A few examples of appraisal values for
STIFFE

• FRANKLIN ELECTRIC GRANDMOTHER CLOCKFranklin
  FRANKLIN ELECTRIC GRANDMOTHER CLOCKFranklin electric grandmother clock. Early 20th century. Mahogany case, 3 brass weights, four chimes, and pendulum. Original key is included. Slight separation of bottom panel of wood from case. Scuffs, scratches and wear to wood throughout case of clock. Chip to wood on back right edge of case. Tears, splitting, and stiffening to electric plug and cord of clock. Longest chime is separate from original cord which is frayed. Wear to fabric of removable panels. An additional clock face, along with pins and hardware from clock mechanics, are included. 16 13/8" W x 13" D x 71 1/4" H. 71 lbs.
• STIFFEL BRASS & TOLE BOUILLOTTE LAMPSigned
  STIFFEL BRASS & TOLE BOUILLOTTE LAMPSigned Stiffel French style bouillotte table lamp. Brass, with tole shade. 29 1/2"H to top of finial.
• 50s Brass Stiffel Parzinger Style Mid
  50s Brass Stiffel Parzinger Style Mid Century Modern Lamps Dimensions: Height: 43 inches, Width: 7 inches, Depth: 7 inches. --- Condition: Taller lamp will not turn on. Spotting to the metal surfaces.
• MID-CENTURY MODERN STIFFEL TENSION POLE
  MID-CENTURY MODERN STIFFEL TENSION POLE LAMP Mid-Century Modern Stiffel Attributed Tension Pole Lamp (top section missing) with gray-painted pole and three mounted gray-painted light shades, each with walnut handgrips. 75" H (adjustable). Keywords: Lighting, Standing lamp
• JAPANESE OSHI-E OR PADDED SILK SCENIC
  JAPANESE OSHI-E OR PADDED SILK SCENIC COLLAGE Japanese Oshi-e silk and gouache on paper scenic collage, depicting a member of the Imperial household being carried through the streets in a golden litter, the figures' faces are finely painted in Ukiyo-e (the floating world) style, while their bodies are composed of stuffed and stiffened silk, all on a gouache accented paper ground, apparently unsigned, framed. Approximate Dimensions: Sight sq. 28.5; overall h. 34", w. 34.25", d. 1".
• A PAIR OF MODERN TABLE LAMPSA pair of
  A PAIR OF MODERN TABLE LAMPSA pair of Modern table lamps, Mid-20th century The shades with foiled paper label: Stiffel Each single-light lamp raised on three powder-coated brown legs, capped by a white top diffuser and paper shades with exterior woven pattern, 2 pieces Dimensions: Each with shade: 28" H x 18" Dia. Provenance: The Collection of Frederick W. Davis Private Collection, Southern California, by descent from the above
• BACCARAT/STIFFEL BRASS CRYSTAL, MARBLE
  BACCARAT/STIFFEL BRASS CRYSTAL, MARBLE TABLE LAMPBaccarat/Stiffel Brass Crystal and Marble Table Lamp, 20th c., pewter pixie girl, looking out over a crystal "pond", stepped Portoro marble base, h. (to finial) 31 in.
• CALYPSO DESIGNER SUEDE LEATHER SHORT
  CALYPSO DESIGNER SUEDE LEATHER SHORT SLEEVE TOP Calypso designer suede leather top with short sleeves in T-shirt form, designer's label and size "Calypso St. Barth / S" to interior. Shoulders: 17" W; bust: 17.5" W; waist: 18.5" W; length: 22.5" L. Gentle usage wear, some stiffening of leather to underarms, some light scuffing throughout.
• STIFFEL MID-CENTURY MODERN TABLE LAMP,
  STIFFEL MID-CENTURY MODERN TABLE LAMP, GLASS SHADE Stiffel mid-century modern gold-tone and drip-motif table lamp with milk glass shade, label on lamp: "STIFEL." 30.25" H. Pitting to gold-tone finish.
• STIFFEL BRASS ADJUSTABLE FLOOR LAMP31
  STIFFEL BRASS ADJUSTABLE FLOOR LAMP31 1/2 x 7 1/4 x 11 in. Condition Lacking screw, lamp head detached. Otherwise minor surface wear. Will need to be rewired for use.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• MIDCENTURY KNOLL SAARINEN WOMB CHAIR.
  MIDCENTURY KNOLL SAARINEN WOMB CHAIR. Nice early chair. Interior of upholstery stiffening. From a Hartsdale NY estate. Dimensions: 36" h x 39" w x 33" d Condition: Upholstery filler hardened.
• PLAINS BEADED AND HIDE DOLL, POSSIBLY
  PLAINS BEADED AND HIDE DOLL, POSSIBLY KIOWA, SOUTHERN PLAINSRaised on a stand with a label underneath ' Plains Cloth and Hide Doll Ute (?), SPB (Sotheby's Parke Bernet) No 58, Oct. 16, 1976. 18 1/2 in. tall (overall). Condition Staining to the hide on the front which renders it stiffer than the back side. Minor losses to the fringe and beadwork. Wear to the hair, face and shoulders. Beautifully detailed with a pouch knife sheath and herb bag. Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• TOMMY PARZINGER FOR STIFFEL BRASS LAMPS
  TOMMY PARZINGER FOR STIFFEL BRASS LAMPS AND SHADES (Attrib). Great original pair with nice shades and signed Steiffel. From a Pound Ridge NY estate. Dimensions: 30"H x 22" Condition: Good. Not tested for function.
• Pair Stiffel urn form table lamps, gilt
  Pair Stiffel urn form table lamps, gilt metal urn form on pedestal, 33"h
• 1970s Stiffel Art Deco Style Torchiere
  1970s Stiffel Art Deco Style Torchiere Floor Lamp Dimensions: H: 68.5 inches: W: 11 inches: D: 11 inches --- Condition: Some tarnish. Additional Message: We offer curbside delivery to NYC, Manhattan, Close Brooklyn, Hoboken about a week after the last auction day at reasonable rates ($125 minimum stop charge). Tentative date June 21, 2023. See details at our website. https://www.uniquesandantiques.com/nyc/
• Raymond Loewy Stiffel, Futura Extension
  Raymond Loewy Stiffel, Futura Extension Pole Lamp. Space age Atomic. Dimensions: H: 104 inches: W: 13 inches --- Condition: Tension Rod Mechanism. Very Good Condition. Some spots in some areas
• Raymond Loewy Stiffel, Futura Extension
  Raymond Loewy Stiffel, Futura Extension Pole Lamp. Space age Atomic. Dimensions: H: 104 inches: W: 13 inches --- Condition: Tension rod construction. Some surface rubs and spots
• EARLY SCRIMSHAW BUSK. 18th/19th C. whale
  EARLY SCRIMSHAW BUSK. 18th/19th C. whale bone busk with fine two color (red and green) two-sided scrimshaw decoration. Primary decoration depicting a heart over flowering potted plant, tombstone with weeping willow tree, and 12-pointed star over house. Bordered with triangular geometrical design. Back side decorated with flowering vine and rectangular cartouche, 10.25”H x 1.5”W. Busks are long, flat slices out of whalebone ribs that whaling crews decorated with carvings and then gave to their wives or sweethearts once they were back on land after a voyage. Busks were slipped into vertical pocket in ladies’ corsets to stiffen the garment.
• A FRENCH STYLE STIFFEL TABLE LAMP BASE
  A FRENCH STYLE STIFFEL TABLE LAMP BASE A French style Stiffel table lamp base, 33"h
• Stiffel. Table lamps, pair. c. 1960,
  Stiffel. Table lamps, pair. c. 1960, glazed ceramic, brass, linen. 43 h × 15¼ dia in. result: $938. estimate: $500–700. Raised number to underside of each example ‘1115’.
• Stiffel. Table lamps, pair. c. 1960,
  Stiffel. Table lamps, pair. c. 1960, brass, turned wood. 36 h × 7½ dia in. result: $1,375. estimate: $1,000–1,500.
• LENOX PORCELAIN STIFFEL LAMPVintage
  LENOX PORCELAIN STIFFEL LAMPVintage Stiffel lamp with shade; features a square wooden base with brass feet supports, a round brass column with geometric patterns, a white Lenox body with gold band topped by another brass column with a decorative handle; marked Lenox to side of ceramic body and marked "Stiffel" to neck; measures approximately 37-1/2" tall and has a shade diameter of 17"; appears to be in Good working condition but has not been tested.
• A GROUP OF THREE SHAKER WOVEN STRAW
  A GROUP OF THREE SHAKER WOVEN STRAW BONNETS, 19TH CENTU...A GROUP OF THREE SHAKER WOVEN STRAW BONNETS, 19TH CENTURY, each woven with neutral weft straw and weave brown straw composing a dome form top, continuing to a wire stiffened and pleated arch opening trimmed in brown cotton border, joined by simple white stitching on flat braided banding to a continuous matching neck and sides shield, interior tops centering glued white tags numbered 9 (or 6). Height: 9 1/2" Width: 7 1/2" Depth: 8" Provenance: Property of a gentleman, Houston, Texas. Condition: Strong colors, some losses on each from aging, use and environment, brown cotton borders are worn, frayed and loose exposing strengthening wires. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
• A MARCEL BREUER STYLE BLACK LEATHER
  A MARCEL BREUER STYLE BLACK LEATHER AND CHROME ARMCHAIR...A MARCEL BREUER STYLE BLACK LEATHER AND CHROME ARMCHAIR, PROBABLY ITALIAN, LATE 20TH CENTURY, the rectangular stiffened black leather backrest with matching seat and armrest pads stitched to a continuous chromed steel tubular frame. Height: 31 3/4'' Width: 22'' Depth: 23 1/2'' Provenance: Estate of the late Drs. Wiley and Gloria Biles, Houston, Texas; Proceeds to benefit Houston Baptist University Condition: Some light scratches on skids, one indented line on front of leather backrest. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS.”
• PAIR OF STIFFEL BRASS LAMPSPair of signed
  PAIR OF STIFFEL BRASS LAMPSPair of signed Stiffel 3 light brass lamps with adjustable metal shades Condition: Condition: reports for specific items are available by calling Dave Pritchard at 1-740-503-8216 or emailing dave.pritchard@e-merge.com
• 19TH C. MONTANA CROW BEADED HARD SOLE
  19TH C. MONTANA CROW BEADED HARD SOLE MOCCASINSThis is a fine set of 19th Century Indian hide and hard sole moccasins from the Crow Apsaalooke Indians of Montana. The set shows a classic medium height moccasin comprised of Indian tanned hide, likely Buffalo / Bison hide, sinew sewn with thick parfelche Buffalo / Bison hard sole bottoms with a nice foot worn pattern. The beadwork is cotton trade trade sewn with early glass trade seed beads in a pattern that has been documented and attributed to the Crow's of Montana. The beads include colors of greasy orange, lilac, chalk white, medium green, brown, and semi-transparent light blue. The sety has the original tongue and an Indina hide tie strap on both. The bases show some cracking, but are solid, the tops have some stiffening, but mostly supple. Little bead loss and well kept set that display beautifully with the bold Maltese cross pattern on the foot with border of beadwork at the base, which wraps around the entire foot. Utah collection. Each measures 9.5"L by 3 3/8"W by 3.75"H. Total weight of 6 oz.
• RARE BLACKFEET QUILLED & BEADED BUFFALO
  RARE BLACKFEET QUILLED & BEADED BUFFALO HEADDRESSThis is an incredible, large buffalo horn headdress with polychrome painted buffalo trailer along with beadwork and quillwork from the Blackfeet Indians of Montana. This is truly a large, heavy head dress / headdress that features a long polychrome painted and decorated buffalo / bison hide trailer that hangs off the back of the headdress. The headdress is comprised of an Indian tanned buffalo hide cap that hangs down the back around 18-inches along with two full, polished buffalo horns affixed to the cap with thick buffalo hide lacing. There is a beautiful beadwork blue brow band showing a wonderful hour-glass or snake pattern done with early glass trade seed beads in cobalt and sky padre light blue. There are several drops of old trade clothe, beads, trade ribbons and two drops of what appears to be human hair, but could be horse tail hair tied onto the side temple areas along with older brass sewing thimbles. The inside of the cap bonnet is lined with old trade clothe. The buffalo hide trailer is attached to the cap with thick hide lacing and measures 58 inches in length by about 12 inches in width. It is artfully decorated with painted designs and symbols, strips of hide lacing and twenty-four large tarnished metal trade sleigh bells / large hawk bells. The painted symbols are in a wonderful Blackfeet / Blackfoot fashion, said to represent the owner’s war exploits and life experiences. There is a pictorial scene with a Blackfoot warrior holding a tomahawk and what appears to be a gunstock war club and a horse. The horse scene has a unique object painted in front of the horse that is noted by such scholars such as John Ewers wrote about it being some kind of “thing” or mystery object. Some theorize that it could be a medicine bundle, but mainly nicknamed the “thing”. It appears in other documented Blackfeet rock art pictographs and paintings with horses, similar to how it appears here in the scene with the horse. There are other painted symbols and designs which are documented as Blackfoot in colors of yellow, green, red and blue. The artwork is extensive and masterfully done. Above the beaded brown band shows large solid brass concho button spots in a long row on trade clothe muslin. The tip of each polished buffalo horn shows four Indian tanned hide fringes wrapped in porcupine quill, quillwork with natural ocher / ochre mineral pigment dyes having small rolled tin jingle dangle cones and brass covered metal hawk trade bells. The headdress was noted by the Ted Levy collection as being from the Indian Wars era of the 19th Century, circa 1880, please examine the pictures and preview the piece in order to deduce your own representation of age and origin. The headdress or war bonnet shows a combination of early 19th Century materials and manufacture with some later repairs or additions, but overall a historic, large and impressive war bonnet headdress. Some stiffening to the back hide, the top is soft, little to no hair loss to the hide, only slight bead and quill loss, some fading to the paint, but overall the piece displays beautifully. Taylor and Levy noted the piece was likely used later on, on the Indian Reservations for ceremonial purposes. Measures overall 68”L from the tip of the horn to the bottom of the trailer and about 18 inches wide. Total weight of 4 lbs. 10 oz.
• 19TH C. ATHABASCAN (DENE) PORCUPINE
  19TH C. ATHABASCAN (DENE) PORCUPINE QUILLED BELTThis is a phenomenal fully quilled Athabascan / Athapaskan (Dene) hide belt from the 19th Century with truly fine detail. The belt shows an incredibly fine tight weave using natural porcupine quills in a geometric pattern with rich natural mineral pigment dyed colors. The belt is bordered in faceted metal seed beads. The piece is from the Yukon Northwest Territory dating to the 19th Century possibly from the Northern Slave or Dogrib Athabaskan speaking peoples. One of the finest quillwork pieces as far is micro-details go, that we have offered. The piece is done on Indian tanned Caribou hide which shows mostly supple soft condition with some stiffening, some wear spots and nice patina, being mostly well preserved. The belt is very similar to the 19th Century Athapaskan Quilled belt Circa 1850 for $3,500 in the Michael D. Higgins collection. Also see the Athapaskan porcupine quilled bracelets from the Dene 19th Century in the National Museum of Scotland collection. Truly a fantastic very fine porcupine quilled belt in well preserved condition. The quill shows mostly well retained, present work with some very small imperfections and worn spots and a little bead loss. Measures overall 25”L end to end by 1 3/8”W. U6.
• CA. 1900- UTE INDIAN BEADED HIDE GAUNTLET
  CA. 1900- UTE INDIAN BEADED HIDE GAUNTLET GLOVESThe lot features a set of Indian hide men's gauntlet gloves with beadwork from the Ute Indians dating to circa 1900-1930's. The set shows a classic gauntlet glove pattern with wide flaring intregal cuffs all made from Indian tanned hide with thin fringes on one outside edge and lined on the inside with old Buffalo check calico trade clothe. The beadwork shows whimsical floral designs being sinew sewn showing early glass trade seed and petit beads. The beads show colors of greasy yellow, chalk white, sky padre light blue, greasy green, semi-transparent red, semi-transparent light blue, cobalt, semi-transparent green. There is some slight bead loss, but mostly still present. Ute Indian beaded gauntlet gloves or riding gloves are uncommon with this set coming from a private Utah Indian and Cowboy collection. The hide has a nice soft appearance with some darker patina areas, stiffened hide fringes, a few wear spots, including a wear spot through one palm. Each glove measures 9"W with an additional 7" fringe by 15"L. Total weight of 10 oz.
• 19TH C. SANTEE SIOUX RARE 4-SIDED MEDICINE
  19TH C. SANTEE SIOUX RARE 4-SIDED MEDICINE BAGThe lot features a rare 4-sided or 4-panel beaded buffalo hide medicine / tobacco bag from the Santee Sioux dating to the 19th Century. The bag exhibits a rare four sided or four panel construction comprised of Buffalo / Bison Indian tanned hide being sinew sewn (with some Antelope Indian tanned hide), showing short buffalo hide fringes running down the panels, as well as a small old section at the top framed in fringes. The bag shows extensive whimsical geometric beadwork showing various elongated diamonds, fivepoint star like or bug design, whimiscal plant like piece, bands and more. The beadwork is all sinew sewn with period correct 19th Century original beads including: Cheyenne pink, candy apple red, cerulean, cobalt, chalk white, greasy yellow, greasy blue, and translucent yellow The bag shows two thick panels of Buffalo Bison hide and some Antelope hide, all being Indian tanned and showing a thick yellow ocher / ochre mineral pigment coloring. Several documented examples of 3-panel or 4-panel bags of a similar design and shape are noted as being Medicine bags, others tobacco bags or pipe bags. The bag shows the panels tapering to a point at the end, similar to bladder bags of the same period. This example shows some worn through spots, some stiffening of the hide, but mostly supple hide. Truly a beautiful bag. The bag was found to be an authentic 19th Century Santee Sioux Buffalo hide example from the experts at Cowan's Hindman. Measures overall 15.5"L by 8"W. U6.
• IRON KNOBKERIE CANE-Ca. 1890 -Iron knob
  IRON KNOBKERIE CANE-Ca. 1890 -Iron knob fashioned in a plain and flattened ball shape and its iron collar turned with multiple rings mounted on a stepped malacca shaft strengthened and weighted with a concealed iron rod and a metal ferrule. -Rightfully swung in trained hands, the weight of the knob and stiffen shaft becomes devastating effects. Worn for support and protection, this cane is a dangerous disguised weapon, a Knobkerrie, also called Life Preserver or Bludgeon. -It survived in its initial condition and with the anticipated signs of age. Notable is the natural mottled coloring of the malacca, which in itself is a great collectable rarity and adds to the desirability to this cane. -H. 1 ¼” x 1 ¾”, O.L. 33 ¼” -$300-$500 -For Bludgeon Canes see C. Dike, Cane Curiosa, chapter 28 Bludgeons, Page 279, 28/1 and chapter 29, Sword canes, page, 297, and Francis Monek’s book, Canes Through The Ages, page 217 & 226.
• 2ND C. GANDHARAN SCHIST HEAD OF BUDDHACentral
  2ND C. GANDHARAN SCHIST HEAD OF BUDDHACentral Asia, Pakistan, India, and Afghanistan, Gandharan, ca. 2nd to 3rd century CE. A hand-carved miniature grey schist Buddha head, depicted nearly in the round, with a wavy coiffure, a generous ushnisha (topknot) as well as a mesmerizing face that is skillfully modeled with elegant features including almond-shaped, downcast eyes, an arched browline leading to an aquiline nose, and full, closed lips. The drama of this visage with its stylized wavy tresses and meditative expression does not discount its naturalism. Notice how skillfully the sculptor rendered the philtrum (vertical groove in midline above the upper lip), the Cupid's bow of the upper lip, the tear troughs between the eyes and nose, the nasal bridge and nostrils, and the contours of the chin. A wonderful example. Size: 1.6" W x 2.4" H (4.1 cm x 6.1 cm); 4" H (10.2 cm) on included custom stand. Alexander the Great conquered Gandhara in 330 BCE and with the help of the Indo-Greek kings introduced classical traditions that would influence Gandharan art for the following seven centuries. The stylized curly Mediterranean hair and top knot derive from classical sculptures such as the Apollo Belvedere (330 BCE), and the sensitive modeling of the expressive visage demonstrates a classical influence as well. A rare example of Greco-Buddhist art that demonstrates a strong syncretism between eastern and western traditions. The head of the Buddha is perhaps the most significant element of the deity as it represents the immense body of knowledge and wisdom of Buddha along with the tranquil nature that emanates from his expression. What's more, in this example the sculptor's adept modeling technique allows for a moving spiritual interpretation as opposed to other comparatively colder, stiffer renderings. A peaceful countenance with a rounded ushnisha symbolizing the wisdom and knowledge acquired after attaining enlightenment, and elongated ears, a physical feature symbolic of the Buddha's time as a prince when he wore elaborate ear ornaments to demonstrate wealth and prosperity. Of course, the prince stopped wearing them when he left the palace to become an ascetic; however, his earlobes remained stretched signifying a conscious decision to reject the material world in exchange for spiritual enlightenment and simultaneously suggest that the Buddha can hear all that is asked for and needed in the earthly world. Those half-closed eyes indicate a meditative state - at once looking both outward and inward. Furthermore, the curled hair of the Buddha signifies the nobility of Buddha. Beyond the multi-layered meaning embodied in the iconography of this piece, the sculptor's artistry and technique is exceptional. Provenance: private J.H. collection, Beaverton, Oregon, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #154804 Condition: The head is a fragment from a larger sculpture and thus the back of the head and the neck are rough and uncarved. Otherwise in good condition with wear commensurate with age and nice preservation of details. Great deposits on surface.
• CHINESE MING DYNASTY STONE BUST OF BUDDHAEast
  CHINESE MING DYNASTY STONE BUST OF BUDDHAEast Asia, China, Ming Dynasty, ca. 1368 to 1644 CE. A superb stone bust of Buddha draped in a robe with a skillfully-incised, spiral motif hem that folds at his chest, all adorned in liberal remains of teal and white pigments. Boasting a tranquil presentation, his round visage presents downcast eyes beneath arched brows, a flattened nose, full cheeks, and petite, bow lips, all surmounted by a tightly coiled coiffure and tiered ushnisha. His rounded shoulders taper to a thick neck as his giant ears flank his head, their drooping lobes nearly touching his shoulders. Size: 11" W x 19.3" H (27.9 cm x 49 cm); 21.5" H (54.6 cm) on included custom stand. The head of the Buddha is perhaps the most significant element of the deity as it represents the immense body of knowledge and wisdom of Buddha along with the tranquil nature that emanates from his expression. What's more, in this example the sculptor's adept modelling technique allows for a moving spiritual interpretation as opposed to other comparatively colder, stiffer renderings. A peaceful countenance with a convex rounded ushnisha symbolizing the wisdom and knowledge acquired after attaining enlightenment, and prominent elongated ears, a physical feature symbolic of the Buddha's time as a prince when he wore elaborate ear ornaments to demonstrate wealth and prosperity. Of course, the prince stopped wearing them when he left the palace to become an ascetic; however, his earlobes remained stretched signifying a conscious decision to reject the material world in exchange for spiritual enlightenment and suggest that the Buddha can hear all that is asked for and needed in the earthly world. Buddha's full mouth signifies his gift of eloquent speech. Those half-closed eyes indicate a meditative state - at once looking both outward and inward. Furthermore, the curled, short hair of the Buddha signifies the nobility of Buddha. Beyond the multi-layered meaning embodied in the iconography of this piece, the sculptor's artistry and technique is exceptional. Provenance: private Hawaii, USA collection, 1995 to 2010; ex-M. Kobiashi collection, Hawaii, USA, acquired from 1960 to 2000 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #172826 Condition: Fragment of a larger piece. Some chipping to shoulders and a few areas of resurfacing. Expected surface wear, as shown. Otherwise, excellent. Liberal remains of pigment that was added in 20th century CE.
• PAIR STIFFEL-BACCARAT LAMPS WITH SHADES:
  PAIR STIFFEL-BACCARAT LAMPS WITH SHADES: 2 signed Baccarat crystal bodies with optic panels with Stiffel brass base and neck. Original tag on lamp & shades. Approx. 27.5'' h x 7'' w. Stiffel Shades Approx. 9.5'' h x 18.75'' w. CONDITION: No condition issues to be noted.
• STIFFEL MCGEE FLOOR LAMP: Mid-century
  STIFFEL MCGEE FLOOR LAMP: Mid-century brass lily form torchiere floor lamp with white glass shade and brass ball dimmer switch. Stiffel foil label affixed underneath. Approx. 67'' h. Shade is about 14.5'' w. Base is about 12'' w. CONDITION: Minor wear commensurate with age.
• Pair Parzinger Stiffel Table Lamps.
  Pair Parzinger Stiffel Table Lamps. H: 40.5 inches: W: 16 inches: D: 16 inches --- Condition: Darkening and finish wear.