ATTRIBUTED TO ALEXANDRE CALAMEATTRIBUTED TO ALEXANDRE CALAME (1810-1864,SWITZERLAND AND FRANCE), OIL PAINTING ON CANVAS, TITLED "OAK TREE", SIGHT SIZE 13" X 17 1/2", OVERALL 19" X 23 1/2". IN CARVED AND GILDED FRAME WITH REPAIR TO LEFT CORNER. PAINTING SHOWS REPAIRED TEARS AND HAS BEEN LINED. UNSIGNED.
PAINTING, ROBERT WOOD Robert WoodPAINTING, ROBERT WOOD Robert Wood (American, 1889-1979), "Red Oaks and Birch," oil on canvas, signed lower right, signed, stamped, and titled verso, canvas (unframed): 24"h x 36"w. Provenance: Private Collection (San Francisco Bay Area, CA).
CHAPMAN WILLIAMS: "THE OLD OAKCHAPMAN WILLIAMS: "THE OLD OAK TREE, CARMEL VALLEY"oil on canvas signed lower right 18 x 24 inches Condition:
PAINTING, OAKLAND ESTUARY MarionPAINTING, OAKLAND ESTUARY Marion Martin (American, 20th century), "Oakland Estuary," watercolor, pencil signed on mat lower right, titled lower left, overall (with frame): 26"h x 31.5"w
PAINTING, ROBERT WOOD Robert WoodPAINTING, ROBERT WOOD Robert Wood (American, 1889-1979), "Oak Creek Canyon," oil on canvas, signed lower right, titled verso, canvas (unframed): 20"h x 30"w
J. BOND FRANCISCO (1863 - 1931):J. BOND FRANCISCO (1863 - 1931): "OAK GLEN, CA."oil on canvas; signed lower left; Provenance: De Ru's Fine Arts, Bellflower, CA; Estate of DeWitt McCall III; 11 x 17 inches Condition:
DAVID CHAPPLE (B.1947) : "OAK WOODLAND"oilDAVID CHAPPLE (B.1947) : "OAK WOODLAND"oil on canvasboard; signed lower right; titled verso; 12 x 16 inches; 19 x 23 inches frame Condition:
PAINTING, JOHN WRIGHT OAKES JohnPAINTING, JOHN WRIGHT OAKES John Wright Oakes (British, 1820-1887), Isle of Man, 1872, oil on canvas, signed and dated lower right, canvas: 10"h x 16.25"w, overall (with frame): 15"h x 21"w. Provenance: Private Collection (San Francisco, CA).
CHARLES H. DAVIS, (AMERICAN, 1865-1933),CHARLES H. DAVIS, (AMERICAN, 1865-1933), THE GREAT OAK, OIL ON CANVAS, 36 X 56 IN., FRAME: 44 X 64 IN.CHARLES H. DAVIS, (American, 1865-1933) The Great Oak, oil on canvas signed C.H. Davis, l.l.; housed in a Carrig Rohane frame inscribed 1927 Carrig-Rohane Shop, Inc., R.C. Vose, Boston, #4620 36 x 56 in., frame: 44 x 64 in. Provenance: A New England Institution. Condition: Condition: Canvas lined; stable craquelure throughout; uneven varnish; minor surface dirt and abrasions.
Autumn Landscape with Oak TreeAutumn Landscape with Oak Tree and Deer by Francis Clark Brown Francis Clark Brown (Indiana 1908-1992) ?20th century. Oil on canvas signed l.r. inscribed on verso 1/2 mile south of park A Mighty Oak; 24.5 x 29.5 in. (sight).An Indiana artist Francis Brown frequently chose to paint rural Indiana subjects.
FREMONT ELLIS (AMERICAN 1897-1985)FREMONT ELLIS (AMERICAN 1897-1985) A PAINTING, "OAK CRE...FREMONT ELLIS (American 1897-1985) A PAINTING, "Oak Creek Canyon in Spring," CIRCA 1967, magna and oil on canvas panel, signed L/L, "Fremont Ellis," dated L/L, "'67," verso titled and inscribed, "Do Not Oil or Varnish," with artist's studio stamp, 8" x 10", framed, 16" x 14". Provenance: Collection of Sue Minton Harris, Houston, Texas
Condition:
In good condition. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
Harold Harrington Betts (AmericanHarold Harrington Betts (American 1881-1951) "The Oaks". Oil on canvas signed in the lower right corner titled verso apprx. 30" x 40" framed in a simple wide frame overall apprx. 36" x 45-1/2". A softly painted autumnal landscape.
OLD MASTER STILL LIFE PAINTING:OLD MASTER STILL LIFE PAINTING: OIL/Canvas, 29'' x 42'', no visible signature, carved oak frame, 32''x 45 1/2''.CONDITION: The painting has a strip line on one side for reinforcement, and the obvious patches. There is also a 1'' tear in the lower left quadrant.
19TH CENTURY PORTRAIT Oil on oak19TH CENTURY PORTRAIT Oil on oak panel.
UNFRAMED PAINTINGEnglish 19th CenturyAUNFRAMED PAINTINGEnglish 19th CenturyA family seated at a table. Unsigned. Oil on oak panel 9 x 11''.''
NATURE MORTE PAINTING ON OAK PANEL:NATURE MORTE PAINTING ON OAK PANEL: Oil/Oak Panel, 24'' x 16'', no visible signature.
J. KING (20TH CENTURY), OAKS ANDJ. KING (20TH CENTURY), OAKS AND LUPINE, OIL ON CANVAS, 24" H X 30" WJ. King, (20th century) Oaks and lupine, Oil on canvas Signed lower right: J.King Oil on canvas Dimensions: 24" H x 30" W
JEFF TABOR (B.1951) 'RED OAK FAMILY,'JEFF TABOR (B.1951) 'RED OAK FAMILY,' 40" X 30"Framed acrylic on canvas painting, "Red Oak Family," signed lower right J. Tabor (Jeff Tabor, American, b.1951), dated [19]81, titled verso, sight: approx 40"h, 30"w, overall: 41.25"h, 31.25"w, 8.5lbs
John A. Dominique (American/California,John A. Dominique (American/California, 1893-1994) "Woodland Path Under the Oaks", oil on canvas, 24" x 30", signed and dated lower right "Dominique 1955". Presented in a contemporary giltwood frame.
STILL LIFE PAINTING OF WOODCOCKSSTILL LIFE PAINTING OF WOODCOCKS HANGING: Oil/Oval Oak Panel, 28'' x 13.5'', pencil inscription verso ''Wedding Present to Mr. & Mrs. Fletcher, by James Lays''.
ROBERT HILLS (1769-1844): AN OAKROBERT HILLS (1769-1844): AN OAK TREE Pencil on wove paper inscribed with artist's notes center right; 9 7/8 x 7 1/2 in. Together with Samuel Jackson A Woodland Pool brown wash heightened with scratching out on wove paper; 8 1/2 x 9 1/16 in. PROVENANCE: The first Sir John and Lady Witt; Lowell Libson London; Acquired from the above 2004. EXHIBITED: The first London Lowell Libson Watercolors and Drawings November-December 2004 no. 30; Yale 2010 no. 85.
Attributed to Arnold E. TurtleAttributed to Arnold E. Turtle (British/New Orleans 1892-1954) "Live Oaks City Park" oil on canvas board unsigned 19 3/4 in. x 22 3/4 in. in a period frame.
GEORGE INNESS OIL ON PANEL (AmericanGEORGE INNESS OIL ON PANEL (American 1825-1894) Titled ''The Orchard '' an olive-green meadow with apple trees and russet spots of weeds. In the middle ground is a small pond and in the far distance on the left stands a roof top among trees. The sky is a mixture of clouds with just a touch of highlights from the sun and pale blue sky with tall trees on the right. Image measures 20'' x 30''. Signed ''G. Inness'' lower right and dated 1885. Paper label from the William MacBeth Gallery 237 Fifth Avenue New York attached verso with title inscribed on label. The William MacBeth Gallery was located at this address from 1892-1906. Also a label from the Garfield Safe Deposit Co. New York is attached verso. The mahogany panel has a manufacturer's label attached verso that states ''French's Artist Board Patented June 29th 1880. This Board is `built-up' of three layers of Venners...'' and ''Manufactured only by E. F. French New York.'' George Inness was known to paint on these boards such as his painting titled ''Albano Italy'' located at Princeton University. Set in a gilt wood frame. ''The Orchard'' exhibits a Tonalist style with a Barbizon influence. Inness's signature style is emphasized in his deformation of space where the foreground sinks to the middle ground and the middle ground sinks to the background by varying and sometimes confusing uses of crisp delineation contrasted with mist enshrouded features. For example the objects in the foreground are just hints of grass and rocks while the center apple tree trunk is sharp and the wild flowers are sometimes sharp and sometimes just suggestions. And again in the background the roof line of the building in the distance is sharply delineated while the trees and fields around it are mass of tones and hazy shapes. The mission of his art was to see reality in a new light an attempt to attain the vision and insight of God. Inness believed that his paintings should speak of the harmony and unity between nature man and God. This was a constant struggle for him he felt that he was never able to finish a painting because the medium of oil never fully satisfied his quest for the unity of spiritual and physical sight. Inness claims to have destroyed more paintings than he sold because of this struggle. Provenance: passed down within the family. The painting is believed to have been purchased by the consignor's great grandfather John Henry Burgard. Burgard was a shipping magnate and insurance man who started his career in 1880 in Buffalo NY and moved to Portland Oregon in 1888 where he was an influential business man. Burgard was a member of the Portland City Council an organizer of the Metropolitan Street Railway Company an organizer of the Columbia Pacific Shipping Company Director of the Alaska Pacific Fisheries and on the directorate of various lumber and railway companies. The painting is in good condition.? There is some light inpainting mostly to the lower left and some frame wear as circled in red.? There is some?craquelure?where the paint has been heavily built-up and some inpainting to the craquelure.? The wood panel is in very good condition and shows no cracks or repairs.? The frame is in very good condition and is of recent make.
VIOLET OAKLEY OIL OVER PRINT ILLUSTRATIONVIOLET OAKLEY OIL OVER PRINT ILLUSTRATION STUDYViolet Oakley (American 1874-1961). Oil embellished on printed base on illustration board, William Penn Meets the Quaker Thought in the Field Preaching at Oxford. A study for panel 7 from the mural series The Founding of the State of Liberty Spiritual, 1902-1906, for the Governor's Grand Executive Reception Room at the Pennsylvania State Capitol. 18 3/4" x 38 3/4"
PAINTING OF TREES Forest Scene,PAINTING OF TREES Forest Scene, oil on canvasboard, unsigned, in a green painted and gilded wooden frame, OS: 28 3/4" x 22 1/2", SS: 21 3/4" x 15 1/2". Minor paint loss area upper left corner and center right, frame paint losses.
William Keith California (1838-1911)William Keith California (1838-1911) OAKS AT DUSK oil on canvas framed signed & dated W. Keith 55(?) H20 1/2'' W30 1/4'' Provenance: John Moran Auctioneers 20 February 2007 Lot 86. Upstate South Carolina private collection. Back   Inquiry    Previous Item  Next Item © Charlton Hall Auctions. Images descriptions and condition reports used on this site are original copyright material and are not to be reproduced without permission. For further information telephone 803.779.5678   © 2012 CHARLTON HALL GALLERIES INC.
PAINTED BARREL. American 19thPAINTED BARREL. American 19th century oak and pine. Stave constructed with bentwood bands and retaining an old green paint. 29 3/4''h.
PERCY GRAY, "MONTEREY OAKS", WATERCOLORPercyPERCY GRAY, "MONTEREY OAKS", WATERCOLORPercy Gray, "Monterey Oaks", watercolor, oak trees with poppies and lupine, signed lower right, titled and signed in pencil "Monterey Oaks Percy Gray" verso and with label stating: "Monterey Oaks by Percy Gray, Watercolor, 20" x 24", This painting was exhibited at the Treasure Island Exposition in 1941. See Biographies. Purchased from artist through arrangement made Mrs. Graves.", appx 20" x 24", frame 26 1/4" x 30 1/2". Very good condition.
Alexander John Drysdale (American/NewAlexander John Drysdale (American/New Orleans, 1870-1934) "Oak Trees Along the Bayou", oil wash on board, signed in pencil lower right "A. J. Drysdale", 6-1/4" x 19-1/4". Glazed and presented in a giltwood frame. Provenance: Private collection, Chicago, Illinois.
T Fullock/Avenue of Oak Trees/watercolour,T Fullock/Avenue of Oak Trees/watercolour, 30cm x 20.5cm (unframed)
William Woodward (American/NewWilliam Woodward (American/New Orleans 1859-1939) "Oak Park on Back Bay Biloxi" oil on canvas board signed and dated "'31" lower left pencil titled and inscribed en verso 9 7/8 in. x 13 5/8 in. in a period Arts and Crafts frame. Provenance: Biloxi Mississippi Estate descended in the family. Note: In 1927 William Woodward purchased a piece of land in the Oak Park Subdivision of Biloxi where he built an English-style cottage a studio and a gallery that was known locally as "The Studio." In 1931 Woodward purchased the lot adjacent to his studio home. This land was the inspiration for the lush painterly landscape of "Oak Park." Reference: Hinckley Robert ed. William Woodward: American American Impressionist MPress New Orleans 2009 p. 154.
JACK WISBY (1869-1940), "REDWOODS,JACK WISBY (1869-1940), "REDWOODS, CAL. OAK," 1919, OIL ON CANVASBOARD, 11" H X 19.75" WJack Wisby, (1869-1940) "Redwoods, Cal. Oak," 1919, Oil on canvasboard Signed lower left: J. Wisby; titled and dated in another hand on an information sheet affixed to the frame's backboard Oil on canvasboard Dimensions: 11" H x 19.75" W
Alexander John Drysdale (American/NewAlexander John Drysdale (American/New Orleans, 1870-1934) "Oak Trees Along the Bayou", oil wash on board, sight 19-1/2" x 29-1/2", signed lower left in pencil "A. J. Drysdale". Glazed and framed.
CAROLUS VERHAEREN (CA/NETHERLANDS/BELGIUM,CAROLUS VERHAEREN (CA/NETHERLANDS/BELGIUM, 1908-1956) "Spring in Oak Creek", oil on masonite, signed lower right, titled on label verso from Desert Gallery of Kathal Wales, Tucson, Arizona. Housed in an antique finish wooden frame, OS: 17 1/2" x 20 1/2", SS: 12 1/2" x 15 1/2". Good condition.
TOM MURRAY O/C PHOTO-REALISTICTOM MURRAY O/C PHOTO-REALISTIC PAINTING, OAK CREEK LIGH...Tom Murray (American/Arizona, b. 1953) oil on canvas photo-realistic style landcape painting titled "Oak Creek Light" depicting a view of the Oak Creek Canyon river gorge between Flagstaff and Sedona, Arizona with water running through rocky terrain under verdant and early autumn foliage cast in bright sunlight. Signed "Tom Murray" lower right. Additionally signed and dated "9/7/97" en verso of stretcher. Housed in a contemporary giltwood frame with molded corners and a linen liner. Sight: 29 1/2" H x 23 1/2" W. Framed: 38" H x 32 " W. Note: A copy of the original purchase receipt from Vanier Fine Art, Scottsdale, AZ is available with the purchase of this work.
Condition:
Overall excellent condition.
Folk art carved wood frame, carvedFolk art carved wood frame, carved branch with oak leaves and acorns, possibly cherry, pine, 17-1/2 x 16-3/4 in. One leaf with reglued tip, some tips of leaves and branches broken, separations, grime, worn areas, missing one rabbet molding.