Lot 5 various vintage ''MemoryLot 5 various vintage ''Memory Art'' objects along with shell art piece.
Memory jar portrait bust of a woman,Memory jar portrait bust of a woman, sculpture on wood base, a turned head shoulder bust in folk mosaic, 10"H x 8-1/2"W, without base , signed JM 76 at underside
EARLY MAGNETIC CORE MEMORY LOOMEARLY MAGNETIC CORE MEMORY LOOM c. 1960s' framed core memory loom, used to make solid state storage for large Apollo era computers. Hand made with a silicon jig, copper wiring, and ferro-magnetic core rings. Each core ring stores 1 bit of information (either a 1 or 0) depending on how the copper wire polarizes it. Four test ports on each corner and painted numbers for x and y values. Stores 4096 bits or 512 bytes of memory compareable to modern RAM. Loom Dimensions: 20"L x 24"H x 2"W, Frame Dimensions: 26" x 27"
Michael Burton Mazur
(American,Michael Burton Mazur
(American, 1935-2009)
Memory and Distance, 1992
woodcut, etching and monotype
signed, inscribed and numbered 19/50 in pencil
31 x 47 inches.
Property from the Collection of an American Corporation
SELECTION OF POLITICAL MEMORABILIASELECTION OF POLITICAL MEMORABILIA Includes stuffed animals, glasses, figurines, and other similar items.
A quantity of interesting miscellaneaA quantity of interesting miscellanea
ROMERO BRITTO (B.1937), "MEMORY,"ROMERO BRITTO (B.1937), "MEMORY," 2018, ACRYLIC, GLITTER, AND INK ON CANVAS, 20" H X 20" WRomero Britto, (b.1937) "Memory," 2018, Acrylic, glitter, and ink on canvas Signed lower right: R. Britto; titled and dated on a label affixed verso Acrylic, glitter, and ink on canvas Dimensions: 20" H x 20" W
NEW HOME MEMORY CRAFT 6000 SEWINGNEW HOME MEMORY CRAFT 6000 SEWING MACHINE Computerized.
RHOER, Gerhard Van De, (Netherlands,RHOER, Gerhard Van De, (Netherlands, 1972-): ''Memory Which was Away for Just a Moment'', Oil/Canvas, 54'' x 42'', signed titled and dated 2004 verso, modern metal frame, 56'' x 44.5''.
(100+) Pcs. WWII Soldier MemorabiliaA(100+) Pcs. WWII Soldier MemorabiliaA collection of postcards military papers maps etc. Private collection Columbiaville MI.
A quantity of souvenir letter cardsA quantity of souvenir letter cards etc.
7 RAPHAEL SOYER "MEMORIES" PORTFOLIO7 RAPHAEL SOYER "MEMORIES" PORTFOLIO LITHOGRAPHSRaphael Zalman Soyer (Russian/American, 1899-1987). Group of seven lithographs from the "Memories" portfolio, 1969. Published by Touchstone Publishers, New York. One missing. This lot includes: Immigrants, The Pier, Self Portrait in my Sixties, Mother, Father, Woman with Plant, and Gorky. All pencil signed along the lower right; numbered 17/150 along the lower left.
Height: 27 in x width: 21 in.
Condition:
Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
RAPHAEL GLEITSMANN, AMERICAN 1910-1995,RAPHAEL GLEITSMANN, AMERICAN 1910-1995, "MEMORY OF A CITY", 1947, OIL ON MASONITE, 15 1/2 X 27 IN. (39.4 X 68.6 CM.), FRAME: 24 X 35 1/2 X 2 1/2 IN. (61 X 90.2 X 6.4 CM.)RAPHAEL GLEITSMANN, American, 1910-1995 "Memory of a City", 1947, oil on masonite signed and dated lower left "Raphael Gleitsmann 1947/Germany 1945" oil on masonite Dimensions: 15 1/2 x 27 in. (39.4 x 68.6 cm.), Frame: 24 x 35 1/2 x 2 1/2 in. (61 x 90.2 x 6.4 cm.) Provenance: Artist Collection, Akron, Ohio; Macbeth Gallery, New York, New York; Private Collection, Connecticut Condition: in good overall condition; craquelure throughout; one small dot of restoration left center We are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon’s is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD “AS IS” IN ACCORDANCE WITH THE CONDITIONS OF SALE.
SHIMON ATTIE (AMERICAN, B. 1957),SHIMON ATTIE (AMERICAN, B. 1957), UNTITLED MEMORY (PROJECTION OF MARSHA A.) Ektacolor photograph, 1998, from the Untitled Memory series, retains gallery label to verso, matted and framed.
CAROL SEBOROVSKI (american b.CAROL SEBOROVSKI (american b. 1960) "MEMORY: LUNCHEON ON THE GRASS" Pastel on paper 19 x 25 3/4 in. (48.3 x 65.4cm) provenance: Damon Brandt Gallery, New York, New York. J. Walter Thompson Corporate Art Collection, New York. ,200-
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GREY, RICHARD. MEMORIA TECHNICAGREY, RICHARD. MEMORIA TECHNICA OR; A NEW METHOD OF ART...Grey, Richard. Memoria Technica or; A New Method of Artificial Memory. London: John Stagg, 1737. Third edition. Old calf, well-worn but holding. Title page in red and black. 4to. New flyleaves annotated in pencil. Very good.
LARGE GROUP OF PITNEY BOWES MEMORABILIALARGE GROUP OF PITNEY BOWES MEMORABILIA .
Simeon Solomon (British 1840-1905)Simeon Solomon (British 1840-1905) "Memory" 1890 red chalk on cream-colored wove paper without watermark signed in monogram and dated lower right 14 1/4 x 12 1/8 in. in modern corner-mounts. Provenance: Durlacher Brothers New York; Robert L. Isaacson 1963; James R. Lamantia Jr. New Orleans and New York. Published: Curtis G. Coley ed. The Pre-Raphaelites: A Loan Exhibition of Paintings and Drawings by Members of the Pre-Raphaelite Brotherhood and Their Associates Herron Museum of Art Indianapolis 16 February-22 March 1964 and Gallery of Modern Art New York 27 April-31 May 1964 no. 83 illustrated. Note: As noted apropos of the other drawing by Solomon in this catalogue the Profile Head of 1905 this precocious artist met Dante Gabriel Rossetti (1828-1882) in 1858 and Algernon Charles Swinburne (1837-1909) shortly after; their combined influence led Solomon into increasingly dangerous dissolution and a personal crisis in 1873 from which he never fully recovered (though Burne-Jones later called him "the greatest artist of us all"). This fine drawing does clearly demonstrate though the tenderness and subtlety which he could occasionally command even in the second phase of his life. His dreamy introspective personification of "Memory" is rendered in delicate evanescent red chalk in which the pensive head is outlined against twin sprigs of laurel as a symbol of her victorious and ultimately triumphant retrospection. James Lamantia in his commentary to the publication of this beautiful sheet in 1964 compared its impressionistic technique to that of an exact contemporary of Solomon's in France Odilon Redon (1840-1916); but in actual fact the closer analogy for this particularly personal use of red chalk is in the drawings of Pierre Puvis de Chavannes (1824-1898) especially in such a haunting image as his Portrait of Marguerite of c. 1870. Notes: Christopher Wood The Pre-Raphaelites New York 1994 pp. 130-134; Margaret Morgan Grasselli and Judith Brodie Drawings from the O'Neal Collection Washington 1993 cover and pp. 84-85 no. 53; Elisabeth Kashey 19th C. European Paintings Watercolors Drawings and Sculpture summer exhibition Shepherd & Derom Galleries New York 2001 no. 17 (Marguerite) illustrated.
COLLECTION WITH SPORTS MEMORABILIACollectionCOLLECTION WITH SPORTS MEMORABILIACollection with Sports Memorabilia
COLLECTION OF BANKS some formedCOLLECTION OF BANKS some formed as safes a letterbox trucks stacks of coins books barrels a shoe a Volkswagen a mouse a seated Santa Claus Uncle Sam on a pedestal a baseball and others (approximately 42)
LAWRENCE GLICKMAN "MEMORIES" ACRYLICLAWRENCE GLICKMAN "MEMORIES" ACRYLIC ON CANVAS Lawrence Glickman (American, XX- XXI) "Memories" acrylic painting on canvas, signed on reverse. 30" H x 30" W. Provenance: From the artist's estate.
DANIEL CHESTER FRENCH, (1850-1931,DANIEL CHESTER FRENCH, (1850-1931, AMERICAN), "MEMORY," MODELED 1886, CAST 1919, PATINATED BRONZE ON WOOD PLINTH, 10.25" H X 7" W X 5.2Daniel Chester French, (1850-1931, American) "Memory," modeled 1886, cast 1919 Patinated bronze on wood plinth Signed and dated: Daniel C. French, Feb. 1886; Foundry mark: B. Zoppo. / Foundry. N.Y.; Titled to gallery label underside 10.25" H x 7" W x 5.25" D Provenance: Conner Rosenkranz, New York, NY Notes: Inscribed in the casting on verso base edge: To Roland Knoedler / With regards of / Daniel C. French / Feb. 18, 1919. Patinated bronze on wood plinth Dimensions: 10.25" H x 7" W x 5.25" D Provenance: Conner Rosenkranz, New York, NY
A large quantity of card and otherA large quantity of card and other games
RICHARD JOLLEY TOTEM "MEMORIESRICHARD JOLLEY TOTEM "MEMORIES LINGERING"Richard Jolley (Tennessee, born 1952) blown and hot formed glass "totem" titled "Memories Lingering" with fabricated and acid etched elements. Colors of amber, clear, cobalt, purple, aqua and gold. Signed and dated "1997" en verso on base. 34" H x 9 1/2" dia. 20th century. Biography (Courtesy of the Knoxville Museum of Art): Richard Jolley was born in Wichita, Kansas, in 1952 and as a youth, he moved to Oak Ridge, Tennessee. He began his art training at Tusculum College in Greenville, Tennessee in 1970, studying under noted glass artist Michael Taylor. After receiving his B.F.A. from George Peabody College in Nashville (now part of Vanderbilt University), Jolley continued graduate studies at North Carolinaís Penland School of Crafts, under the instruction of studio glass artist Richard Ritter. He currently maintains a studio in Knoxville. To date, Jolleyís work is represented in more than 33 public collections, including the Carnegie Museum of Art; the Corning Museum of Glass; the Frederick Weisman Art Foundation, Los Angeles, the Knoxville Museum of Art; the Los Angeles County Museum of Art; the Museum of Fine Arts, Boston; and the Renwick Gallery of the Smithsonian American Art Museum. Purchased in 1997 by owner. Provenance: Property of the estate of Arlene Goldstine, Knoxville, TN.
Condition:
Overall excellent condition.
LARGE GROUP OF B & O MEMORABILIALARGE GROUP OF B & O MEMORABILIA Including towels, dishware stencil, ash trays, matches, napkins, paper plates, locks, medallions, and pencils.
COLLECTION OF POLITICAL AND PRESIDENTIALCOLLECTION OF POLITICAL AND PRESIDENTIAL MEMORABILIACollection of Political and Presidential Memorabilia
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PHOTOGRAPHS, JUDY DATER (lot ofPHOTOGRAPHS, JUDY DATER (lot of 2) Judy Dater (American, b. 1941), "Memory #II," 1988, gelatin silver prints, each signed, titled, and dated verso, sight (each): 23.25"h x 19.5"w, overall (with frame/each): 24"h x 20.25"w
A quantity of books, mostly naturalA quantity of books, mostly natural history subjects
A quantity of picture frames, someA quantity of picture frames, some with mounts
Vintage print ''In Memory of theVintage print ''In Memory of the Worlds War''. The World's Art Publishing Co..Sight 17'' x 30 1/2''.
MEMORIAL. New England 1st half-19thMEMORIAL. New England 1st half-19th century watercolor on paper. Nicely done image of a woman and child at a draped sarcophagus. Inked below ''Our Father''. In a frame 7.5''h. 9''w. Ex Mary Webb (New York).
L.SAULTER, "MEMORIES OF AN OLDL.SAULTER, "MEMORIES OF AN OLD CITY" O/B(Polish/American,1908-1986), signed lower right, exhibition label verso for California Centennial Exhibition of Art, 1949. Frame size: 27" high, 35 1/2" wide. Provenance: Property of a CT Estate.
Condition:
Any condition information included in our lot descriptions is not the equivalent of a written condition statement, and the absence of condition information does not imply that the lot is free of defects. Our auction lot descriptions reflect our effort to provide accurate, objective and fair information on all lots for sale, and we encourage bidders to request written condition statements and large file images on any lots of interest by emailing condition@woodburyauction.com. We also strongly advise that you or someone on your behalf inspect the lot personally before bidding. All lots are sold "as is" and "where is" and neither we nor any consignor makes any warranties or representation of any kind or nature with respect to the property. There are no returns and no refunds based on condition
A quantity of Soviet Russian andA quantity of Soviet Russian and Hungarian memorabilia including a banner a number of badges two cigarette cases two watches etc.
A quantity of ephemera includingA quantity of ephemera including personal letters, inscribed drawings, private humorous drawings etc.