- FIVE 19TH CENTURY POP-UP AND MOVABLE
FIVE 19TH CENTURY POP-UP AND MOVABLE BOOKSFive 19th century pop-up and movable bookslot includes five books: 1. The Mammoth Menagerie: Showman Series No. 2McLoughlin Bros., Inc. Germany: J.F. Schreiber, Esslingen, 1889. 2. The Theatre Picture
- GOTTHILF HEINRICH VON SCHUBERT (GERMAN,
GOTTHILF HEINRICH VON SCHUBERT (GERMAN, 1780-1860) 11 ½" x 15 ¼" sight size Two prints from the Naturgelchicte Des Teirreichs, or Natural History of the Animal Realm, 1886, Publisher: J. F. Schreiber, Ecklingen, framed under glass with marbled mat board and wood frame, overall 22 ?" x 24 ?".
- FOUR LIVERPOOL DELFTWARE BLACK TRANSFER-PRINTED
FOUR LIVERPOOL DELFTWARE BLACK TRANSFER-PRINTED TILES, CIRCA 1757-1770 SQUARE: 5 IN. (12.5 CM.), EACH WITHIN A BLACK FRAMEFOUR LIVERPOOL DELFTWARE BLACK TRANSFER-PRINTED TILES, CIRCA 1757-1770, the first two signed in the print 'J:Sadler,Liverpl:', all attributed to the John Sadler and Guy Green printshop, each with a scene from rustic life, including: "The Tithe-pig", Maiden and Traveler, "Gentleman Playing a Flute" and "Country Dancing" (4) Dimensions: Square: 5 in. (12.5 cm.), each within a black frame Provenance: The first two tiles - Sotheby's, London, March 1977 (part - split with Harriet Goldweitz) ($125 for 2) The second two tiles - Townsend, MA.,1989 ($132.30 for 2) From the Collection of Diana Edwards Murnaghan, No. 60 Catalogue note: See Anthony Ray, "English Delftware Tiles", (1973), nos. 640, 650, 663 and 681 The 'Tithe pig' design which is also found on porcelain and creamware is derived from an engraving by Muller after Louis Phillip Boitard, dated 1751. See Bernard Watney, "Engravings as an Origin of Designs...," Burlington, Aug. (1966), pl. 18. Also see the example from the Charlotte Schreiber Collection at the Victoria & Albert Museum, unsigned, accession no. 414:840/B-1885. Figures groups of this subject are known at Derby and in Staffordshire pottery. For another example of "Country Dancing", see the British Museum, accession no. 1887,0307,E.169.19.
- STAFFORDSHIRE SALT-GLAZED STONEWARE
STAFFORDSHIRE SALT-GLAZED STONEWARE POLYCHROME-ENAMELED ERMINE-GROUND TEAPOT AND COVER, CIRCA 1756-1763 HEIGHT: 3 3/4 IN. (9.5 CM.)STAFFORDSHIRE SALT-GLAZED STONEWARE POLYCHROME-ENAMELED ERMINE-GROUND TEAPOT AND COVER, CIRCA 1756-1763, the globular teapot with crabstock handle, spout and finial, enameled with a portrait of King Frederick of Prussia below the inscription 'FRED. PRUFSIAE REX', the reverse with an armorial trophy of a displaying Prussian eagle holding a banner inscribed 'SEMPER SUBLIMES' Dimensions: Height: 3 3/4 in. (9.5 cm.) Provenance: With Anthony Belton Antiques, London, October, 1987, 1,150 pounds ($1,967) From the Collection of Diana Edwards Murnaghan, No. 194 Catalogue note: For a similar example, see Henry Sandon "Coffee Pots and Teapots for the Collector", London, (1974), pl, 40; an example in "Lady Charlotte Schreiber's Journal", (1911), pl. 209 and another in City Museum and Art Gallery, Stoke-on-Trent.
- THREE ENGLISH CREAMWARE NEOCLASSICAL
THREE ENGLISH CREAMWARE NEOCLASSICAL CANDLESTICK HOLDERS, CIRCA 1790-1800 HEIGHT OF TALLEST: 10 IN. (25.4 CM.)THREE ENGLISH CREAMWARE NEOCLASSICAL CANDLESTICK HOLDERS, CIRCA 1790-1800, the tallest, a Leeds example, impressed Leeds * Pottery l, molded in the form of a Corinthian column with festoons hung from ram heads at upper corners, the fluted column rising from a square base; one of the two graduated examples, impressed LAKIN & POOLE, for Thomas Lakin and John Ellison Poole, Burslem,1791-1796, each Doric fluted column molded with stylized leaves and stiff leaf-tips, on domed circular bases (3) Dimensions: Height of tallest: 10 in. (25.4 cm.) Provenance: Leeds - With Shreve, Crump & Low, Boston, MA,1990 ($220) Burslem - National Exhibition Centre Fair, Birmingham, August 4, 1995, for 180 pounds ($291) From the Collection of Diana Edwards Murnaghan, Nos. 104 and 312 Catalogue note: Joseph R. Kidson, "Historical Notices of the Leeds Old Pottery", (1892), pl. 8 and "Lady Charlotte Schreiber's Journal", (1911), pl. 49, no. 337, now The Victoria & Albert Museum, accession no. 414:1168-1885.
- Lot of Equestrian Items to include (3)
Lot of Equestrian Items to include (3) Books & Mirror, c/o Horses by Edwin Megargee 1946, Brandywine A Legacy of Tradition in du Pont-Wyeth Country photographs by Anthony Edgeworth text by Lisa Zeidner, The Majestic World of Arabian Horses by William L Pereira Jr photographs by Martin H Schreiber 1986, Masters of the Wild by Robert Abbett 1989 Artist Proof 3, and trumeau mirror with hunting dog print, and (6) Equestrian items, c/o pair of Eldonian stainless steel stirrups, single Steroline stirrup, pair of Neverro stirrups, Ulite bit
- GEORGES L. SCHREIBER (BELGIAN/NEW YORK,
GEORGES L. SCHREIBER (BELGIAN/NEW YORK, 1904)Georges L. Schreiber (Belgian/New York, 1904-1977), "Adam and Eve Cast Out of the Garden of Eden", 1925, mixed media on paper, signed and dated lower left, 25 1/2 in. x 19 5/8 in., framed.
- GEORGES SCHREIBER "CELLIST STUDY" WATERCOLOR
GEORGES SCHREIBER "CELLIST STUDY" WATERCOLOR Georges Schreiber (Belgian-American, 1904-1977) "Cellist Study," watercolor on paper, signed lower right. Image: 19.5" H x 27.5" W; frame: 32.25" H x 40.25"W x 0.5" D.
- GEORGES SCHREIBER "JAZZ" WATERCOLOR
GEORGES SCHREIBER "JAZZ" WATERCOLOR ON PAPER Georges Schreiber (Belgian-American, 1904-1977) "Jazz," watercolor on paper, depicting quartet of musicians, signed lower right. Image: 20" H x 27.5" W; frame: 32" H x 40" W x 0.5" D.
- H. SCHREIBER GERMAN PORCELAIN DOG SCULPTURE
H. SCHREIBER GERMAN PORCELAIN DOG SCULPTURE H. Schreiber German porcelain sculpture of a dog, impressed maker's mark under one foot, illegible blue underglaze mark. 7" H x 9" L x 4.25" D. Minor repairs.
- GEORGES SCHREIBER (1904-1977) PENCIL
GEORGES SCHREIBER (1904-1977) PENCIL SIGNED LITHOGeorges L. Schreiber (1904-1977)In Tennessee (1945)The lithograph from an edition of 250 prints published by Associated American Artists is signed by the artist in pencil below the image lower right.Image size 9 x 13, frame measures 19.25 x 23.25 inches.Very good to fine condition, the full untrimmed sheet, not laid down, no damage, stain, puncture or repair; framed to archival standards in acid free mounts.
- (2) HAND-COLORED GERMANIC MAPS, NUREMBERG(lot
(2) HAND-COLORED GERMANIC MAPS, NUREMBERG(lot of 2) Framed hand-colored engravings on paper, maps of Central Europe, including: (1) "Tabula Geographica: Principatus Gotha, Coburg et Altenburg," Johann Baptist Homann (1663-1724), Nuremberg, sight: approx 18.75"h, 21.75"w, overall: approx 22.5"h, 25.5"w, (1) "Lusatiae Superioris," Johann Georg Schreiber (1676-1750), Nuremberg, sight: approx 17.5"h, 22"w, overall: approx 21.25"h, 25.75"w; 11lbs total
- CHARLES BAPTISTE SCHRIEBER (1845-1903):
CHARLES BAPTISTE SCHRIEBER (1845-1903): MUSICAL CARDINALSOil on canvas, signed 'Ch. Schreiber' lower right, with label from Hayes Fine Art of Broadway, Worstershire, England, lined.
22 x 18 in., 30 x 26 1/2 in. (frame).
Condition
Lined. In very good condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
- GERMAN CELESTIAL 8 INCH GLOBE ON STAND,
GERMAN CELESTIAL 8 INCH GLOBE ON STAND, DIE HIMMELSK..GEL, GEZEICHNET..M..IEDIG, LEIPZIG, BEI SCHREIBERS...1820Fitted with an arrow directional on the top, a calibrated brass meridian and a horizontal band with paper calendar, raised on a fruitwood base with a compass.
17 3/4 in. x 9 3/4 x 9 3/4 in.
Condition
Approximately five bruises on the globe with restorations, cracks, and a few small losses at the base. Scattered in-painting. Minor seam splits on the horizontal band with associated losses and minor in-painting. Nicks and scuffing to the base with a repaired stretcher, the compass lacking glass top, and possibly a hand. Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
- JOHANN GEORG SCHREIBER HAND-COLORED
JOHANN GEORG SCHREIBER HAND-COLORED MAP OF AMERICA 18TH CENTURY 7” X 9”. FRAMED 13” X 15.5”.JOHANN GEORG SCHREIBER HAND-COLORED MAP OF AMERICA, 18th Century, Dimensions: 7" x 9". Framed 13" x 15.5".
- LOT OF BOOKSCurrents and Eddies by William
LOT OF BOOKSCurrents and Eddies by William Schaldach, 1944. Currents and Eddies by William Schaldach, 1944. Schaldach Etchings: The Sporting Art of William J. Schaldach, Selections by DeCourcy Taylor, edition 343/1000. Coverts & Casts by William J. Schaldach, 1945. The Wind on Your Cheek by William J. Schaldach. William J. Schaldach: Artist, Author, Sportsman by John T. Ordeman, edition 343/1150. William J. Schaldach: Artist, Author, Sportsman by John T. Ordeman, edition 88/1150. Uplaid Gunning by William J. Schaldach. Converts and Casts by W.J. Schaldach, limited edition 26/160. Converts and Casts by W.J. Schaldach, second printing. To Keep A Tryst With The Dawn: An Appreciation of Roland Clark by John T. Ordeman, edition 1075/1000. A. Lassell Ripley Paintings, text by Edward Weeks. Artists of the North American Wilderness: George & Belmore Browne by John T. Ordeman and Michael M. Schreiber. Bishop's Wildfowl by Earl Prestrud and Russ Williams. The Art of Ogden M. Pleissner by Peter Bergh. The Paintings of Eldridge Hardie–Art of a Life in Sport by Nick Lyons and George Reiger. Wild Harvest: The Animal Art of Bob Kuhn by Tom Davis. The A.B. Frost Book by Henry M. Reed. Frank W. Benson– Etchings, Drypoints and Lithographs by John T. Ordeman. As found.
- AL SCHREIBER (AMERICAN, B. 1929) 12¼"
AL SCHREIBER (AMERICAN, B. 1929) 12¼" x 14¾" sheet "Chicago". 3-D Offset Lithograph, signed, titled, and numbered 724/895 lower margins in ink, not framed.
- AL SCHREIBER (AMERICAN, B. 1929) 12¼"
AL SCHREIBER (AMERICAN, B. 1929) 12¼" x 14¾" sheet "South Beach". 3-D Offset Lithograph, signed and numbered 656/895 lower margins in ink, not framed.
- PRINTS, GEORGE SCHREIBER (lot of 2)
PRINTS, GEORGE SCHREIBER (lot of 2) George Schreiber (American, 1904-1977), "Going Home" and "Circular Motion," lithographs, each pencil signed lower right, images: 9.25"h x 13.5"w/10.25"h x 13.5"w, overall (with mat/each): 14"h x 18"w
- KORTMAN SCHREIBER VICTORIAN FATHER CHRISTMASMint
KORTMAN SCHREIBER VICTORIAN FATHER CHRISTMASMint condition and beautifully hand designed and decorated. Velvet pattern robe, metallic thread toy bag overflowing with toys, dolls and packages.
In original condition with brochure, card and card included. Wood plaque is signed Fantasy Folk 1994 Linda Kortman Schreiber on the bottom This item has no reserve.
Artist: Linda Kortman Schreiber
Issued: 1994
Dimensions: 12"W x 14"H
Country of Origin: Charles Town, WV, USA
Condition:
Age related wear.
- 2PC FANTASY FOLK FIGURES, WITCH AND
2PC FANTASY FOLK FIGURES, WITCH AND CREATUREHand sculpted and decorated figure of a witch standing with a bird on her shoulder, holding a light lamp on base and a fantasy folk, furry creature.
This item has no reserve. Creature measures: 4.5"H x 1.75"D. Witch measures: 7.5"L x 7.5"W x 13.75"H.
Artist: Linda Schreiber
Issued: 1995
Country of Origin: United States
Condition:
Age related wear.
- GEORGES SCHREIBER LITHOGRAPH "HAYING"Georges
GEORGES SCHREIBER LITHOGRAPH "HAYING"Georges Schreiber New York / Belgium 1904-1977) Lithograph "Haying" , circa 1930s, produced in 1936 for TE WPA the Federal Art Project (1935-1941), pencil signed lower right G. Schreiber.
Site: 8 ¼ in. x 13 in. Overall: 14 ¾ in. x 18 ¾ in.
Schreiber has a storied history of exhibits including the Carnegie Institute, Corcoran Gallery of Art, Pennsylvania Academy of Fine Arts, Art Institute of Chicago, Whitney Museum of American Art, Metropolitan Museum and the Museum of Modern Art.
Condition:
Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
- TWO FRAMED PIECES, TO INCLUDE GEORGES
TWO FRAMED PIECES, TO INCLUDE GEORGES SCHREIBER "RACING...Two Framed Pieces, to include Georges Schreiber "Racing the Storm", lithograph, pencil signed; along with a print after Thomas Benton, Going West; 10 3/4" x 14 1/2"; 13 1/4" x 24 1/2".
Condition:
All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
- THREE FRAMED MIXED MEDIA LOTThree Framed
THREE FRAMED MIXED MEDIA LOTThree Framed Mixed Media Lot to include Eileen Schreiber (American 1925 - 2016) "The Veil" collage on paper Signature "E. Schreiber" on verso 32" x 40" along with two Daniel Lencioni (American b. 1945) Abstract Diptych "Blue + Pink" Signature in center of Blue collage - "D. Lencioni" 25" x 40"
Condition:
All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past. Condition: Reports are available by request and answered in the order they are received starting the week of the sale.
- RUTH SCHREIBER, MIXED MEDIA TRIPTYCH,
RUTH SCHREIBER, MIXED MEDIA TRIPTYCH, 2008 Ruth Schreiber (American, b. 1947), "To Be a Woman", (2) paper fans, pin-prick inscribed along folds with the names of plastic surgery procedures, ceramic bib, mounted to three acrylic light box, signed and titled on bottom center panel, approx. 20"h x 75"w (total)
- BRITISH SHORT SABER EnglandC. 1770-80Brass
BRITISH SHORT SABER EnglandC. 1770-80Brass lion pommel, brass knuckle bow and four-slot counter-guard with traces of gold wash, brass wire and tape-wrapped grip, a steel blade with a double fuller, and a reproduction scabbard which looks to have been made by Chris Schreiber in the 1980s-90s.
- GEORGES SCHREIBER (NEW YORK/BELGIUM,
GEORGES SCHREIBER (NEW YORK/BELGIUM, 1904-1977), HAPPY NEW YEAR, 1950., LITHOGRAPH, 9.5” X 12.5”. MATTED 16” X 20”.GEORGES SCHREIBER, New York/Belgium, 1904-1977, Happy New Year, 1950. Published by Associated American Artist's, New York. Edition of 50. Signed in pencil lower right. Dimensions: Lithograph, 9.5" x 12.5". Matted 16" x 20".
- WALTIERE WHALING PRINT GERMAN, 1886
WALTIERE WHALING PRINT GERMAN, 1886 HAND-COLORED LITHOGRAPH, 11.5" X 16.5" SIGHT. FRAMED 22" X 25".WALTIERE WHALING PRINT, German, 1886, Taken from Gotthilf Heinrich von Schubert's Natural History (Naturgeschichte), Schreiber, Munich, 1886, Plate XXIX. With two images: "a) Der Grönlandswal. Balaena mysticetus.", showing whalers harpooning a bowhead whale, and "b) Der Pottfisch. Physeter macroephalus", a cachelot or pot whale. Dimensions: Hand-colored lithograph, 11.5" x 16.5" sight. Framed 22" x 25".
- JOHANN GEORG SCHREIBER, GERMAN 1676-1750,
JOHANN GEORG SCHREIBER, GERMAN 1676-1750, NEUE CHARTE VON DER INSUL JAMAICA IN WEST-INDIEN ODER AMERICA, PRINT, SIGHT: 7 3/8 X 10 3/4 IN. (18.73 X 27.31 CM.), FRAME: 14 1/2 X 18 1/4 IN. (36.83 X 46.36 CM.)JOHANN GEORG SCHREIBER, GERMAN, 1676-1750 NEUE CHARTE VON DER INSUL JAMAICA IN WEST-INDIEN ODER AMERICA, Print Verso label Print Dimensions: Sight: 7 3/8 x 10 3/4 in. (18.73 x 27.31 cm.), Frame: 14 1/2 x 18 1/4 in. (36.83 x 46.36 cm.) Provenance: Estate of General Colin L. Powell, to benefit America's Promise Alliance and the Colin Powell School at City College of New York.
- ENOCH WOOD WHITE STONEWARE BLUE-GROUND
ENOCH WOOD WHITE STONEWARE BLUE-GROUND LARGE OVAL PLAQUE, 'THE DESCENT FROM THE CROSS'ENOCH WOOD WHITE STONEWARE BLUE-GROUND LARGE OVAL PLAQUE, 'THE DESCENT FROM THE CROSS', circa 1777, the foreground inscribed 'Enoch Wood Sculpt.', based off a painting in the Louvre titled, La Descente de Croix (1697) by Jean Jouvenet, in white relief with Christ being lowered from the Crucifix, at the top of the Cross is a scroll inscribed 'JESUS OF NAZARETH KING OF THE JEWS', reserved on an enameled blue ground, h: 20.25 in., framed Provenance: Sara & Samuel Laver Collection. Skinner, Boston, 14 July 2018, sale 3115B, lot 225. Jeffrey Milkins Collection no. 927. Catalogue Notes: For a later example from Lady Charlotte Schreiber's Collection, noted as by Enoch Wood & Sons, circa 1825, see the Victoria & Albert Museum, accession no. 414:1306-1885 (Schreiber number - Sch. II 553). Also reference Jonathan Horne, 'A Collection of Early English Pottery', no. 540; and Henry Hartland, 'Letter to the Editor: Enoch Wood Plaque', Apollo, June 1954. A third octagonal example is set in mortar in the Enoch Wood family vault. In the family Bible Enoch Wood writes, "Within this [Family] Vault there is deposited a large Basso Rilievo of the Descent from the Cross modeled by myself, also a Crucifix modeled at 14 years old." Literature: Diana Edwards, 'English Dry Bodied Stoneware' p. 198.
- WEST PANS PORCELAIN 'LITTLER'S BLUE'
WEST PANS PORCELAIN 'LITTLER'S BLUE' STRAWBERRY-LEAF MOLDED PLATEWEST PANS PORCELAIN 'LITTLER'S BLUE' STRAWBERRY-LEAF MOLDED PLATE, circa 1765, Midlothian, Scotland, attributed to William Littler, the shaped border molded in relief with strawberry leaves, dia: 8.25 in. Provenance: With Leo Kaplan, New York, 9 December 1987 (as Longton Hall, circa 1750-53); Estate of Tom and Lee Stanley William Littler (1724-1784) is best remembered for developing a rich lustrous blue glaze akin to lapis lazuli. In 1738, he began his career in Staffordshire as an apprentice making salt-glazed stoneware. Eleven years later, he entered a partnership and oversaw the porcelain production at Longton Hall. After the default of the firm in 1760, Littler and his wife, Jane, moved to Scotland and started a new porcelain manufactory called West Pans in 1764. For two slightly larger similarly molded and glazed blue bordered plates attributed to his hand at West Pans, see The British Museum, accession no. 1887,0307,IV.13. For two of approximately the same size, see the Victoria & Albert Museum, for two examples, given by Lady Charlotte Schreiber, accession no. 414:683/A-1885 (Sch. I 442/A). Literature: Arthur Lane 'William Littler of Longton Hall and West Pans, Scotland' (ECC Transactions, Vol. 5 part 2, pp.82- 94).
- WEDGWOOD CREAMWARE BLACK TRANSFER-PRINTED
WEDGWOOD CREAMWARE BLACK TRANSFER-PRINTED TEAPOT AND COVERWEDGWOOD CREAMWARE BLACK TRANSFER-PRINTED TEAPOT AND COVER , circa 1765, Staffordshire, the printed decoration attributed to Sadler & Green, Liverpool, oviform with overlapping shell-molded spout and entwined strap handle, the inset cover with a rose finial, the shell-molded sides printed in the so-called 'Liverpool Bird' pattern with exotic birds in flight and strutting in landscapes, h: 5.5 in. Provenance: The Herbert and Sylvia Jacobs Collection, no. 372, Christie's, New York, 30 January, 1994, sale 7826, lot 167; Estate of Tom and Lee Stanley English Creamware Collection Exhibitions: "All about Wedgwood" : 13 May - 28 October 1984 / The Hammond Museum in collaboration with The Wedgwood Society of New York. In the years 1761-1790, Wedgwood employed the printing firm John Sadler & Guy Green of Liverpool. Wedgwood would sell them undecorated wares to be decorated with transfer prints. Once successfully decorated, the objects would be repurchased. Also see Robin Reilly, Wedgwood, Vol. I, pp. 209-246 for an in-depth discussion of the business practices of these two firms. At Wedgwood, this print is known as the 'Liverpool Bird' pattern Literature: A teapot and cover of the same design, Given by Lady Charlotte Schreiber, is in the Victoria & Albert Museum, accession no. 414:1154/&A-1885. A teacup and saucer of the same design is in the British Museum.
- GEORGES SCHREIBER (AMERICAN 1904-1977),
GEORGES SCHREIBER (AMERICAN 1904-1977), JAZZ, LITHOGRAPH, FRAME: 16-3/4 X 20-3/4 INGeorges Schreiber (American 1904-1977), Jazz, Lithograph, Frame: 16-3/4 x 20-3/4 in
- GEORGES SCHREIBER (AMERICAN 1904-1977),
GEORGES SCHREIBER (AMERICAN 1904-1977), QUINTET, LITHOGRAPH, FRAME: 16-3/4 X 20-3/4 INGeorges Schreiber (American 1904-1977), Quintet, Lithograph, Frame: 16-3/4 x 20-3/4 in
- GEORGES SCHREIBER (AMERICAN 1904-1977),
GEORGES SCHREIBER (AMERICAN 1904-1977), NOON, LITHOGRAPH, 1942, FRAMED 18 X 22 INGeorges Schreiber (American 1904-1977), Noon, Lithograph, 1942, Framed 18 x 22 in
- GEORGE OVERBURY "POP" HART (UNITED STATES)
GEORGE OVERBURY "POP" HART (UNITED STATES) 1868-1933. WATER CARRIER. DRYPOINT, 1923. REF: NEWARK MUSEUM 211; NOT IN LC. ED: 30 OR FE...George Overbury "Pop" Hart (United States) 1868-1933. Water Carrier. Drypoint, 1923. Ref: Newark Museum 211; Not in LC. Ed: 30 or fewer. Signed with pencil, l.r. Signed "Pop" Hart", in the plate, l.r. Printed by the artist in black ink on sturdy, dark cream wove paper. Some even tone; remnants of glue along top margin, masking tape around edges, verso. 01 x 278 mm. (7 7/8 x 10 7/8 in. ) George Schreiber (Belgium/United States) 1904-1977. Haying. Lithograph, 1945. Windisch /Cole 729. Ed: 250, as published by Associated American Artists. Signed with pencil, l.r. Printed with black ink on cream wove paper with complete margins. 242 x 337 mm. (9 1/2 x 13 1/4 in.). Framed. (2)