EDWARD MORAN (1829-1901) SIGNEDEDWARD MORAN (1829-1901) SIGNED ETCHINGDESCRIPTION: Edward Moran (1829-1901) etching depicting a rural landscape. Etching is signed by artist. CIRCA: 1929 ORIGIN: USA DIMENSIONS: W: 16 1/4" H: 14 1/4". etching is W: 9" H: 7" CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
MORAN, ROSES, COLOR PRINT AND GROTEMORAN, ROSES, COLOR PRINT AND GROTE MACHT, BRUSSELS, SIGNED RUTMAN, ETCHING, (ONE UNFRAMED), 29-1/4 X 23-1/4 INCHESMoran, Roses, Color Print and Grote Macht, Brussels, Signed Rutman, Etching, (one unframed), 29-1/4 x 23-1/4 inches
THOMAS MORAN ETCHINGThomas MoranTHOMAS MORAN ETCHINGThomas Moran etching, signed lower right, Woodland Pool ,19" x 33 1/2".
Condition:
Toning, small chip to frame..
Thomas Moran (American, 1837-1926)Thomas Moran (American, 1837-1926) "Figure Working Near a Country Cottage", graphite on paper, sheet size 10-3/4" x 7-1/2", monogrammed lower left, dated below monogram "Nov. 1868". Unframed.
Marcellin Gilbert Desboutin etchingMarcellin Gilbert Desboutin etching (French, 1823-1902), "Portrait de Berthe Morisot", signed lower right in pencil "M. Desboutin", drypoint etching on paper, plate 10-3/8 x 7 in., page 20-3/4 x 14-5/8 in.; modern gilt wood and composition French style frame. Hinged in at top, handling grime, light foxing and toning. Private Collection
Etching by P. Moran titled TheEtching by P. Moran titled The Homeward Herd 8" x 13 1/2" together with another Moran etching of cattle 6 1/4" x 8 1/4" and an... ?
THOMAS MORAN (AMERICAN, 1837-1926)THOMAS MORAN (AMERICAN, 1837-1926) STREAM ETCHING: 5 1/2 X 8 1/2 IN. (SIGHT)THOMAS MORAN, (AMERICAN, 1837-1926) STREAM, Etching: 5 1/2 x 8 1/2 in. (sight) Framed; lower right initialed: 'TM' Provenance: Estate of Ronald Sperling
AFTER THOMAS MORAN (1837-1926)AFTER THOMAS MORAN (1837-1926) AMERICAN ETCHINGTITLED "MORNING", PENCIL SIGNED LOWER LEFT, SIGNED IN PLATE LOWER RIGHT. GOOD CONDTION. IN AN EXCEPTIONAL CARVED AND GILDED FRAME WITH CLOTH MAT. PLATE SIZE 10 3/4" X 17", OVERALL 22" X 27 1/2".
PRINT, BERTHE MORISOT Berthe MorisotPRINT, BERTHE MORISOT Berthe Morisot (French, 1841-1895), "La Lecon de Dessin," circa 1889, drypoint etching, image/plate: 7.5"w x 5.25"w, overall (with frame): 15.25"h x 12.75"w
C. Moran (19th century) The VisitC. Moran (19th century) The Visit oil on board signed C. Moran (lower right) 10 x 7 3/4 inches.
THOMAS MORAN, PASS OF GLENCOE,THOMAS MORAN, PASS OF GLENCOE, FRAMED ETCHING Thomas Moran (British/New York/California, 1837-1926). "Pass of Glencoe, Scotland" -1882, etching. Signed in plate, framed. Approx. 16" x 20" (frame), 3.5" x 5.75" (plate)
THOMAS MORAN (AMERICAN 1837-1926)THOMAS MORAN (AMERICAN 1837-1926) A CHROMOLITHOGRAPH, "...THOMAS MORAN (AMERICAN 1837-1926) A CHROMOLITHOGRAPH, "Grand Canyon of Arizona from Hermit Rim Road," a fine oversized first edition chromolithograph in bright colors, artist's printed signature "TMORAN, 1912." lower left in image, center below image "Grand Canyon of... Thomas Moran N.A.," lower left below image "Copyright. 1913, By The Atchison, Topeka & Santa Fe Railway System," opposite lower right (printed by) "American Lithographic Co, N.Y.," published by Atchison, Topeka & Santa Fe Railway System, 1913, image: 26 3/8" x 35", including blank margins 38" x 46". Note: Thomas Moran is considered to be one of the foremost artist of the American Southwest and the present day prices for his paintings reflect this respect. His oeuvre included several works of the Grand Canyon and the original 1912 painting which this print is drawn from is currently in the offices of the Burlington Northern/Santa Fe Railway Co Art Collection. This was his last work reproduced in chromolithography and was one of 2,500 printed. Many did not survive to today as they were placed unprotected in railway stations and others were given away as promotional gifts. The remaining ones were retained by the company until 1996 when they were placed with a Santa Fe New Mexico gallery where they were each offered for $4,800. Provenance: Property from a Corporate Collection, Houston, Texas.
Condition:
Good condition, some darkening of paper from ageing and some foxing spots scattered throughout. Not examined out of frame. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
R. C. GORMAN. "CATALINA DE MORA,"R. C. GORMAN. "CATALINA DE MORA," LITHOGRAPH (American, 1932-2005). Lithograph in colors, ed. 217/224, pencil signed and dated "RC Gorman 1985" ll, blind stamps lc, sheet size: 29 1/2 x 37 in., framed.
Thomas Moran
(American, 1837–1926)
Ku-ra-tu,Thomas Moran
(American, 1837–1926)
Ku-ra-tu, a Pah-Ute Girl, 1879
etching
signed in pencil
8 3/8 x 5 3/8 inches.
AFTER THOMAS MORAN (AMERICAN 1837-1926),AFTER THOMAS MORAN (AMERICAN 1837-1926), NEY YORK CITY SCENE, ETCHING, FRAME: 14-1/4 X 16-1/4 INAfter Thomas Moran (American 1837-1926), Ney York City Scene, Etching, Frame: 14-1/4 x 16-1/4 in
BERTHE MORISOT. "JULIA AND HERBERTHE MORISOT. "JULIA AND HER CAT," ETCHING (French, 1841-1895). Etching, plate size: 5 3/4 x 4 3/4 in., framed.
AFTER PIERRE-AUGUSTE RENOIR: PORTRAITAFTER PIERRE-AUGUSTE RENOIR: PORTRAIT OF BERTHE MORISOT Etching on paper 4 1/3 x 3 5/8 in. signed.
4 ETCHINGS MARIA LANI EDITIONS4 ETCHINGS MARIA LANI EDITIONS DES QUATRE CHEMINS4 portrait etchings from Jean Cocteau, Mac Ramo and Waldemar George's Maria Lani, Paris: Edition des Quatre Chemins.
Etchings of Maria Lani by Henri Matisse, Chas. Laborde, Georg, and Andre Derain. Each numbered in pencil below the mat 11/80. Discoloration consistent with age to all, all with losses to frames
Matisse, 6 3/4" x 9"
Georg, 4" x 5 1/2"
Derain, 8 1/2" x 6 1/2"
Laborde, 8" x 6 1/2"
PORTRAIT ETCHING by James EnsorPORTRAIT ETCHING by James Ensor (1860-1949) Portrait of Ernest Rousseau etching and drypoint 1887 signed in pencil In a fine karat gold leaf frame and rag mat. Image size: 9'' x 6 1/2'' plus margins OS: 19'' x 15 1/2''. Good condition unexamined out
DANIEL MACMORRIS ETCHINGDanielDANIEL MACMORRIS ETCHINGDaniel MacMorris American, 1893-1981 Etching on paper A 1929 etching of a young Parisian woman with a cigarette in hand, seated at a table with grapes and wine. In the background are very light, gestural representations of figural sketches. Pencil signed "MacMorris?Paris 29" in the lower right margin, and numbered "5" in the lower left margin. The image measures 8 x 9 inches, with a total frame measurement of 15 x 15.5 inches. Daniel MacMorris,?a celebrated Missouri and Kansas City artist, studied with Alphonso Mucha in Chicago, and later with August?Gorguet in Paris.
Condition
Very good condition.
PIERRE AUGUSTE RENOIR 'BERTHE MORISOT'PIERRE AUGUSTE RENOIR 'BERTHE MORISOT' ETCHING Pierre Auguste Renoir (French,1841-1919) "Portrait of Berthe Morisot," French Impressionist etching on paper, signed in the plate, with certificate of authenticity from Jean Lareuse Gallery on back. Sight 6" H x 5" W. Frame 14" H x 13.25" W.
4 ETCHINGS MARIA LANI EDITIONS4 ETCHINGS MARIA LANI EDITIONS DES QUATRE CHEMINS4 portrait etchings from Jean Cocteau, Mac Ramo and Waldemar George's Maria Lani, Paris: Edition des Quatre Chemins. Etchings of Maria Lani by Henri Matisse, Chas. Laborde, Georg, and Andre Derain. Each numbered in pencil below the mat 11/80. Discoloration consistent with age to all, all with losses to frames Matisse, 6 3/4" x 9" Georg, 4" x 5 1/2" Derain, 8 1/2" x 6 1/2" Laborde, 8" x 6 1/2"
Berthe Morisot (French, 1841-1895)Berthe Morisot (French, 1841-1895) "Shoreline", etching, sight 7" x 5-1/2". Glazed, matted and framed. Provenance: The estates of David and Eula Wintermann. Accompanied by the original bill of sale from Foley's, Houston, Texas, dated October 10, 1964.
MORISOT, Berthe, (French, 1841-1895):MORISOT, Berthe, (French, 1841-1895): ''Jeune Fille Entedue'', Etching, sight size 3.50'' x 5'', framed 16'' x 17.50'', Christopher Clark Fine Art COA affixed verso.
PRINT, MORDECAI MOREH MordecaiPRINT, MORDECAI MOREH Mordecai Moreh (Iraqi, b. 1938), "Cat's Cart," etching and drypoint, pencil signed and titled lower margin, edition 20/25, overall (wtih frame): 15"h x 11"w
* (ENGRAVINGS) [CROZAT JOSEPH ANTOINE]* (ENGRAVINGS) [CROZAT JOSEPH ANTOINE] [Recueil d'estampes d'apres les plus Beaux tableaux et d'apres les plus beaux desseins qui sont en France.] [Paris: Chez Basin 1729-1742 or later] Large folio full green morocco ruled and lettered in gilt morocco doublures silk endpapers. A collection of nine copperplate engravings and mezzotints all with elaborate hand-coloring from an edition of the Cabinet Crozat a monumental two-volume undertaking reproducing the finest artworks from French collections; interleaved; fine condition.
Jean-Jacques Tissot etching (French,Jean-Jacques Tissot etching (French, 1836-1902), Berthe Morisot , pencil inscription lower right "Berthe (B-65)", seated and wearing a hat, 1883, signed lower right in plate "J.J. Tissot/1883", etching and drypoint on laid paper, plate 14 x 10-7/8 in., page 19-3/4 x 15 in.; 20th century gilt wood frame. Six circular thin spots in paper (three lower right margin, three small within plate at bottom and right edge, hinged at top, handling grime, light toning; frame with abrasions. Private Collection
THOMAS MORAN (PENNSYLVANIA/CALIFORNIA,THOMAS MORAN (PENNSYLVANIA/CALIFORNIA, 1837-1926), “MORNING”, 1886., ETCHING, 4.5” X 7” SIGHT. MATTED.THOMAS MORAN, Pennsylvania/California, 1837-1926, "Morning", 1886. Titled, signed and dated in pencil lower margin. Dimensions: Etching, 4.5" x 7" sight. Matted.
PIRANESI-STYLE ETCHING: "CLERMONT"Piranesi-stylePIRANESI-STYLE ETCHING: "CLERMONT"Piranesi-style etching, "Clermont", inscribed "Estang N. Peretle Fecit: La situation de Clermont est au regard du ciel de 26 d. 27 min. de latitude est a longitude 46 d. 6 min." [Art: 17 x 20 1/2 inches; Frame: 24 x 28 1/2 inches]. Foxing; age toning.
Condition:
Foxing; age toning.
MARY NIMMO MORAN, ETCHING MaryMARY NIMMO MORAN, ETCHING Mary Nimmo Moran (American, 1842-1899), "The Haunt of the Muskrat, Easthampton", 1886, etching, signed in plate, 4.5"h x 11"w (image), 11"h x 15"w (sheet), unframed
GUILLAUME AZOULAY (MOROCCAN, B.GUILLAUME AZOULAY (MOROCCAN, B. 1959) 30" x 22 ½" paper "Comtagnon Des Mouvias Jours". Etching, signed in pencil lower right, numbered 37/47 in pencil with an additional hand-drawn remark in gold leaf lower left corner titled "L'Homme De La Manche", floated in a wood frame with double matting, overall 41" x 33 ½". Very special edition with hand drawing by the artist.
Edward Percy Moran (American 1862-1935)Edward Percy Moran (American 1862-1935) Cows Watering etching signed P. Moran (lower right) 15 3/4 x 23 1/2 inches.
Edgar Chahine etching (French,Edgar Chahine etching (French, 1874-1947), L'Orientale , portrait of a woman, signed lower left in pencil "Edgar Chahine", drypoint etching on laid paper, plate 18-1/4 x 11-5/8 in., page 21-3/4 x 14-1/4 in.; modern gilt wood frame. Toning, hinged at top, double-stick tape on mat bottom verso, pencil inscriptions (numbers) verso with some erasures; frame with abrasions. Private Collection
Etching in black on white woveEtching in black on white wove paper titled "Moxa Moxa" by Ronald Markman (American, 1931 - 2017) numbered 15 of 50, titled and signed in lower margin, framed; etching 9 1/2" x 12 1/4", in frame 18 1/2" x 20 3/8"
THOMAS MORAN, AMERICAN (1837-1926),THOMAS MORAN, AMERICAN (1837-1926), VENICE, 1903, OIL ON CANVAS, 20 X 30 INCHESTHOMAS MORAN, American, (1837-1926) Venice, 1903, oil on canvas signed and dated lower left "T. Moran 1903" oil on canvas Dimensions: 20 x 30 inches Provenance: Sotheby's, New York, New York, December 3, 1987, lot 85; Sotheby's, New York, New York, December 4, 2002, lot 128; Private Collection. Other notes: This painting will be included in the Thomas Moran Catalogue Raisonné Project under the direction of Stephen L. Good, Phyllis Braff, and Melissa Webster Speidel. Framed dimensions: 29 3/4 x 39 3/4 x 3 1/2 inches Thomas Moran immigrated with his family from England to Philadelphia in 1844. He attended public school and in 1853 apprenticed to a wood engraver. The four Moran brothers all became artists and Thomas worked in his older brother, Edward's, studio. Edward had already begun to establish himself as a marine painter. Of the four, Thomas Moran became the most successful and is today recognized as one of the preeminent painters of the American Landscape. In 1861, captivated by the work of J.M.W. Turner that they had seen in prints, the two brothers, Edward and Thomas, traveled to London where they spent several months studying and copying Turner's works on view at the National Gallery. This trip and Turner's influence would be evident in much of Thomas Moran's subsequent work. In 1871, Scribner's Magazine hired him to rework some sketches of Yellowstone made by another artist. Moran decided to visit Yellowstone himself and the trip generated numerous paintings and commissions. Inspired by the landscape he completed a 7 x 12 foot painting, Grand Canyon of the Yellowstone, that later sold to Congress shortly after the land was designated as a National Park. Following this success, he created another canvas, Chasm of the Colorado, also sold to Congress and matching the impressive scale of the previous painting. Moran returned to Europe, following in the footsteps of Turner and visiting places where his idol had painted. Captivated by Venice, Moran first visited in 1886 and returned again in 1890 and 1911. The paintings he created of the picturesque Italian city are sublime, luminous views reminiscent of his Turner. In the paintings, Moran masterfully switches between tightly painted areas to broader brush strokes, capturing the changing atmosphere. In 1883 Moran visited Mexico and traveled throughout the American Southwest and the Grand Canyon. He moved to Santa Barbara, California in 1916 and died there a decade later. At the age of 87 he made his last trip to Yellowstone, two years before his death. After his death he was memorialized as the "Dean of American Landscape Painters." Tags: oil painting, Venice, Italy, European, listed artist, 19th century, marine / coastal / seascape Condition: in overall excellent condition; lined canvas; very minor frame abrasion lower right with corresponding hairline of paint; in an exceptional period frame; very minor craquelure upper right; additional UV photos available upon request We are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon’s is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD “AS IS” IN ACCORDANCE WITH THE CONDITIONS OF SALE.
Berthe Morisot (French, 1841-1895)Berthe Morisot (French, 1841-1895) "Goose", etching, sight 6-3/4" x 5-1/2". Glazed, matted and framed. Provenance: The estates of David and Eula Wintermann. Accompanied by the original bill of sale from Foley's, Houston, Texas, dated October 10, 1964.