Reginald Kell (British 1906-1981)Reginald Kell (British 1906-1981) Untitled mixed media on paper signed Kell (lower right) 10 1/4 x 14 inches.
*Reginald Marsh (American 1898-1954)*Reginald Marsh (American 1898-1954) On the Street Corner ink on paper 22 x 30 inches.
Reginald Case
(American, 1937-2009)
TropicalReginald Case
(American, 1937-2009)
Tropical Marilyn, 1992
mixed media on board
19 x 15 1/2 inches.
Deaccessioned from the Boca Raton Museum of Art to benefit the Acquisitions Fund
REGINALD G. BRUNDRIT (1883-1960)REGINALD G. BRUNDRIT (1883-1960) BRITISHReginald Grange Brundrit, a pair of Yorkshire landscapes: "The Beach, Sandsend & The North Landing, Flamborough", both are oil on canvas board. Each 10 x 13 ½ inches. Signed front, and signed & titled verso. Condition noted, crackling, loss and touch ups. Would benefit from a cleaning. Provenance: Ottawa Collection.
Reginald Daniel Sherrin (1891-1971)Reginald Daniel Sherrin (1891-1971) - Gouache - Country cottage garden 23.5ins x 18.25ins in oak frame and glazed
REGINALD GEE(American/Wisconsin,REGINALD GEE(American/Wisconsin, born 1964)
Their last conversation, unsigned, pastel on paper bag, 16-7/8 x 11-7/8 in., wood frame, 24 x 18-7/8 in.
Provenance: Property sold to benefit the American Folk Art Museum
Condition:
paper folded in center (as made), not examined out of frame; frame with light wear
Reginald George Haggar (1905-1988)/TheReginald George Haggar (1905-1988)/The Falcon Pottery, Stoke-on-Trent/with bottle ovens/signed/watercolour/Note: Reginald Haggar provided Henry Sandon with a great deal of advice during the writing of his books. Haggar's paintings of The Potteries pay tribute to the bottle kilns that dominate the Staffordshire skyline/Provenance: from the Henry Sandon Study Collection
Reginald Marsh GRAND TIER AT THEReginald Marsh GRAND TIER AT THE MET Hand-colored engraving
Estimate:$1,500-$2,500
Reginald Daniel Sherrin (1891-1971)Reginald Daniel Sherrin (1891-1971) gouache Moorland scene signed 10.5 x 29.5in. Estimate ?300-500 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?280
REGINALD MARSH (AMERICAN, 1898-1954)ReginaldREGINALD MARSH (AMERICAN, 1898-1954)Reginald Marsh (American, 1898-1954) , "Gardens, Paris", 1926, oil on panel, unsigned, "Frank K. M. Rehn, Inc., New York, NY" label with artist and title, "Marsh Collection" stamp and inscribed "26-54" en verso, 6 1/4 in. x 8 3/4 in., framed Provenance: Sotheby's, New York, Mar. 31, 1994, lot 307
REGINALD MITCHELL (AMERICAN/LOUISIANA,REGINALD MITCHELL (AMERICAN/LOUISIANA, B. 1959)Reginald Mitchell (American/Louisiana, b. 1959) , "Untitled (Double Portrait)", oil on board, signed and inscribed en verso, 14 in. x 11 in., unframed
REGINALD LESLIE GROOMS, AMERICANREGINALD LESLIE GROOMS, AMERICAN (1900-1989), MAN IN A STRAW SKIMMER HAT WITH BEVERAGE, OIL ON BOARD, 24"H X 22"W (FRAME), 17 1/2"H X 15 1/2"W (SIGHT)Reginald Leslie Grooms, American, (1900-1989) man in a straw skimmer hat with beverage, oil on board signed lower left. Provenance: From a private collector in Zionsville / Indianapolis. The following is a brief biography written for the Cincinnati Art Club newsletter called The Dragonfly in June 1973: The article is by Gene Hinckley, Historian of the Cincinnati Art Club: FOCUS ON THE ARTIST - REGINALD GROOMS Reginald Grooms is an artist and an educator who has had considerable influence on a number of artists in this community. There is scarcely an exhibiting artist in the area who has not come under his teaching or guidance at least some time during his career. The mental challenge of Reggie's encyclopedic mind in the area of fine arts is appreciated by both the artist and the layman, as evidenced by the crowd in attendance at the Art Forum meetings that he conducts each month at the Art Club. Reginald Leslie Grooms was born in 1900 on Freeman Ave. in Cincinnati. At the age of two his family moved to Elmwood Place. His father was a well known wood engraver who had prepared the engravings for illustrations by Henry Farny for McGuffey's Eclectic Reader. At the age of four Reggie began painting in watercolor. His father use to work with him every Sunday afternoon. At the age of eight he began to paint in oils. All of his paintings were from his imagination. He received only one hour per week of art training while in public school. In 1917, he started studying art full time at the Cincinnati Art Academy. During the 5 years that he attended that school he studied drawing, painting, composition and design under John E. Weis, James R. Hopkins, Herman Wessel, Bessie Hoover Wessel, and William Hentschell. While at the Art Academy he received both the Louise Ingalls and the Fannie Harrison Scholarships. In 1923, Reggie went to Europe to study painting at the Academie Julian in Paris. He studied there for two years under Jules Pages, Henri Royer, and Paul Albert Laurens. While in Paris he exhibited in the Spring Salons of both 1924 and 1925 held at the Grande Palais (with 2 paintings accepted in each show). The New York Times reported that he was the youngest American exhibiting in those shows. Among the fewer than ten percent American students at the Academie Julian with Reggie were Ralph Mayer (author of the Handbook for Artists), and Grant Wood. After his second year in Paris, in 1925, Reggie was called back to Cincinnati to assume the position of instructor of landscape painting at the Cincinnati Art Academy Summer School. This was a position that he held for over 20 years. Also in 1925 he started as an instructor in painting and drawing at the University of Cincinnati School of Applied Arts. In 1945 he was made an Assistant Professor, in 1951 he became an Associate Professor and in 1955, he became the Albert P. Streitmann Professor of Art as well as the Chairman of the Fine Arts Department and the Chairman of the Arts Division. He held these chairmanship positions until 1965. In 1971 he retired from there after teaching for over 46 years. Since 1926 Reggie has taken a trip every year (except 2) to paint. These trips have ranged from several to Central America and the Caribbean in the early 30's to Europe (Spain, France, and Ireland) in later years, as well as Canada and numerous States in this country from California to New England, and the South. He's currently planning to return to Ireland, for the fifth time, this Fall. Reggie painted in oil until 1932, then he exhibited in egg tempera until 1957 when he started featuring watercolor painting and acrylic painting in his exhibits. Also in 1957 he started painting portraits in oil and in oleo-resin technique. He is still exhibiting in watercolor and is also actively involved in portrait painting. Reginald Grooms has had 33 one-man shows to date. Many were at the Closson Gallery here in Cincinnati; others were at Ball State Teachers College in Muncie, Ind., the University of Kansas Museum, the Charles Morgan Gallery in New York City, the Cincinnati Art Museum, and the Cincinnati Art Club. The largest one-man show that he had was a retrospective at the Alms Gallery at the University of Cincinnati in 1971. Some group shows that he has participated in were at: the Cincinnati Art Museum, the Butler Art Institute, the Pan American Fine Arts Exhibit (1935), both the New York and the San Francisco Worlds' Fairs of 1939, the Kearney Gallery in Milwaukee, the Chicago International Watercolor Exhibit (twice), Miami University, The Charleston, West Virginia Art Club, the Ohio Watercolor Society Traveling Show, the Pennsylvania Academy of Fine Arts, the Philadelphia Art Alliance (invitational), and the "Special Critics Choice" exhibit at the Cincinnati Art Museum. Reggie has juried a number of exhibits, including an All-West Virginia Show at Charleston, an All-Indiana Show at Indianapolis, and a Regional Exhibit at Huntington West Virginia. He is a member of the Scarab Club, the Cincinnati Professional Artists, the American Society for Aesthetics, the Cincinnati Chapter of the International Torch Club, the Ohio Watercolor Society, the Cincinnati McDowell Society, as well as the Cincinnati Art Club. He is listed in Who's Who in American Art, and is in the Blue Book of Leaders of the English Speaking World (published in London, 1970). Reggie is currently a member of the Board of Trustees of the Art Club, a position which he held previous to this term from 1926 continuously till 1958. He served as President of the Art Club from 1933-1935. Reginald Grooms died in 1989. oil on board Dimensions: 24"H x 22"W (frame), 17 1/2"H x 15 1/2"W (sight)
Reginald Marsh (American/New York,Reginald Marsh (American/New York, 1898-1954) "Water Sports", 1944, double-sided watercolor and Chinese ink on paper, 26-1/2" x 39-1/2", one side is signed and dated "Reginald Marsh '44", retains gallery labels en verso "Bernard Danenberg Galleries, Inc., New York" and "Galleries Maurice Sternberg, Chicago". Glazed, matted and presented in a good broad carved and antiqued giltwood frame in the Spanish Baroque style, each corner boldly carved with a stylized anthemion mantled by foliate scrolls. Provenance: The estates of David and Eula Wintermann. Accompanied by the original bill of sale from Galleries Maurice Sternberg, Chicago, Illinois, dated August 15, 1986.
*Reginald Marsh (American 1898-1954)*Reginald Marsh (American 1898-1954) Reclining Nude red chalk 10 x 16 1/2 inches.
REGINALD MARSH (AMERICAN 1898-1954)REGINALD MARSH (AMERICAN 1898-1954) DRUM MAJORETTE. Etching initialed and dated in the plate lower right; Frame: 20.50'' x 16.25'' 11.6'' x 6.1'' Condition: No Specific Condition Recorded - Sold As Is
REGINALD WESTON ABSTRACTION OILREGINALD WESTON ABSTRACTION OIL ON BOARD Reginald Weston (British, 1909 - 1937), Abstraction, oil on board, 1951, signed lower right. Image: 15.5" H x 12.5" W; frame: 23" x 19.5" W
REGINALD M. MITCHELL(American/Louisiana,REGINALD M. MITCHELL(American/Louisiana, born 1959)
Construction, signed at bottom "Reginald Mitchell", oil on panel, 16 x 20 in.; wood frame, 17 x 21 in.
Provenance: Property sold to benefit the American Folk Art Museum
Condition:
somewhat loose in frame
Reginald Harry Austin (1890-1955),Reginald Harry Austin (1890-1955), Worcester Cathedral from the Northwest, watercolour, signed R.H.Austin, 40cm x 57cm, and Harry William Adams (1868-1947), Worcester East Quay, coloured pastels, signed with initials, 25cm x 28.5cm, framed (2)/Provenance: from the Henry Sandon Study Collection
Reginald Grenville Eves (1876-1941)/MaughanReginald Grenville Eves (1876-1941)/Maughan Lord Chancellor/pencil sketch, 62cm x 47cm/and other portraits
REGINALD WESTON ABSTRACTION OILREGINALD WESTON ABSTRACTION OIL ON BOARD Reginald Weston (British, 1909 - 1937), Abstraction, oil on board, 1951, signed lower right. Image: 15.5" H x 12.5" W; frame: 23" x 19.5" W
Reginald Marsh American, 1898-1954Reginald Marsh American, 1898-1954 Young Woman
Estimate:$500-$700
REGINALD FAIRFAX WELLS (1877-1951)
GIRLREGINALD FAIRFAX WELLS (1877-1951)
GIRL GATHERING WOOD bronze34cm highNote: An example of this model was exhibited at Cartwright's Memorial Hall, Bradford by the International Society in 1905 (Art Journal, 354/6 (illustrated)), and one is currently held in the Fitzwilliam Museum, Cambridge (accession no. M.14-2015)
REGINALD FAIRFAX WELLS (1877-1951)
GIRLREGINALD FAIRFAX WELLS (1877-1951)
GIRL GATHERING WOOD, CIRCA 1907 patinated bronze, signed34cm (13.5 in) highNote:An example of this model was exhibited at Cartwright's Memorial Hall, Bradford by the International Society, 1905. Art Journal, 354/6 (illustrated) and one is currently held in the Fitzwilliam Museum, Cambridge (accession no. M.14-2015)
REGINALD POLLACK, OIL ON PAPER,REGINALD POLLACK, OIL ON PAPER, 1945 Reginald Pollack (America, 1924-2001), untitled figures, signed and dated lower right, 19.25"h x 7.5"w (sight), 25.5"h x 13.75"w (frame)
REGINALD VALBRUN (HAITIAN, 1938REGINALD VALBRUN (HAITIAN, 1938 - 1992)Reginald Valbrun (Haitian, 1938 - 1992)
Oil on Canvas. Signed lower left.
Size: 12.25 x 24 in.
Unframed.
Condition:
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REGINALD SMITH (BRITISH, 1855-1925)ReginaldREGINALD SMITH (BRITISH, 1855-1925)Reginald Smith (British, 1855-1925) , "The Rocky Pembroke Coast", watercolor on paper mounted to board, signed lower right, pencil-titled en verso, 26 1/2 in. x 38 5/8 in., framed . Provenance: Collection of Brooke and Maria Fox, Metairie, LA
REGINALD K. GEE (AMERICAN, B. 1964)ReginaldREGINALD K. GEE (AMERICAN, B. 1964)Reginald K. Gee (American, b. 1964) , "Interior Scene in Blue and Orange", pastel on paper, signed lower left, sight 16 3/4 in. x 11 3/4 in., framed, overall 27 5/8 in. x 22 5/8 in. x 1 3/8 in. Condition: Overall good condition.
REGINALD POLLACK (1924 - 2001):REGINALD POLLACK (1924 - 2001): THE GOLDEN PLACE1974; oil on canvas; signed and dated lower right; 16 x 20 inches; 21x 25 inches frame; Condition:
Reginald Marsh, American, 1898-1954,Reginald Marsh, American, 1898-1954, Theatre Palais Royal, lithograph, 1928, edition of 30, signed & annotated, 7 1/2" x 9 1/4" image size.
Estimate $1,200-1,600
REGINALD HOLMES (1934 - 2004),REGINALD HOLMES (1934 - 2004), "A-23", ABSTRACT, OIL ON...Reginald Holmes (1934 - 2004), "A-23", abstract, oil on canvas, signed, titled and dated on back Reg Holmes, 1970, 44" x 60".
Condition:
Slightly dirty, some wear on edges, otherwise good, good under blacklight. All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
REGINALD LANDER (BRITISH 20TH CENTURY),REGINALD LANDER (BRITISH 20TH CENTURY), COUNTRY COTTAGE, COLOR LITHOGRAPH, FRAME: 19 X 25 IN. (48.26 X 63.50 CM.)Reginald Lander (British 20th Century), Country Cottage, Color Lithograph,, Dimensions: Frame: 19 x 25 in. (48.26 x 63.50 cm.)
REGINALD H. MARSH (AMERICAN, 1898-1954)REGINALD H. MARSH (AMERICAN, 1898-1954) DRUM MAJORETTE ETCHING: 13 X 7 IN. (SIGHT)REGINALD H. MARSH, (AMERICAN, 1898-1954) DRUM MAJORETTE, Etching: 13 x 7 in. (sight) Framed; signed and dated in plate: '1940 / R.M.'; lower right signed Provenance: Estate of Ronald Sperling
REGINALD MARSH, WATERCOLOR ON PAPER,REGINALD MARSH, WATERCOLOR ON PAPER, 1944 Reginald Marsh (American,1898-1954) "Girl Walking by a Millinery Shop", signed and dated lower right, gallery label verso, framed under glass, 19.5"h x 13.5"w (sight), 25"h x 19.5"w (frame)
REGINALD MARSH (AMERICAN, 1898REGINALD MARSH (AMERICAN, 1898 - 1954), ERIE R.R. AND F...Reginald Marsh (American, 1898 - 1954), Erie R.R. and Factories, 1930, etching, engraving and drypoint, signed and numbered 31 in pencil, sixth state of six, edition of approximately 50, 7 7/8" x 12", sheet size 9 3/4" x 14". Provenance: Exhibited: Austin, Texas, The Archer M. Huntington Art Gallery, College of Fine Arts, The University of Texas at Austin, The Fath Collection: Selected prints from the United States and Mexico, 1915 - 1050, May 15 - July 6, 1986, no.37, C the Creekmore and Adele Fath Charitable Foundation Collection, sold at Doyle's New York, November 8, 2011, #205. Condition: : Old linen tape ear top sheet corners verso, some old paper tape at top left extreme sheet edge, printer's ink in the margins, a graphite line verso, otherwise in good condition, with good margins, framed.
Condition:
All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
PAINTING, REGINALD MURRAY POLLACKPAINTING, REGINALD MURRAY POLLACK Reginald Murray Pollack (American, 1924-2001), "Place of Uncertainity," 1982, oil on panel, signed and dated lower left, signed, dated, and titled verso, panel (unframed): 12"h x 12"w
REGINALD ERNEST ARNOLD (1853–1938)
'ARIEL'REGINALD ERNEST ARNOLD (1853–1938)
'ARIEL' 1911 pen & ink, watercolour, inscribed, signed and dated lower right REG E. ARNOLD/ 191118cm x 13cm (frame 28cm x 22.5cm); together with CHRIS G. TEMPLE 'WILL-O'-THE-WISP' pen & ink, watercolour, signed lower right CHRIS G. TEMPLE, 15cm diameter (frame 31.5 x 26cm)(2)Note: Chris G. Temple was a prolific illustrator of children's books in the 1930s and collaborated with, amongst others, Louis Wain.