- IRVING STILLWELL, AMERICAN 20TH
IRVING STILLWELL, AMERICAN 20TH CENTURY, THE GUNSMITH, OIL ON CANVAS, FRAMED: 32-1/4 X 24-1/4 INIrving Stillwell, American 20th Century, The Gunsmith, Oil on Canvas, Framed: 32-1/4 x 24-1/4 in
- William Forsyth (American, 1854-1935),
William Forsyth (American, 1854-1935), "A Willow of Winona", view from the island, oil on board; 27 1/2" x 21 1/2"; signed and dated '28 lower right, titled verso. Forsyth taught summer classes for Herron at Winona Lake in the 20s and 30s. He served as a major figure in the Hoosier School of painters, exhibiting with T.C. Steele, Otto Stark, Richard Gruelle and J. Ottis Adams.
- CHARLES STILLWELL OIL ON CANVAS
CHARLES STILLWELL OIL ON CANVAS PASTORAL LANDSCAPECharles Stillwell (American, 20th century). Oil on canvas, cows in pastoral landscape. Signed Ch Stillwell and dated 34 lower right. 23 1/2" x 29 1/2" (with frame 29 1/2" x 35 1/2"). Repairs throughout, small tear and paint loss upper right.
- Wallace Stover (American, 1903-1983),
Wallace Stover (American, 1903-1983), Still Life with Fruit and Flowers, oil on board; 14 1/2" x 11 1/2"; signed lower left. Stover studied at the Herron Art Institute. His teachers were Wheeler, Forsyth, Richards, and Hadley.
- WELLER VASE. Ovoid vase in the
WELLER VASE. Ovoid vase in the Knifewood pattern with hooded owls under crescent moons. Impressed ''Weller''. 8 1/2'' h.
- WILLIAM WELLSTOOD (1819 - 1900)William
WILLIAM WELLSTOOD (1819 - 1900)William Wellstood (1819 - 1900), after Benjamin Franklin Smith (1830 - 1927), hand colored engraving, view of New York from Latting Observatory, 1855, sight size 31" x 46".
Condition:
All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past. Condition: Reports are available by request and answered in the order they are received
- Vincent G. Stiepevich (Russian/American,
Vincent G. Stiepevich (Russian/American, 1841-1910) Maiden at the well. Watercolor on paper, signed at the lower right edge, approx. sight size 20-1/4" x 13-1/2", matted and framed under non-glare glass overall approx. 31" x 24-1/4". Metal nameplate on lower part of the frame, finish aged.
- Wallace Stover (American, 1903-1983),
Wallace Stover (American, 1903-1983), Portrait of an Elderly Gentleman, oil on canvas; 18" x 14"; signed lower right. Stover studied at the Herron Art Institute. His teachers were Wheeler, Forsyth, Richards, and Hadley.
- WILLIAM WELLSTOOD (BRITISH/AMERICAN,
WILLIAM WELLSTOOD (BRITISH/AMERICAN, 1819-1900), MARITIME SHIP WRECK SCENE Etching, with printed copyright information at lower center, pencil signed at lower right, sheet bears remarque at lower left, in wooden frame with matting.
- NEIL WELLIVER (ME, 1929-2005) "Fall
NEIL WELLIVER (ME, 1929-2005) "Fall Brook", 1996, monumental oil on canvas, titled and dated verso on stretcher in the artist's hand, label from Marlboro Gallery of 40 W. 57th St, NYC. Second label from Nassau County Museum of Art, from the exhibition "The Seasons", Nov 2019 to March 2020, lent by Alexandre Gallery at 25 E 73rd St, NYC; in maple box frame, OS: 74 1/2" x 74 1/2", SS: 72" x 72", fine condition.
- § JOHN WELLS (BRITISH 1907-2000)
DANCER,
§ JOHN WELLS (BRITISH 1907-2000)
DANCER, 1952 artist's proof, signed, inscribed and dated in pencil in the margin, engraving20cm x 13.5cm (7.9in x 5.4in)Note: Two different impressions/states of this print dated to 1950 are in the British Museum.John Wells and Wilhelmina Barns-Graham shared a particular friendship. Both had benefited from the mentorship of Ben Nicholson who, of the many artists that gathered in St Ives, seemed to have had a particular interest in Barns-Graham’s work. She and Wells had also been significantly influenced by the work of Naum Gabo, a leading figure in Russian Constructivism who, as an emigrant during the War, followed his friends Nicholson and Hepworth to St Ives, playing a key role in the modernist developments that took place.This impact was seen in the pair's artistic practices which shared an affinity with an analytical, at times scientific approach to abstraction. As a result there is often something more linear and hard-edged to their output than some of their more expressionistic peers: a theory of the landscape and its forms as much as a representation of it.
- Gladys Nelson Smith painting (District
Gladys Nelson Smith painting (District of Columbia, 1890-1980), titled verso canvas "At the Well", figure watering horses by a well, unsigned, oil on canvas, unframed, title, name of artist and dates inscribed verso canvas, 17 x 19 in. Good condition, grime, restretched. Deaccessioned by a Southern Museum
- Wallace Stover (American, 1903-1983),
Wallace Stover (American, 1903-1983), Summer Landscape, oil on board; 15 1/2" x 19 1/2"; unsigned. Stover studied at the Herron Art Institute. His teachers were Wheeler, Forsyth, Richards, and Hadley.
- Don Weisflog (American, 1922-2006)
Don Weisflog (American, 1922-2006) Twenty-nine abstract works on paper Pen and ink, pencil, colored pen Six signed Florals, geometrics, landscapes. 13" x 10"
- Mayer Francis Blackwell [American
Mayer Francis Blackwell [American 1827-1899] oil on canvas painting of William Penn signed l.r. and verso on stretcher "F.B. Mayer" and also on stretcher "Pinxt 1887" and "The Planeur" mounted in a gilt frame. 13.5"x10"
- Dell Weller (American/New Orleans,
Dell Weller (American/New Orleans, b. 1927) "Tabletop Still Life", oil on canvas, 24" x 30", signed lower left "Weller". Presented in a polychromed frame.
- SEWELL SILLMAN, AMERICAN (1924-1992),
SEWELL SILLMAN, AMERICAN (1924-1992), STUDY FOR YALE UNIVERSITY MURAL, 1957, INK ON STRATHMORE BOARD, 22 5/8 X 29 INCHESSEWELL SILLMAN, American, (1924-1992) Study for Yale University Mural, 1957, ink on Strathmore board dated, numbered and signed in pencil lower left "1957, #1 / Sillman" ink on Strathmore board Dimensions: 22 5/8 x 29 inches Provenance: Private Collection, Connecticut Framed dimensions: 29 x 32 1/2 x 1 3/8 inches Tags: works on paper, drawing, abstract, modern / contemporary, 20th century Condition: We are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon’s is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD “AS IS” IN ACCORDANCE WITH THE CONDITIONS OF SALE.
- 1 vol. Sitwell, Sacheverell; Blunt,
1 vol. Sitwell, Sacheverell; Blunt, Wilfrid. Great Flower Books 1700-1900: A Bibliographical Record. London: Collins, 1956. #36/295 signed by Sitwell & Blunt. Tall folio, orig. 1/2 green morocco & marbled bds., gilt-lettered spine; occasionally scuffed, spine starting to fade to brown, spine ends slightly rubbed, corners a little bumped, slipcase (moderate wear, occasionally frayed). With 36 plates (20 colored), tissue guards. Bottom fore-edge corners a little creased. Internally generally clean.
- William Whit
William Whit
- PRINT, STOW WENGENROTH Stow Wengenroth
PRINT, STOW WENGENROTH Stow Wengenroth (American, 1906-1978), "Wharf at Wellfleet," lithograph, pencil signed lower right, image: 7.75"h x 13.25"w, overall (with mat): 14"h x 19.25"w
- OUTSIDER ART, ANNIE WELLBORN, FLYING
OUTSIDER ART, ANNIE WELLBORN, FLYING JUNE BUGS ON A STR...Wellborn, Annie Geraldine , b. 1928, d. 2010 Flying June Bugs on a String: acrylic on paper, purchased from artist
- WELLMAN (WILLIAM) MORRISON OIL
WELLMAN (WILLIAM) MORRISON OIL ON CANVAS PORTRAITWellman (William) Morrison (American d. 1857) , oil on canvas portrait of a gentleman, signed under lining, 21 1/2" x 18". Exhibited Boston Athenaeum, listed as possibly a self portrait. Provenance: The Collection of Dic and Donnie Catzen.
Competitive in-house shipping is available for this lot.
Condition:
Relined. Newer stretcher. Several repaired tears including to forehead and shoulder.
- SILLIMAN DECORATED INKWELL. Labeled
SILLIMAN DECORATED INKWELL. Labeled for S. Silliman & Co Chester Connecticut mid 19th century wood and glass. Double wells original graining and gilt stenciled eagles. 3 1/2''h. 5 1/2''dia. Minor surface wear to top.
- Ivy Anne Ellis (act. 1920-1939)/Willows/numbered
Ivy Anne Ellis (act. 1920-1939)/Willows/numbered 5 of 35/wood block print, 16cm x 22.5cm/and four etchings including examples by Charles Philip Slocombe and William Renison
- STOCKWELL, Catherine Haynes, (American,
STOCKWELL, Catherine Haynes, (American, 1895-1983): Still Life with Yellow Flowers, Oil/Board, 12.25'' x 14.875'', signed lower left, unframed.
CONDITION: Some scattered abrasions in the finish.
- Dell Weller (American/New Orleans,
Dell Weller (American/New Orleans, b. 1927) "Still Life with Potted Flowers", oil on canvas, 26-1/2" x 27", signed lower right "Weller". Presented in a contemporary gilt-metal frame.
- William Forsyth (American, 1854-1935),
William Forsyth (American, 1854-1935), three rural scenes including a still life with hunted rabbit, bull with chickens, and summer landscape; two graphite on paper, one graphite and watercolor on paper; largest image 8 1/4" x 10 3/4"; all signed and dated lower right. Forsyth served as a major figure in the Hoosier School of painters, exhibiting with T.C. Steele, Otto Stark, Richard Gruelle and J. Ottis Adams.
- Robert Walter Weir (New York, 1803-1889),
Robert Walter Weir (New York, 1803-1889), Mrs. Francis Rider, circa 1840, signed verso on stretcher "Rbt. Weir…W
- PRINT, STOW WENGENROTH Stow Wengenroth
PRINT, STOW WENGENROTH Stow Wengenroth (American, 1906-1978), "Brooks and Willows," lithograph, pencil signed lower right, from edition of 75, image: 10.5"h x 16.5"w, overall (with mat): 18"h x 22"w
- CJ Wells b.1952. Stands Still and
CJ Wells b.1952. Stands Still and Shadows. 2001, oil on canvas. 32 h × 30 w in. result: $1,536. estimate: $1,200–1,800. Signed, titled and dated to verso ‘"Stands Still and Shadows" Wells 01’.
- 1 vol. Sitwell, Sacheverell, et
1 vol. Sitwell, Sacheverell, et al. Fine Bird Books, 1700-1900. London: Collins & Van Nostrand, 1953. 1/2000. Tall folio, orig. 1/2 brown cloth & marbled bds.; moderately scuffed. With 38 plates (16 colored - one of which is double-page). Double-page color plate loose. Occasional minor internal discoloration.
- Weller Hudson floral vase by Hester
Weller Hudson floral vase by Hester Pillsbury (signed Pillsbury). Very clean, uncrazed background fading from pink to green. Faintly marked with Weller kiln stamp. Mint. 9 1/4" tall.
- Walter Inglis Anderson (American,
Walter Inglis Anderson (American, 1903-1965), for the Shearwater Pottery, Ocean Springs, Mississippi, decorated by Christopher Inglis Stebly (b. 1957), ca. 1998-2000, cast "Kneeling Woman with Basket" vase, signed with the black Shearwater stencil mark on the base. Reference: D. Stewart et al., Shearwater Pottery (Slidell, Louisiana: Bristol Publishing, 2005), p. 223, illustrated lower right.
- Wells, H. G. Kipps, First Edition,
Wells, H. G. Kipps, First Edition, 1905 and 16 others by the same. 8vo., orig. cloth (17)
- William Steene portrait (New York/Tryon,
William Steene portrait (New York/Tryon, North Carolina, 1888-1965), "Mrs. (Mary) George Lewis Canfield", signed upper right "Wm. Steene", oil on canvas, 40 x 32-1/4 in.; probably original gilt and painted wood and composition French style frame. Original stretcher and tacking edge, light grime, mildew, crackle; frame with losses to composition. Tryon, North Carolina Estate
- Two pieces of Weller including
Two pieces of Weller including a Dickensware monk pillow vase and an Ivory planter with Classical maidens. The Dickensware is marked WELLER. The Dickensware vase has a hairline descending down the rim side of the rim to the body. The planter has a chip to the rim and staining from use. Both are approximately 5 1/4'' all.