24" W Provenance: Donated by the artist
- Matte Green Bowl unmarked excellent
Matte Green Bowl unmarked excellent condition 4.25''w.
- § GRAHAM SUTHERLAND O.M. (BRITISH
§ GRAHAM SUTHERLAND O.M. (BRITISH 1903-1980)
MAY GREEN, 1927 (TASSI 24) Etching, signed in pencil to margin11cm (4 1/4in), 16cm (6 1/4in)Provenance: Christie's, South Kensington, 16th April 2014, lot 121.Literature: Roberto Tassi and Edward Quinn, Graham Sutherland: Complete Graphic Work, London 1988, no.24.Gordon Cooke, Graham Sutherland: Early Etchings, London 1993, no.16.Graham Sutherland specialised in etching whilst a student at London University’s Goldsmith’s College School of Art between 1921 and 1926. He was taught by Malcolm Osborne and Stanley Anderson and trained alongside Paul Drury and William Larkins. It was during this formative period that he made the following group of etchings, with May Green created in 1927; all of them reveal his precocious and emerging talent. Indeed, Sutherland established his professional standing as a printmaker and held his first solo exhibition in 1924, at the Twenty-One Gallery in London. The following year he was elected an Associate Member of the Royal Society of Painter-Etchers and Engraves. Shortly after graduating, he was appointed to the staff of Chelsea College of Art, where he taught engraving until 1932.In 1924, Larkins found an impression of The Herdman’s Cottage etching of 1850 by the visionary artist Samuel Palmer (1805-81) in a shop on the Charing Cross Road and showed it to his fellow students. Sutherland recalled the impact it had on him: ‘I remember that I was amazed at its completeness, both emotional and technical. It was unheard of at the school to cover the plate almost completely with work and quite new to us that the complex variety of the multiplicity of lines could form a tone of such luminosity…As we became familiar with Palmer’s later etchings, we ‘bit’ our plates deeper. We had always been warned against ‘overbiting’. But we did ‘overbite’ and we ‘burnished’ our way through innumerable ‘states’ quite unrepentant at the way we punished and maltreated the copper…It seemed to me wonderful that a strong emotion, such as was Palmer’s, could change and transform the appearance of things.’ (1)Palmer’s reputation had diminished since his death in 1881, but was resurrected when an exhibition of his work was mounted at the Victoria and Albert Museum in London in 1926. As illustrated in the current group, Roberto Tassi has explained that Palmer’s influence on Sutherland’s etchings showed ‘in the presence of the sun and its light shining through the trees, the starry sky streaked with horizontal clouds, the contrast between the evening dusk that is already creeping over the land in thickening shadows and the soaring beams of the setting sun.’ (2)Sutherland engaged with and extended the English pastoral tradition and its idealism, with Gordon Cooke proclaiming: ‘Prints such as Village, Pecken Wood, Cray Fields, St Mary Hatch, Lammas and May Green concern the unchanging experience of life in the countryside, the generations which have worked in it and lived from it and the manner in which nature rules such a way of life.’ (3) Yet Sutherland’s etched images of the mid-1920s are also laced with nostalgia - as rural communities changed - and with an embracing of religion which culminated in his acceptance into the Roman Catholic church in 1926.Tassi continues: ‘Throughout this period, the influence of Palmer continues, most noticeably in the atmosphere, which seems to be suspended, wrapped in mystery and a tinge of mysticism. The sun, the doves, the stars, the birds and the sheep all become religious symbols; the air is one of enchantment; the contrast between light and shade, though violent, is not disturbing, but seems rather to diffuse an air or quietude over the world. In general, however, the feeling is one of abstraction rather than life.’ (4)Sutherland’s success as an etcher came to an abrupt end with the collapse of the art market following the Wall Street crash of 1929. He turned to painting, but returned to print-making at various points during his career, including lithography in the 1940s and 1950s before a resumption of etching in the 1970s.(1) As quoted in Ronald Alley, Graham Sutherland, London, 1982, p 9.(2) Roberto Tassi and Edward Quinn, Graham Sutherland: Complete Graphic Work, London 1978, p.19(3) Gordon Cooke, Graham Sutherland: Early Etchings, London 1993, unpaginated(4) Tassi op.cit., p.20Note: According to Gordon Cooke, this was the only etching which Sutherland made in 1927 (op.cit, unpaginated). He has also explained that it is the last in a series of four etchings, including Cray Fields and St Mary Hatch, ‘which seem to celebrate both religious and rural values, anchoring the scenes to the calendar and particular places.’
- Alex Katz (American b. 1927) The
Alex Katz (American b. 1927) The Green Cap 1985 color woodcut Crown Point Press pub. edition 156/200 signed Alex Katz and dated (lower left) 18 x 24 1/4 inches.
- Charles Cundall (1890-1971) watercolour
Charles Cundall (1890-1971) watercolour ''Green Park from Arlington House'' signed 12 x 17.5 ins. Estimate ?120-180 Mall Galleries label verso sellotape mark on the right margin. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?90
- Ellison Griffin tile in matte green
Ellison Griffin tile in matte green and brown. Marked Ellison. Mint. 5 1/2'' tall.
- GREENAWAY (K) illus ALMANACK FOR
GREENAWAY (K) illus ALMANACK FOR 1926 litho colour pages Frederick Warne & Co Estimate ?70-100 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?50
- A pen and ink with watercolour
A pen and ink with watercolour '' Richmond Green '' signed bottom right '' B. P. Batchelor 1971 ''. 32 x 21 cm.
- ERIC ORR (1939 - 1998): "GREEN
ERIC ORR (1939 - 1998): "GREEN TIME LINE"1988 oil and gold leaf on panel signed, titled and dated verso 22 x 18 1/2 total inches Condition:
- GREENE (G) THE NAME OF THE ACTION
GREENE (G) THE NAME OF THE ACTION first edition Heinemann 1930; RUMOUR AT NIGHT FALL first eidtion Heinemann 1931; with four other first editions all lacking d.j.'s. Estimate ?150-250 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?220
- Roseville Moss jardiniere in tan
Roseville Moss jardiniere in tan and green. Marked Roseville 635-5". Mint. 7 1/4" wide by 5 1/8" tall.
- Three pieces of matte green pottery
Three pieces of matte green pottery including a vase and two bowls. The low bowl is marked with an artist's incised mark while the other two pieces are unmarked. Excellent condition. 1 3/4'' to 8'' tall.
- Moorcroft pottery green ground
Moorcroft pottery green ground vase, marked to base & paper label, approx 19.5cm H (Af - Cracked)
- Shawsheen Arts & Crafts matte green
Shawsheen Arts & Crafts matte green bowl. Marked with an impressed SP mark 1049 and VII. Mint with a factory chip to the base where the glaze dripped and was ground off. 6 1/2'' wide by 3 1/8'' tall.
- Connecticut watercolor and ink
Connecticut watercolor and ink on paper drawing mid 19th c. inscribed written by William Harrison Green in Litchfield State of... ?
- YANKEL GINZBURG (B. 1945), "GREEN
YANKEL GINZBURG (B. 1945), "GREEN MEADOWS," ACRYLIC, PAPER, AND PIGMENT, 15.5" H X 13.25" W X 6" DYankel Ginzburg, (b. 1945) "Green Meadows", Acrylic, paper, and pigment Signed, numbered, and titled along the lower edge: 20/100 / "Green Meadows" / Yankel Ginsberg Acrylic, paper, and pigment Dimensions: 15.5" H x 13.25" W x 6" D Provenance: Purchased at Lahaina Galleries in Fashion Island on March 10, 2002
- MARK KOSTABI 'GREEN THUMB' ORIGINAL
MARK KOSTABI 'GREEN THUMB' ORIGINAL OIL PAINTINGMark Kostabi, American (Born 1960). 'Green Thumb', 1996. Oil on canvas painting, signed in the tree and on verso. Measures 30"H x 24"W unframed.