A few examples of appraisal values for
ROWNEY

• Advertising. ROWNEY'S ARTISTS' OIL &
  Advertising. ROWNEY'S ARTISTS' OIL & WATER COLOURS glass shop display tablet, Burnham London, c1905, 24 x 29cm, in the original reeded frame with, on the reverse, the printed trade label of Burnham & Co Deptford, scarce More Information Cracked
• STILL LIFE WITH FRUIT OIL ON CANVAS,
  STILL LIFE WITH FRUIT OIL ON CANVAS, 1899 Antique oil painting on canvas still life, possibly British, circa nineteenth century, depicting a tabletop arrangement of fruit with a basket, signed and dated "L.E. 1899" lower right, marked to canvas reverse: "G. Rowney & Co. London. W. Quality F." and "Keller 21." Image: 17.5" H x 22.5" W, frame: 23.5" H x 29" W. Keywords: Paintings, Naturmort, Antique
• SIDNEY HERBERT (ENGLISH, 1854-1914),
  SIDNEY HERBERT (ENGLISH, 1854-1914), BETWEEN SHANKLIN & BLACKGANG CHINE, ISLE OF WIGHT Oil on canvas, 1874, signed and dated at lower left, inscribed en verso, with George Rowney & Co., London stencil to verso, presented in period gilt composition frame with gallery stencil to lower center.
• BRIAN COOLE (ENGLISH-AMERICAN, B.1939),
  BRIAN COOLE (ENGLISH-AMERICAN, B.1939), PORTRAIT OF AN AMERICAN CLIPPER SHIP AT SEA Oil on canvas, signed at lower right, stamp of George Rowney & Co., London to verso, presented in an ornate giltwood frame.
• ENGLISH SCHOOL (CIRCA 1885), PORTRAIT
  ENGLISH SCHOOL (CIRCA 1885), PORTRAIT OF A HORSE IN A STALL Oil on canvas, illegible signature at lower right, with stamp "George Rowney & Co. / London" to verso, presented in a period gilt composition frame.
• PORTRAIT OF A YOUNG GIRL, MID 19TH C.,
  PORTRAIT OF A YOUNG GIRL, MID 19TH C., OIL ON CANVAS, DEPICTS FAIR CHILD WITH DARK EYES HOLDING WHITE ROSE, DRESSED IN RED BELTED EMBROIDERED SHIFT OVER WHITE LACE UNDERDRESS AND PETTICOATS, CORAL NECKLACE WITH GOLD C...Portrait of a young girl, mid 19th C., oil on canvas, depicts fair child with dark eyes holding white rose, dressed in red belted embroidered shift over white lace underdress and petticoats, coral necklace with gold clasp, seated on green cushion on stool, no signature viewed, canvas on reverse stamped "G. Rowney Manufacturing London", wear consistent with age including craquelure, possibly over-cleaned, old stretcher marks, 1" sq. patch at center (mouth and chin area), does not appear to be relined, rubbing at edge, scattered minor imperfections, etc., 29 1/2" h. x 24 1/2" w.
• A. TURNER (BRITISH, LATE 19TH/EARLY
  A. TURNER (BRITISH, LATE 19TH/EARLY 20TH CENTURY) 12" x 24" Returning from the Hunt. OIl on canvas, signed "A. Turner" lower right, in a gossed and carved wood gilded frame, overall 16 ¾" x 29". G. Rowney & Co. London stamp on canvas verso.
• CLARENCE ROE OIL ON CANVAS LANDSCAPEClarence
  CLARENCE ROE OIL ON CANVAS LANDSCAPEClarence Roe (United Kingdom, 1850-1909) large oil on canvas landscape with lake scene and mountain range in background. Signed lower left, CLARENCE ROE. G. Rowney & Co., artists' supplier's stencil on back of canvas. Gold composition frame, likely original, with gadrooning, berry and laurel leaf decoration. Sight: 29 1/2" H x 49 1/2" W, frame: 39" H x 58" W. (Higher-resolution photos are available at www.caseantiques.com) Condition: Blacklight reveals paint restoration to upper left corner. Minor paint loss lower right corner.
• AFTER RUBENS O/C PAINTING, DESCENT FROM
  AFTER RUBENS O/C PAINTING, DESCENT FROM THE CROSSAfter Peter Paul Reubens (Flemish/Belgium/Germany, 1577-1640) large Baroque Old Master style oil on canvas painting titled "The Descent of the Cross". Depicts Christ's deposition, or His removal from the cross by attendants and apostles towards The Virgin Mother, Mary Magdalene, and Salome who mourn at his feet. Inscription reading "The Descent of the Cross" Painted in the Cathedral at Antwerp. From Rubens Masterpiece. By W.H. Howard, Sept. 1894" and stamp for "Geo. Rowney & Co. London, W." en verso. Housed in an ornate gilt and gesso frame with cartouche decoration and acanthus leaf corners. Sight: 35 1/2" H x 27 1/2" W. Framed: 44 3/4" H x 37" W. Note: The original version of this painting remains housed in the Cathedral of Our Lady, Antwerp, Belgium, where this copy was painted. Property of a Tennessee Religious Institution. Condition: Craquelure due to thick varnish, no restoration or retouching. Frame with wear and scattered gilt loss.
• LARGE FRAMED PORTRAIT OF GENTLEMAN O/Canonymous
  LARGE FRAMED PORTRAIT OF GENTLEMAN O/Canonymous artist, probably English, the subject seated in a baroque gilded chair, with architectural portico in background, with drapery to the right, possibly cypress trees on the left, holding and gesturing to a cartouche shaped crest. Elaborate carved, pierced and gilded original frame; canvas bears two preparers stencils on back "Geo. Rowney & Co.- Manufacturers - 51 Rathbone Place - London". Pencil script on upper right side of stretcher "Original Portrait In Town Hall Canterbury, ______?? April 1852". Frame size: 65" high, 53" wide; sight: 55" high, 43" wide. Some paint losses, light spotting, expected age and use wear to frame, some wear and loss to gilt, some parts of frame detached but present, one section of lower interior frame molding missing. Provenance: Property of a Rhode Island Collector. Condition: Auction buying is wholesale and not the same as retail store or retail internet buying. There are no returns based on condition. Our auction items are mostly vintage, mostly from estates, and are not in perfect condition. The items are sold "as is", and we are acting as agents, not as principals. Accordingly, prospective buyers are entirely responsible for determining the physical condition of lots prior to and as a condition to bidding. Bidders are obligated to determine their level of interest in and value of the items based solely on their own review. To assist prospective bidders in this endeavor, we offer in person open-house preview days prior to the auction, and also provide written condition reports in response to emailed requests submitted to condition@woodburyauction.com at least two days prior to the auction. The printed catalog lot information is a best efforts presentation of our opinion, rendered on a time-sensitive schedule, and is provided for guidance only, without legal obligation, and does not constitute a "statement of fact". The absence of condition statements in a lot catalog entry does not mean that the item is in perfect condition or is without defects. Please understand that our duty is to present the items fairly for bidder consideration and that the bidder's duty is to make independent investigation of the condition of items before bidding.
• BRITISH SCHOOL PAINTING(19th century) Stormy
  BRITISH SCHOOL PAINTING(19th century) Stormy Mountainous Landscape, two figures on a rocky outcropping, circa 1844-1848,ÿunsigned, inscribed verso "O'Connor", oil on millboard with "Rowney, Dillon & Rowney" colorman label, label verso "A M C London 5496", 12-1/2 x 17-7/8 in.; gilt wood and composition frame, 15 x 20-7/8 in. Provenance: Private Georgia Collection Condition: yellowed varnish, slight convexity, abrasions at edges
• ATTRIBUTED TO LAMBERT SACHS(German/America,
  ATTRIBUTED TO LAMBERT SACHS(German/America, 1818-1903) Portrait of a Girl a with Flowers and Boy with Hoop and Stick, painted circa 1875-95, unsigned, colourman stamp canvas verso "Goupil & Co. 366 Broadway, New York, G. ROWNEY & CO. Manufacturers D. Rathbone & Ce London", oil on canvas, 50 x 40 in.; fine reproduction carved gilt wood and composition frame, 59 x 49 in. Provenance: Descended in the family of the sitters; Sotheby's New York, Important Americana Including American Stoneware Assembled by Mr. and Mrs. Edwin Hochberg, January 21, 2011, sold for $17,500; Collection of C.L. Prickett Condition: original stretcher bar and tacking edge, old patch repairs verso, areas of retouch, crackle; frame with minimal wear
• SOLOMON JOSEPH SOLOMON(British, 1860-1927) Study
  SOLOMON JOSEPH SOLOMON(British, 1860-1927) Study of Two Men, signed lower left with conjoined monogram "JS", oil on G. Rowney & Co. panel, 15-3/4 x 1-5/8 in.; gilt wood frame, 18-3/4 x 16-3/4 in. Note: In 1910, Solomon J. Solomon published a book titled, The Practice of Oil Painting and of Drawing as Associated with It . This oil sketch exemplifies the techniques of figural painting that Solomon sought to teach. He was a member of the New English Art Club, The Royal Society of Portrait Painters, The Royal Academy, and The Royal Society of British Artists. Reference: Solomon Joseph Solomon. 1910. The Practice of Oil Painting and of Drawing as Associated with It . ? ? Condition: painting with scored marks, two periods of retouch, vertical check in panel bottom center, surface appears a bit flattened; frame with abrasions
• A PAIR OF BRITISH MINIATURE PAINTINGS(19th
  A PAIR OF BRITISH MINIATURE PAINTINGS(19th century) Children in Landscapes: Boy With Dog, 10 x 8 in.; Child with Staff and Flowers, 9-1/2 x 7-1/2, in., unsigned, both oil on Rowney & Forster artist board, 10 x 8 in.; matching birdseye maple veneered, reverse ogee molding frames, largest 14-1/2 x 12-1/2 in. Condition: crackle, surface dirt with wiping pattern, some small losses and abrasions at edges; frames with wear commensurate with age
• BRITISH SCHOOL, KITTENS PAINTING British
  BRITISH SCHOOL, KITTENS PAINTING British School (Early 20th c.), oil on Birchmore Board (George Rowney & Co.), intialed lower left "MS" and signed "E(?) de l'Escaille" lower right, 5.25"h x 8.75"w (sight), 7.25"h x 11"w (frame)
• ANTIQUE "STILL LIFE WITH FRUIT" OIL
  ANTIQUE "STILL LIFE WITH FRUIT" OIL ON CANVAS Antique oil painting on canvas still life, possibly English, circa nineteenth century, depicting a tabletop arrangement of fruit with a basket, signed and dated "L.E. 1899" lower right, marked to canvas reverse: "G. Rowney & Co. London. W. Quality F." and "Keller 21." Image: 17.5" H x 22.5" W, frame: 23.5" H x 29" W.
• ENGLISH SCHOOL OIL ON CANVAS PAINTING
  ENGLISH SCHOOL OIL ON CANVAS PAINTING CHERUBSFramed English School oil on canvas painting, Two Cherubs, unsigned, one with telescope/ spyglass, one blowing bubbles, back of canvas stenciled George Rowney & Co., London, sight: approx 27.5"h, 35.5"w, overall: approx 36.25"h, 44.25"w
• W. MARSTON DERRICK (BRITISH. 19TH CENTURY)Mischievous
  W. MARSTON DERRICK (BRITISH. 19TH CENTURY)Mischievous Child Artist 1903. Signed W. Marston Derrick, dated 1903. The reverse with canvas stamp G. Rowney & Co., London Oil on Canvas. Measuring 18 by 14 in., in a gilt frame 23 by 19.5 in.
• ENGLISH SCHOOL 19TH CENTURY PAINTINGFigures
  ENGLISH SCHOOL 19TH CENTURY PAINTINGFigures at Low Tide with Dog. Illegibly Signed Lower Right and dated 187?. Oil on Canvas. Verso canvas bears Geo. Rowney, London stencil mark. 16 x 24 inches. Has Overall Crazing and Craquelure. Gilded and Carved Frame. Overall measures 18.5 x 27.25 inches.
• ANTIQUE ENGLISH BURLWOOD STANDISH Late
  ANTIQUE ENGLISH BURLWOOD STANDISH Late 19th century, burlwood veneers, with ebonized molded wood edges, single drawer with ring pull to front, the top with two ebonized concave pen trays on either side of a shaped brass handle and two cubic cut glass inkwells; engraved plaque to top reads: Mr. Cha.^s Rowney / By The Scholars Of The / Congregational Sunday School / Dorchester, April 6th, 1879.
• CLARENCE HENRY ROE (BRITISH, 1850-1909),
  CLARENCE HENRY ROE (BRITISH, 1850-1909), RYDAL WATER Oil on canvas, signed at lower left, inscribed at lower right, the canvas with circa 1880s stencil for Geo. Rowney & Co. of London, presented in an antique gilt composition frame.
• PAIR OF ANTIQUE ENGLISH SCHOOL STILL
  PAIR OF ANTIQUE ENGLISH SCHOOL STILL LIFE PAINTINGS WITH ORANGES Oil on canvas, one with partially discernible signature and dated that reads "Dorothy [?] 1913" at lower right, the other with G. Rowney & Co, London stamp to canvas verso, in uniform period gilt frames.
• ADELINE THOMPSON OIL ON CANVAS GENRE
  ADELINE THOMPSON OIL ON CANVAS GENRE SCENEAdeline Thompson oil on canvas in carved Baroque style gilt frame. 1909. Genre scene of girls carrying flower baskets by a canal. Signed "Adeline Thompson 1909" lower left. "G. Rowney and Co. London" stamped on verso. Heavy wear, losses, and dirt throughout gilt frame, white paint on upper left of frame. Canvas is offset lower right. Tears to upper right and center left, vertical loss and wear in center. Losses to paint lower left around signature. Sight: 39" x 49" Frame: 53" x 63"
• ARTIST UNKNOWN , AMERICAN 19TH CENTURY,
  ARTIST UNKNOWN , AMERICAN 19TH CENTURY, FRIGATE TIRRELL FLYING THE AMERICAN FLAG, OIL ON CANVAS, 22 1/8 X 30 IN. (56.20 X 76.20 CM.), FRAME: 25 1/2 X 33 1/4 IN. (64.77 X 84.46 CM.)ARTIST UNKNOWN, AMERICAN, 19TH CENTURY FRIGATE TIRRELL FLYING THE AMERICAN FLAG, Oil on canvas Verso stamped on canvas: FROM / J.J. ADAMS. / 99 WASHINGTON ST / BOSTON; G. ROWNEY & CO. / MANUFACTURERS / 51 RATHBONE PLACE / LONDON Oil on canvas Dimensions: 22 1/8 x 30 in. (56.20 x 76.20 cm.), Frame: 25 1/2 x 33 1/4 in. (64.77 x 84.46 cm.)
• WILLIAM COSENS WAY, BRITISH 1833-1905,
  WILLIAM COSENS WAY, BRITISH 1833-1905, DEEPDALE, BARNARD CASTLE, OIL ON CANVAS, 19 1/4 X 14 IN. (48.90 X 35.56 CM.), FRAME: 25 5/8 X 20 1/2 IN. (65.09 X 52.07 CM.)WILLIAM COSENS WAY, BRITISH, 1833-1905 DEEPDALE, BARNARD CASTLE, Oil on canvas Verso: titled, signed and dated: Deepdale / Barnard Castle / Way 1876; verso stamped on canvas: GEO ROWNEYS Co. Oil on canvas Dimensions: 19 1/4 x 14 in. (48.90 x 35.56 cm.), Frame: 25 5/8 x 20 1/2 in. (65.09 x 52.07 cm.)
• POSSIBLY JOSEPH MALLORD WILLIAM TURNER
  POSSIBLY JOSEPH MALLORD WILLIAM TURNER (ENGLISH, 1775-1851) SHIPWRECK OIL ON BOARD: 10 X 13 1/2 IN.POSSIBLY JOSEPH MALLORD WILLIAM TURNER, (ENGLISH, 1775-1851) SHIPWRECK, Oil on board: 10 x 13 1/2 in. Framed; verso label: "IMPROVED/ Flemish Ground Milled Boards. /PREPARED BY/ ROWNEY & FORSTER,/ Artists' Colourmen,/ 51, RATHBONE PLACE, LONDON./ -- /Prepared Canvas with or without absorbent grounds./ An improved White for Oil Painting./ Also, extra fine bladder Colour./ Superior Mastic Varnish, Asphaltum, and fine light Drying Oil./ A new and improved quick Dryer, warranted not to crack or injure the colours./ With every other material for Oil Painting, of very superior qualities." This label was only used between the years of 1806-1837.
• TWO PORTRAITS, LIKELY A FAMILY PAIR,
  TWO PORTRAITS, LIKELY A FAMILY PAIR, AMERICAN SCHOOL MID-19TH C., BOTH WITH GOUPIL NY AND G. ROWNEY & CO. LONDON ART SUPPLIES STAMPS...Two portraits, likely a family pair, American school mid-19th C., both with Goupil NY and G. Rowney & Co. London Art Supplies stamps on canvas verso and matching 20th C. gilt frames from same New York supplier - Samuel Aronson, both with craquelure and damaged frames; gentleman with white hair, black jacket and necktie, square back red upholstered chair, puncture to left of sitter, woman with brown hair in white cap, white fichu with centered brooch, black dress, oval back wood framed chair, puncture at dress bodice, neither examined out of frame, wear consistent with age, ss: 29 1/2" x 24 1/2" each.
• ATTRIBUTED TO CHARLES SILLEM LIDDERDALE
  ATTRIBUTED TO CHARLES SILLEM LIDDERDALE (BRITISH)Attributed to Charles Sillem Lidderdale (British, 1831-1895), "Girl with Kerchief", oil on canvas, monogrammed lower right, "George Rowney & Co., London" canvas stamp en verso, 14 in. x. 12 in., framed
• (2) English wood artist watercolor paint
  (2) English wood artist watercolor paint boxes with contents including paint blocks, brushes, mixing trays, c/o R Ackermann, G Rowney & Co (box corners & drawer need to be reglued)
• ANTIQUE "STILL LIFE WITH FRUIT" OIL
  ANTIQUE "STILL LIFE WITH FRUIT" OIL ON CANVAS Antique oil painting on canvas still life, possibly English, circa nineteenth century, depicting a tabletop arrangement of fruit with and a basket, initialed "L.E. 1899" lower right, marked to canvas reverse: "G. Rowney & Co. London. W. Quality F." and "Keller 21." Image: 17.5" H x 22.5" W, frame: 23.5" H x 29" W.
• PORTRAIT OF A WOMAN, ENGLISH LATE 19TH/EARLY
  PORTRAIT OF A WOMAN, ENGLISH LATE 19TH/EARLY 20TH C., OIL ON CANVAS, PORTRAIT OF A YOUNG TO MID AGE WOMAN WEARING CAMEO NECKLACE, OTHER JEWELRY AND A DRESS SEATED, HER ARM IN A RELAXED POSITION, UNSIGNED, MARKED "CROW...Portrait of a woman, English late 19th/early 20th C., oil on canvas, portrait of a young to mid age woman wearing cameo necklace, other jewelry and a dress seated, her arm in a relaxed position, unsigned, marked "Crowney C. Manufacturers London" verso, framed, painting has considerable craquelure and blistering across the whole portrait, paint is also missing in several places, a hole is present center left, a tear is present lower left approx. 1 1/2" l. x 1" w., frame also has wear and stains, ss: 29 1/2" h. x 24 1/2" w.
• WILLIAM BARR (SCOTTISH-AMERICAN, 1867-1933),
  WILLIAM BARR (SCOTTISH-AMERICAN, 1867-1933), GIRL AND TERRIER IN A BEACHED BOAT Oil on canvas, signed lower right, canvas with G. Rowney & Co. stencil to verso, framed.
• FREDERICK GERALD KINNAIRD 'THE FARMER'S
  FREDERICK GERALD KINNAIRD 'THE FARMER'S DAUGHTER'Frederick Gerald Kinnaird, U.K. (1844-1881). Oil on canvas signed lower left, plaque on bottom center, mounted in gilt carved wood frame. Stenciled on verso Geo Rowney & Co., London. Measures 26.75"H x 22.75"W framed; 21"H x 17"W unframed.
• RACE HORSE BY ARMSTRONG. English, late
  RACE HORSE BY ARMSTRONG. English, late 19th-early 20th century. Oil on canvas, signed and dated H or W. Armstrong 1905. Bay horse in a stable with blanket marked "S&S". London preparer's mark for George Rowney. 18"h. 24"w., framed under glass, 26.75"h. 33"w.
• GEORGE EARL, "COUVREFEU II", C. 1906
  GEORGE EARL, "COUVREFEU II", C. 1906 George Earl (British, 1824 - 1908), "Couvrefeu II" signed lower left "George Earl" and later inscribed in another hand "Couvrefeu II 1913" also lower left, depicting the racehorse Couvrefeu II with rider in racing silks, the two in a bucolic landscape, the reverse of canvas stamped "G. Rowney & Co. / London W. / Quality A." Image: 31.75" H x 37.5" W Frame: 37" H x 43" W. Note: This interesting canvas by famed sporting artist George Earl depicts the legendary Couvrefeu II (1903 - 1918?, Couvrefeu means 'Curfew' in French) three-time consecutive winner of the Scottish Grand National in 1911, 1912, and 1913. The canvas is inscribed with the horse's name and the year of his final win. George Earl, a noted painter of dogs and sporting paintings died in 1908, which leads us to believe that this picture was commissioned when Couvrefeu II began his racing career as a three-year old in 1906, under the ownership of Arthur Fitzgerald. It appears the later inscription was perhaps added after his final win in 1913. Additionally, the National Portrait Gallery notes that the mark of the artists' supplier George Rowney on the verso was only in use between 1904 and 1920.
• ENGLISH SCHOOL (LATE 19TH/EARLY 20TH
  ENGLISH SCHOOL (LATE 19TH/EARLY 20TH CENTURY) 9" x 12" Still life with strawberries, grapes and an orange. Oil on board, illegibly signed lower left, in a gilt custom frame, overall 15 ½" x 18 ¼". George Rowney & Co, London stamp on artist board verso.