DEERING Roger (American 1904-1980):DEERING Roger (American 1904-1980): Pinehurst village ''Spring-Pinehurst Village Pinehurst North Carolina'' Oil/Canvas 20'' x 24'' signed lower right period frame 27'' x 30 1/2'' titled on the stretcher verso with affixed Pine Hurst postcards and business card for Deering's Pinehurst Art Gallery at the Carolina Hotel.
PINEHURST GOLF CLUB PUTTER BOYPINEHURST GOLF CLUB PUTTER BOY SUNDIAL TROPHY 20th century, cast copper hue metal, with engraved inscription "Pinehurst Country Club" to circular sundial, mounted on an ebonized square wood base, Balfour trophy label to underside.
THREE DECORATIVE GOLFING ACCESSORIESTHREE DECORATIVE GOLFING ACCESSORIES 20th century, including a Pinehurst 1895 lacquered hardwood box with inset tile featuring the iconic "Putter Boy" (2 x 3/58 x 4 1/2 in.); a Herend Rothschild Bird porcelain golf ball; and a "Time to Practice" golf ball golf clock featuring a quote from Bob Hope - "If you watch a game - it's fun; if you play at it - it's recreation; if you work at it - it's golf!" All marked or labeled to underside.
OOB - 'Pine Ridge' by John EnnekingOOB - 'Pine Ridge' by John Enneking (MA/ME 1841-1916) signed lr titled verso with inscription 'Estate of John F. Enneking (signed) Florence E. King Grace E. Ward J. Eliot Enneking' stamped by Norman E. Ward Boston in later gold cove frame with l
Pine (19th century) Portrait ofPine (19th century) Portrait of John Hamilton 1894 oil on canvas signed Pine and dated (lower left) 30 x 25 inches.
§ PATRICK CAULFIELD (BRITISH 1936-2005)
GARDEN§ PATRICK CAULFIELD (BRITISH 1936-2005)
GARDEN WITH PINES, 1975 Screenprint76cm (30in), 102cm (40 1/4in)
William W. McCullough (North Carolina/SouthWilliam W. McCullough (North Carolina/South Carolina, born 1948) Pine Tre
Pine Welsh drPine Welsh dr
SOUTHERN SHERATON PINE FARM TABLESOUTHERN SHERATON PINE FARM TABLE Late 20th century, heart pine, three board rectangular top with rounded corners, flush skirt rails, turned poplar legs.
Birger Sandzen (American, 1871-1954)Birger Sandzen (American, 1871-1954) "Two Pines". Nailhead woodcut, ca. 1918, printed in umber ink, signed in pencil at the lower left, titled in pencil at the lower right margin, the image size approx. 8" x 6", paper size approx. 9-1/2" x 7-5/8", matted but not framed.
ALFRED HUTTY ETCHING, SUSSEX PINES,ALFRED HUTTY ETCHING, SUSSEX PINES, FRAMED, 1928 Alfred Hutty (American/South Carolina, 1877-1954). "Sussex Pines, England" -1928, etching. Pencil signed lower right.
John Pine (1690-1756) after C Lempriere/BattleJohn Pine (1690-1756) after C Lempriere/Battle Scenes/four nautical engravings, 37cm x 61cm/and another 18th Century engraving, Scarborough with the Castle, Port and Span
Pine Country Side Table.Pine Country Side Table.
Four botanical engravings, J. Pass:Four botanical engravings, J. Pass: Pinus, Populus, Pandanus…, and Quadrants…, engraved for the Encyclopedia Londinensis, 1825-26 by J. Pass, hand colored engravings, 11-1/8 x 8-3/4 in.; matching gilt and stained wood frames with French mats. Hinged in, handling grime, some foxing, light toning; frames with abrasions. The Estate of the Late John Boone, Owensboro, Kentucky
Five Golfing Prints (late 20thFive Golfing Prints (late 20th century), Augusta, Georgia (2), St. Andrews, Scotland (2), Sea Island, Georgia (1), all offset lithographs, two Augusta National Golf Club, after Arthur Weaver (British, 1918-2008): "The 13th Green", 137/750, 18 x 26-7/8 in. (image); "The 12th Green", 154/850", 17-5/8 x 27 in. (images), published 1984 and 1988, Sportsman's Edge Ltd., both signed lower right in pencil "Arthur Weaver", modern gilt wood frames; two The Old Course, St. Andrews, after Arthur Weaver: "High Hole, Coming Home", 1990, 117/1000, and "The World's Largest Green", 1989, 116/1000, both signed lower left "Arthur Weaver", 11-7/8 x 19-5/8 in. (images), modern gilt and faux painted frames; one "13th Hole, Seaside Course, Sea Island Golf Club", 2001, 66/850, signed in pencil "Linda Hartough", 15-3/8 x 26-7/8 in. (image),
PISGAH FOREST CAMEO POTTERY VASE(Arden,PISGAH FOREST CAMEO POTTERY VASE(Arden, North Carolina, 1921-1962) matte blue and aubergine glaze over baluster form, white glazed interior, applied cameo "life on the farm" scene to shoulder of jar, alternating heart and flower cameo motif on neck of jar, cameo "Stephen" signature applied to cameo scene, base with "1952 Cameo Stephen Longpine Arden N.C." mark, 10-1/4 in.
Provenance: Humber Family, North Carolina
Condition:
glaze voids and anomalies, 2 in. firing separation under glaze as made, residue to exterior, grime in interior, minor surface abrasions, good condition
Country pine side table caswellCountry pine side table caswell county, north carolina, first half 19th century Shaped backboard on rectangular case with two drawers, paneled sides, raised on square tapering legs. H: 42 W: 44 D; 19 1/2 in. pegged construction, old mend to top left hand corner, some insect holes to sides, discoloration to top, loss above corner of top drawer, patch to upper right corner and vertical patch across top of upper drawer, rear right leg worn.
WINTHROP DUTHIE TURNEY (NEW YORK,WINTHROP DUTHIE TURNEY (NEW YORK, 1884-1965), "PIDGEON[SIC] HILL" (ROCKPORT, MASSACHUSETTS)., OIL ON CANVAS, 20" X 24". FRAMED 27" X 31".WINTHROP DUTHIE TURNEY, New York, 1884-1965, "Pidgeon[ sic] Hill" (Rockport, Massachusetts). Signed and dated lower left "Winthrop Turney '17". Titled on gallery label verso. Dimensions: Oil on canvas, 20" x 24". Framed 27" x 31". Provenance: Vose Galleries, Boston.
English pine farm table 20th century;English pine farm table 20th century; with distressed finish, 30 1/2 in. H., 74 in. L., 36 in. W.
Southern yellow pine huntboard,Southern yellow pine huntboard, yellow pine throughout with single-board top, shaped backsplash, paneled central door with original lock and hinges and shelved interior flanked by two deep dovetailed drawers, tapered legs, pegged, cut nail and dovetailed construction, North or South Carolina, 19th century, 43 x 55-1/2 x 23-1/2 in., height to flat surface 38-1/4 in. Old refinishing with traces paint, top cracked with scattered stains, one drawer slightly loose, one front leg ended out approximately 1 in., repairs and losses to cockbeading, other normal wear and abrasions, does not appear to have lost any height. The Collection of Ella and Dennis Layne, Asheboro, North Carolina.
JANE PETERSONAmerican 1876-1965PalmsJANE PETERSONAmerican 1876-1965Palms of Golf Course''. Signed lower right ''Jane Peterson''. Provenance: Artist's Estate. Finer Things Fine Art Boston. Private Collection Massachusetts. .Watercolor on paper 24'' x 19''. Framed.''
ERNEST HASKELL (NY/ME/1876-1925)ERNEST HASKELL (NY/ME/1876-1925) "Crippled Pine", etching on paper, signed in plate upper right corner, pencil signed, inscribed "To Dr. Keyes, who owns this tree". (Done between 1900 and 1925), in mahogany molded stick frame, matted and glazed, OS: 14" x 16", impression: 3 1/4" x 5".
A selection of 19th Century golfA selection of 19th Century golf clubs, hickory shafted, and a few balls in an oak case with plaque engraved 'Robert Berkeley Eq. Junr, Spetchley, Worc.'/Provenance: Spetchley Park, Worcestershire
Arthur Weaver (British, 1918-2008),Arthur Weaver (British, 1918-2008), Gardner Dickinson Watches Archer Putt on the 17th (Road Hole) Alcan Tournament, St. Andrews, 1967, watercolor and gouache over charcoal, signed lower right "A. Weaver 1967" and titled lower left, 18-7/8 x 25 in., modern gilt wood frame,
SOUTHERN YELLOW PINE PEW Late 19thSOUTHERN YELLOW PINE PEW Late 19th century, attributed to Virginia or North Carolina, remnants of original salmon paint, one part form, scrolled crest rail, down-swept arms, paneled back board, plank seat, paneled side cases, paneled back board, case sides with molded front and rear edges.
A pine table and a tripod tableA pine table and a tripod table (both distressed)
GUNNAR MAURITZ WIDFORSS (AMERICANGUNNAR MAURITZ WIDFORSS (AMERICAN 1879-1934) PINES AT MONTEREY Gouache and watercolor on paper: 19 1/4 x 24 1/2 in. (sight) Framed: lower left signed: Widforss; verso inscribed: Gunnar Widforss ''Pines at Monterey'' $250 Provenance: From the artist and by descent to Private Collection Connecticut
GUNNAR MAURITZ WIDFORSS (AMERICANGUNNAR MAURITZ WIDFORSS (AMERICAN 1879-1934) PINES AT MONTEREY Gouache and watercolor on paper: 19 1/4 x 24 1/2 in. (sight) Framed: lower left signed: Widforss; verso inscribed: Gunnar Widforss ''Pines at Monterey'' $250 Provenance: From the artist and by descent to Private Collection Connecticut
Dovetailed pine chDovetailed pine ch
THREE PIECES OF PISGAH FOREST MASONICTHREE PIECES OF PISGAH FOREST MASONIC POTTERY(Arden, North Carolina, 1921-1962) light blue glazed vase, white glazed interior, applied cameo masonic double head eagle at neck, another masons symbol on opposite side of neck, "To My Good Friend and Brother Dr. S.S. Fay 33" and "Stephen-1959" in applied script to lower body of vase, "Long Pine" mark and five slash's on base, 7 in.; cobalt blue glazed bowl, pink glazed interior, applied "Asheville Scottish Rite" triangular double headed eagle emblem, "32" in blue at pinnacle, "potter at wheel" mark on base dated "1949", 2-1/4 x 4-3/4 in.; light blue glazed presentation pen holder, pink glazed interior, applied cameo plaque for "C.C. Rickey, G.H.P., 1947-48" and "Keystone", indiscernible "Stephen" mark on base, 3 in.
Note: Asheville Scottish Rite cobalt blue bowl pictured on page 157 of Leftwich, Rodney Henderson, and Tim Barnwell. Pisgah Forest and Nonconnah: The Potteries of Walter B. Stephen. Bradenton, Fla: Marlin Media Pub, 2006.
Provenance: North Carolina Collection
Condition:
glaze voids and anomalies as made, tiny hairline to rim of masonic bowl above pinnacle, base edge wear, base edge wear
English Pine Settle, mid-19thEnglish Pine Settle, mid-19th century, the shaped rail above a spindled back, with outscrolled arms over finials, the seat hinged and opening to a storage interior, the whole raised on block feet, h, 38\", w. 78\", d. 21-1/2\".
THREE PIECES OF PISGAH FOREST POTTERY(Arden,THREE PIECES OF PISGAH FOREST POTTERY(Arden, North Carolina, 1921-1962) bowl and creamer with matte green glazes, pink glazed interiors, applied cameo "Westward Ho!" scenes, both with "1953 Cameo Stephen Longpine Arden N.C." marks on bases, bowl 2-1/4 x 6-1/4 in., creamer 3 in.; aubergine glazed baluster form vase, indiscernible "Pisgah Forest" mark on base, 5-1/4 in.
Provenance: Humber Family, North Carolina
Condition:
glaze anomalies as made, grime to exterior of bowl, vase with base edge glaze chips as made, otherwise good condition
A Pine Springs Hand Spun Wool twoA Pine Springs Hand Spun Wool two shades of gold and two shades of green are vegetal dyed white is natural having geometric design throughout weaver Mary Bia. 46 x 71 inches.
Dovetailed pine chDovetailed pine ch
18th century British School golfer,18th century British School golfer, posing with club, caddy retrieving clubs and balls, unsigned, oil on canvas, unframed, British School, 21-1/8 x 14-5/8 in. Lined (early 20th century), crackle, yellowing and abrasions to varnish, some flaking primarily at edge, retouch less than 5 percent. Collection of Charlie Thom, "The King of Shinnecock", golf pro at Shinnecock Hills Golf Club, South Hampton, New York, 1906-1961; by descent to consigner.
NORTH CAROLINA YELLOW PINE HUNTNORTH CAROLINA YELLOW PINE HUNT BOARD Piedmont region, circa 1820-1840, remnants of an old red wash, rectangular two board top, two side by side beveled drawers, flush paneled sides, rectangular tapered legs.