- PATRICIA SHEEHAN, "REFLECTIONS", OIL
PATRICIA SHEEHAN, "REFLECTIONS", OIL ON BOARDPatricia Sheehan, "Reflections", signed lower right, titled lower left, oil on board, 24" x 30", frame size: 32" x 38". San Francisco artist.
- MARGARET MITCHELL SIGNED THREE PAGE
MARGARET MITCHELL SIGNED THREE PAGE LETTER Letter from Margaret Mitchell on her letterhead dated June 24, 1942. 3 page ADL, with a bold signature, discussing her father's health and her travels and duties with the Civilian Defense. Lots of content regarding soldiers and her personal and professional endeavors. Includes mentions of the following people: Alfred and Lynn Lunts, Phillips Granberry, Lois Cole, Herschel Brickell, Kenneth Proctor, Littauer, Marjorie Rawlings, Norton Baskin, Vincent Sheehan and second husband John R Marsh. Quite a detailed letter.
- DENNIS SHEEHAN (AMERICAN, BORN 1950),
DENNIS SHEEHAN (AMERICAN, BORN 1950), FIGURE AT BURN PILE Oil on canvas, signed at lower left, framed.
- PAINTING, PAM SHEEHAN Pam Sheehan (American,
PAINTING, PAM SHEEHAN Pam Sheehan (American, b. 1956), "Sunrise, Barnegat Light, NJ," 2005, oil on museum board, signed and dated lower right, gallery label (Paul Thiebaud Gallery, San Francisco, CA) affixed verso, overall (with frame): 10.5"h x 14.5"w
- Pam Sheehan
(American, b. 1956)
Afternoon
Pam Sheehan
(American, b. 1956)
Afternoon - Bayside, 1998
oil on panel
signed Sheehan and dated (upper center)
4 1/2 x 8 1/2 inches.
- EARLY PREENING SCOTERAlbert Davids Laing
EARLY PREENING SCOTERAlbert Davids Laing (1811-1886)
New York, NY, and Stratford, CT, c. 1850
14 in. long
A hollow, turned-head decoy by the father of the Stratford School. Laing, originally from New York City, is one of the earliest and most talented carvers in North America. The underside bears a large “LAING” rig brand and a Baldwin rig brand. This important rig has been referred to as the "early classic rig" and was also used by Charles E. "Shang" Wheeler. This decoy was the cover feature for the marker's "Decoy Magazine" article in 1995.
Laing has been revered for adding a lifelike quality to his rigs with a variety of head positions, such as this elegant sleeper. There is no evidence that Laing ever sold decoys commercially, and it is believed that at the time of his death the 111 decoys from his gunning rig constituted the majority of his entire output. According to Chitwood, Laing’s entire hunting rig was sold after his passing in 1886 for $45.
Old gunning paint with moderate wear, some touch-up, and partial bill restoration.
Provenance: Albert D. Laing Rig
Charles E. "Shang" Wheeler Rig
Private Collection
Literature: D. Webster & W. Kehoe, "Shelburne Museum Decoys," Shelburne, VT, 1961, p. 75, rigmate illustrated.
Henry C. Chitwood, "Connecticut Decoys," West Chester, PA, 1987, p. 65, Shelburne Museum rigmate illustrated.
Laurence Sheehan, "The Birding Life," New York, NY, 2011, p. 22, Donal O'Brien's rigmate illustrated.
Joe Engers, ed., "Albert D. Laing: A decoy maker unequaled in his time," Decoy Magazine, July/August 1995, front cover, p. 12, exact decoy illustrated.
- THE O'BRIEN CHAMBERS WOOD DUCKThomas
THE O'BRIEN CHAMBERS WOOD DUCKThomas Chambers (1860-1948)
Wallaceburg, Ontario, Canada, c. 1900
15 in. long
“There are few, if any, areas in North America which provide such accessible hunting for such a large number and variety of ducks and geese. Furthermore, no area of such relatively small size contains such a wide range of waters on which to hunt. These factors have contributed to the rich and remarkable Heritage of decoys produced by the decoy makers of Michigan and the St. Clair Flats.
“The ideal nature of this area for hunting did not escape the attention of the market gunners or sportsmen, and the decoy makers responded by the middle of the 19th century to give folk art collectors some of the earliest and finest examples of wildfowl decoys.”
— Donal C. O’Brien Jr., "Waterfowl Decoys of Michigan and the Lake St. Clair Region", 1983
Thomas Chambers (1860-1948) was born in Toronto, Ontario. He hunted ducks and geese as a boy and sold his excess quarry to the market. He was tapped by sportsmen, including George Warin (1830-1905), to be the Keeper at the newly founded St. Anne’s Club on the Chenal Ecarte, which flows into Lake St. Clair. In 1900, when the nearby St. Clair Flats Shooting Company was looking for a new Keeper, they asked Warin, a respected founder and a former president of their club. Warin recommended Chambers, which would be fortuitous for all parties.
Incorporated in 1874, the St. Clair Flats Shooting Company, also known as the Canada Club, was one of the oldest hunting clubs on Lake St. Clair. Chambers lived on the club’s property in an adjacent house with his wife and three children. Chambers would remain the club’s Keeper until his retirement in 1943. According to author Bernard Crandell, it was during this time as manager that the 6 foot, 1 inch Chambers earned the nickname “King Tom.” Over the years, the membership of the Canada Club gradually changed from all Canadians to predominantly Americans.
In addition to his work for the club, Chambers was also one of the nation’s most accomplished carvers. His decoys were in high demand from the members and even during the Depression a rig of a dozen Chambers decoys would command the unheard-of price of $75.
Many, including Canadian decoy scholar Paul Brisco, consider this carving to be the finest Canadian decoy known. Co-authors Clune Walsh Jr. and Lowell Jackson, as well as Paul Johnsgard, chose this exact decoy for the cover of their respective books, Waterfowl Decoys of Michigan and the Lake St. Clair Region and The Bird Decoy: An American Art Form.
Few decoys have evoked the acclaim of this wood duck. It is among the greatest carvings of this species from any region, alongside peak examples by A. Elmer Crowell (1862-1952), Charles E. “Shang” Wheeler (1872-1949), Joseph W. Lincoln (1859-1938), the unknown maker who carved two drakes for the Tyzzer rig, and the Mason Decoy Factory (1896-1924).
One of only two Chambers wood ducks known to exist, this example, with its exceptional form, paint, and condition, is the better of the two. Chambers captured the likeness of species of the summer duck effectively, paying special attention to the subtle nuances of the duck’s bill, eyes, and crest. Well over one hundred years old, the decoy maintains nearly invisible neck and bottom board seams, a testament to Chambers’ crafts- manship. The bottom board was fashioned from a food- packing crate and is thus branded on the underside “GUARANTEED BY H.J. HEINZ.”
The bottom board is also branded “GEO. M. HENDRIE.” George M. Hendrie was a St. Clair Flats Shooting Company member from 1889 to 1943.
This iconic bird held a special place in O’Brien’s collection,residing in his den alongside his dovetailed Canada goose.
Outstanding original paint with minor gunning wear, working putty to a sliver under the bill, and minimal touch-up under tail.
Provenance: George M. Hendrie Rig
Private St. Clair Flats Shooting Company Member
Ronald Swanson Collection, acquired from the estate of the above, c. 1970
Donal C. O’Brien Jr. Collection, acquired from the above, c. 1978
Thomas M. Evans Jr. Collection
Literature: Paul A. Johnsgard, "The Bird Decoy: An American Art Form," Lincoln, NE, 1976, front dust jacket and pl. 108, exact decoy illustrated.
Clune Walsh Jr. and Lowell G. Jackson, "Waterfowl Decoys of Michigan and the Lake St. Clair Region," Detroit, MI, 1983, pl. 16 and on the slipcase cover of the deluxe edition, exact decoy illustrated.
Laurence Sheehan, "The Sporting Life," New York, NY, 1992, p. 79, exact decoy illustrated.
Jackson Parker, “O’Brien Classic Decoys on Display at Museum of American Folk Art,” North American Decoys: Wildfowl Carvers and Collectors News, Spanish Fork, UT, Spring/Summer 1982, p. 32, exact decoy illustrated.
Jeff Waingrow, “The American Decoy: Folk Sculpture from the Collection of Mr. and Mrs. Donal C. O’Brien Jr.,” The Clarion: America’s Folk Art Magazine, Fall 1981, p. 32, exact decoy illustrated.
Loy S. Harrell Jr., "Decoys: North America’s One Hundred Greatest," Iola, WI, 2000, pp. 10-11, exact decoy illustrated.
Exhibited: New York, New York, “The Art of the American Decoy: Folk Sculpture from the Collection of Mr. and Mrs. Donal C. O’Brien Jr.,” Museum of American Folk Art, September 3-November 8, 1981.
- GOLDEN PLOVERMr. Webster
Nantucket,
GOLDEN PLOVERMr. Webster
Nantucket, MA, c. 1850
10 in. long
This early plover with a sharp tail cut is among the best of its kind from the iconic Webster rig. It has resided on the island since it was made over a century and a half ago. Created in an upright posture, the swooping lines of this alert siren are on full display.
Early collectors Donal C. O’Brien Jr., William J. Mackey Jr., Adele Earnest, and Dr. Peter Muller all believed that the plover from this rig were some of the finest works of American folk art they had ever come across.
Indeed, Mackey and Donal O’Brien hunted down and acquired fifteen of the seventeen examples that surfaced. The majority continue to reside in the Donal O’Brien Collection and one can be seen in Mackey and Weiler’s "Classic Shorebird Decoys" portfolio.
The rig is consistent in paint, depicted in bold breeding plumage; however, each bird's form is slightly different and the maker's free-hand approach produced a lively flock with no two birds exactly alike.
No survey of Nantucket shorebirds would be complete without an example of Webster's contributions to American folk art.
Original paint with light gunning wear.
Provenance: Franklin Folger Webster Collection
Allan "Rocket" Royal Collection, acquired from the above
Stephen B. O'Brien Sr. Collection, acquired from the above in 1975
Literature: Milton C. Weiler, "The Classic Decoy Series: A Portfolio of Paintings," New York, NY, 1969, pl. 2, rigmate illustrated.
William Doyle Galleries, “Waterfowl and Shorebird Decoys,” New York, NY, April 15, 1981, back cover and p. 61, lot 76, rigmate illustrated twice.
Joe Engers, “Dr. Peter J. Muller: Bringing a good eye and an artistic approach to decoy collecting,” Decoy Magazine, January/February 2008, p. 8, rigmate illustrated.
Robert Shaw, "Call to the Sky: The Decoy Collection of James M. McCleery, M.D.," Houston, TX, 1992, p. 13, related example illustrated.
Richard A. Bourne Co., Inc., "Very Rare and Important American Bird Decoys from the Collection of the late William J. Mackey Jr. of Belford, New Jersey," Hyannis, MA, 1973, Session III, lot 320, rigmate illustrated.
Jeff Waingrow, “The American Decoy: Folk Sculpture from the Collection of Mr. and Mrs. Donal C. O’Brien Jr.,” The Clarion: America’s Folk Art Magazine, Fall 1981, p. 30, rigmate illustrated.
Jackson Parker, “O’Brien Classic Decoys on Display at Museum of American Folk Art,” North American Decoys Magazine, Spring/Summer 1982, p. 34, rigmate illustrated.
Laurence Sheehan, "The Sporting Life," New York, NY, 1992, p. 79, two rigmates illustrated.
Copley Fine Art Auctions, "The Donal C. O'Brien Jr. Collection of Important American Sporting Art and Decoys, Sessions I-II," July 27, 2017, inside front cover, six rigmates illustrated in Donal O’Brien’s living room.
- TWO SHELVES INCLUDING STONEWARE AND
TWO SHELVES INCLUDING STONEWARE AND POTTERY JARS AND CROCKS Two shelves including stoneware and pottery jars and crocks, including a Riedinger and Caine, Poughkeepsie, NY, a Strasburg, VA example, a John H. Sheehan, Untica, New York, example, etc. largest: 11"h
- Richard Sheehan 1953–2006. Red Support.
Richard Sheehan 1953–2006. Red Support. 1986, oil on canvas. 60 h × 64 w in. result: $2,000. estimate: $1,500–2,500. Signed, titled and dated to lower right ‘Sheehan Red Support '86’. Provenance: Allan Stone Gallery, New York
- Richard Sheehan 1953–2006. Late Afternoon
Richard Sheehan 1953–2006. Late Afternoon Neponset. 1986, oil on canvas. 40 h × 56 w in. estimate: $1,500–2,000. Signed, titled and dated to lower left ‘86 Sheehan Late Afternoon Neponset’. Provenance: Acquired directly from the artist | Allan Stone Gallery, New York
- 4 MARION RUFF SHEEHAN ANIMAL PRINTSNature
4 MARION RUFF SHEEHAN ANIMAL PRINTSNature scenes. Each is hand signed and numbered.
Artist: Marion Ruff Sheehan
Issued: 20th c.
Dimensions: 24.5"H x 16.5"W, each
Country of Origin: United States
Condition:
Minor bending on corners
- PING PAL 2 GOLF PUTTERDESCRIPTION: A
PING PAL 2 GOLF PUTTERDESCRIPTION: A "Ping Pal 2" golf club, putter. Club has attached label marked: "B. Madoff" with course info "Atlantic G.C. Bridgehampton, NY" Provenance: (Owner originally purchased from the "Gaston & Sheehan" Bernie Madoff Auction) CIRCA: 20th Cent. ORIGIN: USA DIMENSIONS: L: 36.5" CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
- (12 PC) MODERN GOLF CLUB COLLECTIONDESCRIPTION:
(12 PC) MODERN GOLF CLUB COLLECTIONDESCRIPTION: (12Pc) A modern golf club collection composed of drivers and a grip trainer. Clubs have attached labels marked: "B. Madoff" and "Mrs. R. Madoff" with course info "Atlantic G.C. Bridgehampton, NY" & "Fresh Meadow CC, Great Neck, NY" Includes: (11) total clubs and (1) grip trainer. Provenance: (Owner originally purchased from the "Gaston & Sheehan" Bernie Madoff Auction) CIRCA: 20th Cent. ORIGIN: USA DIMENSIONS: (Largest) L: 44" - (Smallest) L: 40.5" CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
- ANTIQUE BAMBOO SHOOTING STICKDESCRIPTION:
ANTIQUE BAMBOO SHOOTING STICKDESCRIPTION: An antique shooting stick composed of bamboo with a folding cane seat and polished brass fittings. Bottom of stick is mounted with a brass disc to support the seat in soft ground. Stamped "Bte SGDG" at seat. Provenance: (Owner originally purchased from the "Gaston & Sheehan" Bernie Madoff Auction) CIRCA: Early 1900s ORIGIN: USA DIMENSIONS: H: 26" x D: 13.5" CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
- M. L. SHEEHAN PINWHEEL REGULATOR WALL
M. L. SHEEHAN PINWHEEL REGULATOR WALL CLOCKM. L. Sheehan Pinwheel Regulator Wall Clock, height: 52 in. Condition:
- ROBERT INDIANA (AMERICAN, 1928-2018)
ROBERT INDIANA (AMERICAN, 1928-2018) "THE AMERICAN FOUR", 1970 Screenprint in colors 23-3/4 x 23-3/4 inches (60.5 x 60.5 cm) Ed. 143/200 Signed, dated, numbered and titled in pencil (lower margin). Printed by Domberger KG, Filderstadt Published by the Museum of Modern Art, New York Literature: Sheehan, 59.
- DENNIS SHEEHAN (NEW HAMPSHIRE/MASSACHUSETTS,
DENNIS SHEEHAN (NEW HAMPSHIRE/MASSACHUSETTS, B. 1950), A POND IN A MEADOW., OIL ON CANVAS, 12” X 12”. FRAMED 14” X 14”.DENNIS SHEEHAN, New Hampshire/Massachusetts, b. 1950, A pond in a meadow. Signed lower left "Sheehan". Dimensions: Oil on canvas, 12" x 12". Framed 14" x 14".
- DENNIS SHEEHAN (NEW HAMPSHIRE/MASSACHUSETTS,
DENNIS SHEEHAN (NEW HAMPSHIRE/MASSACHUSETTS, B. 1950), LANDSCAPE AT DUSK., OIL ON CANVAS, 16” X 20”. FRAMED 22” X 26”.DENNIS SHEEHAN, New Hampshire/Massachusetts, b. 1950, Landscape at dusk. Signed lower left "Sheehan". Dimensions: Oil on canvas, 16" x 20". Framed 22" x 26".
- DENNIS SHEEHAN (NEW HAMPSHIRE/MASSACHUSETTS,
DENNIS SHEEHAN (NEW HAMPSHIRE/MASSACHUSETTS, B. 1950), SUNSET OVER A SNOWY MARSH., OIL ON CANVAS, 16" X 28". FRAMED 22" X 34".DENNIS SHEEHAN, New Hampshire/Massachusetts, b. 1950, Sunset over a snowy marsh. Signed lower right "Sheehan". Dimensions: Oil on canvas, 16" x 28". Framed 22" x 34".
- ATTRIBUTED TO DENNIS SHEEHAN (NEW HAMPSHIRE/MASSACHUSETTS,
ATTRIBUTED TO DENNIS SHEEHAN (NEW HAMPSHIRE/MASSACHUSETTS, B. 1950), SUNSET OVER A MARSH., OIL ON CANVAS, 16" X 28". FRAMED 23" X 35".ATTRIBUTED TO DENNIS SHEEHAN, New Hampshire/Massachusetts, b. 1950, Sunset over a marsh. Unsigned. Dimensions: Oil on canvas, 16" x 28". Framed 23" x 35".
- EVELYN SHEEHAN (OREGON, 20TH CENTURY)
EVELYN SHEEHAN (OREGON, 20TH CENTURY) TWO CASEINSEVELYN SHEEHAN (Oregon, 20th century) two caseins on paper, "Morning By The Window" and "A Change of Costume." Both signed, dated 1968 and 1970, signed again and titled versos. Images measure 14.5" x 22" and 16" x 11". In wood frames; 24.75" x 30.75" and 26.5" x 21.25" overall.
- DENNIS SHEEHAN, AMERICAN (B.1950), SUNSET,
DENNIS SHEEHAN, AMERICAN (B.1950), SUNSET, OIL ON CANVAS, 24 X 24 INCHESDENNIS SHEEHAN, American, (b.1950) Sunset, oil on canvas signed lower left "Sheehan" oil on canvas Dimensions: 24 x 24 inches Provenance: Private Collection, New York; Private Collection, New Jersey; Private Collection, New York. Framed dimensions: 30 1/2 x 30 1/2 x 1 1/2 inches Tags: Contemporary, American impressionist, landscape, sunset Condition: excellent overall condition; unlined canvas; no restoration apparent under UV Condition
- TWO NUDES: TOM HARDY (OREGON, BORN 1921)
TWO NUDES: TOM HARDY (OREGON, BORN 1921) MONOTYPETWO NUDES: Tom Hardy (Oregon, born 1921) monotype print, male nude with staff, signed lower right, edition 7/12, image measures 10" x 8"; Evelyn Sheehan (Oregon, 20th century) casein on paper, "Lydia, Oh Lydia," a standing nude, signed lower right and dated 1972, opening measures 16" x 9.5". In wood frames: 17" x 14" and 24" x 16.75" overall.
- PAM SHEEHAN (AMERICAN B. 1956), OIL
PAM SHEEHAN (AMERICAN B. 1956), OIL ON BOARDPam Sheehan (American b. 1956), oil on board signed lower middle, 7 5/8" x 11".
Competitive in-house shipping is available for this lot.
Condition:
Good condition. No apparent damages or repairs.
- TWO FRAMED SEMI-ABSTRACT ETCHINGS R.
TWO FRAMED SEMI-ABSTRACT ETCHINGS R. Ron Sheehan, each signed and titled in lm.
- ELMIRA KEMPTON, AMERICAN (1892-1971),
ELMIRA KEMPTON, AMERICAN (1892-1971), 'SHEEHAN OF AMBLESIDE', IRISH WOLFHOUND TERRIER DOG PORTRAIT, 1932, OIL ON CANVAS, 30"H X 36"WElmira Kempton, American, (1892-1971) 'Sheehan of Ambleside', Irish Wolfhound terrier dog portrait, 1932, oil on canvas signed, titled, and dated lower right. Provenance: From a private collector in Zionsville / Indianapolis. From the Archives of AskArt: Elmira Kempton of Richmond, Indiana lived from 1892 to 1971. She studied at the Cincinnati Art Academy under James R. Hopkins, Herman H. Wessel, Clement Barnhorn, L.H. Meakin, Albert Krehbiel, Eliot O'Hara and Wayman Adams. Kempton's exhibitions include the National Association of Women Artists from 1944 to 46; a solo exhibition at the Argent Gallery in 1944, the Indiana Arts Council in 1944 and 1946 and the Richmond Art Association from 1944 to 1946. oil on canvas Dimensions: 30"H x 36"W
- SCHOOLGIRL SAMPLER WROUGHT BY MARY SHELLEY
SCHOOLGIRL SAMPLER WROUGHT BY MARY SHELLEY IN HER14TH YEAR AT SHEEHANS SCHOOL, JULY 17, 1835, POSSIBLY ENGLISH OR IRISH. COLORFUL SCENE DEPICTING THE SCHOOL, HOUSES, ANIMALS, A CROSS AND A PERSON. SIGHT SIZE 25 1/4" X 16 3/4". OVERALL 26 3/4" X 18 1/4". VERY MINOR DAMAGE. FRAMED.
- ROBERT INDIANA (AMERICAN, 1928-2018)
ROBERT INDIANA (AMERICAN, 1928-2018) 30" x 30" image; 34 ¾" x 34 ¾" paper "Golden Love", 1973. Screenprint in colors on cream wove paper, signed in pencil lower right, numbered 125/150 in pencil lower left (edition of 150 plus 50 artist's proofs in Roman numerals), Sheehan #77, published by Encounter, New York, with full margins, Copyright Robert Indiana 1973 printed lower right under image, in a painted red frame, overall 36 ¼" x 36 ¼".
- EVELYN SHEEHAN TWO MIXED MEDIAS ON PAPER
EVELYN SHEEHAN TWO MIXED MEDIAS ON PAPER (Oregon 20th century) Acrylic and pastels titled ''Agent Purple Meets Agent Orange '' and ''Separate Tables.'' Images measure 17'' x 22'' both signed ''Sheehan'' and dated (19)82. Set in matching aluminum frames.
- EVELYN SHEEHAN TWO MIXED MEDIAS ON PAPER
EVELYN SHEEHAN TWO MIXED MEDIAS ON PAPER (Oregon 20th century) Acrylic and pastels titled ''Spatial Picnic '' and ''Open Box #2.'' Images measure 17.5'' x 21'' and 16.5'' x 21.5'' both signed ''Sheehan '' dated (19)89 and (19)86. Set in matching aluminum frames.
- EVELYN SHEEHAN TWO MIXED MEDIAS ON PAPER
EVELYN SHEEHAN TWO MIXED MEDIAS ON PAPER (Oregon 20th century) acrylic and pastels titled ''Regimented Summer '' and ''Friends in Sequence.'' Images measure 17'' x 20'' and 18'' x 21.75'' both signed ''Sheehan'' and dated (19)80. One has a label from the Rental Sales Gallery Portland Art Museum. Set in aluminum frames.
- EVELYN SHEEHAN ACRYLIC ON LINEN (Oregon
EVELYN SHEEHAN ACRYLIC ON LINEN (Oregon 20th century) titled ''A Piece of Sky '' depicting an owl. Image measures 42'' x 52'' signed ''Sheehan'' center right dated (19)83. In a wood frame. The painting is in very good condition.? There may be some inpainting but it is difficult to determine because of the style of the painting.
- EVELYN SHEEHAN TWO ACRYLICS/PASTELS
EVELYN SHEEHAN TWO ACRYLICS/PASTELS ON PAPER (America/Portland Oregon 20th century) titled ''Another Box'' and ''Diagram for Spring.'' Images measure 16.75'' x 22'' and 17.5'' x 21.5'' both are signed ''Sheehan'' center right dated (19)87 and (19)89. Set in matching aluminum frames.
- EVELYN SHEEHAN THREE MIXED MEDIAS ON
EVELYN SHEEHAN THREE MIXED MEDIAS ON PAPER (Oregon 20th century) Acrylic and pastels titled ''In Summer Green '' ''On the Way to Wednesday'' and ''Open Box #12.'' Images measure 15.5'' x 22'' 17'' x 17'' and 16.5'' x 21.5'' respectively. All signed center right dated 1984 1981 and 1985. In aluminum frames.
- DENNIS SHEEHANAmerican ContemporarySunset
DENNIS SHEEHANAmerican ContemporarySunset over the marsh. Signed lower right Sheehan''.Oil on canvas 22'' x 30''. Framed.''