- KATHE KOLLWITZ, THE CARMAGNOLEKathe
KATHE KOLLWITZ, THE CARMAGNOLEKathe Kollwitz (German, 1867-1945)The Carmagnole (Dance around the guillotine) (K. 49.III; Kn. 51.III), 1901etching, drypoint, aquatint, brush etching and sandpaper on wove papersigned Kathe Kollwitz
- KATHE KOLLWITZ, SELF PORTRAIT IN PROFILEKathe
KATHE KOLLWITZ, SELF PORTRAIT IN PROFILEKathe Kollwitz (German, 1867-1945)Self portrait in profile (K. 265.III; Kn. 273.III), 1938crayon lithograph on wove cream paperunsigned23 x 17in (59 x 43cm) Provenance:Property fro
- KATHE KOLLWITZ, WOMAN ENTRUSTS HERSELF
KATHE KOLLWITZ, WOMAN ENTRUSTS HERSELF TO DEATHKathe Kollwitz (German, 1867-1945)Woman Entrusts Herself to Death (Frau vertraut sich dem tode an) from the series Death (Tod) (K. 256.b; Kn. 264.b), 1934lithograph in black on wove papersigned Kathe
- KATHE KOLLWITZ (1867-1945), "AUFRUHR
KATHE KOLLWITZ (1867-1945), "AUFRUHR [UPRISING]," 1899, ETCHING, DRYPOINT AND AQUATINT ON WOVEKathe Kollwitz(1867-1945)"Aufruhr [Uprising]," 1899Etching, drypoint and aquatint on wove paperFrom the edition of unknown size; printed later circa 1946Unsigned; with the A.v.d. Becke Muenc
- KäTHE KOLLWITZ (GERMAN, 1867-1945),
KäTHE KOLLWITZ (GERMAN, 1867-1945), MOTHER WITH CHILD Collotype on paper, printed signature at lower right, matted and framed under glass.
- KATHE KOLLWITZ. “SELBSTBILDNIS,”
KATHE KOLLWITZ. “SELBSTBILDNIS,” ETCHING (German, 1867-1945). Etching, unsigned, sight size: 9 x 11 1/4 in., framed size: 21 3/4 x 22 3/4 x 1 inches.
- Kathe Kollwitz (German, 1867-1945) "An
Kathe Kollwitz (German, 1867-1945) "An der Kirchenmauer" "At the Church Wall", etching on paper, posthumous, bears the AVD Becke Muenchen 22 blindstamp, 9-3/8" x 4-1/2", framed 16-1/2" x 12", good condition, not inspected out of frame
- KATHE KOLLWITZ (1867-1945), "AT THE
KATHE KOLLWITZ (1867-1945), "AT THE CHURCH WALL", 1893, ETCHING AND DRYPOINT ON WOVE PAPER, PLATE: 9.875" H X 5.25" WKathe Kollwitz, (1867-1945) "At the Church Wall", 1893, Etching and drypoint on wove paper From the edition of unknown size; printed posthumously Appears unsigned; with the Alexander von der Becke Munchen-22 blindstamp in the image, lower right Etching and drypoint on wove paper Dimensions: Plate: 9.875" H x 5.25" W Provenance: The Estate of Dr. Amy Conger
- KATHE KOLLWITZ "MOTHER WITH CHILD" ETCHING
KATHE KOLLWITZ "MOTHER WITH CHILD" ETCHING K?the Kollwitz (German, 1867-1945), "Mutter mit kind auf dem arm" ("Mother with her child in her arms"), etching in grey-brown ink, from a von der Becke edition with the publisher's impression "Muenchen-22" lower right. Image: 9.5" H x 7.5" W; frame: 15.75" H x 13.75" W x 1.25" D. Tide line in lower left margin outside plate-marks.
- (8) VOLS., MODERN & CONTEMPORARY ARTISTS
(8) VOLS., MODERN & CONTEMPORARY ARTISTS Includes: 1) Walter Pichler Zeichnungen. Residenz Verlag, 1973; 2) Ilya Gregorevich Chashnik Watercolors, Drawings, Reliefs. Hutton Galleries, 1979; 3) Horace Pippin: A Negro Painter in America. Quadrangle Press, 1947; 4) Kathe Kollwitz. Braziller, 1951; 5) Hans Falk: Transvestie. ABC Verlag, 1985, text in German; 6) Max Bill. ABC Edition, 1978; 7) Yaacov Agam. Editions du Griffon, 1962; 8) Robert Motherwell & Black. William Benton Museum of Art, 1980; 12"h x 9.5"w (largest)
- KATHE KOLLWITZ (1867-1945): BEIM DENGEIN
KATHE KOLLWITZ (1867-1945): BEIM DENGEIN (SHARPENING THE SCYTHE)Etching in black on wove paper, unsigned, with label from Associated American Artists, NY.
15 3/4 x 16 in. (sheet), 20 1/2 x 16 1/2 in. (frame).
Condition
With margins. Pale light- and mat staining. Masking tape at two places on the reverse of the top sheet edge. Staining on the reverse. Otherwise in good condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
- KATHE KOLLWITZ (GERMAN, 1867-1945).
KATHE KOLLWITZ (GERMAN, 1867-1945). "The Parents". Lithograph. Signed lower right in pencil. Gallery labels verso. From a Brooklyn, NY collection. Dimensions: 15" h x 21.5" w. Condition: Good. Unexamined out of frame.
- AFTER KATHE KOLLWITZ (1867 - 1945):
AFTER KATHE KOLLWITZ (1867 - 1945): MUTTER MIT KIND AUF DEM ARM (MOTHER WITH CHILD IN HER ARMS)After Kathe Kollwitz (1867 - 1945: Mutter mit kind auf dem arm (Mother with Child in her Arms), etching on wove paper (a later impression); unsigned, with blindstamp "Muenchen- 22" Dimensions: Sheet: 14 3/4 x 10 1/2 in. (37.5 x 26.7 cm.), Frame: 21 1/4 x 17 1/4 in. (54 x 43.8 cm.) Condition: Toning throughout (slightly darker along edges.) Creases to the upper corners. Handling marks. Not examined out of frame.
- EUROPEAN ART HISTORY BOOKS, 10 Group
EUROPEAN ART HISTORY BOOKS, 10 Group of books on European art historical interest, 10, and comprising: Jacob Bean, "15th and 16th Century Italian Drawings in the Metropolitan Museum of Art", MMA/Abrams: New York, 1982; Jacob Bean "17th Century Italian Drawings in the Metropolitan Museum of Art", MMA/Abrams: New York, 1979; John Elderfield, "The Modern Drawing" MoMA/Little Brown: New York, 1983; Richard Campbell, Victor Carlson et al, "Visions of Antiquity" LACMA: Los Angeles, 1993; Jean Selz, "XIX Century Drawings Watercolors" The Uffici Press: Milan, 1970; Fedja Anzelwesky "The Drawings and Graphic Work of Durer" Hamlyn, New York, 1970; Anthony Toney, "150 Masterpieces of Drawing", Dover Publications: New York, 1963; Herbert Bittner, "Kathe Kollwitz: Drawings" Thomas Yoseloff: New York, 1959; Dr. Rolf Hanseler, "Master Drawings" Macdonald: London, 1962; Rudolf Wunderlich, "Kathe Kollwitz: Prints and Drawings" [exhibition catalogue] Kennedy Galleries: New York, 1976. Largest: 13" H x 9.75" W.
- KATHE KOLLWITZ (AFTER) "TOD, FRAU UND
KATHE KOLLWITZ (AFTER) "TOD, FRAU UND KIND" (ETCHING)Kathe Kollwitz (after)
(German, 1867-1945)
Tod, Frau und Kind (Death, Woman and Child) , 1910/ circa 1930s
Etching and drypoint on paper
16" x 16"
Publisher's blind stamp of Alexander von der Becke (Muenchen 22). Inscribed in the plate along the bottom edge: "Orig. Rad. von Kate Kollwitz / Druck v. O. Felsing Berling-Chlttbg." The glazed frame measures 27 1/2" x 23 1/2" x 1".
Condition
Evidence of some mat burn at the edges of the mat sight. Mild outgassing has slightly clouded the frame's glazing in the upper right.
- KATHE KOLLWITZ "WORKING WOMAN WITH BLUE
KATHE KOLLWITZ "WORKING WOMAN WITH BLUE SHAWL" PENCIL-SIGNED LITHOKathe Kollwitz
(German, 1867-1945)
Brustbild einer Arbeiterfrau mit Blauem Tuch (Working Woman with Blue Shawl) , 1903
Color lithograph on paper
15 1/4" x 10 3/4" (sight)
Pencil-signed to the bottom margin. The Kathe Kollwitz Museum Koln has referred to Working Woman with Blue Shawl as "the best-known work in colour by Käthe Kollwitz." The glazed frame measures 25" x 20".
Condition
Scattered small creases and slight rippling from handling, most visible in the top margin. There is a tear to the sheet in the top margin to the right that slightly enters into the mat window. There is an area of scratches on the frame's silk liner.
- KATHE SCHMIDT KOLLWITZ (GERMAN 1867-1945)
KATHE SCHMIDT KOLLWITZ (GERMAN 1867-1945) ETCHINGDESCRIPTION: Kathe Schmidt Kollwitz original etching on paper. Titled "Mother Feeding Her Child" embossed stamp at right, below image. Complete mounted in a black textured frame. Info from "Ferdinand Roten Galleries" mounted to reverse. CIRCA: Late 19th - Early 20th Cent. ORIGIN: Germany DIMENSIONS: H: 18.5" x L: 15.25" CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
- KATHE KOLLWITZ (GERMAN 1867-1945) WOOD
KATHE KOLLWITZ (GERMAN 1867-1945) WOOD BLOCKDESCRIPTION: Kathe Kollwitz (German 1867-1945) Woodcut on paper featuring a mother and her child embracing. Signed in plate: "Kathe Kollwitz" lower right. CIRCA: 20th Cent. ORIGIN: USA DIMENSIONS: H: 25" x L: 20" CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission."
- KATHE KOLLWITZ (PRUSSIA 1867-1945) NUDE
KATHE KOLLWITZ (PRUSSIA 1867-1945) NUDE ETCHINGKäthe Schmidt Kollwitz (PRUSSIA / RUSSIAN FEDERATION / GERMANY, 1867 - 1945) etching depicting the study of a nude female. Alexander von der Becke embossed stamp seen to lower right. Mounted in a woode framewith mat behind glass screen. Plate size approx. 7" height x 5 3/8" width (17.8cm x 13.6cm). Measures approx. 18 1/4" height x 14 1/4" width (46.4cm x 36.2cm) overall including frame.
Condition:
All lots are sold as is and where is. Elite Auctioneers, LLC provides condition reports upon request to aide in your bidding decision. No statement regarding age, condition, kind, value, or quality of a lot, whether made orally at the auction or at any other time, or in writing in this catalog or elsewhere, shall be construed to be an express or implied warranty, representation, or assumption of liability. All sales are final, Elite Auctioneers, LLC does not give refunds based on condition. Elite Auctioneers, LLC does not perform any shipping or packing services. We do have a list of suggested shippers who gladly provide quotes prior to your bidding. Please visit our webpage for a list of recommended shippers.
- KATHE KOLLWITZ ETCHING, FRAUENKOPFKathe
KATHE KOLLWITZ ETCHING, FRAUENKOPFKathe Kollwitz (German, 1867-1945) etching and aquatint on wove paper titled "Frauenkopf" or "Head of a Woman" depicting a woman with short hair and closed eyes. Unsigned. Blind stamp of A. Von Der Becke lower left. Edition not specified. Title and information about the print and artist en verso. Housed in a metallic frame with linen mat under glass. Plate: 8 1/2" H x 5 3/4" W. Framed: 19 7/8" H x 16 1/2" W.
Private Williamson County, Tennessee collection.
Condition:
Overall good condition with toning and light acid burn to the perimeter.
- KATHE KOLLWITZ LITHOGRAPH, 1918, FROM
KATHE KOLLWITZ LITHOGRAPH, 1918, FROM PEASANTS' WAR, AR...Kathe Kollwitz (German, 1867-1945) bicolor lithograph in dark and light brown ink and scratch technique on ivory wove imitation Japan paper, titled "Bewaffnung in einem Gewolbe (Arming in a Vault)." Depicts a throng of armed peasants ascending a spiral staircase in advance of a revolt, including a woman whose face is left partially uncolored, emphasizing her emotional expression. Plate four from the cycle Bauernkrieg (Peasants' War), rejected version. From the Richter Edition, 1918. Signed "Kathe Kollwitz" in pencil, lower right, and signed and dated "Kollwitz 02" in the stone, lower left. Numbered in pencil 32/50, lower left, by publisher. With old inventory number and German inscription in pencil to lower edge of sheet, illegible inscription to lower right corner, numbering to both left-hand corners, and additional numbering en verso. With Pasquale Iannetti, Inc. Art Galleries, San Francisco, label on back of frame. Housed and matted under glass in a wooden frame with cream canvas mat and red-and-gilt reveal. Sheet: 20 1/2" H x 15 3/8" W. Image: 14 6/16" H x 9 1/8" W. Frame: 27 1/8" H x 21 1/8" W. Ref.: Knesebeck 65.Cb/Klipstein 59.b. Note: A copy of Werner Timm's book, KATHE KOLLWITZ, translated by Lisbeth Gombrich, Berlin, 1980 is available to the winning bidder. This print is discussed on page 7. Publication note: Emil Richter began publishing Kollwitz's work, including rejected compositions like this one, in 1918. In the final version (published 1906) the diagonal composition is mirror-inverted.
Condition:
Excellent condition. Sheet is hinge-mounted to backing with archival tape.
- SCARCE KATHE KOLLWITZ LITHOGRAPH, YOUNG
SCARCE KATHE KOLLWITZ LITHOGRAPH, YOUNG MOTHER WITH INF...Kathe Kollwitz (German, 1867-1945) crayon lithograph on heavy laid paper entitled "Junge Mutter mit Saugling (Young Mother with Infant)", 1926. The print depicts an intimate scene of a woman, shown in half-length, who cradles a baby as the two figures gaze toward one another. Signed in pencil "Kathe Kollwitz," lower right. With label of Galerie St Etienne, New York, to reverse of frame. Housed under glass in a modern wooden frame with white mat. Sheet: 20" H x 15" W. Frame: 22 1/4" H x 21" W. Ref.: Klipstein 220/Knesebeck 244.
Condition:
Excellent condition.
- KATHE KOLLWITZ LITHOGRAPH, 1920, NACHDENKENDE
KATHE KOLLWITZ LITHOGRAPH, 1920, NACHDENKENDE FRAU OR P...Kathe Kollwitz (German, 1867-1945) crayon lithograph on laid paper entitled "Nachdenkende Frau (Pensive Woman)", 1920, depicting the head of a woman who wears a pained expression and places her right hand on her forehead in a forlorn manner. Signed in pencil "Kathe Kollwitz," lower right. With G. Fichtner watermark. Housed under plexiglass in a modern ebonized wooden frame with cream fabric mat and black reveal. Ref.: Klipstein 146/Knesebeck 161. Sheet: 18" H x 14 3/4" W. Frame: 25 3/4" x 22 1/2".
Condition:
Overall very good condition. With faint toning to image, minute creasing to upper-right margin outside of image, and miniscule stain to nose of figure.
- KATHE KOLLWITZ WOODCUTKathe Kollwitz
KATHE KOLLWITZ WOODCUTKathe Kollwitz (German 1867-1945)- ''Die Eltern, III Fassung'' (Klipstein 179 IV c/d)- woodcut, 1923, signed in pencil, Plate 3 of Krieg. 13 3/4 x 16 9/16''
- KATHE KOLLWITZ 2 ETCHINGSKathe Kollwitz
KATHE KOLLWITZ 2 ETCHINGSKathe Kollwitz (German 1867-1945)- ''Weberzug'' (Klipstein 32 ivb); ''Ende'' (K. 37v)- 2 etchings, each with van der Becke blindstamp, fair condition: toning and staining to edge of 'Weberzug' and both with handling creases. 8 5/16 x 11 9/16''; 9 9/16 x 12 3/16''
- KATHE KOLLWITZ (1867-1945)Artist: Kathe
KATHE KOLLWITZ (1867-1945)Artist: Kathe Kollwitz (1867-1945). Titled: March of the Weavers. Medium: Etching. Dimensions: (housing size) 17 1/8 x 19 7/8 inches; (sight size) 8 7/8 x 12 inches; (image size) 8 1/4 x 11 3/8 inches. Housing: Wood frame with off-white matting. Description: A group of workers are seen marching right carrying axes and picks, a woman in the middle with her child asleep on her back Condition: : Good. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE.
- KÄTHE KOLLWITZ (GERMAN 1867-1945) A
KÄTHE KOLLWITZ (GERMAN 1867-1945) A LITHOGRAPH, "DER GE...KÄTHE KOLLWITZ (German 1867-1945) A LITHOGRAPH, "Der Gefesselte," 1928, on paper, signed in plate and in pencil L/R, numbered "N.9" L/L, image: 13 3/4" x 9 1/2"; sheet: 20 1/2 x 14 7/8". Note: Käthe Kollwitz is considered to be one of the most important German artists of the first half of the 20th century whose work illuminated the plight of workers and the downtrodden. This lithograph, from an edition of approximately 32, is based on a drawing Kollwitz did for the dust jacket of the 1928 German publication of Jack London's 1902 book "The People of the Abyss." Klipstein 229, Knesebeck 241. Provenance: Property from the Ismar Littmann Family Collection.
Condition:
Overall good condition, full margins, toning from former matting, hinged to backing board and matted. The Ismar Littmann Family Collection was originally amassed by famed German patron of the arts and attorney Ismar Littmann and then later by other family members. A friend to many of the artists he collected, Littmann did most of his acquiring of avant-garde art during the 15 years preceding the 1933 installation of the political regime, which forcibly removed and sold a large part of his collection that totaled over 6,000 works. Although Littmann died in 1934, part of the family was able to emigrate to the United States and Israel with a portion of the collection and a continued interest in European art of the early 20th century. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
- GRP: MODERN AND CONTEMPORARY ART BOOKSLarge
GRP: MODERN AND CONTEMPORARY ART BOOKSLarge group of reference books, monographs, and catalogs on modern and contemporary art, including works on major movements such as Futurism and Synchromism, and artists including Zao Wou-Ki, Georges Rouault, Pablo Picasso, and Anselm Kiefer, among many others. Additionally includes works on Eastern European and Latin American art during the period, along with several auction catalogs. A full list of titles included is as follows: three catalogs from Arthur Tooth and Sons Limited; William C. Seitz, "Hans Hofmann"; George W. Staempfli invitation to "Mary Bauermeister" exhibition; Frank O'Hara "New Spanish Painting and Scupture"; an issue of "In the Art World" catalog; catalog from San Jose State University "Holly Lane"; catalog of the University Art Museum, University of California "Lindner"; Marlborough New London Gallery catalog "Ben Nicholson: Twelve New Works June 1967"; catalog of Galerie des Granges "Andre Planson: Oeuvres Recentes (1970-1975); Graham W. J. Beal "Wayne Thiebaud Painting"; an issue of the Arts Club of Chicago "Germaine Richier, January 21-February 19, 1966"; Eine Sammlung "Werner Gilles"; catalog from Centro Cultural San Angel "Mauricio Cervantes: El Codigo de lo Intangible"; resume/promotional material of John Black; Max Bill promotional material; Museum of Modern Art catalog "Picasso: 75th Anniversary Exhibition"; catalog from Marlborough Gallery "William Baziotes: Late Work 1946-1962"; catalog from the Italian Festival - San Francisco April-May 1959 "Italy: Three Directions in Painting and Sculpture of Younger Italian Artists"; catalog from Aquavella Galleries "XIX & XX Century Drawings, Watercolors, Pastels, Gouaches, Collages: October 21-November 24, 1982"; catalog from Richard Gray Gallery "Picasso's Picassos: Paintings, Drawings & Sculpture from the Artist's Estate"; catalog from Howard Wise Gallery "Light Ballet"; catalog from Galeria Arte Actual Mexicano "Ricardo Mazal Pinturas"; catalog from Centro Cultural San Angel "Alberto Castro Lenero: La Fragmentacion"; two copies of Frank Gaard's "Terence la Noue"; 2 copies of a catalog from the Arts Club of Chicago, The University Gallery and the Jewish Museum "Pierre Alechinsky"; catalog from the Weintraub Gallery "Henry Moore: Sculpture, Watercolors & Drawings, Graphics, Portfolios"; catalog from Marlborough Gerson Gallery "Arnaldo Pomodoro"; Deborah Wye "Louis Bourgeois"; Allison C. Meier, Kris Kuksi, and Samuel D. Gliner "Colin Christian: Trypophobia"; Time Magazine, "Covers"; a catalog from Staempfli "Minoru Yamasaki: The Architect and his use of Sculpture as an Integral Part of Design"; catalog from the Arts Club of Chicago "Tom Holland"; Peter Selz "15 Polish Painters"; Werner Schmalenbach "The Known and Unknown of Julius Bissier"; "Adrian Berg: Recent Paintings of Gloucester Gate, Regents's Part"; Atherton Curtis and Paul Proute "Adolphe Appian: son Oeuvre Grave et Lithographie"; catalog from Marisa del re Gallery "Diego Giacometti"; Thalia Gouma-Peterson "Miriam Schapiro: A Retrospective, 1953-1980"; Ebria Feinblatt and Bruce Davis "Los Angeles Prints, 1883-1980"; catalog from La Sociedad Mexicana de Arte Moderno "Alberto Castro Lenero: Castillo Interior"; catalog from the University of California, Los Angeles/Cleveland Museum of Art/Minneapolis Institute of Arts/Museum of Fine Arts, Boston/Philips Gallery, Washington D.C./San Francisco Museum of Art "John Marin Memorial Exhibition"; catalog from Chapellier Gallery "Frank Duveneck 1849-1919"; Edward Kienholz "Volksempfangers Nationalgalerie Berlin"; the Connoisseur, January 1963; publication from Galleria Fiamma Vico Frezzeria San Marco "Gaston Orellana Aldo Bresciani"; Robert Rosenblum "The Sculpture of Picasso"; catalog from the Sidney Janis Gallery "The High-Kitsch of Eilshemius at Janis"; catalog from the Sun Valley Art Auction June 29, 1991; catalog from Galerie van de Loo "Alfred Kremer: Seichnungen"; catalog from the Sidney Janis Gallery "New Paintings Sculpture & Drawings by Jim Dine"; Maurice Tuchman "American Sculpture of the Sixties"; catalog from the Ravinia Festival Art Exhibit 1962; Vittore Frattini "Miklos N. Varga: Frammenti Lirici 2"; Beelden Schilderijen Tekeningen Grafisch Werk "Robert Vander Eycken"; catalog from the Chicago Sculpture International May 10-15 1984"; "Edward Lentsch"; catalog from Minnesota Museum of Art "Kollwitz"; catalog from the Art Institute of Chicago "Anselm Kiefer"; catalog from the Marlborough Gallery "Ettore Colla"; catalog from Manny Silverman Gallery "Edward Dugmore Burning Bright: Paintings 1950-1959"; catalog from Wexner Center of the Arts "Will / Power: New Works by Papo Colo, Jimmie Durham, David Hammons, Hachivi Edgar Heap of Birds, Adrian Piper, Aminah Brenda Lynn Robinson"; catalog from Staempfli "Fritz Koenig"; catalog from Robert Miller gallery "Robert S. Zakanitch"; Jennifer Licht "Eight Contemporary Artists"; catalog from Stephen Roman + Private Art Dealer "Darcilio Lima 1944-1991"; catalog from Musee d'Art Americain Giverny and Terra Museum of American Art, Chicago "Roxy Paine"; catalog from Robert Fraser Gallery "Peter Blake"; catalog from Grand Central Art Galleries "August Mosca: A Fifty Year Retrospective"; catalog from Marlborough Gallery "Larry Rivers 1970-1973"; catalog from Marlborough Gallery "Isaac Witkin"; Martin Friedman "Adolph Gottlieb"; catalog from Marisa del re Gallery "Baj Fontana Manzoni"; catalog from Howard Wise Gallery "Otto Piene: Elements"; catalog from Lefebre Gallery "Corneille"; catalog from FineArts Printing Services "Johnmarc Edwards"; "Tongabezi: Victoria Falls, Zambia"; 1998 Pew Fellowships in the Arts catalog; catalog from BlumHelman gallery "David True--Recent Paintings"; catalog from Marlborough-Gerson Gallery "R. B. Kitaj"; 5 issues of Art in America magazine; William Firebrace "Things Worth Seeing: A Guide to the City of W"; catalog from Curt Valentin Gallery "Lehmbruck and his Contemporaries"; "Karl Hartung"; Katrina Daschner "Killing the Systems Softly"; 8 Walker catalogs; a catalog from Kunstmuseum Luzern; catalog from Felix Landau Gallery "Harry Kramer: Sculptures, Objects and Films"; Rita Caurio "Artexile No Brasil: Viagem pelo Mundo da Tapecaria"; Francisco Goya and Philip Hofer "The Disparates or, The Proverbios"; a catalog from The Art Gallery at Kennesaw State College "Cameroon Art: Selections from the Collection of William Arnett"; 2 issues of Art in America journal; Albert E. Elsen "Modern European Sculpture 1918-1945: Unknown Beings and Other Realities"; a catalog from the Art Institute of Chicago "A Century of Progress : Exhibition of Paintings and Sculpture, June 1 to November 1 1933"; an issue of Directions in Contemporary Painting and Sculpture from the Art Institute of Chicago publication; Alan G. Wilkinson "The Drawings of Henry Moore"; a catalog of Marlborough Gallery "Grisha Bruskin"; three publications by the Museum of Modern Art; one issue of Paris/New York Arts Yearbook 3"; five issues of Arts International journal; four issues of Art International: The Lugano Review journal; publication/catalog from the Dr. Martyna Miskinis Collection; four issues of the Journal of Decorative and Propaganda Arts; catalog of the National Gallery of Jamaica and the Smithsonian Institution exhibition "Jamaican Art: 1922-1982"; a catalog from the Museu de Art Moderna's VII Bienal "Estados Unidos da America" 1963; Gail Levin "Synchromism and American Color Abstraction 1910-1925"; a catalog from Gebr. Douwes Fine Art "Russian Paintings"; catalog from National Collection of Fine Arts "Sao Paulo 9"; two issues of "Alan D'Arcangelo" from Marlborough Gallery; a catalog from Associated American Artists "Lyonel Feininger: Ships and Seas"; Frances Carey and Antony Griffiths "From Manet Toulouse-Lautrec: French Lithographs 1860-1900, catalog of an Exhibition at the Department of Prints and Drawings in the British Museum, 1978"; catalog from Walker Art Center "Tyler Graphics: The Extended Image"; a catalog from Hauswedell & Nolte Auction House; Handzeichnungen, "Documenta III," two copies; Ken Friedman "Fluxus Virus: 1962-1992"; Ann Temkin "Alice Neel"; catalog from Knoedler Contemporary Art "David Smith"; Andre Maisonneuve "Ger Lataster"; catalog from the Edinburgh Festival 1955 "Paul Gauguin: Paintings, Sculpture and Engravings"; catalog from Richard Gray Gallery "Jennifer Bartlett"; catalog from Felix Landau Gallery "First West Coast Exhibition Kinetic Sculpture and Cinematisations by Pol Bury"; Earl S. Braggs "Hat Dancer Blue"; catalog from Lefebre Gallery "Julius Bissier"; "Italian Art: Monographs on Artists" catalog 115; catalog from Dayton's Gallery 12 "Calder"; Andrew Carnduff Ritchie "The New Decade: 22 European Painters and Sculptures"; Frederick A. Sweet "Sargent, Whistler and Mary Cassatt"; catalog from Pamela Auchincloss Gallery "Charles Arnoldi: Recent Monotypes from the Garner Tullis Workshop"; an issue of The Arts Club of Chicago journal May 6 through June 26, 1985; catalog from Bowdoin College Museum of Art "Leonard Baskin"; catalog from Dayton's Gallery 12 and Dwan Gallery "Charles Ross: Prisms"; Walker Arts Center publication "Nicholas Krushenick"; an issue of Sport Equestri journal "La Vita di Caprilli"; three catalogs from Marlborough Gallery; Jean Leymarie "Zao Wou-Ki"; Janis Conner and Joel Rosenkranz "Rediscoveries in American Sculpture: Studio Works 1893-1939"; catalog from Stedelijk Museum Amsterdam "Anselm Kiefer: Bilter 1986-1980"; Paul Maenz & Gerd de Vries "Anselm Kiefer"; Henrik Cornell "Carl Milles and the Milles Gardens"; catalog from Comune di Milano "Giorgio de Chirico; Jenny Lion "Magnetic North"; catalog from Wexner Center for the Arts "Maya Lin: Public/Private"; Walker Art Center "6 Artists 6 Exhibitions"; Howard Wise Gallery "Lights of Silver by Mack"; catalog from Stadische Kunsthalle Dusseldorf, ARC/Musee d'Art Moderne de la Ville de Paris, The Israel Museum "Anselm Kiefer"; catalog from Marian Goodman Gallery "Anselm Kiefer"; catalog from Walker Art Center "New Art of Argentina"; Museum of Modern Art "Georgio de Chirico"; Kasmin Limited "John Howlin Recent Paintings"; Marlborough-Gerson "Four London Artists: Gordon House, Colin Lanceley, Richard Lin and Joe Tilson"; Marlborough Prints Price List; catalog from the Arts Club of Chicago and University of Minnesota Gallery "Alan Davie"; Marlborough Gallery "Colin Lanceley"; catalog from the Junior Council of the Museum of Modern Art "Recent Painting USA: The Figure"; Martin Friedman, Graham W.J. Beal, Lisa Lyons "Drawings by Lesak and Rainer"; promotional material from Borgenicht Gallery; catalog from Katonah Museum of Art "Dorothy Dehner: Sixty Years of Art"; two promotional pamphlets from Staempfli; Elizabeth Armstrong and Sheila McGuire "First Impressions: Early Prints by Forty-Six Contemporary Artists"; catalog from Hapsburg, Feldman Fine Art Auctioneers "Soviet Contemporary Art: The Property of the Kniga Collection, Paris"; Vavara Rodchenko and Aleksandr Lavrentiev "The Rodchenko Family Workshop"; Walker Art Center catalog "Richard Sussman"; catalog from Charles Cowles Gallery "Tom Holland"; catalog for the VII Bienal in Sao Paulo, Brazil "10 American Sculptors: Agostini, Chryssa, Decker, Kipp, Mallary, Schmidt, Segal, Sugarman, Weinrib, Wines"; Barbara J. Bloemink "The Art of Esteban Lisa"; Marlborough Gallery catalog "Contemporary Spanish Realists"; Robert C. Morgan "All the Lost Souls: Lu Zhang's Mirror of Identity"; promotional material for Lefebre Gallery; Walker Art Center "Michelangelo Pistoletto: A Reflected World"; Pierre Alechinsky "Three Pillories: A Key to an Image"; five catalogs from Dre Devens Dutch Constructivist; catalog from the Museum of Modern Art, Minneapolis Institute of Arts, San Francisco Museum of Art and the Art Gallery of Toronto "Les Fauves"; catalog from the Minneapolis Institute of Arts "Modern Illustrated Books from the Collection of Louis E. Stern"; Sylvan Cole, Jr and Robert Doty "Will Barnet: Etchings, Lithographs, Woodcuts, Serigraphs 1932-1972 catalog raisonne"; Edith Hoffmann "Kokoschka Life and Work"; Elac Lyon "Mattiacci, Mochetti, Nannucci"; Wladimiro Settimelli and Filippo Zevi "Gli Alinari: Fotografi a Firenze 1852-1920"; William C. Seitz "Mark Tobey"; Kunstforum International "Zwischenbilanz II Neue Deutsche Malerei"; Henry Geldzahler "New York Painting and Sculpture: 1940-1970"; Virginia M. Mecklenburg "The Patricia and Phillip Frost Collection: American Abstraction 1930-1945"; Gert von Osten "Plastik seit 1800 in Deutschland, Osterrich und der Schweiz"; Steven Heller and Louise Fili "Dutch Moderne: Graphic Design from Destijl to Deco"; one Christie's catalog; Joshua C. Taylor "Futurism"; Sotheby's catalog, "The Eye of a Collector: Works from the Collection of Stanley J. Seeger"; journal from the University of Minnesota "Germany in the Twenties: The Artist as a Social Critic"; Bruckmann Munchen "Marino Marini"; Verlag Torsten Brohan "Hans Moller"; Henri Baruk, Andre Neher and Leon Askenazi "Le Livre de Ruth"; catalog from Istituto di Cultura di Palazzo Grassi "La Pittura Metafisica"; catalog from Galerie van de Loo Munchen "Maurice Wuckaert"; Marlborough Gallery "Avigdor Arikha Ink Drawings 1965-1972"; catalog from Weinstein Gallery "Fifteenth Anniversary"; two copies of Malcolm C. Salaman "Fine Prints of the Year: An Annual Review of Contemporary Etchings and Engraving"; catalog from the Pushkin Museum, Moscow "Impressionist and Post-Impressionist Paintings from the U.S.S.R."; catalog from the Far Gallery "Leonard Baskin: The Graphic Work, 1950-1970"; catalog from Editions Limited Gallery "Jurgen Peters"; Martin Friedman and Graham W.J.Beal "George Segal: Sculptures"; Judith Zilczer "'The Noble Buyer: John Quinn Patron of the Avant-Garde"; Luis R. Cancel, Jacinto Quirarte, Marimar Benitez, Nelly Perazzo, Lowery S. Sims, Eva Cockcroft, Felix Angel, and Carla Stellweg "The Latin American Spirit: Art and Artists in the United States, 1920-1970"; catalog from the United Book Guild "Aubrey Beardsley Drawings"; Peter Selz "Emil Nolde"; Kunsthaus Richterswil "Ardyn Halter"; Jean Dubuffet "Dubuffet: 1962-66"; John Richardson "Georges Braque 1882-1963: An American Tribute"; Walker Art Center catalog "Scale and Environment: 10 Sculptors"; Pace Gallery Publications "Dubuffet"; William H. Wilson "Raoul Dufy: A Retrospective"; Publication from R.S. Johnson International, Chicago "Pablo Picasso (1881-1973): Master of Graphic Art"; Martin H. Bush and Kenworth Moffett "Goodnough"; David Eugene Smith "Mathematics and Poetry"; catalog from Galerie van de Loo Munchen "Dimitri Hadzi"; Stephanie Barron "German Expressionist Sculpture"; an issue of "Avant-Garde" magazine; Carl de Keyzer "Homo Sovieticus"; catalog from the Tel Aviv Museum of Art "Yigal Ozeri 1994-1997"; Demetrio Paparoni "Stefano Peroli"; two issues of Design Quarterly journal; Robert P. Metzger "Reuben Nakian: Centennial Retrospective 1897-1986"; Schule von Pistoia "Barni Buscioni Ruffi"; publication from Hundert Tage fur Salzburg "Mimmo Paladino"; Minnesota Museum of Art publication "Clara"; James David Draper and Guilhem Scherf "Augustin Pajou: Royal Sculptor 1730-1809"; Albert Scaglione "Laszlo Dus"; Germano Celant "Mario Merz"; catalog from Tubingen-Hamburg-Zurich "Joseph Beus Olfarben 1949-1967"; two copies of Ronald Paulson "Hogarth's Graphic Works: First Complete Edition"; Pierre Courthion "Rouault"; Leon Bellefleur postcards "12 Dessins - Drawings"; "Byelorussian Glassmaker's Art"; catalog from G. di San Lazzaro.
SKU: 04011
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Condition:
Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
- KATHE KOLLWITZ BOY WITH ARMS AROUND
KATHE KOLLWITZ BOY WITH ARMS AROUND MOTHER'S NECKKathe Kollwitz "Boy With Arms Around Mother's Neck" sign by the artist lower right side. unframed: (height: 25 inch, width: 20 inch) framed: height: 31 inch, width: 27 inch)
- KATHE KOLLWITZ (GERMAN/RUSSIAN, 1867-1945)Kathe
KATHE KOLLWITZ (GERMAN/RUSSIAN, 1867-1945)Kathe Kollwitz
German/Russian, 1867-1945
Self-Portrait at the Table , 1893
Etching
"A.V.D. (Alexander von der Becke).; Meunchen" blind stamp lower right. Seated portrait of the artist as she works, dimly lit by a lighted sconce. Matted behind glass, wooden frame, label to verso.
Impression: 7 x 5 in. (17.78 x 12.70 cm.), frame: 17 1/2 x 14 1/2 in. (44.45 x 36.83 cm.)
- KATHE KOLLWITZ (GERMAN/RUSSIAN, 1867-1945)Kathe
KATHE KOLLWITZ (GERMAN/RUSSIAN, 1867-1945)Kathe Schmidt Kollwitz
German/Russian, 1867-1945
Beratung (Conspiracy) , 1898
Etching
Notation in plate lower right. Interior scene, heavy chiaroscuro, of three figures talking quietly at the end of a tavern table lit by single lantern above. Matted, unframed.
Impression: 11 3/4 x 7 in. (29.85 x 17.78 cm.), matting: 19 1/2 x 14 3/4 in. (49.53 x 37.47 cm.)
- After Kathe Kollwitz (1867-1945)/Self
After Kathe Kollwitz (1867-1945)/Self Portrait/dated 1916/lithograph, 36cm x 30.5cm
- KATHE KOLLWITZ. "MARCH OF THE WEAVERS
KATHE KOLLWITZ. "MARCH OF THE WEAVERS (WEBERZUG)," ETCHING (German, 1867-1945). From the series "Weaver's Revolt (Ein Weberaufstand)", circa 1931, unsigned, Alexander von der Becke, Muenchen-22 blindstamp lr, sheet size: 10 5/8 x 14 1/4 in., framed.
- KATHE KOLLWITZ, (GERMAN, 1867-1945),
KATHE KOLLWITZ, (GERMAN, 1867-1945), MARIA UND ELISABETH, WOODCUT, SHEET: 15 1/2 X 17 7/8 IN., SIGHT: 15 1/4 X 17 3/4 IN., FRAME: 16 1/4 X 18 1/2 IN.KATHE KOLLWITZ, (German, 1867-1945) Maria und Elisabeth, woodcut signed Kathe Kollwitz in pencil lower right, titled Maria und Elisabeth lower left, inscribed AP verso woodcut Dimensions: sheet: 15 1/2 x 17 7/8 in., sight: 15 1/4 x 17 3/4 in., frame: 16 1/4 x 18 1/2 in. Provenance: The Estate of a Cambridge, Massachusetts Professor. Condition: Some faint staining and foxing in margins, primarily upper right and upper left. Overall in fine condition. Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
- KATHE KOLLWITZ, "DIE WITWE II" WOODCUT,
KATHE KOLLWITZ, "DIE WITWE II" WOODCUT, 1922/23 Kathe Kollwitz (German, 1867-1945). ?Die Witwe II? from Krieg series - 1922/23, woodcut on laid Japan paper, limited edition 5 of 100, final state, pencil signed lower right margin. Provenance: Private Collection, Cashiers, NC.; Christie?s New York, May 11 & 12, 1987. Approx. 21? x 30? (frame), 13.5? x 22.25? (sight), 18" x 25.5" (sheet)
- LEON LOUGHRIDGE (B. 1952) COLOR REDUCTION
LEON LOUGHRIDGE (B. 1952) COLOR REDUCTION WOODBLOCKLeon Loughridge (Born 1952)Flint Ridge 1/17 (Late 20th/Early 21st Century)More than just a color woodcut print, this detailed image composed using multiple textures and colors is signed by the artist in pencil below the image lower right, titled lower center and numbered lower left.The traditional, most often seen, color woodblock prints are made by carving multiple blocks that, when inked separately and pressed to paper one color at a time, create the final image, a difficult enough process. With reduction color woodcut prints a single block is carved in relief to create the image and then the colors are printed in reverse order, the darkest color being printed first and the lightest color being printed last, while also carving away and altering the face of the block with each color printed. This requires a high degree of skill and confidence on the part of the artist who must know instinctually how carving away part of the printing block in between colors will ultimately appear in ink on paper.Leon Loughridge explained in an interview with Western Art & Architecture Magazine how when creating an image, he's continually carving and changing the block along with the colors; always assessing and evaluating as he goes, adding more and more detail by reducing and changing the block, continually pressing inks; more and more color, sometimes implementing 15 to 20 color runs - and carvings, in order to create a single image. As he cuts away portions of the block, he's committed to the image that results. Knowing how it will play out and trusting his skills are paramount to creating what it is he wants to capture or convey.Other masters of the reduction woodcut process include Pablo Picasso, Henri Matisse, and Käthe Kollwitz.Image measures 7.5 x 7.5 with a framed size of 17.5 x 17.5 inches.Very fine, clean condition, mint to near mint, the full untrimmed sheet, not laid down, no damage, stain, puncture or repair; framed to archival standards in acid free mounts.Provenance: A Leawood, Kansas corporate collection.