A few examples of appraisal values for
T SINGLETON
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- George Dureau (American/New Orleans
George Dureau (American/New Orleans b. 1930) two vintage silver gelatin photographs including "Stanley Hurd" signed lower right and titled lower left 20 in. x 16 in. and "Roosevelt Singleton" 1980 pencil-signed lower right and titled lower left inscribed and dated en verso 14 in. x 10 7/8 in. both unframed.
- North Carolina Coin Silver Flatware
North Carolina Coin Silver Flatware 19th century: tongs with shaped arms, shell terminals, marked "Z. Elliott" (Zebulon Elliott, New York City, 1814-1821 and Salisbury, circa 1821), pseudo hallmarks, monogram, 6-1/4 in.; teaspoon, downturned tipt back fiddle handle, marked "R. Singleton" (Robert Singleton, Greensboro, circa 1839), pseudo hallmarks for Gilbert & Cunningham (New York City, working 1839-1850), monogram, 6-1/8 in., some loss to tip, (two pieces)
- Herbert Singleton (American/New Orleans,
Herbert Singleton (American/New Orleans, 1945-2007) "Big Hat Willie - Chained in Evil Love", painted and bas-relief carved on found chifferobe door, titled at top and bottom of panel, 44-1/4" x 15-3/4"; together with Two Painted and Carved Wood Ceremonial Walking Sticks, vividly decorated, both with carved African masks as handles, h. 36". Herbert Singleton was a self-taught artist known for his brightly painted bas-relief carvings depicting poverty, drug abuse and the crime that affected his neighborhood. In this work, Singleton illustrates the ill-fated love story of Big Hat Willie, a notorious pimp, and his sixteen-year-old girlfriend. The young girl's parents killed the lovers as represented by the artist's placement of a coffin at the bottom of the panel. His work is in the public collections of The Ogden Museum of Art, New Orleans, Louisiana; The High Museum of Art, Atlanta, Georgia; and the Smithsonian Institution in Washington, D.C.
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