- Newlyn. Rose bowl. c. 1910, hammered
Newlyn. Rose bowl. c. 1910, hammered copper with applied patina. 3¾ h × 8½ dia in. result: $750. estimate: $1,000–1,500. Bowl features a repoussé fish frieze and seaweed motif. Impressed manufacturer's mark to underside ‘Newlyn’. Provenance: Collection of Jordan Lubitz
- Newlyn. Rose bowl. c. 1910, hammered
Newlyn. Rose bowl. c. 1910, hammered copper with applied patina. 3¾ h × 8½ dia in. estimate: $1,500–2,000. Bowl features a repoussé fish frieze and seaweed motif. Impressed manufacturer's mark to underside ‘Newlyn’. Provenance: Collection of Jordan Lubitz
- NEWLYN SCHOOL ENGLISH ARTS & CRAFTS
NEWLYN SCHOOL ENGLISH ARTS & CRAFTS COPPER BOWL - MARKE...Newlyn School English Arts & Crafts hand wrought copper bowl with repousse decoration depicting fish along the sides. Marked "Newlyn" along the underside.
Height: 3 in x diameter: 6 1/4 in.
Condition:
Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
- AESTHETIC MOVEMENT HAND WROUGHT COPPER
AESTHETIC MOVEMENT HAND WROUGHT COPPER TRIPLE FISH TRAY...English Arts & Crafts Era Aesthetic Movement copper tray, decorated with three fish in low relief. Attributed to the Newlyn School.
Height: 1 in x diameter: 11 in.
Condition:
Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
- ART NOUVEAU HAMMERED COPPER VASE W/
ART NOUVEAU HAMMERED COPPER VASE W/ TULIPSArt Nouveau style Arts & Crafts hammered copper vase decorated along three sides with tulips. With three pointed and curved handles. Similar in style to works produced by Newlyn Copperworks throughout the early 20th century.
Height: 13 5/8 in x diameter: 4 in.
Condition:
Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
- JOHN MILLER OIL ON CANVAS "SANTA MARIA
JOHN MILLER OIL ON CANVAS "SANTA MARIA DELLA SALUTE - V...John Miller (British 1931-2002) Oil on Canvas "Santa Maria Della Salute - Venice" , signed lower right John Miller; titled, signed and remarked on reverse of canvas "Santa Maria Della Salute - Venice, John Miller - Painted Spring 2000 - A Memory"; in molded gilt frame
64 in. x 47 in. Framed 76 in. x 60 in.
John Miller (1931-2002) was an English artist born in London who became famous for his idyllic representation of beach scenes in his home county of Cornwall. Most of his paintings were of the West Penwith peninsula and Tresco in the Isles of Scilly.
During the 1970s John Miller emerged as a cultural figurehead within Cornwall. He became well known as a painter of popular, Monet-like Cornish scenes (many of which were cheaply reproduced as prints for the tourist trade), as an art teacher, a television personality, a patron of local charities and an active supporter of the Church of England. He was also responsible for some high profile architectural projects including a reordering of the interior of Newlyn Art Gallery.
At an advanced stage in his career John Miller's artistic style underwent a radical change and by the mid-1990s his work (but not always his name) had become known worldwide as a result of the mass production and distribution of cheap posters, prints and cards with reproductions of his distinctive beach paintings: he produced the first of these in what was to become recognized as his trademark style in 1992. The paintings themselves, which Miller continued to produce in large numbers until his death in 2002, became highly sought after and were only available through selected London galleries at successive annual exhibitions which usually sold out well before their official opening dates.
John Miller was elected to become a member of the Newlyn Society of Artists in 1961. John Miller, a household name in Cornwall since the mid-1970s, is an artist whose work continues to have an extremely high public profile, both in the UK and internationally. In a 2003 survey (for the periodical ' Art Business Today ') of 200 United Kingdom high street gallery owners whose businesses specialized in posters and popular art reproductions, Miller was listed alongside Monet and L.S. Lowry among the 'top-four' best-selling landscape artists and fifth - above Van Gogh (7th), Picasso (8th), and Matisse (10th) - in a list of the current 'top-ten' best-selling deceased artists in all genres. John Miller's work was the subject of academic investigation by a postgraduate student at the University of Kent, Canterbury, England in 2004-2005.
Source : wikipedia.org
Condition:
Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
- JOHN MILLER OIL ON LINEN "YACHT PASSING
JOHN MILLER OIL ON LINEN "YACHT PASSING THE BAY"John Miller (British 1931-2002) Oil on Linen "Yacht Passing the Bay" in molded gilt frame, titled and signed on reverse; in molded gilt frame
51.5 in. x 47 in. Framed 64 in. x 60 in.
John Miller (1931-2002) was an English artist born in London who became famous for his idyllic representation of beach scenes in his home county of Cornwall. Most of his paintings were of the West Penwith peninsula and Tresco in the Isles of Scilly.
During the 1970s John Miller emerged as a cultural figurehead within Cornwall. He became well known as a painter of popular, Monet-like Cornish scenes (many of which were cheaply reproduced as prints for the tourist trade), as an art teacher, a television personality, a patron of local charities and an active supporter of the Church of England. He was also responsible for some high profile architectural projects including a reordering of the interior of Newlyn Art Gallery.
At an advanced stage in his career John Miller's artistic style underwent a radical change and by the mid-1990s his work (but not always his name) had become known worldwide as a result of the mass production and distribution of cheap posters, prints and cards with reproductions of his distinctive beach paintings: he produced the first of these in what was to become recognized as his trademark style in 1992. The paintings themselves, which Miller continued to produce in large numbers until his death in 2002, became highly sought after and were only available through selected London galleries at successive annual exhibitions which usually sold out well before their official opening dates.
John Miller was elected to become a member of the Newlyn Society of Artists in 1961. John Miller, a household name in Cornwall since the mid-1970s, is an artist whose work continues to have an extremely high public profile, both in the UK and internationally. In a 2003 survey (for the periodical ' Art Business Today ') of 200 United Kingdom high street gallery owners whose businesses specialized in posters and popular art reproductions, Miller was listed alongside Monet and L.S. Lowry among the 'top-four' best-selling landscape artists and fifth - above Van Gogh (7th), Picasso (8th), and Matisse (10th) - in a list of the current 'top-ten' best-selling deceased artists in all genres. John Miller's work was the subject of academic investigation by a postgraduate student at the University of Kent, Canterbury, England in 2004-2005.
Source : wikipedia.org
Condition:
Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
- § ANTHONY BENJAMIN (BRITISH 1931-2002)
UNTITLED
§ ANTHONY BENJAMIN (BRITISH 1931-2002)
UNTITLED (MOROCCO SERIES), 2002 12/20, numbered in pencil (lower left), etching on paper42.5cm x 42.5cm (16.75in x 16.75in)Anthony Benjamin is regarded as a talented polymath; a painter, sculptor and printmaker. Having studied in Paris under Fernand Leger, Benjamin came to St Ives in the late 1950s as a rebellious young artist. Using a small legacy, he purchased a cottage which previously belonged to Sven Berlin. Here, he found encouragement from the likes of Peter Lanyon, accepting his suggestion to join the Newlyn Society of Artists. He had his first one-man exhibition there in 1958. His work developed rapidly here, and he was apparently well supported and encouraged by significant figures in the art world, including Henry Moore and Francis Bacon who gave him canvases. Originally rooted in a more 'kitchen-sink' aesthetic, in Cornwall Benjamin's work became more Abstract Expressionist in concept.
- § ANTHONY BENJAMIN (BRITISH 1931-2002)
UNTITLED,
§ ANTHONY BENJAMIN (BRITISH 1931-2002)
UNTITLED, 1958 1/50, signed, dated and numbered in pen in the margin, etching on paper44cm x 32.5cm (17.25in x 12.75in)Anthony Benjamin is regarded as a talented polymath; a painter, sculptor and printmaker. Having studied in Paris under Fernand Leger, Benjamin came to St Ives in the late 1950s as a rebellious young artist. Using a small legacy, he purchased a cottage which previously belonged to Sven Berlin. Here, he found encouragement from the likes of Peter Lanyon, accepting his suggestion to join the Newlyn Society of Artists. He had his first one-man exhibition there in 1958. His work developed rapidly here, and he was apparently well supported and encouraged by significant figures in the art world, including Henry Moore and Francis Bacon who gave him canvases. Originally rooted in a more 'kitchen-sink' aesthetic, in Cornwall Benjamin's work became more Abstract Expressionist in concept.
- § JOHN WELLS (BRITISH 1907-2000)
UNTITLED,
§ JOHN WELLS (BRITISH 1907-2000)
UNTITLED, 1956 signed, dated and inscribed 'Anchor Studio, Trewarveneth Street, Newlyn' in pencil (to reverse), oil and pencil on board19cm x 80cm (7.5in x 31.5in)Provenance: In Barns-Graham's notes about her collection she notes she purchased two oils by John Wells.John Wells and Wilhelmina Barns-Graham shared a particular friendship. Both had benefited from the mentorship of Ben Nicholson who, of the many artists that gathered in St Ives, seemed to have had a particular interest in Barns-Graham’s work. She and Wells had also been significantly influenced by the work of Naum Gabo, a leading figure in Russian Constructivism who, as an emigrant during the War, followed his friends Nicholson and Hepworth to St Ives, playing a key role in the modernist developments that took place.This impact was seen in the pair's artistic practices which shared an affinity with an analytical, at times scientific approach to abstraction. As a result there is often something more linear and hard-edged to their output than some of their more expressionistic peers: a theory of the landscape and its forms as much as a representation of it.
- § WILHELMINA BARNS-GRAHAM C.B.E. (BRITISH
§ WILHELMINA BARNS-GRAHAM C.B.E. (BRITISH 1912-2004)
NEWLYN 2, 1984-87 signed and dated in pencil (lower right), inscribed and titled (to reverse) acrylic on board35cm x 105.5cm (13.75in x 41.5in)Between 1982-87 Barns-Graham made a group of works she described (and often titled) as ‘collages’. Although they do all employ stuck down paper or card, they are perhaps better described as painted reliefs. Beginning very small - built up from layers of the tiny circles of paper made by a hole-punch, as the series developed the woks became larger, more ambitious and often associated with specific places or landscapes, as with ‘Newlyn 2’.
- § MICHAEL O'DONNELL (BRITISH 1946-)
7
§ MICHAEL O'DONNELL (BRITISH 1946-)
7 AND 5 FOR W.B-G., 1981 Signed, inscribed and dated in pencil (lower right), pencil and crayons on paper12.5cm x 17.5cm (5in x 7in)Provenance: In Barns-Graham's notes about her collection she states she was given one work by O'Connel [sic].Inscribed to back board 'For 'Willy' Barnes-Graham, you were so kind to write to me after the Newlyn exhibition. Michael'.
- NEWLYN SCHOOL
PENDANT NECKLACE, CIRCA
NEWLYN SCHOOL
PENDANT NECKLACE, CIRCA 1900 white metal, enamel and mother-of-pearl, with original hand-crafted chain, stamped NEWLYN/ ENAMELpendant 3.2cm long; chain 42.5cm
- NEWLYN SCHOOL, MANNER OF JOHN PEARSON
ARTS
NEWLYN SCHOOL, MANNER OF JOHN PEARSON
ARTS & CRAFTS FLOWER BOWL & COVER, CIRCA 1900 copper, stamped to base NEWLYN25.5cm diameter
- An Arts & Crafts Newlyn style copper
An Arts & Crafts Newlyn style copper firescreen, the central panel embossed galleon with dragon to the sail and waves beneath, 49cm high, in an ironwork frame
- Newlyn School, a copper tray, the hammered
Newlyn School, a copper tray, the hammered ground with central vacant cartouche surrounded by embossed fish, shells and seaweed, 52cm wide
- Charles Breaker (1906-1985)/Newlyn Fishing
Charles Breaker (1906-1985)/Newlyn Fishing Boat/signed lower left; inscribed and artist's studio label verso/watercolour, 18cm x 24.5cm
- A Newlyn lined cylindrical copper pot,
A Newlyn lined cylindrical copper pot, the cover embossed Tea, the sides decorated stylised fish, 10cm high
- A NEWLYN ART DECO BEATEN COPPER ROSE
A NEWLYN ART DECO BEATEN COPPER ROSE BOWL With fish motif and perforated cover; 2nd quarter, 20th century; Together with a greeting card from General and Mrs. Claire Lee Chennault (commander of Flying Tigers in WWII).
- Terry Frost RA (British 1915-2003)/Orange
Terry Frost RA (British 1915-2003)/Orange and Blue Q Newlyn, 1997/signed in pencil and numbered 144/150/screenprint, 49cm x 53cm/Provenance: Julian Lax Gallery, London
- Celtic Pottery, Newlyn Cornwall, a small
Celtic Pottery, Newlyn Cornwall, a small group of Phoenix pattern pottery comprising a pair of tall coffee mugs, a smaller mug and an oval bowl and a quantity of Tams green wheat pattern coffee cups and saucers
- Style of Newlyn, an Arts & Crafts copper
Style of Newlyn, an Arts & Crafts copper jug of tapering form, embossed penguins, 21cm high and a copper two-handled vase decorated stylised fish, 24cm high, both unmarked
- An Arts & Crafts copper wall pocket,
An Arts & Crafts copper wall pocket, in the manner of the Newlyn School, the arched back repousse decorated with a pair of birds on branches, with serrated edges, unmarked, 34cm high
- Newlyn, an oval copper biscuit barrel
Newlyn, an oval copper biscuit barrel embossed three galleons, the lid decorated embossed shells, impressed mark, 18cm wide, a Newlyn copper charger embossed a ship in full sail, stamped three times, 31cm diameter and a hammered circular tray with wavy edge, impressed Newlyn, 37.5cm diameter
- NEWLYN SCHOOL
ARTS & CRAFTS WALL MIRROR,
NEWLYN SCHOOL
ARTS & CRAFTS WALL MIRROR, CIRCA 1900 copper with repoussé-decoration and a bevelled mirror plate71.5cm x 104cm
- NEWLYN SCHOOL
ARTS & CRAFTS TALL VASE,
NEWLYN SCHOOL
ARTS & CRAFTS TALL VASE, CIRCA 1900 repoussé decorated copper30cm high
- JOHN PEARSON (FL. 1885-1910)
NEWLYN
JOHN PEARSON (FL. 1885-1910)
NEWLYN CHARGER, DATED 1892 repoussé-decorated copper, signed and dated verso J. PEARSON/ 189251.5cm diameter
- NEWLYN SCHOOL
ART NOUVEAU PENDANT, CIRCA
NEWLYN SCHOOL
ART NOUVEAU PENDANT, CIRCA 1900 enamel, white metal, stamped marks NEWLYN/ ENAMEL5.5cm tall, 2.1cm across
- AMBROSE HEAL (1872-1959) FOR HEAL &
AMBROSE HEAL (1872-1959) FOR HEAL & SON, LONDON
ARTS & CRAFTS 'ST. IVES' WARDROBE, CIRCA 1898 oak, lacquered steel fittings with mirrored glass plate, stamped twice HEAL & SON, TOTTENHAM COURT ROAD LONDON128cm wide, 190cm high, 61cm deepLiterature: Heal, Oliver S. Sir Ambrose Heal and the Heal Cabinet Factory 1897-1939, Unicorn 2014, p.150-151 where a similar example is illustrated.Note: Three suites of bedroom furniture, manufactured by the Guild of Handicraft to Ambrose Heal's designs ('216' Newlyn in fumed oak, '217' Bushey in mahogany and '222' St Ives in fumed oak - also available in ash stained green), were put on display in Tottenham Court Road in 1897. The St Ives suite, made up of a 3ft 6 in wardrobe, a 3 ft 6 in toilet table, a 3 ft washstand and two chairs (made by Cox), sold for £19 19s and proved an instant success as the first suite was sold in April and by the end of the year, sixteen complete suites had been sold in oak with a further five in green ash.
- NEWLYN SCHOOL
PENDANT, CIRCA 1900 white
NEWLYN SCHOOL
PENDANT, CIRCA 1900 white metal and enamel, with fine link chain, stamped NEWLYN/ ENAMEL4.7cm long
- ARTS & CRAFTS NEWLYN COPPER AQUATIC
ARTS & CRAFTS NEWLYN COPPER AQUATIC TRAY, SIGNED N. NOGUCHI ¾" x 14 ¾" x 10 ?" Of water lili leaf form hand made and hand hammered copper decorative tray with everted serpentine rim, applied multiple patinas, repousse design depicting Antiquity style dolphin and fish, signed N. Noguchi '34 on the rim back.
- A Newlyn School copper shield embossed
A Newlyn School copper shield embossed three fish, 44cm diameter
- John Pearson. An Arts & Crafts embossed
John Pearson. An Arts & Crafts embossed copper chamberstick decorated with clover initialled J.P. and dated 1899 with a tall Arts & Crafts copper candlestick probably Newlyn tallest 8in. Estimate ?150-200 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?140
- A Newlyn Arts & Crafts copper inkwell
A Newlyn Arts & Crafts copper inkwell decorated with shells and a heart stamped NEWLYN 3.25in. Estimate ?150-200 Inkwell with some light scratching slightly heavier on the underside and with general rubbing to polishing but a fairly even colour throughout lid sits very slightly to the right hand side but hinge works ok possibly lacking an original liner slight knock to the back left corner and a few small little dents to the underside all fairly superficial and overall ok. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?190
- A Clarice Cliff pottery sugar shaker
A Clarice Cliff pottery sugar shaker of tapered ribbed form decorated in colours with ''Newlyn'' design of a cottage within a wooded landscape produced in Delecia Runnings 4.75ins high (printed Bizarre pottery mark to base and complete with original cork with red metal cover to base)
- Newlyn School oil on canvas Fishermen
Newlyn School oil on canvas Fishermen around a table 22 x 28in. Estimate ?200-300 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?140