A few examples of appraisal values for
STUDENT

• TWO BRASS AND GLASS ADJUSTABLE STUDENT
  TWO BRASS AND GLASS ADJUSTABLE STUDENT LAMPSTwo brass and glass adjustable student lampslate 19th centuryOne with impressed mark BARON & HOUCHIN MFG CO NEW YORK to underside and the other MILLER / 389 to underside together with an English brass
• THREE METAL TABLE LAMPSThree metal table
  THREE METAL TABLE LAMPSThree metal table lamps20th centuryComprising an oil lamp form lamp, a brass adjustable student's lamp and a chrome angle poise lamp.height of tallest extended 41in (104cm) Provenance:Property from
• No Reserve Important Antique 12th century
  No Reserve Important Antique 12th century Japanese - carved wood figure of a seated Buddha. Unkei (1150–1223). Dated 1198 Kamakura period. Carved in the warihagi zukuri technique and seated in the lotus position. Shaka Nyorai seated Buddha with many Heian Kamakura period text. UNKEI'S Signature Hall Marking techniques are used as Raised platform, light weight Box Wood, iron staple fastenings techniques, rock inset crystal eyes, Upwards Facing Left Foot - Moji texts bears the name UNKEI numerous times & Mongaku Shonin, reads - Myoe Shonin with Spring New Year party with much laughing smiling with Gaijin at Kannedadera temple east Koya Kaido road Osaka. - In 1198 Buddhist archives in Japan- Samurai priest Mongaku Shonin gifted Myoe Shonin his favorite student with a UNKEI made Buddha. This figure is believed to be that figure. Provenance - Purchased from a large collection of antique Buddhas disassembled partially assembled purchased Kyoto Japan 2002 - Unkei (1150–1223) is considered one of the greatest Japanese wood sculptors, famous for his lifelike carvings. A large part of his work are Buddhist religious figures but he also portrayed leading monks and scholars of his time., approx 49cm H More Information Purchased at an auction of a collection of Buddhas in 2002 Old repairs, more recent repairs, glue lines, openings in the wood,  hand unattached & missing wrist mount, flaking lacquer commensurate with age. Please view extensive amount of photographs.
• Vintage students lamp, approx 34cm H
  Vintage students lamp, approx 34cm H
• FRAMED FRAKTUR VORSCHRIFFT ATTRIBUTED
  FRAMED FRAKTUR VORSCHRIFFT ATTRIBUTED TO ABRAHAMBrubaker School ca. August 26, 1790; words of encouragement in faith with multi-flower blooming hearts, written in both black and red lettering, 17"x 15" framed; [Note: The image is an exact secondary image of Vorschrifft inside cover of Pennsylvania German Fraktur Vol. 1, however, the written form is different, possibly crafted for a second child (?); Brubaker was listed by Clarke Hess as being a schoolmaster at Mellinger Meetinghouse near Lancaster, PA]; Condition: red lettering has extensive fading, clip held, not mounted in any other way, some restoration to paint on flowers, water spot to left edge; possible student copy of the original, but paper reverse is accurate and period
• Miscellaneous items, including a brass
  Miscellaneous items, including a brass student's microscope in fitted case, Victorian draughtsman's instruments in walnut fitted case, dominoes, gramophone, etc
• JAN JOSEF HOREMANS I (ANTWERP, 1682-1759)
  JAN JOSEF HOREMANS I (ANTWERP, 1682-1759) Oil on canvas. Jan Josef Horemans I (Antwerp, 1682-1759) Jan Josef Horemans the Elder is known primarily as a painter of historical and genre scenes. Horemans first studied under sculptor Michael van der Voort and continued as a student of Jan van Pel. In 1706, he became a master of the St. Luke's guild in Antwerp, where he spent his entire life. His genre paintings were created along the same line as his predecessor, David Teniers I, repeatedly depicting interiors with card players as well as cabaret interiors. His most famous pupil was his son, Jan Josef Horemans the Younger, who worked in a very similar style. In fact, father and son often collaborated and it is sometimes difficult to distinguish the style of one from that of the other. The Elder was called the "Brown Horemans" and the Younger was called the "Lighter Horemans" to distinguish between their slightly darker and lighter palettes.
• EMMA LAMPERT COOPER (AMERICAN, 1855-1920)
  EMMA LAMPERT COOPER (AMERICAN, 1855-1920) MOROCCAN COAST Oil artist board. Signed 'E. Lampert Cooper' (lower left). Emma Lampert Cooper (American, 1855-1920) Emma Lampert Cooper was born in 1860 near Rochester, New York. Upon leaving the area, she studied at the Cooper Union Art School and the Art Students League in New York, and at the Delecluse Academy in Paris. Later returning to Rochester, she taught at the Mechanics Institute from 1893-1897 and was active in the art life of the city until her marriage to the painter Colin Campbell Cooper from 1897. After traveling in Europe for a period of time, the couple settled in New York City. There, working in an impressionist style, she turned to her husband’s favorite theme, the architectural treasures of New York and other historic cities. The Coopers traveled constantly in search of subjects and in the spring of 1913, they visited Charleston, South Carolina. Though nothing is known about their stay, their visit is recorded in Colin’s paintings of some of the city’s most historic and cherished structures, including St. Philip’s Church, Charleston. During their trip, they also visited Beaufort, a small coastal town about seventy miles south of Charleston, noted for its picturesque buildings, alleyways, and streets. Emma’s Old Beaufort, South Carolina is of a subject that she and Colin both painted, probably side-by-side and on the same day. Fluent brushwork and radiant color are typical of her vivacious style.
• MILLER SYPHON STUDENT LAMP Original
  MILLER SYPHON STUDENT LAMP Original hand-decorated shade. Two-tone base.
• JAMES ROSENQUIST (AMERICAN, 1933-2017)
  JAMES ROSENQUIST (AMERICAN, 1933-2017) "THE BOOK DISAPPEARS FOR THE FAST STUDENT" Etching and aquatint. Signed 'James Rosenquist' (lower right), titled and numbered '18/78' (lower left), and dated '1977'. Blind stamp (lower center).Artist BioJames Rosenquist (American, 1933-2017) James Rosenquist was an American artist and one of the proponents of the Pop art movement. Drawing from his background working in sign painting, Rosenquist’s pieces often explored the role of advertising and consumer culture in art and society, utilizing techniques he learned making commercial art to depict popular cultural icons and mundane everyday objects. His pieces were unique in the Pop Art movement due to the way that they often employed elements of surrealism using fragments of advertisements and cultural imagery to emphasize the overwhelming nature of ads.
• DALE CHIHULY (AMERICAN, B. 1941) BLOWN
  DALE CHIHULY (AMERICAN, B. 1941) BLOWN GLASS FORM Signed and initialed 'P.P. -94' (to underside). Dale Chihuly (American, b. 1941) Dale Chihuly has become an internationally celebrated personality in contemporary art and design, whose prominence in the field of contemporary studio glass is unmatched. During his many years as a teacher, Chihuly made a point of gathering artists from all media to work with him and with glass, with the aim of introducing new points of view and infusing new energy into the process of glassworking. In 1969, he took leadership of an important glass program at the Rhode Island School of Design (RISD) in Providence, and two years later, he founded Pilchuck Glass School, the premier international school for glass artists, with the Seattle art patrons Anne Gould Hauberg and John Hauberg. Students combined glass and other media in both glassblowing and installation work—often compensating in creative presentation for what they lacked in technique—and they were always encouraged by Chihuly to approach the material in unorthodox ways. With these achievements alone, Chihuly would be recognized for his enduring impact on the American studio glass movement, but he has been able to pursue a prolific and successful career as an artist as well. While Chihuly’s work has changed dramatically throughout his nearly 50-year career, certain preferences have remained the same. He has always worked glass in a variety of sizes, from small vessels to room-size installations. He has always been interested in sculpture and in outdoor projects where the landscape may be used as a point of departure. Color, on the other hand, has been a gradual acquisition, from the muted, relatively monochromatic 1970s works, such as the Blanket Cylinders and early Seaforms, to the brilliant colors of the Macchias and Venetians in the 1980s and beyond.
• EDWIN WILLARD DEMING (AMERICAN, 1860-1942)
  EDWIN WILLARD DEMING (AMERICAN, 1860-1942) WINTER LANDSCAPE WITH NATIVE AMERICANS ON HORSEBACK Oil on academy board. Signed (artist's cipher) 'E.W. Deming' (lower right). Edwin Willard Deming (American, 1860-1942) Edwin Willard Deming was an American painter and sculptor. While in his teens, Deming traveled to Indian territory in Oklahoma and sketched extensively. Determined to become a painter of Indians, he enrolled at the Art Students League, then spend a year at the Academie Julian in Paris studying under Gustave Boulanger and Jules Lefebvre. His active career of painting and illustrating took him repeatedly to the lands of the Blackfoot, Crow, and Sioux, as well as to Arizona and New Mexico. After the turn of the century, Deming devoted more time to sculpture but also began work on a series of romantic murals of Indian life, which were subsequently installed in the American Museum of Natural History and the Museum of the American Indian in New York.
• STERLING SILVER SIGNED "LA PAGLIA" MODERNIST
  STERLING SILVER SIGNED "LA PAGLIA" MODERNIST FLORALSterling silver signed "La Paglia" modernist floral bracelet. Alphonse La Paglia (1907-1953) was a student of Georg Jensen and founder of the International Sterling Craft Associates, appx. 17mm wide,
• MANHATTAN BRASS COMPANY KEROSENE STUDENT
  MANHATTAN BRASS COMPANY KEROSENE STUDENT LAMPManhattan Brass Company kerosene student lamp, nickel plated with milk glass shade, appx 24" T. Good original condition, not electrified.
• A Teacher's Porcelain Occupational Shaving
  A Teacher's Porcelain Occupational Shaving Mug Late 19th/Early 20th Century with the name Emiddio Naddeo in gilt lettering against a seafoam wrap, depicting a teacher lecturing to a classroom of students. gilt painted base reads Record From Ernesto Corral. underside marked T & V Limoges France.Height 3 5/8 inches. Property from the Collection of James Carpenter, Montague, New Jersey
• LARRY BAKKE ASSORTED SKETCHES AND PAINTINGS
  LARRY BAKKE ASSORTED SKETCHES AND PAINTINGS ON PAPER (CA. 1958)Larry Bakke (Washington/ New York, 1932-1990) An assortment of works on paper, including an abstract ink brush painting measuring 26" x 20", a mixed media nude painting measuring 9" x 12", and 6 smaller blind contour drawings. One drawing is dated 1958. From the estate of artist Nick Vaccaro, who studied under Bakke in the late 1950s, and who is the subject of one of the drawings. As a painter and educator, Bakke's passion for Abstract Expressionism was a powerful influence on his students, in particular Chuck Close; Bakke's notable early impact was detailed in the latter's 2010 biography Chuck Close: Life . Condition Overall good condition. The ink brush painting has some minor smudging and some tape staining around the edges. One of the contour drawings has a torn and creased top edge.
• ANN YOST WHITESELL OIL ON CANVAS LANDSCAPEAnn
  ANN YOST WHITESELL OIL ON CANVAS LANDSCAPEAnn Yost Whitesell (American, 20th century), student of Pennsylvania artist Walter Emerson Baum. Oil on canvas, sailboats and figures in landscape. Signed lower right Ann Y. Whitesell. 23 1/2" x 29 1/2" (with frame 29 1/2" x 35 1/2"). Provenance: From the Estate of Angela Gross Folk.
• ANN YOST WHITESELL OIL ON CANVAS DUSK
  ANN YOST WHITESELL OIL ON CANVAS DUSK LANDSCAPEAnn Yost Whitesell (American, 20th century), student of Pennsylvania artist Walter Emerson Baum. Oil on canvas, farmhouse landscape at dusk. Signed lower right Ann Y. Whitesell. 24" x 30". Provenance: From the Estate of Angela Gross Folk.
• ANN YOST WHITESELL OIL ON CANVAS LAKE
  ANN YOST WHITESELL OIL ON CANVAS LAKE LANDSCAPEAnn Yost Whitesell (American, 20th century), student of Pennsylvania artist Walter Emerson Baum. Oil on canvas, houses in lake landscape. Signed and dated lower left Ann Y. Whitesell 1985 and titled Along the Robinhood on label on verso. 24" x 30". Flake to paint along edge lower right. Provenance: From the Estate of Angela Gross Folk.
• ANN YOST WHITESELL OIL ON CANVAS LANDSCAPEAnn
  ANN YOST WHITESELL OIL ON CANVAS LANDSCAPEAnn Yost Whitesell (American, 20th century), student of Pennsylvania artist Walter Emerson Baum. Oil on canvas, houses in landscape, with figures fishing lower left. Signed and dated lower right Ann Y. Whitesell 1983. 24" x 30". Provenance: From the Estate of Angela Gross Folk.
• SISTER MARY CORITA KENT "BY THE STREET"
  SISTER MARY CORITA KENT "BY THE STREET" SERIGRAPH Sister Mary Corita Kent (American, 1918-1986), "By The Street", Serigraph in Colors, depicting a Pop Art composition with text by Miguel de Cervantes (Spanish, 1547-1616) reading "by the street / of / by - and - by / one arrives / at the house / of / never. Cervantes", signed lower right. 15" H x 11" W. Provenance: Property from the collection of a New York City-based former student of Sister Corita. Keywords: Prints, Multiples, Immaculate Heart, Nun, Women artists
• SISTER CORITA KENT "IDEAS MUST WORK"
  SISTER CORITA KENT "IDEAS MUST WORK" SERIGRAPH Sister Mary Corita Kent (American, 1918-1986), "Ideas Must Work", Serigraph in Colors, 1975, depicting a Pop Art composition with text by Ralph Waldo Emerson (American, 1803-1882) reading "Ideas must work / through the brains / and arms of good / and brave men or they / are no better than / dreams. Emerson", signed lower right, numbered "ed. 250" lower left. 11.5" H x 16" W. Provenance: Property from the collection of a New York City-based former student of Sister Corita. Keywords: Prints, Multiples, Manifestation, Immaculate Heart, Nun, Women artists
• IRENE ZEVON MODERN ART POTTERY PITCHER
  IRENE ZEVON MODERN ART POTTERY PITCHER JUG Irene Zevon (American, 1918-2006) Modern Art Pottery Pitcher Jug with handle, unsigned. 7" H x 6" diameter. Note: Nahum Tschacbasov and Irene Zevon were residents of New York City's famed Chelsea Hotel. Tschacbasov was a member of the Expressionist Art group "The Ten" alongside Mark Rothko. He taught at the Art Students League and married Zevon, a former student of his. All works by both artists in this sale were acquired from the estate of Tschacbasov's son. Keywords: Ceramics, Vessel
• SISTER MARY CORITA KENT SIGNED EXHIBITION
  SISTER MARY CORITA KENT SIGNED EXHIBITION POSTER Sister Mary Corita Kent (American, 1918-1986), De Cordova Museum, Lincoln, Massachusetts, retrospective exhibition poster print, 1980, signed lower right. 15" L x 11.25" W. Provenance: Property from the collection of a New York City-based former student of Sister Corita. Keywords: Print, Multiple, Pop Art, Flowers
• JOB GOODMAN SELF PORTRAIT OIL ON PAPER,
  JOB GOODMAN SELF PORTRAIT OIL ON PAPER, 1937 Job Goodman (American, XIX-XX), Self Portrait, Oil on Paper, 1937, signed and dated lower left. Image: 10.5" H x 7.5" W; frame: 16" H x 13.25" W. Note: Job Goodman was a student of Thomas Hart Benton (American, 1889-1975). The artist went on to teach art to students including Lee Krasner (American, 1908-1984) and Jackson Pollock (American, 1912-1956). Provenance: From a Manhattan estate. Keywords: Paintings, Portraits, Depression era, WPA period, Aschcan School
• SISTER MARY CORITA KENT "MUCH" PRINT,
  SISTER MARY CORITA KENT "MUCH" PRINT, 1971 Sister Mary Corita Kent (American, 1918-1986), "Much", poster print in colors, 1971, depicting a Pop Art composition with text reading "i lov / e you / very / much", signed in plate lower right. 22.5" H x 22.5" W. Provenance: Property from the collection of a New York City-based former student of Sister Corita. Keywords: Prints, Multiples, Pop Art
• SISTER CORITA & DANIEL BERRIGAN SIGNED
  SISTER CORITA & DANIEL BERRIGAN SIGNED BOOKS, 3 Group of three books, two signed by Sister Mary Corita Kent comprising: Nims, John Frederick "The Poems of St John of the Cross, New English Version", New York: Grove Press, Inc., 1959, and Harding, M. Esther "Woman's Mysteries: Ancient and Modern", New York: Pantheon, 1955, together with Berrigan, Daniel, et. al "The Raft Is Not the Shore", Boston: Beacon Press, 1975, signed and inscribed by the author. Largest: 9.25" L x 5.25" W x 1.5" D. Provenance: Property from the collection of a New York City-based former student of Sister Corita. Keywords: Books, Literature, Reading, Library, Religions, Philosophy, Esoteric, Autograph
• HENRY HERING BEAUX ARTS ANTEFIX-FORM
  HENRY HERING BEAUX ARTS ANTEFIX-FORM BRONZES Henry Hering (American, 1874-1947) pair of Beaux-Arts bronze antefix-form sculptures, likely intended as bookends, each signed "Copyrighy by / Henry Hering" and "Antefix / D J". Each: 8" H x 7.75" W x 2.25" D. Note: Henry Hering was a student of Augustus Saint-Gaudens at Cooper Union and of Philip Martiny at the Art Students League of New York. He then went to Paris where he studied at the ?cole des Beaux-Arts.after his return, Hering worked as an assistant to Augustus Saint-Gaudens until Saint-Gaudens' death in 1907.
• NATHAN CABOT HALE "EQUESTRIAN STUDY"
  NATHAN CABOT HALE "EQUESTRIAN STUDY" BRONZE Nathan Cabot Hale (American, b. 1924) "Equestrian Study" bronze sculpture mounted on mahogany base, depicting a rearing horse with rider, signed in cast "N. Hale". 12" H x 12" W x 9" D. Note: Hale was educated at the Chouinard Art Institute in Los Angeles and the Art Students League during the 1940s. He returned to formal studies in the 1970s and received a Ph.D. in morphology and perceptual psychology from Union Graduate School. He was a professor at the Art Students League, New York.
• HOLLY HARRIS, FRANKENTHALER INSPIRED
  HOLLY HARRIS, FRANKENTHALER INSPIRED ABSTRACT A/C Holly Harris (American 20th century) 'Resurrection', 1991, acrylic on canvas, signed, titled and dated to upper left en verso. Note: Holly Harris was a student of Helen Frankenthaler and this piece was created in Frankenthaler's Santa Fe studio. Approximate Dimensions:canvas h. 45.625", w. 64.5"; frame h. 47.75", w. 67", d. 1.5"
• WILLIAM ROBERTSON, PHRASOLOGIA GENERALIS
  WILLIAM ROBERTSON, PHRASOLOGIA GENERALIS 1681 Phraseologia Generalis...A Full, Large and General Phrase Book by William Robertson, A.M. Published 1681 by John Hayes (Cambridge) and sold by George Sawbridge (London). First edition. Robertson was an important lexicographer and this is his sole foray into Latin and is designed for the more speedy and prosperous progress of students in their Humanities studies. A rare volume in this condition. Full leather bound. Raised bands on the spine with titling on a field of brown.
• BRUCE CRANE FOREST STREAM LANDSCAPE
  BRUCE CRANE FOREST STREAM LANDSCAPE PAINTING Connecticut, New York,1857-1937Impressionist depiction of an open field with a small stream surrounded by a forest covered in fog. Crane studied under Alexander H. Wyant and at the Art Students League before travelling to France where he was influenced by the French Barbizon school. He was a part of the National Academy of Design, American Watercolor Society, Salmagundi Club, Society of American Artists, Grand Central Art Galleries, Lotus Club, Artists' Fund Society, and Union Internationale des Beaux-Arts et des Lettres.
• 6PC GEORGE DANIELL O'KEEFE & MARIN PHOTOGRAPHS
  6PC GEORGE DANIELL O'KEEFE & MARIN PHOTOGRAPHS New York, Bermuda,1911-2002Includes photographs of artist John Marin on the beach in Maine, at his studio, and seated in a wicker chair with a cigarette, photographs of Georgia O'Keefe standing amongst her animal skulls and one tending her garden, and a photograph possibly of Georgia O'Keefe seated at a table. Daniell studied drawing at Yale University, New York's American People's School, and Art Students League. He became a freelance photographer in New York City and Europe and his works eventually made it into mainstream magazines and represented in the collections of the Museum of Modern Art in New York and the National Gallery in Washington.
• CAROL SUMMERS POLYCHROMATIC LANDSCAPE
  CAROL SUMMERS POLYCHROMATIC LANDSCAPE LITHOGRAPH New York, California,1925 - 2016Titled "Fuji," depicts a polychromatic abstract landscape of Mt. Fuji erupting with rainbows. Summers studied at Bard College and at the Art Students League of New York as well as under Steven Hirsh and Louis Schanker. He, along with fellow artist Leonard Baskin, pioneered monumental woodcuts. While Baskin used thick black lines and somber imagery, Summers used bold colors and was usually based on landscapes.
• JOHN FRENCH SLOAN (AMERICAN, 1871-1951),
  JOHN FRENCH SLOAN (AMERICAN, 1871-1951), GOLD AND PURPLE Crayon on laid paper, 1949, signed "John Sloan - 1949 (per HFS)" at lower left in pencil by Helen Farr Sloan (the artist's student and second wife), titled at lower center, with the artist's inventory number 1034 in red at lower left, unframed.
• TWO LIGHT STUDENT OIL LAMP Late 19th
  TWO LIGHT STUDENT OIL LAMP Late 19th century; adjustable two light lamp with cased 10 inch emerald cased glass shades and chimneys, now electrified, 17 in. H., 26 in. W.