A few examples of appraisal values for
HARRINGTON AND RICHARDSON 32

• Edward RichardsonRHINELANDsigned
  Edward RichardsonRHINELANDsigned and dated 1880watercolour 32cm x 46cm (12.5" x 18")
• Harris & Summers after J F Herring
  Harris & Summers after J F Herring Sr./National Sports, Racing/four colour engravings, 33cm x 63cm
• George H. Harrington Lithograph
  George H. Harrington Lithograph couple in carriage with an unruly lead horse 12'' x 19''.
• HARRINGTON, JONATHAN. HURRAH! HE’S
  HARRINGTON, JONATHAN. HURRAH! HE’S COMING! WHO? WHY, PR...Boston: Hooton’s Press, 1854. Handsome woodcut broadside bearing a full-length portrait of Harrington, who holds a plate in one outstretched hand on which rests a bird. Among the feats announced on the bill are “the wonderful egg market,” “remarkable potatoes, or a hint to farmers,” “The Bohemian’s Dinner,” and Harrington’s considerable talents as a ventriloquist and impressionist. 9 1/8 x 20 ¼". Minor over-coloring, three closed tears; A-.
• 30 Books on Horses various equestrian
  30 Books on Horses various equestrian titles.
• RICHARDSON, Harry, (American, 20th
  RICHARDSON, Harry, (American, 20th C.): Freight Wagon, Watercolor, 13 1/4'' x 20 1/2'' signed, framed, 25'' x 30'', signed, titled and dated 1973 verso.
• Frederick Stuart Richardson (1855-1934)/Waiting
  Frederick Stuart Richardson (1855-1934)/Waiting For the Catch/signed lower right/watercolour, 33cm x 49cm
• De Marcillac Handcolored Print
  De Marcillac Handcolored Print of Hunterson horseback with dogs 19'' x 25'' pencil signed.
• J. RICHARDSON, AMERICAN 20TH CENTURY,
  J. RICHARDSON, AMERICAN 20TH CENTURY, ANNAPOLIS CITY HARBOR, ETCHING, FRAMED, 14-7/8 X 30-1/2 INCHESJ. Richardson, American 20th Century, Annapolis City Harbor, Etching, Framed, 14-7/8 x 30-1/2 inches
• § RICHARD HAMILTON C.H. (BRITISH
  § RICHARD HAMILTON C.H. (BRITISH 1922-2011) IN HORNE'S HOUSE, 1981 Etching, engraving and aquatint, 10/120, signed, dated, inscribed and numbered in pencil to margin, published by Waddington Graphics, London, printed by Atelier Crommelynck, Parisimage size 52 1/2cm (20 3/4in),  43cm (17in)Provenance: Alan Cristea Gallery, London
• RICHARDSON'S DICTIONARY, 1839,
  RICHARDSON'S DICTIONARY, 1839, 2 VOLS.RICHARDSON, Charles. A New Dictionary of the English Language. London: William Pickering, 1839. 9 1/4" H X 11 1/4" W (Quarto). 2223 Pages (continuous pagination). Third edition of this important early Richardson dictionary. Both volumes complete. Stamped signature of 'Edward Hicks' on the inside board of each volume. Original leather binding with four raised hubs on each spine. Marbled page edges. A scarce set.Provenance: the estate of Giers descendant Sarah Hunter Hicks Green, formerly of Historic Devon Farm, Nashville, Tennessee. (Higher-resolution photos are available at www.caseantiques.com) Condition: Overall good condition. Considerable wear to boards and spine. Leather cracked and quite brittle at hinges and head and foot of spine.
• British School Portrait Miniature
  British School Portrait Miniature of Miss Richardson, c.1830 gouache on unsigned panel, titled with address, verso overall 7 x 6 in — 17.8 x 15.2 cm
• HARRINGTON MANN 'SIBLINGS' OIL
  HARRINGTON MANN 'SIBLINGS' OIL PAINTINGHarrington Mann, Scotland (1864-1937) Oil painting on canvas 'Siblings' of young boy & girl, signed lower right and dated 1926. Painted black frame with gilt designs on all sides. Measures 42.5"H x 38.5"W framed; 28.5"H x 25.5"W unframed.
• Richardson, Charles James. Studies
  Richardson, Charles James. Studies from Old English Mansions, 1841. Lithographic plates, some coloured (some spotting). Orig. cloth gilt - Hull, Prof. Edward. Deacon's Synchronological Chart…of Universal History, n.d. Coloured folding chart - Bell, Major James. A View of Universal History, Literature and the Several Schools of Painting, 1842. 25 coloured tables. Cont. half calf (worn). All folio (3)
• Harry Linley Richardson (British,
  Harry Linley Richardson (British, 1878 - 1949) framed and matted watercolor of a Pacific Northwest Native American building with figures titled "Gathering", signed lower left, 11" x 15"
• SAM RICHARDSON (AMERICAN, B. 1934)
  SAM RICHARDSON (AMERICAN, B. 1934) 16 ½" x 21 ¾" "Spring Phase" and "Winter Phase", 1973. Pair of etchings on wove paper, both editions 11 / 24, signed, numbered, and dated in pencil, unframed. Provenance: Private Collection, David Anderson Gallery, Buffalo, NY.
• RICHARD HANSON (B1910) FLOWERS signed
  RICHARD HANSON (B1910)
  FLOWERS
  signed and dated 77, panel, 44.5 x 36.5cm
  
• E. Harrington (late 19th/early
  E. Harrington (late 19th/early 20th century) Portrait of a Native American Boy, signed lower right "E. Harrington 02", oil on canvas, 20 x 15-7/8 in.; black-painted frame,
• Pair of Williamsburg Prints 33''
  Pair of Williamsburg Prints 33'' x 14''.
• JOHN ALEXANDER HARRINGTON BIRD
  JOHN ALEXANDER HARRINGTON BIRD (BRITISH 1846-1936)JOHN ALEXANDER HARRINGTON BIRD (BRITISH 1846-1936) Gentleman on Horseback , oil on panel 40.5 x 30.3 cm (16 x 11 7/8 in.) signed lower right CONDITION Observed in frame. The work appears in age-appropriate condition. Scattered scuffs to the sky visible to the naked eye. Minor loss of paint to the right edge. Inspection under UV shows a heavy layer of varnish, no restoration or repairs. No significant issues to report otherwise. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
• Frederick Stuart Richardson (1855-1934)/Gathering
  Frederick Stuart Richardson (1855-1934)/Gathering the Catch/signed lower left/watercolour, 34cm x 44cm
• Paul Richardson (United Kingdom,
  Paul Richardson (United Kingdom, active) oil on canvas of a clipper ship under full sail, signed lower left, sight 28"h x 35"w
• Two book illustrations by Harold
  Two book illustrations by Harold C. Earnshaw each signed bottom right. 15 x 24 and 16 x 26.
• Harvell after G Walker/Horses and
  Harvell after G Walker/Horses and Jockeys/published by Robinson & Son/hand coloured print, 20cm x 30cm/and a naive oil of a gentleman holding a hunter in a landscape, 22.5cm x 38cm
• 1860 Letter to Samuel Colt from
  1860 Letter to Samuel Colt from H. Richardson Regarding a Call for Arms 1p approx. 9.25 x 10.75 in. Richmond VA 26 Jan. 1860. Signed by Wm. H. Richardson Adjutant Genl. of Virginia. To Samuel Colt requesting an exchange of arms and possible purchase of others. General Richardson requests of Colt: In the extraordinary call for arms of all descriptions growing out of the occurrences at Harpers ferry in October last the State is in want of some descriptions of arms for immediate use that cannot be procured as speedily as nessary. The Legislature had made large appropriations both for pulling the Armoury into operation and for the purchase of arms - both which measures a gentleman who I understood was connected with your establishment called on me not very long since and in a brief conversation which was all i then had time for stated that any portion of the arms which the Governor purchased of you could be exchanged for such others as teh State has most immediate need of. In that case we desire to exchange the revolving rifle muskets for Cavalry sabres & probably pistols & that immediately. Can you do this & if so upon what terms? General William H. Richardson formed the First Regiment of Virginia Volunteers in May 1851 from volunteer militias in Richmond and surrounding counties. The regiment consisted of ten companies by the middle of the decade before the war and many were mustered into Confederate service once war erupted. The regiment was called out to defend Harpers Ferry only to find Brown and his men had already been captured by a unit of U.S. Marines under command of Col. Robert E. Lee. One wonders if General Richardson ever regretted trading those revolving rifles. Colt had produced an experimental revolving rifle some decades earlier but the real production piece was rolled out in 1855 and was not widely distributed for a couple years while design adjustments were made. The early revolvers (both pistol and rifle) used paper cartridges and ran the risk of ''chain fire'' if gunpowder leaked into crevices around the firing cylinder. This loose powder could then ignite and ignite any other unfired cartridges in the cylinder which then drove metal and hot gases into the arm and wrist of the user. (Pistols weren't quite as much of a problem since they were held behind the trigger and cylinder.) As a result commanders distrusted the weapon and eventually Colt stopped producing them even though the development of metal cartridges would solve the problem and revolving pistols remained popular. This may have been a contributing reason for Richardson wanting to exchange these weapons. If maintained properly however they could be effective. Colt did sell between four and five thousand to the U.S. Military during the Civil War. Reportedly Confederate forces at Snodgrass Hill in the Battle of Chickamauga thought they were facing an entire division when in fact it was only the 21st Ohio armed with Colt 1855 revolving rifles. Condition: One vertical fold with light toning along that and the edges. Edges also have short tears and some chips of paper missing but none interfere with text.
• A contemporary oil on board, museum
  A contemporary oil on board, museum goers, signature lower left, J Harrington. Image 7 x 8 Overall in a gilt frame 14” x 14.5” Condition: very good CT Transfer Fee $10
• 32 ASSORTED PRINTSTen (10) engravings
  32 ASSORTED PRINTSTen (10) engravings after Edmund Thomas Parris, 1836, from the portfolio "Gems of Beauty," depicting beautiful women in lush costumes and settings (some margin tears, creases and foxing), all 14" x 10-1/2" overall; Seven (7) English Theater color engravings including 2 scenery depictions pub. by Pollock and 5 prints of costumed actors by J. Redington such as Pantaloon, Harlequin, Falstaff, etc. (light foxing; Pantaloon has a small area of light staining to face/hair), all 8-1/2" x 6-3/4"; 1 colored engraving of the New York Crystal Palace (1853) published by Capewell and Kimmel, 9-1/2" x 11-3/4"; 1 engraving after J.M.W. Turner, titled "Regulus Leaving Carthage", pub. S. Bradshaw (foxing, light staining and creasing to margin; image excellent), 17" x 11-3/4" overall; 1 colored engraving titled "Vue du Jardin du Palais Royal Prise de la Galerie Vitree (View of the Palace Garden from the Balcony)" pub. Basset, Paris (poor condition with staining, foxing, and margin losses), 13-1/2" x 20"; 1 View of Mount Hood from Tysch Prairie depicting figures on horseback, published by the U.S. Pacific Railroad Surveys (acid burn around perimeter), 8" x 10" overall; 1 view "The City of Milwaukee" published by D. Appelton 1872, 10" x 13" overall; two (2) 19th century American views published by Putnam, Housatonic Valley and West Rock, New Haven (after Frederick Church) (likely trimmed with acid burn and tape discoloration), 8" x 11-3/4" overall; 1 framed engraving "New Haven Connecticut Looking Southwest Across the Green Towards Yale College" drawn by A.J. Davis, published 1830 by Jennings and Chaplin, 8" x 10"; 1 framed etching view of a European building, illegibly titled and signed in pencil (scattered stains), 9-1/2" x 7-1/2"; Two (2) matted prints after Stephen Mopope from the 1979 portfolio of Kiowa Indian Art "Wedding Ceremony" and "Warrior in Green" (creases and losses to matte), 20" x 13"; 1 vintage movie poster, "Seven Sweethearts" (MGM, 1942) (tape and small tears at fold lines and edges), 41" x 27"; Two (2) contemporary woodblock prints, both artist's proofs, "Mushrooms" by Pamela Holeman, 1969 (10" x 13") and "Park- Italy" (9" x 6"), illegibly signed; and 1 trial proof etching of a man herding sheep, signed George Taylor (creasing and uneven discoloration), 13-1/2" x 8-3/4". All items mid-19th to early 20th century unless otherwise dated. Condition: All items in good condition with expected light toning except where noted in description.
• W Harford (19th/20th Century)/Highland
  W Harford (19th/20th Century)/Highland Scenes/a pair, signed/watercolour, 34cm x 50.5cm/Provenance: Tidenham Manor
• Two pencil drawings attributed
  Two pencil drawings attributed to Harold Dearden one signed HD bottom right largest approx. 31 x 26cm.
• GEORGE HARRINGTON (AMERICAN - MASSACHUSETTS,
  GEORGE HARRINGTON (AMERICAN - MASSACHUSETTS, 1833 - 191...George Harrington (American - Massachusetts, 1833 - 1911), autumn landscape with birch trees, oil on canvas, in ornate gilt frame, signed on back stretcher bar "George Harrington 1892", 12" x 15". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• LOUIS H. RICHARDSON (1853-1923,
  LOUIS H. RICHARDSON (1853-1923, SOUTH DARTMOUTH,New York) oil painting on canvas. Titled "A Summer Marsh". Signed in pencil on stretcher. Has been lined. Sight size 7" x 11", overall with frame 11" x 15".
• ERNEST RICHARDSON (OREGON, 1900-1981)
  ERNEST RICHARDSON (OREGON, 1900-1981) WATERCOLOR OERNEST RICHARDSON (Oregon, 1900-1981) watercolor on paper, fishing boats at the wharf. Unsigned. Image measures 13.5" x 16". In a wood frame; 22" x 24.5" overall. Provenance: passed down within the family. Richardson was an illustrator for the Oregonian newspaper and a founding member of the Attic Club.
• RICHARD HAMILTON (b. 1922): "THE
  RICHARD HAMILTON (b. 1922): "THE MARRIAGE" Iris print in colors 25 1/2 x 18 1/2 in signed dated 1998 and numbered 19/25.
• Edwin Harris (1855-1906) watercolour
  Edwin Harris (1855-1906) watercolour View of Arundel signed and dated 1935 17.75 x 26.25in Estimate ?150-250 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?160
• RICHARD WILSON (AMERICAN, 20TH
  RICHARD WILSON (AMERICAN, 20TH CENTURY) 21 ½" x 28 ½" sight size "Barn at Tyringham II". Watercolor on paper, signed lower right corner, matted under plexiglass in decorative frame, overall 31" x 39".
• 23 Horse Related Books wide variety.
  23 Horse Related Books wide variety.