FREDERICK WATERS WATTS (ENGLISH,FREDERICK WATERS WATTS (ENGLISH, 1800-1862), TRAVELER AT REST Oil on canvas, monogrammed at lower left, presented in an antique gilt composition frame with gallery plaque.
POSSIBLY GEORGE FREDERICK WATTSPOSSIBLY GEORGE FREDERICK WATTS (BRITISH, 1817-1904) RIVER LANDSCAPE OIL ON ARTIST BOARD: 12 3/4 X 11 3/4 IN.POSSIBLY GEORGE FREDERICK WATTS, (BRITISH, 1817-1904) RIVER LANDSCAPE, Oil on artist board: 12 3/4 x 11 3/4 in. Framed
ATTRIBUTED FREDERICK WATERS WATTSATTRIBUTED FREDERICK WATERS WATTS (BRITISH, 1800-1862), HENLEY-ON-THAMES Oil on canvas (lined), unsigned, presented in a gilt composition frame with gallery plaque.
GEORGE FREDERIC WATTS RA (BRITISH,GEORGE FREDERIC WATTS RA (BRITISH, 1817-1904) POSSIBLY THOMAS CARLYLE (1795-1881) OIL ON CANVAS: 26 1/2 X 21 IN.Framed; Oil on canvas: 26 1/2 x 21 in.
JAMES A.M. WHISTLER, THAMES SETJAMES A.M. WHISTLER, THAMES SET ETCHING #2, 1859 James Abbott McNeill Whistler (American, 1834-1903), "Wapping Wharf" (alternately "Thames Police") (Kennedy 44), second of sixteen etchings from the Thames Set, on cream laid paper, plate signed and dated lower right, likely third state of three, De Erven D. Blauw (DEDB) watermark, published by Ellis and Green, London, 1871, matted and unframed, 6"h x 9"w (plate), 7"h x 10"w (sheet)
JAMES A.M. WHISTLER, THAMES SETJAMES A.M. WHISTLER, THAMES SET ETCHING #5, 1860 James Abbott McNeill Whistler (American, 1834-1903), "Wapping" (alternately "Rotherhithe") (Kennedy 66), one of sixteen etchings from the Thames Set, on cream laid paper, plate signed and dated lower left, likely third state of nine, De Erven D. Blauw (DEDB) watermark, published by Ellis and Green, London, 1871, matted and unframed, 11"h x 7.75"w (plate), 11.75"h x 8.75"w (sheet)
PRINT, AFTER GEORGE FREDERIC WATTSPRINT, AFTER GEORGE FREDERIC WATTS After George Frederic Watts (English, 1817-1904), "Hope," photo-offset lithograph, unsigned, overall (with frame): 26"h x 22"w
JAMES A.M. WHISTLER, THAMES SETJAMES A.M. WHISTLER, THAMES SET ETCHING #14, 1859 James Abbott McNeill Whistler (American, 1834-1903),"Millbank" (Kennedy 71), 15th of sixteen etchings from the Thames Set, on cream laid paper, likely second of two states, De Erven D. Blauw (DEDB) watermark, published by Ellis and Green, London, 1871, matted and unframed, 4"h x 5.5"w (plate), 5"h x 6"w (sheet)
(English, 1858-1943)
James Clark(English, 1858-1943)
James Clark (English, 1858-1943)
PAINTING, ATTRIBUTED TO WILLIAMPAINTING, ATTRIBUTED TO WILLIAM WATTS Attributed to William Watts (American, 1869-1961), Crossing the Bridge, oil on panel, unsigned, overall (with frame): 17"h x 13.5"w
JAMES WATSON TWITTY, AMERICAN (1911-1994),JAMES WATSON TWITTY, AMERICAN (1911-1994), "AMSTERDAM", 1963, OIL / MIXED MEDIA COLLAGE ON CANVAS, 9 1/4"H X 17"W (SIGHT), 9 3/4"H X 17 3/4"W (FRAME)James Watson Twitty, American, (1911-1994) "Amsterdam", 1963, oil / mixed media collage on canvas signed left edge. Exhibited: The Washington Gallery of Modern Art, Jacques Seligmann Galleries. James W. Twitty, 83, a retired Air Force colonel who later became an artist known for geometric abstract landscapes, died Oct. 12 at Moore Regional Hospital in Pinehurst, N.C., of complications related to kidney failure. Col. Twitty taught art at the Corcoran Gallery and at George Washington University, and his paintings were displayed at the Corcoran, the Franz Bader Gallery and the Pyramid Galleries in Washington. His work was known in the artistic community for its highly personalized form of scenic abstraction and for innovative techniques with colors and paints. He lived and painted in Washington from 1962 until moving to Pinehurst in 1985. During that period, he was an exchange professor at Leeds College of Art in England, and his work was exhibited at one-man shows in Dallas, Houston, Miami, Switzerland and England. Col. Twitty was born in Mount Vernon, N.Y. He began his military career in 1936 and served as a training and personnel officer during World War II. After the war, he served in Germany, Okinawa, California and Florida, where he retired as commander of Homestead Air Force Base in 1958. On retiring from the Air Force, Col. Twitty traveled in Europe for a year, then studied at the Art Students League in New York for two years before moving to Washington. His marriage to the former Florence Adele King ended in divorce. Survivors include his wife of 42 years, Anne Marsh Butler Twitty of Pinehurst; two sons from his first marriage, James W. Twitty Jr. of Inverness, Fla., and Gary Lee Twitty of Foster City, Calif.; two sisters, Adele T. Floyd of Greensboro, N.C., and Elizabeth T. Underill of Melbourne, Fla.; six grandchildren; and six great-grandchildren. Source: "Col. James W. Twitty Dies," Obituary, The Washington Post, October 14, 1994, Web, Jun. 2017 oil / mixed media collage on canvas Dimensions: 9 1/4"H x 17"W (sight), 9 3/4"H x 17 3/4"W (frame)
JAMES WATTERSON HERALD (SCOTTISHJAMES WATTERSON HERALD (SCOTTISH 1859-1914), PORTRAIT OF YOUNG GIRL, PASTEL ON PAPER, FRAME: 25 X 22 IN. (63.50 X 55.88 CM.)James Watterson Herald (Scottish 1859-1914), Portrait of Young Girl, Pastel on Paper,, Dimensions: Frame: 25 x 22 in. (63.50 x 55.88 cm.)
ATTRIBUTED TO FREDERICK WATERSATTRIBUTED TO FREDERICK WATERS WATTS (UNITED KINGDATTRIBUTED TO FREDERICK WATERS WATTS (United Kingdom, 1800-1862) oil on canvas, English landscape with cottage and cart in the manner of William Constable (1783-1861). Unsigned. Image measures 20" x 29". In a gilt wood and gesso frame; 28.5" x 37" overall.
JAMES A.M. WHISTLER, THAMES SETJAMES A.M. WHISTLER, THAMES SET ETCHING #3, 1861 James Abbott McNeill Whistler (American, 1834-1903), "The Forge" (Kennedy 68), third of sixteen etchings from the Thames Set, on cream laid paper, plate signed and dated lower right, likely fourth of four states, De Erven D. Blauw (DEDB) watermark, published by Ellis and Green, London, 1871, matted and unframed, 7.5"h x 12.5"w (plate), 8.55"h x 13.25"w (sheet)
JAMES A.M. WHISTLER, THAMES SETJAMES A.M. WHISTLER, THAMES SET ETCHING #13, 1859 James Abbott McNeill Whistler (American, 1834-1903), "Thames Warehouse" (Kennedy 38), thirteenth of sixteen etchings from the Thames Set, on cream laid paper, signed and dated lower right, likely second state of two, De Erven D. Blauw (DEDB) watermark, published by Ellis and Green, London, 1871, matted and unframed, 3"h x 8"w (plate), 4"h x 9"w (sheet)
WILLIAM CLOTHIER WATTS (americanWILLIAM CLOTHIER WATTS (american 1869-1961) ON THE CALIFORNIA COAST Signed 'WC WATTS' bottom right, watercolor with traces of pencil 11 1/2 x 15 1/2 in. (29.2 x 39.4cm) ,500-
JAMES WEBB (British 1825-1895).JAMES WEBB (British 1825-1895). FISHING BOATS OFF COAST signed lower left. Oil on canvas - Framed 16 in. x 20 in.
PETER WATTS, (1934-2020), FERRYPETER WATTS, (1934-2020), FERRY BOAT, 1974, PASTEL ON PAPER, SIGHT: 11" H X 14" WPeter Watts, (1934-2020) Ferry Boat, 1974, Pastel on paper Signed and dated lower right: Peter Watts Pastel on paper Dimensions: Sight: 11" H x 14" W Provenance: Collection of Howard and Barbara Wise, New York, NY David Wise and Audry Taylor, Los Angeles, CA, by descent from the above
JAMES A.M. WHISTLER, THAMES SETJAMES A.M. WHISTLER, THAMES SET ETCHING #16, 1871 James Abbott McNeill Whistler (American, 1834-1903), "Chelsea Bridge and Church" (Kennedy 95), sixteenth of sixteen etchings from the Thames Set, on cream laid paper, likely seventh of seven states, De Erven D. Blauw (DEDB) watermark, published by Ellis and Green, London, 1871, matted and unframed, 4"h x 6.75"w (plate), 5"h x7.25"w (sheet)
JAMES A.M. WHISTLER, THAMES SETJAMES A.M. WHISTLER, THAMES SET ETCHING #4, 1859 James Abbott McNeill Whistler (American, 1834-1903), "Old Westminster Bridge" (Kennedy 39), fourth of sixteen etchings from the Thames Set, on cream laid paper, plate signed and dated lower left, likely fourth of four states, De Erven D. Blauw (DEDB) watermark, published by Ellis and Green, London, 1871, matted and unframed, 3"h x 8"w (plate), 4"h x 9"w (sheet)
HARRY POWELL (1853-1922) (ATTRIBUTED)HARRY POWELL (1853-1922) (ATTRIBUTED) FOR JAMES POWELL & SONS, WHITEFRIARS
SIX-BRANCH ELECTRIC CEILING LIGHT, CIRCA 1900 wrought iron, opalescent glass53.5cm (23in) wide, 112cm (44in) high (approx.)Literature:The Fine Art Society, London The John Scott Collection Volume 4 James Powell & Sons. Whitefriars Glass 1860-1960, pp. 62-63, no. 84 (illustrated).Note: From around1875 a Mr Edminstone, along with an assistant called Edmund Francis, were employed to make wrought iron lighting fixtures, stands for vases etc., as well as to maintain the equipment in the factory. It is likely that they made the metal elements of the current lot.
A COLLECTION OF NINE JAMES POWELL,A COLLECTION OF NINE JAMES POWELL, WHITEFRIARS DRINKING GLASSES & VASE.
James Watterson Herald (1859-1914)/ArbroathJames Watterson Herald (1859-1914)/Arbroath Fishwife - Waiting for the Fleet/watercolour, 11.5cm x 10cm/Exhibited: label verso for Fine Art Society exhibition, May 1980, No. 13924
JAMES A.M. WHISTLER, THAMES SETJAMES A.M. WHISTLER, THAMES SET ETCHING #11, 1859 James Abbott McNeill Whistler (American, 1834-1903), "Eagle Wharf" (Kennedy 41), eleventh of sixteen etchings from the Thames Set, on cream laid paper, signed and dated in the print, De Erven D. Blauw (DEDB) watermark, published by Ellis and Green, London, 1871, matted and unframed, 5.5"h x 8.5"w (plate), 6.5"h x 9.5"w (sheet)
JAMES A.M. WHISTLER, THAMES SETJAMES A.M. WHISTLER, THAMES SET ETCHING #8, 1861 James Abbott McNeill Whistler (American, 1834-1903), "The Fiddler" (alternately "J. Becquet, Sculptor") (Kennedy 52), eighth of sixteen etchings from the Thames Set, on cream laid paper, likely fourth of four states, De Erven D. Blauw (DEDB) watermark, published by Ellis and Green, London, 1871, matted and unframed, 10"h x 7.5"w (plate), 11"h x 8.5"w (sheet)
JAMES A.M. WHISTLER, THAMES SETJAMES A.M. WHISTLER, THAMES SET ETCHING #12, 1859 James Abbott McNeill Whistler (American, 1834-1903), "Limehouse" (Kennedy 40), 12th of sixteen etchings from the Thames Set, on cream laid paper, plate signed and dated lower left, likely third state of three, De Erven D. Blauw (DEDB) watermark, published by Ellis and Green, London, 1871, matted and unframed, 4.125"h x 7.875"w (plate), 6.75"h x 8.75"w (sheet)
GEORGE WATSON (BRITISH, 1767-1837)GEORGE WATSON (BRITISH, 1767-1837) PORTRAIT OF A GENTLEMAN OIL ON CANVAS: 30 X 24 1/2 IN.Framed Oil on canvas: 30 x 24 1/2 in. Provenance: Neal Auction Company, December 9th 1994, lot no. 161 "George Watson (1776-1837), Portrait of a Gentleman; Historic Chelsea Estate, 1709, King William County, Virginia
JAMES A.M. WHISTLER, THAMES SETJAMES A.M. WHISTLER, THAMES SET ETCHING #9, 1859 James Abbott McNeill Whistler (American, 1834-1903), "The Lime Burner" (Kennedy 46), one of sixteen drypoint etchings from the Thames Set, on cream laid paper, signed and dated in the plate, likely second state of two, De Erven D. Blauw (DEDB) watermark, published by Ellis and Green, London, 1871, matted and unframed, 10"h x 57"w (plate), 1"h x 7.75"w (sheet)
JAMES P. KERR (AMERICAN, B. 1953),JAMES P. KERR (AMERICAN, B. 1953), ALONG THE WATAUGA RIVER Oil on linen canvas, signed at lower right, inscribed to the verso, presented in a painted American basswood frame.
JAMES A.M. WHISTLER, THAMES SETJAMES A.M. WHISTLER, THAMES SET ETCHING #1, 1859 James Abbott McNeill Whistler (American, 1834-1903), "Black Lion Wharf" (Kennedy 42), first of sixteen etchings from the Thames Set, on cream laid paper, plate signed and dated lower right, likely third state of three, De Erven D. Blauw (DEDB) watermark, published by Ellis and Green, London, 1871, matted and unframed, 6"h x 9"w (plate), 7"h x 10"w (sheet)
GEORGE FREDERICK WATTS (1817-1904)
STUDIESGEORGE FREDERICK WATTS (1817-1904)
STUDIES OF THE MALE NUDE red chalk on paper, unsigned, bears inscription under the mount WATERMARK 1853-4, GIVEN TO ME IN 1938 AS ONE OF THE TRUSTEES OF THE WATTS GALLERY, COMPTON ON THE DEATH OF LADY G F WATTS, L.G.D.27cm x 37.5cmNote: L.G. Duke became a trustee of the Watts Gallery in 1933, replacing the late Lord Northbourne. The drawing appears to be a study for the figure of Adam in The Denunciation of Adam and Eve by G.F. Watts of which there are two painted versions, both in the collection of Watts Gallery. Both are illustrated in colour with a detailed entry in 'G F Watts; Victorian Visionary', Bills & Bryant, Yale University Press 2008.
ATTRIBUTED TO JAMES WEBB (1825-1895)ATTRIBUTED TO JAMES WEBB (1825-1895) BRITISHAttributed to James Webb, shipping on the Thames, by the Tower of London, oil on canvas, signed 'Webb' bottom left, verso: titled and attributed to James Webb on a paper label. Giltwood frame. 24 x 36 inches.
JAMES A.M. WHISTLER, THAMES SETJAMES A.M. WHISTLER, THAMES SET ETCHING #15, 1859 James Abbott McNeill Whistler (American, 1834-1903),"Early Morning, Battersea." (alternately titled "Battersea Dawn (Cadogan Pier)" (Kennedy 75), 15th of sixteen etchings from the Thames Set, on cream laid paper, faintly plate signed "Whistler" lower left, likely second of two states, De Erven D. Blauw (DEDB) watermark, published by Ellis and Green, London, 1871, matted and unframed, 4.5"h x 6"w (plate), 5.5"h x 7"w (sheet)
JAMES A. MCNEILL WHISTLER, THAMESJAMES A. MCNEILL WHISTLER, THAMES WAREHOUSESJames A. McNeill Whistler(American, 1834-1903)Thames Warehouses and The Pool, 1859 (2)etching with drypoint on japan laid paperlot includes two etchings from the seriesSixteen Etchings of Scenes on th
JAMES EDWARD BUTTERSWORTH (AMERICAN,JAMES EDWARD BUTTERSWORTH (AMERICAN, 1817-1894) SCHOONER OFF COASTLINE WITH LIGHTHOUSE, POSSIBLY SANDY HOOK OIL ON BOARD: 10 X 8 IN.JAMES EDWARD BUTTERSWORTH, (AMERICAN, 1817-1894) SCHOONER OFF COASTLINE WITH LIGHTHOUSE, POSSIBLY SANDY HOOK, Oil on board: 10 x 8 in. Framed; lower right signed: J.E. Buttersworth; verso inscription in graphite; verso with Winsor Newton label Provenance: Private Collection
JAMES A.M. WHISTLER, B/W LITHOGRAPH,JAMES A.M. WHISTLER, B/W LITHOGRAPH, 1893 James Abbott McNeill Whistler (American, 1834-1903), "Maunder's Fish Shop, Chelsea" (Levy 42, Way 28), on cream laid paper, likely second state from an edition of approx. 28, cipher signed in plate, matted and framed under plexiglass, 8.75"h x 6.75"w (sight), 15.5"h x 13.25"w (frame)