A few examples of appraisal values for
HABANA

• BLACK MEMORABILIA PAINTED CAST IRON
  BLACK MEMORABILIA PAINTED CAST IRON CIGAR BOX Black Memorabilia Painted Cast Iron Novelty Cigar Box, box stamped "Habana Colorado". From a Queens NY estate. Dimensions: 8 1/2" x 6" x 4 3/8" Condition: Small paint loss.
• JEWELRY. CARTIER 18KT GOLD AND ENAMEL
  JEWELRY. CARTIER 18KT GOLD AND ENAMEL HABANA CIGAR Ring. Vintage Cartier 18kt yellow gold and white enamel Habana Cigar ring. Inscribed, "Importado Corona Corona Habana Importado". Stamped, "Cartier 18K". Ring size - 7. Total approx. weight of the ring is 5.9 dwt (gross). From a Mamaroneck, NY estate. Dimensions: ring face measures approx. 0.62" h. Condition: Good, with light surface scratches and minor dings/dents.
• Los Carpinteros. Sandalia. 2004, cast
  Los Carpinteros. Sandalia. 2004, cast rubber. 12¾ h × 5¾ w × 2½ d in. estimate: $1,200–1,800. Molded to underside of each example 'Habana Los Carpinteros Graphicstudio GS 1402 copyright 2004'. These works are from the edition of 60.
• DIEGO GUEVARA (CUBAN, 1887-1965) OIL
  DIEGO GUEVARA (CUBAN, 1887-1965) OIL PAINTING ON BOARDTitled 'Cateral De La Habana, Cuba'. Scene from the 1800s of people on the street in front of the Havana Cathedral in Cuba. Ornate gold and brown frame. Signed lower right. Framed size: 23"W x 15"H. Sight size: 19.75"W x 11.75"H. Artist: Diego Guevara Country of Origin: Cuba Condition: Age related wear.
• LIMOGES PORCELAIN DECORATIVE BOX, COHIBA
  LIMOGES PORCELAIN DECORATIVE BOX, COHIBA HABANOSHand painted French box modeled as a Cohiba La Habana, Cuba box. Limoges France marked on the base. Dimensions: 2"L x 2"W x 0.5"H Manufacturer: Limoges Country of Origin: France Condition: Age related wear.
• 2 OSVALDO SALAS PHOTOGRAPHS OF FIDEL
  2 OSVALDO SALAS PHOTOGRAPHS OF FIDEL CASTRO, INCL. HEMI...Osvaldo Salas (Cuban, 1914-1992), two framed gelatin silver prints depicting Fidel Castro, including one (1) with Ernest Hemingway ("Con Hemingway", c. 1960) and one (1) walking through Central Park in New York (c. 1955). Each signed in ink with title and date of negative, with embossed blind stamp 'Salas/Habana Cuba'. Inscribed to verso 'Negative by Osvaldo Salas printed by Robert Salas Limited Edition Cuba'. Each printed circa 1990, matted and framed under plexiglass in identical black spiral twist frames, and measuring the same. Image: 12 1/2" H × 16 1/2" W (32 x 42 cm). Framed: 26" H x 22" W. Ref. Osvaldo and Roberto Salas, "Fidel's Cuba," p. 34-35 and p. 84-85. Two copies of this book accompany this lot. Biography: Osvaldo Salas was born in Havana and emigrated as a teen to New York City. A self taught photographer, he shot celebrities and sports figures for publications including the New York Times. In 1955, he met Fidel Castro, who was in Manhattan to raise money for his 26th of July Movement. Salas photographed Castro during that visit (including his well-known image of Castro walking across Central Park, a print of which is in this lot), and Castro eventually personally selected Salas and his son Roberto as top photographers for the new Cuban government newspaper. The Salases captured hundreds of memorable images, including Castro's only meeting with writer Ernest Hemingway in 1960 (a print of which is also featured in this lot). (Souce:"Fidel's Cuba"). Condition: Prints: Excellent condition, no damage. Frames have some scattered minor wear and edge losses. Books with wear, previous owner stickers.
• JUAN MOREIRA PAINTING - "VENUS AFRICANA"
  JUAN MOREIRA PAINTING - "VENUS AFRICANA" (1993)Juan Moreira (Cuban, 1938-2022). "Venus Africana" acrylic on canvas, 1993. Signed and dated at lower right. A striking painting titled "Venus Africana" by Juan Moreira, a Cuban modern artist who dedicated his work to the culture, beliefs, and traditions of his people. Moreira's "African Venus" is a totemic, idol-like figure comprised of abstract human and mythical zoomorphic features, painted in a Cubist manner that demonstrates Moreira's admiration for both Pablo Picasso and Wifredo Lam. Moreira was among the most important Cuban artists of the modern era, and his imagery captures symbolic creators of life and deities that were very much integrated with the natural world such as "Venus Africana". Size (painting): 21.5" L x 18" W (54.6 cm x 45.7 cm) Size (frame): 27.375" L x 24.25" W (69.5 cm x 61.6 cm) About the artist: "Juan Moreira graduated as a professional draftsman in 1958 from the Fernando Aguado y Rico Higher School of Trades and Crafts in Havana. In 1960 he attended a course in Commercial Art at the Martin Studio School in Havana and in 1963 he graduated from the San Alejandro School of Fine Arts and the Experimental Graphic Art Workshop. He is a member of the National Union of Cuban Writers and Artists (UNEAC) and of the UNESCO International Association of Art (IAA). His works are part of the collection of the National Museum of Fine Arts in Havana, Cuba; the Museum of the Americas in Managua, Nicaragua; the Latin American Gallery in Krakow, Poland; the Cuban Art Museum in Vienna, Austria, The National Gallery of Jamaica, in Kingston; the Schools Museum in Gotha, Germany; the Saint Thomas University in Houston, Texas; and the Royal Ontario Museum in Ontario, Canada. He received First Prize in drawing at the First Provincial Exhibition of Visual Art Professors and Instructors in Havana (1973); an Honorary Mention in the 7th Kosice Biennial in Czechoslovakia (1984) and Third Prize at the 3rd Painting Contest of the Nicomedes García Gómez Foundation in Segovia, Spain (2001). He received the Diploma for Artistic Merit, granted by the Superior Institute of Art." (Cuban Art Resources Archive, 2022) A few more interesting notes about Juan Moreira. He was the first Cuban artist to illustrate "Don Quijote de la Mancha" in a Cuban edition. He also assisted the Chilean artist Jose Venturelli on the murals at the Hotel Habana Libre as well as the buildings where Prensa Latina was founded. In addition, his artworks are in the private collections of King Emeritus Juan Carlos of Spain, former U.S. President Jimmy Carter, and in the United Nations building in Geneva. Provenance: Private Los Angeles, California, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #179261 Condition: Signed and dated at lower right. Couturier Gallery label as well as exhibition label written in Spanish on verso. Mounted in an attractive custom frame; frame has a few minor scuffs but is otherwise excellent, fit with suspension wire, and ready to display.
• SILVER AND ENAMEL DECORATED MATCH SAFE,
  SILVER AND ENAMEL DECORATED MATCH SAFE, ADVERTISING A SOL HABANA CIGAR BOXSilver and Enamel Decorated Match Safe, advertising a Sol Habana Cigar Box, marked Deschuezt, 900., 2 in. x 1 3/16 in. x 9/16 in. Other Notes: A nearly identical match safe was sold by Cowan's Auctioneers on January 11, 2018, lot 11, From the Magnificent Match Safe Collection of David & Holiday Winfield, ($1,599). Condition: Condition: very good condition; no cracks or missing pieces on enamel; lid closes properly.
• EARLY 1900S HABANA CUBA CREME DE MENTHESealed
  EARLY 1900S HABANA CUBA CREME DE MENTHESealed bottle of Cuban Menta Verde Crema -- gorgeous original lithograph label and 90% or more of the foil skin intact (shrink wrapped to prevent scraping or additional wear. Measures 10" high. PLEASE NOTE: This item is being sold as a collectible bottle, and its contents are incidental and not intended for consumption. shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
• EARLY 1900S HABANA CUBA CREME DE MENTHESealed
  EARLY 1900S HABANA CUBA CREME DE MENTHESealed bottle of Cuban Menta Verde Crema -- gorgeous original lithograph label and 90% or more of the foil skin intact (shrink wrapped to prevent scraping or additional wear). Measures 10" high. PLEASE NOTE: This item is being sold as a collectible bottle, and its contents are incidental and not intended for consumption. shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
• LE PALAIS ROYAL HABANA POCKET WATCHAntique
  LE PALAIS ROYAL HABANA POCKET WATCHAntique sterling silver (.935) pocket watch, about 1-1/8" diameter, with enamel back. Overwound. Dial marked Le Palais Royal, Habana, once the top jewelry retailer in Havana, Cuba. shipping info This item can be shipped in-house.
• RENE PORTOCARRERO (ATTRIB.), OIL ON
  RENE PORTOCARRERO (ATTRIB.), OIL ON CANVAS, 1961 Attributed to Rene Portocarrero (Cuban, 1912-1986), "Catedral - La Habana", signed lower left, signed, titled and dated verso, 20"h x 16"w (canvas), 30.5"h x 26.5"w (frame)
• MANNER OF HUBERT ROBERT (FR. 1733-1808)
  MANNER OF HUBERT ROBERT (FR. 1733-1808) PAINTINGLandscape with Figures in Antiquated Ruins. No Visible Signature. Oil on Panel. Verso bears exhibition label from Exposicion De Arte En La Universidad, Habana 1940. 9 3/4 x 15 1/2 . Panel has paint loss from large chip. Will need restoration. Period gilt wood gesso cast frame with nameplate.
• Anton Hochstein (American, 1830-1909) Uncle
  Anton Hochstein (American, 1830-1909) Uncle Sam and Eagle oil on wood cigar box lid signed Hochstein / 164 7th St. / Hoboken, on verso lid stamped La Flor de Henry Clay / Habana / Julian Alvz. 5 1/4 x 8 inches.
• ARTHUR LUIZ PIZA, BRAZIL (1928-2017),
  ARTHUR LUIZ PIZA, BRAZIL (1928-2017), UNTITLED, AQUATINT ETCHING, 8 1/2"H X 7"W (IMAGE), 20 1/4"H X 17 1/2"W (FRAME)Arthur Luiz Piza, Brazil, (1928-2017) Untitled, aquatint etching Pencil signed and numbered 57/100. Biography from Swann Galleries, Inc.: Arthur Luiz Piza, a Brazilian mixed media artist trained in Paris, leads an ever-growing section of Latin American art in our biannual auctions of Contemporary Art. An especially unusual piece by the visionary is a highlight in our November 16 sale. The following notes from the catalogue shed light on his life and process. Piza relocated to Paris in 1951, where he lived and worked for most of his career. During his initial years in Paris, he trained under the master printmaker Johnny Friedlaender, adapting his style to the capabilities and demands of intaglio processes. Following this instruction, Piza began to use thicker plates than was typical for etchings, in order to make deeper, gouged incisions. This resulted in a three-dimensional textural quality in his printed works, as seen in Soleil rouge. He was awarded the National Engraving Prize early in his career, in 1959, for his innovations. In addition to his printed oeuvre, Piza experimented widely with varied media, pushing the boundary between works on paper, painting and sculpture. His collage works from the 1960s, like Sans titre, incorporated anything from traditional material such as colored paper to more radical substances like sand. He worked on all forms of supports, including canvas, wood and cardboard. Piza expanded the technique to a sculpture, moving beyond two-dimensional work to incorporate issues of space and perception in his work. He threaded a consistent visual vocabulary through his prints, collages and sculpture that derived from his interest in netting and spatial relationships. Piza initially exhibited his work in the inaugural São Paulo Bienal in 1951, preceding his move to Paris. Over the years, he exhibited his work at such esteemed venues as the Venice Bienale, Bienal de la Habana and Documenta. Piza's work is in the collections of many institutions including The Museum of Modern Art and the Solomon R. Guggenheim Museum in New York, as well as the Centre Georges Pompidou in Paris. He passed away in 2017 after a lifetime of rich artistic production. aquatint etching Dimensions: 8 1/2"H x 7"W (image), 20 1/4"H x 17 1/2"W (frame)
• RICARDO SILVEIRA MIRó, (B. 20TH CENTURY,
  RICARDO SILVEIRA MIRó, (B. 20TH CENTURY, CUBAN), "RETRATO DE FAMILA," 2003, COLLAGRAPH IN COLORS ON PAPER, PLATE: 29.5" H X 20" W; SIGHRicardo Silveira Miró, (b. 20th Century, Cuban) "Retrato de famila," 2003 Collagraph in colors on paper An artist's proof aside from the edition of unknown size Signed, titled, dated and inscribed "P/A La Habana. Colografia" in pencil in the lower margin: Silveira; Taller Experimental de Grafica, Havana, Cuba, pub., with their blindstamp in the lower margin Plate: 29.5" H x 20" W; Sight: 31" H x 20.75" W Provenance: The Carolyn J. Adrian Collection, South Pasadena, CA Collagraph in colors on paper Dimensions: Plate: 29.5" H x 20" W; Sight: 31" H x 20.75" W Provenance: The Carolyn J. Adrian Collection, South Pasadena, CA
• JULIO CéSAR PEñA PERALTA (B. 1969,
  JULIO CéSAR PEñA PERALTA (B. 1969, CUBAN)Julio César Peña Peralta (b. 1969, Cuban), Two works "'The Virtuoso' de la serie Apropiaciones," 2008 Etching and aquatint on paper under glass An artist's proof aside from the edition of unknown size Signed, titled, dated, and inscribed "La Habana, Cuba" in pencil in the lower margin: Pena "Trovador," 2007 Etching and aquatint in colors on paper under glass A printer's proof aside from the edition of unknown size Signed, titled, dated, and inscribed "La Habana, Cuba" in pencil in the lower margin: Pena Plate of larger/first: 7.125" H x 5.625" W; Sheet of larger/first: 11"H x 7" W Provenance: The Carolyn J. Adrian Collection, South Pasadena, CA Exhibitions: Barnsdale Park Municipal Gallery [sic], Los Angeles, CA, January 2008, according to a label affixed to the verso of the frame's backboard Provenance: The Carolyn J. Adrian Collection, South Pasadena, CA
• ARTHUR LUIS PIZA, BRAZIL, FRANCE (1928
  ARTHUR LUIS PIZA, BRAZIL, FRANCE (1928 - 2017), ABSTRACT, ETCHING, 8 3/4"H X 17 1/4"W (PLATE), 18 1/2"H X 27 1/8"W (FRAME)Arthur Luis Piza, Brazil, France, (1928 - 2017) abstract, etching Numbered 6/20 lower left, signed lower right. Biography from Swann Galleries, Inc.: Arthur Luiz Piza, a Brazilian mixed media artist trained in Paris, leads an ever-growing section of Latin American art in our biannual auctions of Contemporary Art. An especially unusual piece by the visionary is a highlight in our November 16 sale. The following notes from the catalogue shed light on his life and process. Piza relocated to Paris in 1951, where he lived and worked for most of his career. During his initial years in Paris, he trained under the master printmaker Johnny Friedlaender, adapting his style to the capabilities and demands of intaglio processes. Following this instruction, Piza began to use thicker plates than was typical for etchings, in order to make deeper, gouged incisions. This resulted in a three-dimensional textural quality in his printed works, as seen in Soleil rouge. He was awarded the National Engraving Prize early in his career, in 1959, for his innovations. In addition to his printed oeuvre, Piza experimented widely with varied media, pushing the boundary between works on paper, painting and sculpture. His collage works from the 1960s, like Sans titre, incorporated anything from traditional material such as colored paper to more radical substances like sand. He worked on all forms of supports, including canvas, wood and cardboard. Piza expanded the technique to a sculpture, moving beyond two-dimensional work to incorporate issues of space and perception in his work. He threaded a consistent visual vocabulary through his prints, collages and sculpture that derived from his interest in netting and spatial relationships. Piza initially exhibited his work in the inaugural São Paulo Bienal in 1951, preceding his move to Paris. Over the years, he exhibited his work at such esteemed venues as the Venice Bienale, Bienal de la Habana and Documenta. Piza's work is in the collections of many institutions including The Museum of Modern Art and the Solomon R. Guggenheim Museum in New York, as well as the Centre Georges Pompidou in Paris. He passed away in 2017 after a lifetime of rich artistic production. etching Dimensions: 8 3/4"H x 17 1/4"W (plate), 18 1/2"H x 27 1/8"W (frame)
• ANGEL "ANDY" EUSEBIO RIVERO, (B. 1965),
  ANGEL "ANDY" EUSEBIO RIVERO, (B. 1965), "DAME UN CHACITO PARA VIVIR," 2000, COLOR LITHOGRAPH ON PAPER, IMAGE: 16" H X 21.5"W; SHEET: 18Angel "Andy" Eusebio Rivero, (b. 1965) "Dame un Chacito para Vivir," 2000 Color lithograph on paper Edition: 4/7 Signed, titled, dated, inscribed, and numbered in the lower margin: Andy, La Habana Image: 16" H x 21.5"W; Sheet: 18.5" H x 24" W Provenance: Pasadena Art Alliance, Pasadena, CA Notes: A certificate of authenticity signed by, Angel ("Andy") Rivero Sierra. affixed verso. A photo of Angel "Andy" and Iliana Rivero, in Havana, 2002, affixed verso. Color lithograph on paper Dimensions: Image: 16" H x 21.5"W; Sheet: 18.5" H x 24" W Provenance: Pasadena Art Alliance, Pasadena, CA
• 1876 CUBA 50 CENTAVOS CURRENCY NOTE
  1876 CUBA 50 CENTAVOS CURRENCY NOTE VG Banco Espanol de la Habana, 50 centavos, 15th of May 1875 Havana. VG- Stain on reverse, pinhole and folds. Is a scarce note.
• RENE PORTOCARRERO (CUBAN, 1912-1985)Rene
  RENE PORTOCARRERO (CUBAN, 1912-1985)Rene Portocarrero (Cuban, 1912-1985) , "La Habana", 1961, oil on canvas, signed and dated lower left, pencil-signed, titled and dated en verso, inscribed "RNBC folio #64875" and "3407-151" on stretcher, 24 in. x 36 in., framed
• RENE PORTOCARRERO (CUBAN, 1912-1985)Rene
  RENE PORTOCARRERO (CUBAN, 1912-1985)Rene Portocarrero (Cuban, 1912-1985), "Woman Plucking a Rooster", 1947, pastel on paper, signed and dated lower left, sight 21 in. x 16 1/2 in., framed. Provenance: Galeria de La Habana, Cuba, June 23, 1963; Private Collection, Habana, 1978; thence by descent.
• 1937 GOLF TROPHY, THE POLLACK TROPHY,
  1937 GOLF TROPHY, THE POLLACK TROPHY, HABANA (HAVA1937 GOLF TROPHY, The Pollack Trophy, Habana (Havana) Country Club, Havana, Cuba, 1929-1937, marble, silver plate and wood, 15.75"H.
• CUBAN HISTORIC INTEREST BOOKS, 14 Group
  CUBAN HISTORIC INTEREST BOOKS, 14 Group of books of Cuban Historic interest, 14, and comprising: D. Jacopo de Pezuela, "Historia de la Isla de Cuba", Four Vols., Bailly-Balliere: Madrid, 1878; Pedro J. Guiteras, "Historia de la Isla de Cuba", Two Volumes, Jorge Lockwood: Nueva York, 1865/66; Ramiro Guerra, "Azucar y Poblacion en las Antilles" Cultural S.A.: Habana, 1935; Juan B. Jimenez, "Aventuras de un Mayoral" (Two volumes), Libreria la Enciclopedia: Habana, 1887; P. Barbe y Huguet, edited by Ramon Sopena,"Codigos di Cuba" Barcelona, Spain; circa 1922; J.A. Saco, "Obras" [2 vols] Lockwood: Nueva York, 1853; J. Bautista, "La Colonia" Libreria Marti, Habana , 1894; Pedro J. Guiteras, "Conquista de la Habana" McMillan, Filadelfia: 1853. Largest: 8.5" H x 5.75" W.
• A Set of Twelve Capodimonte Porcelain
  A Set of Twelve Capodimonte Porcelain Armorial Plates 20th Century each with maker's and retailer's marks for Palais Royal, Habana to the underside. Diameter 10 3/4 inches.
• KADIR LOPEZ NIEVES, (B. 1972), "STIGMAS,"
  KADIR LOPEZ NIEVES, (B. 1972), "STIGMAS," 2002, WATERCOLOR ON PAPER, SIGHT: 29" H X 21.5" WKadir Lopez Nieves, (b. 1972) "Stigmas," 2002, Watercolor on paper Signed together with the artist's birth year, and inscribed, lower right: Kdir / La Habanas / 1972 Watercolor on paper Dimensions: Sight: 29" H x 21.5" W Provenance: The Carolyn J. Adrian Collection, South Pasadena, CA
• AFTER L. BARANANO "LA HABANA" HAND-COLORED
  AFTER L. BARANANO "LA HABANA" HAND-COLORED LITHO After Leonardo Baranano, "General View of Havana," large-format hand-colored lithograph by Eduardo Laplante, circa mid-19th century, with titles in Spanish, English and French, from Isla de Cuba Pintoresca, a series of panoramic landscapes of Cuban towns and harbors. Image: 20.5" H x 30.5" W; frame: 23.5" H x 33.5" W x 1.25" D.
• LOT OF 10 19TH / EARLY 20TH CENTURY
  LOT OF 10 19TH / EARLY 20TH CENTURY BOOKSRELATING TO CUBA. TO INCLUDE: NOTES ON CUBA, BY "A PHYSICIAN", OCTAVO, CLOTH BOUND, COPYRIGHT 1844, BOSTON, JAMES MUNROE AND CO., SHOWS STAINING AND FOXING, BUT BINDING IS TIGHT AND OTHERWISE CLEAN. UNITED STATES, CANADA, AND CUBA, BY THE HON. AMELIA M. MURRAY, 1856, NEW YORK, SHOWS FOXING, MINOR DAMAGE TO SPINE, OCTAVO. THE REAL CONDITION OF CUBA TO-DAY, BY STEPHEN BONSAL, 1897, NEW YORK, CLOTH BOUND, OCTAVO, IN EXCELLENT CONDITION. CUBAN SKETCHES, BY JAMES W. STEELE, NEW YORK AND LONDON, 1886, OCTAVO, CLOTH BOUND, GOOD CONDITION. FLORA, DE CUBA, BY MANUEL GOMEZ DE LA MAZA Y JIMENEZ, PRINTED IN HABANA, 1914, OCTAVO, VERY GOOD CONDITION. THE ADVANCE IN THE ANTILLES: THE NEW ERA IN CUBA AND PUERTO RICO, BY HOWARD B. GROSE, OCTAVO, NUMEROUS PHOTOGRAPHIC ILLUSTRATIONS, EXCELLENT CONDITION. THE MAMBI-LAND, OR ADVENTURES OF A HERALD CORRESPONDENT IN CUBA, BY JAMES J. KELLY, PHILADELPHIA, 1874, SOME CHIPPING TO SPINE, OTHERWISE GOOD CONDITION, OCTAVO. ORNITOLOGÍA CUBANA Ó CATÁLOGO DESCRIPTIVO DE TODAS LAS ESPECIES DE AVES TANT INDÍGENAS, BY DR. JUAN GUNDLACH, PUBLISHED FOR THE "ARCHIVOS DE LA POLICLINICA", HAVANA, 1893, LEATHER SPINE IS SPLITTING, MARBLEIZED BOARD, HAS NUMEROUS PLATES AT THE BACK, PAGES SHOW TANNING. TWO VOLUME SET REPERTORIO: FISICO-NATURAL DE LA ISLA DE CUBA, EDITED BY FELIPE POEY, HAVANA, 1865-66, LEATHER BOUND, MARBLEIZED BOARDS, VOLUME I IS IN GOOD CONDITION, VOLUME II SHOWS SLIGHT SPLITTING TO THE SPINE AT THE TOP, OTHERWISE GOOD CONDITION.
• MARIO ALGAZE "EL PRADO, CUBA" GELATIN
  MARIO ALGAZE "EL PRADO, CUBA" GELATIN SILVER PRINT Mario Algaze (Cuban-American, b. 1947), "El Prado, La Habana, Cuba," selenium toned gelatin silver print, 2000, artist's proof, Throckmorton Fine Art, Inc. gallery label with identifying information to mat reverse, unframed. Image: 18.175" H x 18.25" W. Provenance: Throckmorton Fine Art, Inc.
• MORENA SAENZ "HABANA, CUBA" ACRYLIC
  MORENA SAENZ "HABANA, CUBA" ACRYLIC ON CANVAS Morena Saenz (American, XX-XXI) "Habana, Cuba Hoyo de Monterrey," acrylic on canvas mounted on board, dated and signed lower right: "1995 M. Saenz," depicting man smoking cigar with building with bird perched on clothesline. Image: 14" H x 11" W; frame: 21.5" H x 17.5" W.
• SHIH, Quentin, (Chinese, 1975-): ''La
  SHIH, Quentin, (Chinese, 1975-): ''La Habana in Waiting'', Digital Archive Print, sight size 43.5'' x 43.5'', framed, 45'' x 45''.
• An 18 Karat Yellow Gold and Enamel Cigar
  An 18 Karat Yellow Gold and Enamel Cigar Band Ring Cartier consisting of a central engraved gold profile within an orange brown enamel border marked CORONA HABANA IMPORTADO with flourishes. Stamp: Cartier 18K. 4.50 dwts.
• A Large Cigar Box Humidor with Seated
  A Large Cigar Box Humidor with Seated Indian by Johann Maresch Ceramic box with polychrome glazes in matte finish box with Colorado Habana impressed into design well sculpted seated indian very life-like impressed JM 3374.
• A Habana Colorado Tobacco Humidor Composition
  A Habana Colorado Tobacco Humidor Composition lidded box with seated black man with top hat on cargo box unmarked. Interior lined with wood.
• Cuban Gilt Bronze & Marble Veined Marble
  Cuban Gilt Bronze & Marble Veined Marble Inkstand. Eagle-decorated with double ink cups in two-toned bronze on green-veined marblestand. Great quality. Marked undeneath "Le Trianon Habana", a high end Cuban jewelry shop located at Avenida Italia 405, Havana in 1930's. Probably imported from France. Lacking glass inserts, otherwise good. Size: 5" h x 7" deep x 11" wide.