Edward Frederick Brewtnall (1846-1902,Edward Frederick Brewtnall (1846-1902, UK) framed and gilt wood matted pastel titled "Sails on a Summer Afternoon", signed.
4" x 9.5" ss / 11" x 17" oa
Condition: Losses to frame, not examined out of frame.
THOMAS B. CRAIG (1849-1924): A SUMMERTHOMAS B. CRAIG (1849-1924): A SUMMER AFTERNOONOil on canvas, signed 'Thos B. Craig' lower left, titled and inscribed 'Thomas B. Craig ANA' on the reverse.
10 x 14 in., 17 1/2 x 21 in. (frame).
Condition
In very good condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
LATE 19TH C. OIL ON CANVAS, LANDSCAPE.LATE 19TH C. OIL ON CANVAS, LANDSCAPE. American School late 19th C. oil on canvas, summer afternoon landscape with tree by river, unsigned. Canvas 14” x 24”, Overall in antique gilt wood frame 19.5” x 29.5”.
MARK BOEDGES (1973-), AFTERNOON CONVECTIONMARK BOEDGES (1973-), AFTERNOON CONVECTION Title: Mark Boedges (1973-), Afternoon Convection Medium: oil on canvas mounted on gator foam Dimensions: 30 x 30 Frame dimensions: 36 x 36 x 2 5/8 Notes: “I lived along the Front Range of Colorado for many years and every summer afternoon storms would billow up in the high mountains. The best time to paint was just as the convection was getting started in the late morning and early afternoon; the rising cumulus clouds casting beautiful patterns of shadows on the jagged peaks, forcing some ridges into stark relief against the bright clouds, and illuminating others in the warm glow of the direct sun. The true depth and scale of the mountains was greatly accentuated by such high contrast. But not for long. As the storms continued to rise, they would eventually blow over and bathe the high country in a high overcast.” — Mark Boedges
LANDSCAPE PAINTINGS BY TOM H. HALL (1885-1972)ALANDSCAPE PAINTINGS BY TOM H. HALL (1885-1972)A lot of three paintings by Tom Herbert Hall, Montreal: a double sided painting with a summer scene of two people reading and resting on a summer afternoon and on the reverse a Laurentian or Charlevoix scene (unsigned). This is accompanied by an autumn landscape oil on board (unsigned) and a signed (Tom Hall) oil on board forest scene. Largest (plus grande), 20" x 24". FRANCAIS: Lot de 3 tableaux de T.H. Hall, Montréal: une peinture recto-verso avec une scène de deux personnes lisant et se reposant un après-midi d'été et au verso une scène des Laurentides ou de Charlevoix (non signée); huile sur panneau d’un paysage d'automne (non signée); huile sur panneau d’un scène forestière signée (Tom Hall).
KPM PORCELAIN FIGURINE, SUMMER AFTERNOONGlossyKPM PORCELAIN FIGURINE, SUMMER AFTERNOONGlossy porcelain figurine of a girl in a lavender dress with a summer hat.
Dimensions: 10"H
Manufacturer: KPM
Country of Origin: Germany
Condition:
Good
ARTHUR QUARTLEY OIL ON CANVAS, A SUMMERARTHUR QUARTLEY OIL ON CANVAS, A SUMMER AFTERNOONArthur Quartley (NY/Maryland/England/France, 1839 - 1886) oil on canvas titled "A Summer Afternoon," depicting sailing vessels and a rocky seashore in the background, with fishermen in a boat in the foreground. Signed and dated "A Quartley 1878" lower right. Housed in a giltwood and composition cove molded and fluted frame. Sight - 12 1/8" H x 23 1/2" W. Framed - 18 1/2" H x 29 1/8" W. Provenance: Property of the Birmingham Museum of Art. Biography (Courtesy of AskArt: The Artists' Bluebook): Arthur Quartley, N.A., was best known for his marine paintings. He spent his childhood in France and England. In 1851, following the death of his mother, he was taken to America by his father, artist Frederick William Quartley. The family settled in Baltimore, where they founded a design firm, and Quartley began painting marine scenes of Chesapeake Bay. In 1875 Arthur Quartley opened a studio in New York. With the Hudson River School on the wane, other groups were forming, among them the Tilers, of whom Quartley was a founding member. The group of artists and writers included such luminaries as Winslow Homer, William Merritt Chase, and Augustus Saint Gaudens. Quartley spent his summers on the Isle of Shoals off the coast of New Hampshire, painting numerous marine scenes. Admired for his treatment of light and color, he was elected an Associate of the National Academy in 1879 and an Academician in 1886.
Condition:
2" repaired tear to sky area, wax relining, some yellowing to varnish.
CHARLES HAIGH-WOOD (BRITISH 1856-1927)CHARLES HAIGH-WOOD (BRITISH 1856-1927) A PAINTING, "SUM...CHARLES HAIGH-WOOD (British 1856-1927) A PAINTING, "Summer Afternoon," 1887, oil on canvas, signed and dated L/L, "C Haigh Wood 1887;" 34'' x 44'', framed 41'' x 51''.
Condition:
There is craquelure throughout and rubbing at the edges. The canvas has been lined. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
KATHLEEN POTTER KELLIHER ACRYLIC ONKATHLEEN POTTER KELLIHER ACRYLIC ON WOOD "SUMMER AFTERN...Kathleen Potter Kelliher (Nantucket 20th Century) Acrylic on Wood "Summer Afternoon" , signed lower right
3.5 in. x 9 in.
Condition:
Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
ASHER B. DURAND(American, 1796?1886)
StudyASHER B. DURAND(American, 1796?1886)
Study for a Summer Afternoon, c. 1865, signed lower left "A B D ", oil on canvas, 16-1/2 x 21 in.; fine period carved gilt wood and composition frame, 26 x 30-3/4 in., Provenance: The artist; Benjamin S. Field; Childs Gallery, Boston, Massachusetts ) label verso; The Virginia Museum of Fine Arts, purchase, 1977; Property of the Virginia Museum of Fine Arts, Sold to Benefit Future Acquisitions; Note: Literature: ?Art in Virginia: Excitement at Museum,?ÿRichmond Times-Dispatch, September 25, 1977, J4, illus.;ÿDavid B. Lawall,ÿAsher B. Durand, A Documentary Catalogue of the Narrative and Landscape Paintingsÿ(New York: Garland, 1978), pp. 141?42, no. 268A, illus.;ÿÿJohn Caldwell and Oswaldo Rodriguez Roque, entry for Asher B. Durand,ÿSummer Afternoon,ÿAmerican Paintings in the Metropolitan Museum of Art, vol. 1 (New York: Metropolitan Museum of Art, 1994), p. 430 (listed as a ?related work?);ÿÿElizabeth L. O?Leary, entry for Asher B. Durand,ÿStudy for Summer Afternoon (Summer Afternoon), in O?Leary et al.,ÿAmerican Art at the Virginia Museum of Fine Artsÿ(Richmond: Virginia Museum of Fine Arts, 2010), pp. 178?81, illus. p. 179ÿ
Condition:
see full condition report from Painting Conservation, Asheville, NC; frame in very good condition overall, some wear commensurate with age
RARE GROUP OF SIX ETCHINGS AND LITHOGRAPHSRARE GROUP OF SIX ETCHINGS AND LITHOGRAPHS TO INCLUDE T...Rare Group of Six Etchings and Lithographs to include three Thomas Hart Benton (1889 - 1975), "Flood" sheet size 11 3/4" x 16", and two titled "Sunset," sheet size of each 12" x 16", each signed lower right "Benton"; John Steuart Curry "Summer Afternoon" lithograph 1942, pencil signed lower right "John Steuart Curry", sheet size 12 1/2" x 16 1/4"; Luigi Lucioni (American, 1900 - 1988) "Trees and Mountains", original etching pencil signed "Luigi Lucioni", sheet size 12" x 14"; Nat Lowell "Steeple Chase" original etching, pencil signed lower right "Nat Lowell", sheet size 11 1/2" x 14 5/8", all having original matting and tissue paper covering, near perfect condition; with original packed box having "Associated American Artist, New York" label on front and Railway Express receipt label
Condition:
All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
GEORGE RENOUARD(American, 1885-1954)
SummerGEORGE RENOUARD(American, 1885-1954)
Summer Afternoon, signed lower right "Renouard", oil on canvas, 20 x 24 in.; light finished wood frame, 23-1/2 x 27-1/2 in.
Provenance: Private Collection New York, New York; Private Collection, Georgia; By descent in the Family
Condition:
small area of paint loss upper center, other tiny areas of paint loss sky/trees; frame with abrasions and losses to finish
JOHN O'BRIEN. "A SUMMER AFTERNOON,"JOHN O'BRIEN. "A SUMMER AFTERNOON," ACRYLIC (American, 1951-2004). Acrylic on canvas, signed "John O'Brien" lr, titled on verso, 30 x 40 in., framed.
ROBERT PHILIPP, AMERICAN (1895-1981),ROBERT PHILIPP, AMERICAN (1895-1981), TEATIME - SUMMER AFTERNOON AT GLOUCESTER, 1974, OIL ON CANVAS, 30 X 46 INCHESROBERT PHILIPP, American, (1895-1981) Teatime - Summer Afternoon at Gloucester, 1974, oil on canvas signed lower right "Philipp", signed and dated on the reverse "Robert Philipp / 1974", artist's stamp on the stretcher oil on canvas Dimensions: 30 x 46 inches Provenance: Ross Peacock (the artist's dealer), New York, New York; Anne French Fine Art Gallery, Miami, Florida; Private Collection, Florida. Condition: overall very good condition; unlined canvas; no restoration apparent under UV We are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon’s is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD “AS IS” IN ACCORDANCE WITH THE CONDITIONS OF SALE.
ALFRED THOMPSON BRICHER, (AMERICAN,ALFRED THOMPSON BRICHER, (AMERICAN, 1837-1908), SUMMER AFTERNOON (GRAND MANAN), OIL ON CANVAS, 18 X 38 IN.; FRAME: 32 1/2 X 52 1/2 IN.ALFRED THOMPSON BRICHER, (American, 1837-1908) Summer Afternoon (Grand Manan), oil on canvas signed AT Bricher, l.l. 18 x 38 in.; frame: 32 1/2 x 52 1/2 in. Provenance: Private Collection, Boston, Massachusetts; Vose Galleries, Boston, Massachusetts, 1970; The Estate of Dr. Edward Sleeper, Boston, Massachusetts. Condition: Condition: Overall good condition; dusty, with some surface dirt and grime; very minor inpainting along left edge and one spot in lower right corner; unlined.
FREDERICK MONTAGUE CHARMAN (NEW YORK,FREDERICK MONTAGUE CHARMAN (NEW YORK, 1894-1986), "ONE SUMMER AFTERNOON"., WATERCOLOR ON PAPER, 18" X 22.25". UNFRAMED.FREDERICK MONTAGUE CHARMAN, New York, 1894-1986, "One Summer Afternoon". Signed lower right "Montague Charman". Titled verso. Dimensions: Watercolor on paper, 18" x 22.25". Unframed.
(VIEW) CONNECTICUT: 126 POSTCARDS EARLY(VIEW) CONNECTICUT: 126 POSTCARDS EARLY TO MID-20TH CENTURY(VIEW) CONNECTICUT: 126 POSTCARDS, Early to Mid-20th Century, Covering "A" through "K" towns. Real photo: A.T. Minor's Store (Bethlehem), Main St. So. Coventry, "Crowd at Ball Game, Windham Field", Canton Village (late 40's), Waverly Inn (Cheshire), Pres. Roosevelt speaking from railroad station (Bridgeport - printed - cancelled '06), Bridgeport Police Force in front of station. Early: two Ansonia views, Squaw Hollow Snack Bar (Ashford), Avon and Bantam railroad stations, "Point-no-Point" and postmaster and letter carriers at post office (Bridgeport), "Summer Afternoon at Casey Beach", several early railroad Danielson views, big tent interior (Danbury Fair), "A Rural Turnout" (E. Haddam), Grove Beach and Groton views, Guilford Point House, "Presentation of Loving Cup....Town Hall" (Groton), "National Council in Session" (Seabury House, Greenwich). Several Hartford views: railroad station, great flood refugees: boat rescue, "Rudi's-Maxl's...Hofbrau" - Conn. Fairgrounds "Scenic Railway", ruins of toll bridge - Hartford/East Hartford and more.
Frederick Winthrop Ramsdell (American,Frederick Winthrop Ramsdell (American, 1865-1915)
Summer Afternoon in the Hay Field
oil on panel
signed F.W. Ramsdell lower right
11 1/2 x 15 3/8 inches.
Property from a Michigan Collector
JERRY WEISS (AMERICAN, B. 1959), SUMMERJERRY WEISS (AMERICAN, B. 1959), SUMMER AFTERNOON Oil on canvas, signed at lower right, framed.
THOMAS DEDECKER (AMERICAN, B. 1951),THOMAS DEDECKER (AMERICAN, B. 1951), LATE SUMMER AFTERNOON Oil on board, signed at lower left, inscribed to verso, presented in a contemporary gilt frame.
CLYDE LEON KELLER (OREGON, 1872-1962)CLYDE LEON KELLER (OREGON, 1872-1962) OIL ON BOARDCLYDE LEON KELLER (Oregon, 1872-1962) oil on board, "Summer Afternoon (Sauvie's Island)." Signed lower right and dated 1941, titled on verso. Image measures 18" x 24". In a wood frame;20.25" x 26.25" overall.
CLAIRE KLAREWICZ-OKSER, (AMERICAN B.CLAIRE KLAREWICZ-OKSER, (AMERICAN B. 1955), ELABORATION OF A SUMMER AFTERNOON, OIL ON LINEN, 40 X 48 IN (101.6 X 121.9 CM)Claire Klarewicz-Okser, (American, b. 1955) Elaboration of a Summer Afternoon, Oil on linen Signed Claire Klarewicz-Okser and dated '97 l.r.; also signed, titled and dated on verso Oil on linen Dimensions: 40 x 48 in (101.6 x 121.9 cm)
BERTRAM GEORGE BRUESTLE (AMERICAN 1909-1968),BERTRAM GEORGE BRUESTLE (AMERICAN 1909-1968), "SUMMER AFTERNOON, OLD LYME", OIL ON CANVAS, DEPICTS COUNTRY SCENE IN SUMMER, FARMHOUS...Bertram George Bruestle (American 1909-1968), "Summer Afternoon, Old Lyme", oil on canvas, depicts country scene in summer, farmhouse tucked onto far side of sunlit hill scattered with large rocks, green mountains in background, bright blue sky with white voluminous clouds, signed lower right "B Bruestle", Lyme Art Association paper label attached to stretcher verso which includes title, artist's name and signature, framed, not examined out of frame, wear consistent with age and use including minor 1/8" paint chip upper right, etc., ss: 24 1/2" h. x 29 1/2" w.
DANIEL VAN DER PUTTEN (B. 1949), "SUMMERDANIEL VAN DER PUTTEN (B. 1949), "SUMMER AFTERNOON ON THE FARM," OIL ON PANEL, 11" H X 14" WDaniel Van Der Putten, (b. 1949) "Summer Afternoon on the Farm", Oil on panel Signed lower left: D. Van der Putten; signed again and titled in ink on a label affixed verso Oil on panel Dimensions: 11" H x 14" W
JEN SNODGRASS "SUMMER AFTERNOON" OILJEN SNODGRASS "SUMMER AFTERNOON" OIL ON CANVAS Jen Snodgrass (XX), oil on canvas, depicting family during summer outing, featuring modestly dressed figures with baby to foreground and nude bathers to background, stylistically rendered in a manner similar to that of Boterismo, signed "Snodgrass" lower right, canvas reverse signed "Jen Snodgrass." Image: 39.25" H x 29.5" W; frame: 44.5" H x 34.5" W x 3" D. Craquelure, some flaking.
GEORGE ARTHUR HAYS (AMERICAN, 1854-1934)GEORGE ARTHUR HAYS (AMERICAN, 1854-1934) "SUMMER AFTERNOON" Oil on canvas. Signed (lower left).
Sigmund Joseph Menkes Polish/American,Sigmund Joseph Menkes Polish/American, 1896-1986 Summer Afternoon
Estimate:$2,000-$3,000
SUMMER AFTERNOON BY LESLIE COPE (OHIOSUMMER AFTERNOON BY LESLIE COPE (OHIO 1913-2002). Oil on masonite signed and dated 1973 lower right labeled on reverse. Two pintos standing in a stream. 6''h. 8''w. in a frame 9''h. 11''w.
Two Currier & Ives prints: "SummerTwo Currier & Ives prints: "Summer Afternoon", image 7-7/8 x 12-3/8 in., page 12 x 13-7/8 in., toning, edge tears/chipping, pest holes lower right, stains; "First Premium Poultry", image 8-3/8 x 12-3/8 in., page 12 x 16 in., dark toning, minor chipping, stains, hand-colored lithographs with gum arabic on paper, unframed. Property of the Hickory Museum of Art, Hickory, North Carolina.
BENEDICTIS Giosue de (Italian 1874-1958):BENEDICTIS Giosue de (Italian 1874-1958): ''Summer Afternoon'' depicts a young maiden knitting under an umbrella with cattle grazing by a stream O/C 24'' x 30'' signed lower left encase in contemporary heavy gilt carved frame 33'' x 38 1/2''.CONDITION: Has been relined several patches of in-paint in sky.
DUANE ALBERT ARMSTRONG (B.1938) TREEDUANE ALBERT ARMSTRONG (B.1938) TREE SWING SUMMER AFTERNOON. Oil on canvas signed and dated 67 40''x30'' Condition: No Specific Condition Recorded - Sold As Is
John Steuart Curry, 1897-1946, lithograph,John Steuart Curry, 1897-1946, lithograph, "Summer Afternoon", Ed 250, AAA label verso, 9 3/4" x 14" image size, old frame, some mat burn, not examined out of frame Estimate $600-800
William Trost Richards (Pennsylvania/RhodeWilliam Trost Richards (Pennsylvania/Rhode Island, 1833-1905) A Summer Afternoon, Newport, Rhode Island, 1891, signed lower left "Wm. T. Richards.91.", watercolor on fiberboard, 35-1/4 x 25 in.; original gilt wood and composition panel frame, original handwritten label verso with title and previous owner's name,