A few examples of appraisal values for
HENRY TROEMNER

• Good Henry Troemner,
  Good Henry Troemner, Philadelphia, Beveled Glass- and Mahogany-Cased Jeweler\'s Scale, first quarter 20th century, retains the period small silvered brass pans, the interior with an engraved bone Troemner label, the center facade of the case with an engraved brass Troemner plaque, the whole supported on patinated steel feet of toupie form, h. 8-3/4\", w. 13\", d. 6-1/2\".
• 1 vol. Schliemann, Henry. Troja:
  1 vol. Schliemann, Henry. Troja: Results of The Latest Researches and Discoveries on The Site of Homer's Troy. New York: Harper, 1884. First American edition. Lg. 8vo, contemp.3/4 black morocco, marbled bds. & edges, spine gilt; joints, corners & spine ends rubbed, occasional blistering. With color frontis. map, 3 fold. maps & plans at back, full-page & text wood-engraved illus. Occasional minor internal spotting & staining.
• Maker Henry Troemner,
  Maker Henry Troemner, Philadelphia brass and oak scale, pat. Jan. '97 (1897) 10.5"h x 20"l x 8"w (with pan on)
• Antique Henry Troemner,
  Antique Henry Troemner, Philadelphia, wood brass and marble balance scale with weight and removable bowl. 11”H x 18”W Condition: tarnishing and wear, very minor chips to edges of wood and marble CT Transfer Fee $10
• WILLIAM HENRY HAMILTON TROOD
  WILLIAM HENRY HAMILTON TROOD (BRITISH 1848-1899)WILLIAM HENRY HAMILTON TROOD (BRITISH 1848-1899) Dandy Dinmont , 1883 oil on panel 18.5 x 14 cm (7 1/4 x 5 1/2 in.) signed and dated lower right PROVENANCE Colin Stodgell Fine Art, Torquay, no. 3975 (label on verso) Kahn - Dumousset SVV, Paris, 23 October, 2013, lot 34 CONDITION Observed in frame. The painting appears very good original condition. No apparent issues to the naked eye. Inspection under UV shows a heavy even layer of varnish but no apparent restoration or repairs. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
• WILLIAM HENRY DETHLEF KOERNER
  WILLIAM HENRY DETHLEF KOERNER (NJ/NY/MT, 1878-1938) Catalog #2420. "Rough and Tender" A narrative oil sketch white field illustration for "The Thinker" by Wilbur Daniel Steele, for "Pictorial Review", December, 1924. Oil on illustration board laid to upson board, initialed upper right. Depicts a young lady attempting to hug a hesitant man in a doorway during winter. Caption: "You great big, overgrown, good-lookin' kid you. I ain't the same I was". Housed in a carved cove dull silver frame with linen liner , OS: 37" x 31", SS: 29 1/2" x 23 1/2". Fine condition, minor frame loss. Estate stamp verso. Title given in artist's catalog.
• THIEDE, Henry (German,
  THIEDE, Henry (German, 1871-1950): Landscape with Horse and Rider, Oil/Board, 18.5'' x 18.5'', signed lower right and dated '48, framed by Kummer, 23'' x 23''.
• THIEDE, Henry (German,
  THIEDE, Henry (German, 1871-1950): Landscape with Horse and Rider, O/B, 18.5'' x 18.5'', signed lower right and dated '48, framed by Kummer, 23'' x23''.
• WORK ON PAPER, HENRY SOMM Henry
  WORK ON PAPER, HENRY SOMM Henry Somm (French, 1844-1907), Study of a Gentleman, ink on paper, initialed lower right, overall (with frame): 11.75"h x 13.75"w
• HAMO THORNYCROFT (1850-1925) THE
  HAMO THORNYCROFT (1850-1925) THE MOWER bronze, signed in the bronze HT 188420cm highLiterature: Manning E. Marble & Bronze: The Life of Hamo Thornycroft, Trefoil 1882, p.207, 152bNote: This figure is the sketch for the life-size original shown in plaster in 1894 and in bronze in 1894.
• Skrine (Henry) Three Successive
  Skrine (Henry) Three Successive Tours in the North of England, 1795. 4to., cont. half calf
• Dr. Robert John Thornton (British
  Dr. Robert John Thornton (British 1768-1837) Publisher ca. 1811-1812 "Tankerville's Limodorum". Hand colored aquatint engraving from the quarto edition of "The Temple of Flora" paper size apprx. 15-1/8" x 11-3/4" dated Sept. 1st 1811 not framed.
• Henry Stanier (British -1892)
  Henry Stanier (British -1892) watercolor on paper man in turban and robe under arches with reticulated stonework next to pool signed lower center and inscribed Granada 1886 elaborate gilt frame s.s. 20 3/4'' h. x 13 3/4'' w. frame 4'' deep with stylized bas relief flowers.
• HENRY TROEMNER BALANCE SCALE WITH
  HENRY TROEMNER BALANCE SCALE WITH WEIGHTSHenry Troemner Balance Scale with Weights,
• Newbold Hough Trotter (1827-1898)
  Newbold Hough Trotter (1827-1898) an industrial drawing: egyptian revival water pump Signed "N. H. Troller Delt," and inscribed " Birkinbine Martine & Trotter, Philadelphia, ," ink wash on paper, unframed. 23 x 26 1/2 in. PROVENANCE: Henry Hough Trotter and James Martin became partners with Henry Birkinbine, a talented mechanic, in forming a machine company that produced water pumps. Birkinbine eventually became the chief engineer of the Philadelphia Water Works. Trotter, a talented draftsman, attended the Philadelphia Academy of Fine Arts and exhibited there from 1858-1887. He became a full time painter in 1867. ,000-1,500 Tears to edges, some discoloration. soiled.
• English School mid-19th c.
  English School mid-19th c. "Portrait of Henrietta T. Nickels (1830-1914)" oil on canvas unsigned Winsor Newton London stencil en verso 29 in. x 24 in. in a giltwood frame with plaque bearing sitter's name.
• HENRY MORTIKAR ROSENBERG (AMERICAN,
  HENRY MORTIKAR ROSENBERG (AMERICAN, 1858-1947)Henry Mortikar Rosenberg (American, 1858-1947) , "Mentone (Indiana)", 1945, 3 watercolors on paper, each signed, titled and dated lower left, each 16 in. x 23 5/8 in., unframed. (3 pcs.) Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund. Condition: Each in overall fair condition
• Henry Koerner (1915-1991 Pittsburgh
  Henry Koerner (1915-1991 Pittsburgh PA) Dashstein Austria Alpine landscape
• GEORGE HENRY LAPORTE (BRITISH
  GEORGE HENRY LAPORTE (BRITISH 1799–1873) STUDY OF A HUNTER BY A LAKE Inscribed on stretcher verso, oil on canvas35.5cm x 45.7cm (14in x 18in)Provenance: According to a label verso the horse was a gift from the Iman of Muscat to the Prince Consort
• Dr. Robert John Thornton (British
  Dr. Robert John Thornton (British 1768-1837) Publisher ca. 1811-1812 "The Nodding Renealmia". Hand colored aquatint engraving from the quarto edition of "The Temple of Flora" paper size apprx. 15-1/8" x 11-3/4" dated Jan. 1st 1812 not framed.
• HENRY THOMAS SCHAFER (1854-1915)
  HENRY THOMAS SCHAFER (1854-1915) TWO PAINTINGSHenry Thomas Schafer (British, 1854-1915) Two Watercolors Paintings. (1) "The Choir, Winchester Cathedral" and (2) "St. Pierre, Caen, Normandy," watercolor on paper. Framed. Sizes: 1) 25'' x 18'', 64 x 46 cm (sight); 35.5'' x 27.5'', 90 x 70 cm (frame); 2) 25'' x 18'', 64 x 46 cm (sight); 35'' x 27'', 89 x 69 cm (frame).
• HORSE RACING, SUBJECT. HODGMAN (G)
  HORSE RACING, SUBJECT. HODGMAN (G) SIXTY YEARS ON THE TURF THE LIFE AND TIMES OF GEORGE HODGMAN 1840-1900 EDITED BY CHARLES R WARREN extra illustrated, fine crushed green half morocco gilt with raised bands, the spine gilt with racing motifs, teg, by Root & Son, London, 1901, J S Fletcher - The History of the St Leger Stakes 1776-1901, 1902, Nat Gould - Sporting Sketches..., 1900 (browned), The Racing Calendar, 7 editions, mainly early 19th c, Baily's Magazine, vols 43-45 (only) and various others including an incomplete run of the Sporting Chronicle's Racing Up-to-Date, early 20th c-1970s (approximately 100)
• Dr. Robert John Thornton (British
  Dr. Robert John Thornton (British 1768-1837) Publisher ca. 1811-1812 "The Nodding Renealmia". Hand colored aquatint engraving from the quarto edition of "The Temple of Flora" paper size apprx. 15-1/8" x 11-3/4" dated Jan. 1st 1812 not framed.
• WILLIAM HENRY TOMS, BRITISH, CA.
  WILLIAM HENRY TOMS, BRITISH, CA. 1700-CA. 1755 AFTER EGBERT VAN HEEMSKERCK II, BRITISH CA. 1674-1744, SIX SATIRICAL ENGRAVINGS FROM A SET OF EIGHT, HAND COLORED ENGRAVINGS, PLATE: 11 X 9 3/4 IN. (27.9 X 24.8 CM.), FRAME:WILLIAM HENRY TOMS, BRITISH, ca. 1700-ca. 1755 AFTER EGBERT VAN HEEMSKERCK II, BRITISH ca. 1674-1744, SIX SATIRICAL ENGRAVINGS from a SET OF EIGHT, Hand colored engravings 1.Behold how in the colledge hall, the surgeons and the doctors all, Are met in consultation wise, a carcase to anatomize: the master there displays his art, sagely discants on every part, and that with ears & eyes and nose, we hear, and see, and smell, he shows. 2.As you like this, young gentlemen, play truant if you please again, how often must I give you warning, to leave your tricks and mind your learning: and as for your part Hussy, you, (I promise ye) shall have your due, I'll teach ye how to romp about, as soon as ever I'm gone out 3.See valiant Captain Snout appears, the drum beats up for volunteers, you that are weary of your wives, and willing to live merry lives, who from the Tally man woud run, and clutches of the bailiff shun, lift under him without delay, and enter into present pay 4.A barbers shop a medley shews, of monsters, wigs, drawn-teeth and news, while one is shav'd another bleeds, a third the Grub Street Journal reads. The master full of Whig and Tory, talks politics and tells a story, and swears he is not such a sot, but that he knows full well, what's what. 5.Now gentlemen - see here's a piece - I hope you'll all bid up for this. Two Guineas - thirty shillings - twenty. Sure gentlemen that will content ye. Who bids? Fifteen dye say? For shame tis not the vaule of the frame. Sixteen is bid for't - once - twice - thrice, sixteen - tis going at half the price. 7.While thus the revelling debauchee, dandles his mistress on his knee, th' old baud is reckoning up the score, of all that has been spent and more. In comes the monarch of the night, and puts them in a horrid fright, the lover swears, the lady shrieks, behind the door the bully sneeks. (6) Catalogue note: There is a good analysis of these works in an article by Julie L. Mellby (https://www.princeton.edu/~graphicarts/2010/10/heemskerck.html) Hand colored engravings Dimensions: Plate: 11 x 9 3/4 in. (27.9 x 24.8 cm.), Frame: 13 x 12 in. (33 x 30.5 cm.) Provenance: Estate of Karen Burroughs, American Collector featured in Early American Life, Colonial Homes, Classic American Interiors, Better Homes and Gardens, Traditional Home and Colonial Williamsburg Journal
• HENRY STRATER, MAINE (1896 - 1987),
  HENRY STRATER, MAINE (1896 - 1987), THE MUSEUM, LITHOGRAPH, 16" X 21 1/4", 20" X 25 1/4" (SHEET)Henry Strater, Maine, (1896 - 1987) The Museum, lithograph Signed in the plate. Printed by A. Jaffe, 1949 Biography from the Archives of askART: A landscape and figure painter, Henry Strater created work that ranged from modernism to academic realism. Early in his career, he was much influenced by the French painter, Paul Cezanne, especially his pre-cubist style of geometric fracturing. His later work was academic figure painting. His painting was heavily influenced by his training in sculpture and the rich colors he admired in medieval stained glass windows. Strater was born in Louisville, Kentucky, and was the son of a wealthy snuff maker. He studied in Paris at the Academie Julian and the Academy Grande Chaumiere, with Edouard Vuillard; the Art Students League in New York; and the Pennsylvania Academy of Fine Arts with Arthur Carles and Charles Grafly. In the 1930s, he and his wife spent six years in the Southwest to relieve her asthma, and he completed numerous Arizona desert landscapes, many along the Verde River. Upon discovering this area he wrote: "When finally I rounded a hairpin curve on the no guardrail road over the mountain from Prescott to Jerome, and saw Jerome with Clarkdale and the Verde Valley stretched out below, I drew a deep breath and thought, 'This is it.' " (Ballinger, 77) Settling in Ogunquit Maine, , which he had first visited in 1919, he maintained a studio there for fifty-five years and served as President of the local Art Association. He is credited with founding (in 1952) the Museum of Art of Ogunquit, and he served as Director of that museum. Of Strater at Ogunquit, it was written that he "became known locally more for his many philanthropic works than for his artistic achievements." (Tragard 60) He founded the Maine Tuna Club, which encouraged fishing from Perkins Cove at Ogunquit, and he often took people on big boat expeditions. He became a big financial supporter of the Ogunquit Public Library and the Hospital at nearby York. He amassed a large art collection, which he donated to the Ogunquit Museum Exhibition venues included the Whitney Studio Club, Boston Museum, Society of Independent Artists, Corcoran Gallery and the Pennsylvania Academy. lithograph Dimensions: 16" x 21 1/4", 20" x 25 1/4" (sheet)
• Anglo-American School 18th
  Anglo-American School 18th Century Mr. Turner and His Grandson Peter Estimate:$3,000-$5,000
• H. Willard Ortlip (American b.
  H. Willard Ortlip (American b. 1886) two oil on canvas portraits of Henry Moser Thornton aged 22 b. 1915 and Virgiania Whiteley... ?
• 18th century British School
  18th century British School portrait, gentleman in powdered wig and wearing a green jacket, painted within a feigned spandrel, unsigned, oil on canvas, colourman label verso stretcher "Thomas W. Hampton…Union Street.Aberdeen", 29-3/4 x 24-7/8 in.; 18th century carved and gilt wood frame. Restretched, 19th century lining, three holes with paint loss in original canvas, retouch possible from period of lining affecting only small areas of background, crackle, abrasions, stretcher marks; frame resurfaced, abrasions, flaking, minor pest damage at sight edge.
• HENRY MORTIKAR ROSENBERG (AMERICAN,
  HENRY MORTIKAR ROSENBERG (AMERICAN, 1858-1947)Henry Mortikar Rosenberg (American, 1858-1947) , "Halifax", 1919, oil on board, signed, titled and dated lower right, 13 3/4 in. x 11 1/2 in., unframed Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund. Condition: Overall fair condition
• HENRY MORTIKAR ROSENBERG (AMERICAN,
  HENRY MORTIKAR ROSENBERG (AMERICAN, 1858-1947)Henry Mortikar Rosenberg (American, 1858-1947) , "Mentone (Indiana)", 1945, 13 watercolors on paper, 12 signed, titled and dated lower left one lower right, 3 with partial watercolors en verso, 11 3/4 in. x 15 3/4 in. to 15 3/4 in. x 11 3/4 in., unframed. (13 pcs.) Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund. Condition: Each in overall fair condition
• Henry Bright (British 1814-1873)
  Henry Bright (British 1814-1873) View of Tower on Rhine at Sunset colored chalks over pencil 9 1/2 x 13 3/4 inches.
• Henry de Waroquier (French
  Henry de Waroquier (French 1881-1970) Verone watercolor signed Henry de Waroquier (lower right) 14 x 19 inches.
• Henry le Monnier (French 19th
  Henry le Monnier (French 19th century) Valmya vintage poster 63 x 46 7/8 inches.
• HOYNINGEN-HUENE, GEORGE (1900-1968)
  HOYNINGEN-HUENE, GEORGE (1900-1968) Untitled [Classical Torso of Horst] Estimate:$1,000-$1,500
• HENRY EDWARD SPERNON TOZER (1864
  HENRY EDWARD SPERNON TOZER (1864 - 1940)Henry Edward Spernon Tozer (1864 - 1940), interior scene by the fire, watercolor, signed HS Tozer lower right, 8 3/4" x 13". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• *MANN THOMAS Typed letter signed
  *MANN THOMAS Typed letter signed (''Thomas Mann'') one page on personal letterhead October 16 1944. To Charles Nelson. Mann informs Nelson that he is unable to provide him with the requested quotation by the French philosopher Henri Bergson as his copies of Bergson's works along with the majority of his library were lost upon his flight from Germany in 1933. Two vertical creases; one horizontal crease. 8 x 7 inches.