- Robert Windsor Wilson (South Carolina,
Robert Windsor Wilson (South Carolina, born 1921) Three World War I Pilots in Flight, signed lower right "R. Wilson", oil on canvas, 36 x 48 in.; black-painted frame,
- R W Wilson, American, 19th c, o/c,
R W Wilson, American, 19th c, o/c, Hunters & dogs pursuing a buck,8" x 13" Estimate $200-300
- Wilson (R) Voyages of Discoveries
Wilson (R) Voyages of Discoveries Round the World, 3 vols., 12mo., cont. half red morocco, James Cundee 1806; Chandler (R) Travels in Asia Minor, 8vo., cont. calf. Dublin 1775 and 2 others
- ROBERT WILSON (AMERICAN b. 1941):
ROBERT WILSON (AMERICAN b. 1941): ''PARZIVAL'' Graphite and colored pencil on paper signed titled and dated '87 lower right. 23 x 28 3/4 in. (sight sheet) 25 1/4 x 32 1/2 x 1 1/2 in. (frame).
- Wilson's Ornithology , 1808-1814:
Wilson's Ornithology , 1808-1814: Alexander Wilson, American Ornithology; or, The Natural History of the Birds of the United States, Bradford and Inskeep, Philadelphia, nine volumes, Vols. I-VII, 1808-1813; Vol. VIII, 1824; Vol. IX, 1814; Vols. I and II printed by Robert Carr; Vols. III and IV printed by R&W Carr; Vols. V-VII, IX printed by Robert & William Carr; Vol. VIII printed by Thomas Palmer, complete with 76 hand-colored plates including Ivory Billed Woodpecker and Carolina Parott, original quarter calf over marbled boards, 14 x 11 in. Plates vary from overall light browning to severe foxing, some with chipped corners, text varies from bright to severe offsetting and browning, bindings poor, some boards detached, spines, corners and all surfaces rubbed, corners bumped, Volumes 6 and 7 with signatures cut from title pages.
- After A. Wilson [BIRD STUDIES]
After A. Wilson [BIRD STUDIES] Three hand-colored engravings
Estimate:$50-$75
- C.J.A. WILSON (BRITISH 1880-1965),
C.J.A. WILSON (BRITISH 1880-1965), ANGLO-AMERICAN, GREAT REPUBLIC, LIGHTENING AND HOTSPUR, FOUR ETCHINGS, FRAME: 18 X 16 IN. (45.72 X 40.64 CM.)C.J.A. Wilson (British 1880-1965), Anglo-American, Great Republic, Lightening and Hotspur, Four Etchings,, Dimensions: Frame: 18 x 16 in. (45.72 x 40.64 cm.)
- Everett Raymond Kinstler (American
Everett Raymond Kinstler (American b.1926) lithograph of playwright Tennessee Williams (1911-1983) when honored by the National Arts Club NYC signed in pencil by Kinstler numbered edition XXXIII/L(33/50) signed at bottom by Williams unframed tear to top center of paper paper 29 3/4'' h. x 22 1/4'' w.
- ROBERT WILSON (AMERICAN b. 1941):
ROBERT WILSON (AMERICAN b. 1941): ''THE CIVIL WARS '' ACT 1 SCENE B Graphite charcoal and blue crayon on paper signed titled and dated '83 lower right. 17 3/4 x 38 1/4 in. 31 x 49 x 5/8 in. (frame).
- Wilson's Ornithology , 1808-1824:
Wilson's Ornithology , 1808-1824: Alexander Wilson, American Ornithology; or, The Natural History of the Birds of the United States , Bradford and Inskeep, Philadelphia, printed by Robert Carr, five volumes, original quarter calf over marbled boards, Volume I (1808), Volume II (1810), Volume IV printed by R&W Carr (1811), Volume VII printed by Thomas Palmer (1824), Volume VIII (1814), each with nine hand-colored plates (complete), 14 x 11 in. Plates vary from slightly to heavily foxed, most pages with toned edges, bindings poor, some boards detached, spines and corners with extensive chips and losses, marbled boards with extensive wear and abrasions.
- Wilson, English School, 18th c,
Wilson, English School, 18th c, 18 1/2" x 12 1/2" o/c, portrait of Sir Bruce Cunningham Estimate $300-500
- MARK WILSON (AMERICAN, B. 1943)
MARK WILSON (AMERICAN, B. 1943) 19" x 57 ¾" image Skew K30 (c) 1984 Mark Wilson. Unique digital artwork on paper, titled, signed and dated in image and additionally signed by the artist; matted and framed under glazing, overall 26 ½" x 65 ½". Provenance: private collection, Pittsburgh, PA; acquired directly from the artist's studio in Pittsburgh in 1980's (at that time Mark Wilson was a lecturer at Carnegie Mellon University in the 1980’s.). The art is a 1984 Plotter Drawing never seen before in public.
- British School Late 18th Century
British School Late 18th Century Portrait of a Young Man, said to be Wilson Aylesburg of Packwood
Estimate:$1,500-$2,000
- Wilson's American Ornithology
Wilson's American Ornithology , Alexander Wilson, American Ornithology; or, The Natural History of Birds of the United States , three volumes, Whitaker, Treacher & Arnot, London, 1832, green half leather over marbled boards, 97 hand-colored plates, 9 x 5-7/8 in. Plates mostly clean and bright, some offsetting, all bindings worn and loose, corners and edges worn, Volume III with 2 in. tear at base of spine, bumped corners.
- Wright (G N) and Watkins (J) The
Wright (G N) and Watkins (J) The Life and Reign of William IV, Fisher Son & Company 1837, Huish (R) Memoires of George IV, 2 vols., T Kelly 1830 and 2 others on the same, 8vo., cont. half calf
- PRINT, S. CLAY WILSON S. Clay Wilson
PRINT, S. CLAY WILSON S. Clay Wilson (American, b. 1941), "Vampires with Their Dates," 1990, screenprint in colors, signed and dated lower right, edition 20/100, overall (with frame): 27.25"h x 33.25"w
- K. C. WILSON, FALL LANDSCAPE WITH
K. C. WILSON, FALL LANDSCAPE WITH TREES, WATERCOLOR, FRAME: 24 X 22 IN. (61 X 55.9 CM.)K. C. Wilson, Fall Landscape with Trees, Watercolor,, Dimensions: Frame: 24 x 22 in. (61 x 55.9 cm.)
- William Russell Whitmore American,
William Russell Whitmore American, 1861-1917 Flying a Kite and Picking Flowers: Two
Estimate:$800-$1,200
- Bronze head of David Wilson, (1879-
Bronze head of David Wilson, (1879- 1965 Australian) on stepped marble base - David Wilson owned the Property Tocal Homestead (Tocal Hunter Valley) furniture maker, Kings Council and Barrister - Also brother of Hardy (William Hardy) Wilson (1881-1955) Australia. His furniture is held in private family collections and the National Trust of Australia NSW, approx 50cm H
- David P. Wilson (American, b. 1902).
David P. Wilson (American, b. 1902). "David P. Wilson, Self Portrait". Oil on masonite, with the artist's name and the title verso, approx. 35-1/2" x 21-1/4", framed overall approx. 42-3/4" x 36-1/2".
- Charles Banks Wilson (American
Charles Banks Wilson (American b. 1918) Comanche Portrait lithograph AAA edition 10 1/4 x 14 1/4 inches.
- ROBERT WILSON, LARGE GRAPHITE DRAWING,
ROBERT WILSON, LARGE GRAPHITE DRAWING, C. 1976 Robert Wilson (American, b. 1941), Untitled (Two Dancers from Einstein on the Beach), signed and later dated '96 lower right, aluminum slat framed under plexiglass, 27"h x 41"w (frame)
- WILSON KAYE + RICHARD KAYQUOPTEWA
WILSON KAYE + RICHARD KAYQUOPTEWA + AUSTIN LOMATEWAMA + JOHN FREDERICKS + GIBSON TALAHYTEWA: GROUP OF SIX KATSINAMWilson Kaye + Richard Kayquoptewa + Austin Lomatewama + John Fredericks + Gibson Talahytewa, Group of Six Katsinam, Wilson Kaye (Hopi, b. 1952) Mudhead Katsina carved cottonwood, pigments, fibers, feathers inscribed underside base: WILSON / KAYE / MUDHEAD Richard Kayquoptewa (20th Century) Runner and Clown Katsinam carved cottonwood, pigments, feathers, horse hair, leather inscribed underside base: RichArd KAYQuoptewA / 6 ReAsy RUNNer / + / Clown / KP / HAN Austin Lomatewama (Hopi, 20th Century) Owl Katsina carved cottonwood, fabric, string, pigments inscribed underside base: Austin Lomatewama / P.O. Box 96 / Hotevilla, Arizona John Fredericks (Hopi, b. 1949) Owl Katsina carved cottonwood, pigments, feathers, hide inscribed: John F / owl Gibson Talahytewa (Hopi, b. 1934) Yellow Clown Katsina carved wood, pigment, felt, yarn, feathers inscribed underside base: GIBSON TALAHYTEWA / TUBA CITY, AZ. / YELLOW / CLOWN Austin Lomatewama (Hopi, 20th Century) Blue Mana Katsina carved cottonwood, pigments inscribed underside base: Austin Lomatewama / P.O. Box 96 / Hotevilla, Ariz. / 86030 / PuRCHASED BY GEORGIA / FROM AUSTIN HOVA / 1985 Provenance: The Artist, 1985 Dimensions: Mudhead Katsina: 6 3/4 x 2 1/2 x 2 1/8 in. (17.1 x 6.4 x 5.4 cm.); Runner and Clown Katsinam: 8 x 3 1/2 x 6 in. (20.3 x 8.9 x 15.2 cm.) ; Owl Katsina: 8 1/2 x 3 1/4 x 2 3/4 in. (21.6 x 8.3 x 7 cm.); Owl Katsina: 5 1/2 x 3 1/2 x 2 1/2 in. (14 x 8.9 x 6.4 cm.); Yellow Clown Katsina: 8 1/2 x 4 x 4 1/2 in. (21.59 x 10.16 x 11.43 cm.); Blue Mana Katsina: 7 3/4 x 3 1/4 x 3 in. (19.7 x 8.3 x 7.6 cm.) Provenance: The Georgia and Charles Loloma Collection
- Wolf Kahn (New York/Vermont, born
Wolf Kahn (New York/Vermont, born 1927) Behind a Privet Hedge, 2003, signed lower right "W Kahn" and titled and dated on label verso, pastel on paper, 11 x 14 in.; modern silver gilt frame,
- Charles Wilson Knapp (American,
Charles Wilson Knapp (American, 1823-1900)
View in W. Park
oil on board
initialed CWK (lower right); titled (verso)
9 1/4 x 12 1/4 inches.
- WORK ON PAPER, WILSON SILSBY Wilson
WORK ON PAPER, WILSON SILSBY Wilson Silsby (American, 1883-1952), "Chaville, France," charcoal and watercolor on paper, signed and titled lower right, sight: 13"h x 17.5"w, overall (with frame): 21.25"h x 26"w. Provenance: The Estate of Robert Friedman (San Francisco, CA).
- John James Wilson (British 1818-1875)
John James Wilson (British 1818-1875) A pair of delicately rendered marine paintings. Oil on canvas one signed lower right one lower left both framed alike in a decorative pierced gilt frame overall 12-12" x 21-3/8".
- CLIFFORD PONGYESVIA + WILSON KAYE,
CLIFFORD PONGYESVIA + WILSON KAYE, PAIR OF KATSINAMClifford Pongyesvia +Wilson Kaye, Pair of Katsinam, ,Clifford Pongyesvia,(20th Century) Katsina, carved cottonwood, pigments, fiber, leather Wilson Kaye, (Hopi, b. 1952) Katsina, carved cottonwood, pigments, leather, feathers, string, beads, turquoise Dimensions: Larger: 18 1/2 x 6 1/2 x 9 1/2 in. (46.99 x 16.51 x 24.13 cm.); Smaller: 17 x 6 x 12 in. (43.18 x 15.24 x 30.48 cm.) Provenance:The Georgia and Charles Loloma Collection
- Ellis Wilson (American/Kentucky
Ellis Wilson (American/Kentucky 1899-1977) "Grinding Workers: New Jersey Defense Plant" oil on plywood signed lower left 16 in. x 20 in. Provenance: Gift of the artist to a close friend New York City and then as a gift to the current owner. A portion of the proceeds from the sale of this painting will benefit the Red Cross Haitian Relief Fund. Note: Born to a working class family Ellis Wilson grew up in the close-knit African-American community of Mayfield Kentucky. After studying at the Art Institute of Chicago he moved to Harlem then a thriving cultural enclave for African Americans. As an artist Wilson earned critical acclaim exhibiting with the prestigious Harmon Foundation and from his work for the Federal Arts Project of the Works Progress Administration (WPA). He earned the Guggenheim Fellowship in 1944 on the strength of his New Jersey Defense Plant series of paintings. In 1952 Ellis Wilson won the Terry Art Institute Award which afforded him travel to Haiti. This experience profoundly affected the artist's work in terms of style and reveals a heightened use of vibrant color.
- After Sydney E. Wilson, (British,
After Sydney E. Wilson, (British, b. 1869) \"Young Girl Praying\", hand-colored lithograph, image 15\" x 12\", Print Seller\'s Association stamp lower left, signed lower right: \"Sydney E. Wilson\". Glazed, quadruple-matted and presented in a carved giltwood frame.
- KIM DONALDSON (ZIMBABWEAN, B. 1952)Kim
KIM DONALDSON (ZIMBABWEAN, B. 1952)Kim Donaldson
Zimbabwean, b. 1952
Kalahari Lions
Pastel, signed lower right
Two female lions resting in the shade, framed.
Purchased in 1996 from Native Visions Gallery, Key West, FL. Bill of sale accompanies this lot
Sight: 21 x 26 1/2 in. (53.34 x 67.31 cm.), frame: 30 1/2 x 36 in. (77.47 x 91.44 cm.)
The Wallace Estate: Lee Renfrew Wallace and her husband Mahlon Brookings Wallace III lived an extremely happy and luxurious life filled with world travels, safaris, collecting, and philanthropy. From backgrounds in race-horse breeding and championship cattle ranching, the socialite couple paid homage to the St. Louis area community in a variety of ways.
Mr. Wallace served as Director of Commerce Bank, President of the St. Louis Zoo Friends Board, and was charitable to numerous organizations he believed in. Behind every great man is a better woman, and his wife Lee was renowned for being the glue of the family while she warmly served as Director of Development for local educational institutions and made an impact with her lasting spirit. The couple’s art collection ranges in style and period and spans a broad price-point.
- WILFRED KAYE + WILSON KAYE: GROUP
WILFRED KAYE + WILSON KAYE: GROUP OF FOUR KATSINAMWilson Kaye + Wilfred Kaye, Group of Four Katsinam, Wilson Kaye (Hopi, b. 1952) Mudhead Katsina carved cottonwood, pigments, fibers, feathers inscribed underside base: Wilson Kaye / P.O. Box 103 / HoTevillA, Arizona Wilfred Kaye (Hopi, 20th Century) Salako Katsina carved cottonwood, pigments, feathers, fiber inscribed: Wilfred Kaye Blue Corn Maiden Katsina carved cottonwood, pigments Mudhead Katsina carved cottonwood, pigments, feathers, fibers Dimensions: Mudhead Katsina: 8 1/2 x 3 x 3 in. (21.6 x 7.6 x 7.6 cm.); Mudhead Katsina: 14 1/2 x 3 1/2 x 3 1/2 in. (36.8 x 8.9 x 8.9 cm.); Salako Katsina: 18 x 9 1/2 x 4 in. (45.72 x 24.13 x 10.16 cm.); Blue Corn Maiden Katsina: 11 1/8 x 3 5/8 x 3 3/8 in. (28.3 x 9.2 x 8.6 cm.) Provenance: The Georgia and Charles Loloma Collection
- British School 18th century, \"Three
British School 18th century, \"Three Ornithological Engravings\", two after Alexander Wilson (1766-1813), one set after John Wilk
- SAM WILSON (20TH CENTURY), "I SAY
SAM WILSON (20TH CENTURY), "I SAY I THINK.... I DON'T KNOW. COMPLEMENTS FOR THE TIE?" 2006, COLORED PENCIL ON PAPER, WINDSOR & NEWTON BLINDSTAMP, IMAGE: 18.375" H X 21.625" W; SIGHT: 21.125" H X 29.625" WSam Wilson, (20th century) "I Say I Think.... I Don't Know. Complements For the Tie?" 2006, Colored pencil on paper, Windsor & Newton blindstamp Signed, titled, and dated in pencil along the lower margin: Wilson; titled and dated again on a label affixed verso Colored pencil on paper, Windsor & Newton blindstamp Dimensions: Image: 18.375" H x 21.625" W; Sight: 21.125" H x 29.625" W
- Matthew Wilson (American 1814-1892)
Matthew Wilson (American 1814-1892) oil on canvas portrait of a young boy signed and dated 1879 34" x 27". ?
- Wolf Kahn (New York/Vermont, born
Wolf Kahn (New York/Vermont, born 1927) Blue Hilltop, 2000, signed left of center "W. Kahn", pastel on paper, 11 x 14 in.; modern gilt wood frame,