A SUITE OF LALIQUE GLASS STEMWAREA suiteA SUITE OF LALIQUE GLASS STEMWAREA suite of Lalique clear and frosted glass stemware in the Langeais patternfourth quarter 20th centuryComprising seventeen 5 3/4in water goblets; eight 5 1/8in Burgundy wine glasses and seventeen 4 3/
A SUITE OF LALIQUE GLASS STEMWAREA suiteA SUITE OF LALIQUE GLASS STEMWAREA suite of Lalique clear and frosted glass stemware in the Guebwiller patternsecond half 20th centuryComprising eight 5 5/8in water goblets and ten 5 3/8in Burgundy wine glasses, etched Lalique France
COLLECTION OF TWENTY-SIX VINTAGE CHARACTERCOLLECTION OF TWENTY-SIX VINTAGE CHARACTER PUPPETSCollection of twenty-six vintage character puppets, most Gund.
Competitive in-house shipping is available for this lot.
Condition:
Various conditions.
TEN VINTAGE PUPPETS IN ORIGINAL BOXTenTEN VINTAGE PUPPETS IN ORIGINAL BOXTen vintage puppets in original box, to include NBC's J. Fred Muggs chimpanzee; Ideal Dick Tracy; two Peters Puppets Punch and Judy; and six Gund character puppets.
Condition:
Boxes show sporadic wear.
WILLIAM OTIS SWETT, OIL ON CANVAS BOARDWILLIAM OTIS SWETT, OIL ON CANVAS BOARD SEASCAPEWilliam Otis Swett (American 1859-1938) oil on canvas board seascape, titled Turning of the Tide , signed lower right, Salmagundi Club exhibition label verso, board - 9" x 12", frame - 14 3/4" x 17 3/4".
Competitive in-house shipping is available for this lot.
Condition:
Good condition. No apparent damages or repairs.
FINE PA MENNONITE COMMUNITY STAR PATTERNFINE PA MENNONITE COMMUNITY STAR PATTERN QUILTca. 1900-1930; vibrant calico print cotton piecework top of 12 large patchwork matched red and yellow eight point stars with block ground, red calico print outlined border, fine blue calico border, burgundy tone printed calico fabric back with uniform stitched quilting, 94"x 74"; Condition: excellent, possibly machine quilted
2 BLUE & RED CHECK WOVEN WOOL COVERLETS2 BLUE & RED CHECK WOVEN WOOL COVERLETS CA.1830-1890; early center seam homespun and dyed wool woven blanket with partial brown yarn bound ends, 78"x 76", Condition: large holes, seam separation; later burgundy, red and blue wool woven single piece coverlet with fringe on three sides, bound head end, 65"x 65", Condition: some soiling, water spots and holes
4 SEWING NOTION PUZZLE BALL PIN CUSHIONS4 SEWING NOTION PUZZLE BALL PIN CUSHIONS CA. LATE19th century-1940; all attributed to central PA Amish/Mennonite Community: sawdust stuffed burgundy and tan fabric piecework construction with black braided hanging loop, 4"d, Condition: minor fabric fraying to tan fabric; rag stuffed gray and blue fabric piecework construction with braided black cord and accent buttons, 4 1/2"d, Condition: fading and some bug holes in blue wool fabric; rag stuffed tan and black fabric piecework construction with fabric covered buttons, 4 1/2"d, Condition: some soiling; wool stuffed gray and crimson red velvet fabric, piecework construction, 4 1/2"d, Condition: some fading, minor soiling, etc.
2 PIECES OF FABRIC CA. MID-LATE 19TH2 PIECES OF FABRIC CA. MID-LATE 19TH CENTURY;blue and white cotton plaid woven fabric assembled pillowcase, 27"x 19", Condition: extensive staining and soiling spots; long piece peafowl and flower chintz printed cotton fabric, non-waxed surface with dark burgundy tone ground, 102"x 24", Condition: some fading and tearing along border, some dark soiling
FINE SEWING NOTION BIRD SHAPED PIN CUSHIONFINE SEWING NOTION BIRD SHAPED PIN CUSHION CA.late 19th century; wool batted black piecework assembled bird shaped cushion with vibrant stitch embroidery in light blue, burgundy and white thread, drawn stitch eyes and mounted braid-work legs, 3 1/4"x 1 1/2"x 2"; Condition: some noted fabric holes (moth damage?), missing tassel feathers from tail
OVAL WALLPAPER LIDDED SUNDRY BOX LINEDOVAL WALLPAPER LIDDED SUNDRY BOX LINED WITHShippensburg, PA newsprint ca. 1850s; constructed with softwood heads (lid and bottom) and mounted cardstock bands, stitch bound and tack fastened to wood heads, the box covered with bold printed gray, burgundy and silver on white ground wallpaper, the interior lined with 1851, Shippensburg, PA newsprint, 10"x 6 1/2"x 5 1/2"; Condition: lid has soiling and minor bug hole, some paper wear to edges of rim
VICTORIAN ERA WOVEN STRAW SEWING BASKETVICTORIAN ERA WOVEN STRAW SEWING BASKET WITHassorted sewing notions ca. 1890; woven straw work rectangular sewing basket with flared foot and silk tape accent, basket rim with two end pockets that is cane woven, basket with original paper label on base "J.K.T." #683, 10 1/4"x 7 1/2"x 4", Condition: good with interior pocket damage, contains original padded bottom; containing Amish wool and cotton burgundy and black puzzle ball pin cushion, 4"d, Condition: soiled; pink velvet pear pin cushion, 2"d, 3 1/4"h, Condition: good; rag hook pin cushion/ink blotter, 8"x 6", Condition: good
FINE ROCKING HORSE PICTORIAL HOOKEDFINE ROCKING HORSE PICTORIAL HOOKED RUG CA.1940-1960; attributed to central PA Amish/Mennonite community hand crafted "Welcome Friends" hooked wool door mat with vibrant Amish burgundy color rocking horse in field of gray, uniform cut wool hooked into burlap back, 34"x 25 1/2"; Condition: some wool pulling near edge, couple soiling spots, some early stitched repair noted to early "pullers"
FINE AMISH BARS PATTERN PIECEWORK DOLLFINE AMISH BARS PATTERN PIECEWORK DOLL QUILT CA.1930s; attributed to Lancaster Co. Amish community dyed cotton fabric bars of burgundy and dark green, in fine blue dyed cotton fabric border, back is blue dyed cotton and bound with black tri-blend fabric binding, quilted with simple chainlink pattern, 15"x 15"; Condition: minor soil spot noted, overall very good
FINE PAIR OF BEADWORK BUCK SKIN GAUNTLETFINE PAIR OF BEADWORK BUCK SKIN GAUNTLET GLOVESca. 1880s; buckskin gloves with large gauntlet uppers, buck skin fringes, each beautifully beadwork embellished with large colorful multiple flowers on upper and fine floral design on gloves, gauntlets are burgundy cloth lines, placed in a walnut and glass hinged case, 12"x 18"x 1 3/4"; Condition: possible woman's riding gloves, show wear to gloves from use
EARLY PAIR OF NORTHERN PLAINS TRIBALEARLY PAIR OF NORTHERN PLAINS TRIBAL BEADED MOCCASca. early-mid 19th century; buckskin and hard sole buffalo hide sinew stitch assembled moccasins with leather strap ties, each brightly fully embellished with string and stitch mounted beadwork, predominantly white beads with diamond, pyramid and geometric patterns in brown, burgundy, orange and black beads, 9 1/2"l; Condition: stitch repair to toes and along heel, nice early form pair
FLYING HUMMINGBIRD DESIGN WOVEN WOOLSFLYING HUMMINGBIRD DESIGN WOVEN WOOLS BLANKET/RUGca. late 20th century-present; possible Mexican import with non-bleach wool yarn warp, natural homespun wools weft, five repeated lines of flying hummingbird design in black and burgundy dyed wool ends or fringes, 48"x 78"; Condition: good, minor soiling
FINE FULLY EMBELLISHED YOUTH SIZE BEADWORKFINE FULLY EMBELLISHED YOUTH SIZE BEADWORK ON FABRca. late 19th century; youth size vest with predominant light blue strung beads, stitch mounted to woven fabric ground, multiple repeated pattern of red and yellow square design with dark blue emanating design, mounted buckskin fringes and old dyed red cotton lining with burgundy calico fabric binding, 11"x 13"; Condition: some noted loss of old bead lines
Aynsley Burgundy and Gilt Banded DinnerAynsley Burgundy and Gilt Banded Dinner Service, 20th century comprising ninety-two pieces: 12 dinner plates, 12 salad plates, 12 side plates, 12 soup cups and saucers, 23 tea cups and saucers, 12 demi-tasse cups and saucers, cream jug, milk jug, open sugar bowl, 2 covered vegetable tureens, 2 small platters and 2 large platters
dinner plate diameter 10.5 in — 26.7 cm
printed marks in green and black, painted pattern numbers 8154
Danish Silver Footed Bowl, #584B, OscarDanish Silver Footed Bowl, #584B, Oscar Gundelach-Pedersen for Georg Jensen, Copenhagen, c.1934 height 5.6 in — 14.2 cm; diameter 7.8 in — 19.8 cm;
CHARLES GRUPPE (AMERICAN, 1860-1940)CHARLES GRUPPE (AMERICAN, 1860-1940) "GOING TO PASTURE" Oil on canvas. Signed 'Chas P. Gruppe' (lower left). Original giltwood frame.Charles Gruppe (American, 1860-1940)
Landscape and marine painter Charles Paul Gruppe was born in Picton, Canada, September 3rd, 1860. When Gruppe was ten, he moved with his family to Rochester, New York, after the death of his father. Interested in painting from an early age, he spent much of his time sketching and creating watercolors and oils. To help support his mother and sisters, he worked in a sign-painting shop, soon mastering the craft.
Eventually, at age twenty-one, he had earned enough money to travel steerage to Europe, where he traveled through France, Germany, and Holland, searching for a place to settle and practice his art. He was taken with Holland, perhaps attracted to its fishing villages with their picturesque boats and quaint houses and decided to stay. He built a home and studio in the little fishing village of Katwyk Ann Zee and painted much of his European work in the vicinity of that town. Altogether, Gruppe spent over twenty years in Holland, becoming a celebrity artist and ultimately being patronized by the royalty of Europe. His work is represented in many museums in America and Europe.
Charles P. Gruppe died at age 80 in Rockport, Massachusetts, on September 30th, 1940 at his studio where he had been established during the summers for 15 years. The remainder of each of those years, he had spent in New York City, where he was an active member of the Salmagundi Club.
CHARLES GRUPPE (AMERICAN, 1860-1940)CHARLES GRUPPE (AMERICAN, 1860-1940) LOW TIDE, MASSACHUSETTS Oil on canvas. Signed 'Chas P. Gruppe' (lower right). Giltwood frame. Paper label inscribed 'Low Tide ... (illegible)'.
Charles Gruppe (American, 1860-1940)
Landscape and marine painter Charles Paul Gruppe was born in Picton, Canada, September 3rd, 1860. When Gruppe was ten, he moved with his family to Rochester, New York, after the death of his father. Interested in painting from an early age, he spent much of his time sketching and creating watercolors and oils. To help support his mother and sisters, he worked in a sign-painting shop, soon mastering the craft.
Eventually, at age twenty-one, he had earned enough money to travel steerage to Europe, where he traveled through France, Germany, and Holland, searching for a place to settle and practice his art. He was taken with Holland, perhaps attracted to its fishing villages with their picturesque boats and quaint houses and decided to stay. He built a home and studio in the little fishing village of Katwyk Ann Zee and painted much of his European work in the vicinity of that town. Altogether, Gruppe spent over twenty years in Holland, becoming a celebrity artist and ultimately being patronized by the royalty of Europe. His work is represented in many museums in America and Europe.
Charles P. Gruppe died at age 80 in Rockport, Massachusetts, on September 30th, 1940 at his studio where he had been established during the summers for 15 years. The remainder of each of those years, he had spent in New York City, where he was an active member of the Salmagundi Club.
CHARLES GRUPPE (AMERICAN, 1860-1940)CHARLES GRUPPE (AMERICAN, 1860-1940) HARBOR SCENE Oil on canvas. Signed 'Chas P. Gruppe' (lower left).Charles Gruppe (American, 1860-1940)
Landscape and marine painter Charles Paul Gruppe was born in Picton, Canada, September 3rd, 1860. When Gruppe was ten, he moved with his family to Rochester, New York, after the death of his father. Interested in painting from an early age, he spent much of his time sketching and creating watercolors and oils. To help support his mother and sisters, he worked in a sign-painting shop, soon mastering the craft.
Eventually, at age twenty-one, he had earned enough money to travel steerage to Europe, where he traveled through France, Germany, and Holland, searching for a place to settle and practice his art. He was taken with Holland, perhaps attracted to its fishing villages with their picturesque boats and quaint houses and decided to stay. He built a home and studio in the little fishing village of Katwyk Ann Zee and painted much of his European work in the vicinity of that town. Altogether, Gruppe spent over twenty years in Holland, becoming a celebrity artist and ultimately being patronized by the royalty of Europe. His work is represented in many museums in America and Europe.
Charles P. Gruppe died at age 80 in Rockport, Massachusetts, on September 30th, 1940 at his studio where he had been established during the summers for 15 years. The remainder of each of those years, he had spent in New York City, where he was an active member of the Salmagundi Club.
CHARLES GRUPPE (AMERICAN, 1860-1940)CHARLES GRUPPE (AMERICAN, 1860-1940) "MEDITATION AT TWILIGHT" Oil on canvas. Signed (lower left).
Charles Gruppe (American, 1860-1940)
Landscape and marine painter Charles Paul Gruppe was born in Picton, Canada, September 3rd, 1860. When Gruppe was ten, he moved with his family to Rochester, New York, after the death of his father. Interested in painting from an early age, he spent much of his time sketching and creating watercolors and oils. To help support his mother and sisters, he worked in a sign-painting shop, soon mastering the craft.
Eventually, at age twenty-one, he had earned enough money to travel steerage to Europe, where he traveled through France, Germany, and Holland, searching for a place to settle and practice his art. He was taken with Holland, perhaps attracted to its fishing villages with their picturesque boats and quaint houses and decided to stay. He built a home and studio in the little fishing village of Katwyk Ann Zee and painted much of his European work in the vicinity of that town. Altogether, Gruppe spent over twenty years in Holland, becoming a celebrity artist and ultimately being patronized by the royalty of Europe. His work is represented in many museums in America and Europe.
Charles P. Gruppe died at age 80 in Rockport, Massachusetts, on September 30th, 1940 at his studio where he had been established during the summers for 15 years. The remainder of each of those years, he had spent in New York City, where he was an active member of the Salmagundi Club.
CHARLES GRUPPE (AMERICAN, 1860-1940)CHARLES GRUPPE (AMERICAN, 1860-1940) OLD LANDMARKS, CALEDONIA CREEK Oil on canvas. Signed 'Chas. P. Gruppe' (lower right).
Charles Gruppe (American, 1860-1940)
Landscape and marine painter Charles Paul Gruppe was born in Picton, Canada, September 3rd, 1860. When Gruppe was ten, he moved with his family to Rochester, New York, after the death of his father. Interested in painting from an early age, he spent much of his time sketching and creating watercolors and oils. To help support his mother and sisters, he worked in a sign-painting shop, soon mastering the craft.
Eventually, at age twenty-one, he had earned enough money to travel steerage to Europe, where he traveled through France, Germany, and Holland, searching for a place to settle and practice his art. He was taken with Holland, perhaps attracted to its fishing villages with their picturesque boats and quaint houses and decided to stay. He built a home and studio in the little fishing village of Katwyk Ann Zee and painted much of his European work in the vicinity of that town. Altogether, Gruppe spent over twenty years in Holland, becoming a celebrity artist and ultimately being patronized by the royalty of Europe. His work is represented in many museums in America and Europe.
Charles P. Gruppe died at age 80 in Rockport, Massachusetts, on September 30th, 1940 at his studio where he had been established during the summers for 15 years. The remainder of each of those years, he had spent in New York City, where he was an active member of the Salmagundi Club.
CHARLES GRUPPE (AMERICAN, 1860-1940)CHARLES GRUPPE (AMERICAN, 1860-1940) HARBOR SCENE Oil on canvas. Signed 'Chas. P. Gruppe' (lower left).
Charles Gruppe (American, 1860-1940)
Landscape and marine painter Charles Paul Gruppe was born in Picton, Canada, September 3rd, 1860. When Gruppe was ten, he moved with his family to Rochester, New York, after the death of his father. Interested in painting from an early age, he spent much of his time sketching and creating watercolors and oils. To help support his mother and sisters, he worked in a sign-painting shop, soon mastering the craft.
Eventually, at age twenty-one, he had earned enough money to travel steerage to Europe, where he traveled through France, Germany, and Holland, searching for a place to settle and practice his art. He was taken with Holland, perhaps attracted to its fishing villages with their picturesque boats and quaint houses and decided to stay. He built a home and studio in the little fishing village of Katwyk Ann Zee and painted much of his European work in the vicinity of that town. Altogether, Gruppe spent over twenty years in Holland, becoming a celebrity artist and ultimately being patronized by the royalty of Europe. His work is represented in many museums in America and Europe.
Charles P. Gruppe died at age 80 in Rockport, Massachusetts, on September 30th, 1940 at his studio where he had been established during the summers for 15 years. The remainder of each of those years, he had spent in New York City, where he was an active member of the Salmagundi Club.
STEPHEN DWECK SMOKY TOPAZ NECKLACEStephenSTEPHEN DWECK SMOKY TOPAZ NECKLACEStephen Dweck Smoky Topaz Necklace on Burgundy silk thread. 27" long. Largest bead: 1.5" x 1".
PHILIP MOULTHROP (B. 1947), A TURNEDPHILIP MOULTHROP (B. 1947), A TURNED WOOD VESSEL, LATE 20TH/EARLY 21ST CENTURYPhilip Moulthrop (b. 1947)A turned wood vessel, late 20th/early 21st centuryIncised to underside: PM / Philip Moulthrop / Ash Leaf Maple / Acer Negundo / 628-0905.25" H x 5.625" Dia.
PHILIP MOULTHROP (B. 1947), A TURNEDPHILIP MOULTHROP (B. 1947), A TURNED ASH LEAF MAPLE WOOD BOWL, LATE 20TH/EARLY 21ST CENTURYPhilip Moulthrop (b. 1947)A turned ash leaf maple wood bowl, late 20th/early 21st centuryIncised to underside: PM / Philip Moulthrop / Ash Leaf Maple / Acer Negundo / 69403.325" H x 6.625" D
Didier Nolet
(American, 20th Century)Didier Nolet
(American, 20th Century)
Burgundy Landscape, 1983
charcoal on paper
51 x 40 inches (framed).
A House Painter's Porcelain OccupationalA House Painter's Porcelain Occupational Shaving Mug
Late 19th/Early 20th Century
with the name J.G Seiler in gilt against a burgundy wrap, depicting a gentleman on scaffolding painting a house.
Height 3 1/4 inches.
Property from the Collection of James Carpenter, Montague, New Jersey
A Coal Dealer's Porcelain OccupationalA Coal Dealer's Porcelain Occupational Shaving Mug
Late 19th/Early 20th Century
with a burgundy wrap, displaying the cursive name S. Allioum and Dealer in Lehigh & Scranton Coal and the address Residence, 280 W. Kinney St.
underside marked Leonard Vienna Austria, and stamped with numbers and TK.
Height 3 5/8 inches.
Property from the Collection of James Carpenter, Montague, New Jersey
A Porcelain Shaving Mug Depicting anA Porcelain Shaving Mug Depicting an Automobile
Early 20th Century
with the name A. Conrad in gilt lettering against a burgundy wrap, depicting a gentleman driving a black sedan.underside marked Germany. Height 3 7/8 inches.
Property from the Collection of James Carpenter, Montague, New Jersey
FISKE, John. The Writings of John Fiske.FISKE, John. The Writings of John Fiske. Cambridge: The Riverside Press, 1902.
24 volumes, octavo. Frontispieces; numerous plates. COntemporary half burgundy morocco gilt, top edge gilt, others uncut. LIMITED EDITION, number 140 of 1,000 copies of the "Edition de Luxe."
WEBSTER, Daniel. The Writings and SpeechesWEBSTER, Daniel. The Writings and Speeches of Daniel Webster. Boston: Little, Brown, & Company, 1903.
18 volumes, octavo. Engraved frontispieces and engraved titles printed on japan vellum. Contemporary burgundy morocco gilt, top edge gilt, others uncut. LIMITED EDITION, number 34 of 1,050 copies of the "National Edition."
[LINCOLN] -- BEVERIDGE, Albert. Abraham[LINCOLN] -- BEVERIDGE, Albert. Abraham Lincoln 1809-1858. Boston & New York: Houghton Mifflin Company, 1928.
4 volumes, octavo. Photogravure frontispieces with hand-coloring, numerous illustrations. Contemporary half burgundy morocco gilt. (Some minor chipping to spine ends.)
LIMITED EDITION, number 173 of 1,000 copies of the "Manuscript Edition." WITH AN ORIGINAL MANUSCRIPT LEAF by Beveridge in pencil window-mounted and bound into volume I.