A few examples of appraisal values for
THAME

• GEORGE CHAMBERS, JR., THE THAMESGeorge
  GEORGE CHAMBERS, JR., THE THAMESGeorge Chambers, Jr.(British, 1830-c. 1868)The Thames below Cannon Street Bridge, with St. Pauls in the background, London, 1875watercolor on papersigned lower left G. Chambers and dated15 x 22in
• JAMES A. MCNEILL WHISTLER, THAMES WAREHOUSESJames
  JAMES A. MCNEILL WHISTLER, THAMES WAREHOUSESJames A. McNeill Whistler(American, 1834-1903)Thames Warehouses and The Pool, 1859 (2)etching with drypoint on japan laid paperlot includes two etchings from the seriesSixteen Etchings of Scenes on th
• GEORGE CHAMBERS, THAMES BELOW CANNON
  GEORGE CHAMBERS, THAMES BELOW CANNON ST. BRIDGEGeorge Chambers, Jr.(British, 1830-c. 1868)The Thames below Cannon Street Bridge, with St. Pauls in the background, London, 1875watercolor on papersigned lower left G. Chambers and dated15 x 22in
• THEODORE HINES, ON THE THAMES AT SHIPLAKETheodore
  THEODORE HINES, ON THE THAMES AT SHIPLAKETheodore Hines (British, fl. 1876-1889)On the Thames at Shiplakeoil on canvassigned to reverse Theo Hines20 1/2 x 30in (52 x 76cm)
• William Parrott (1813-1869) - 'Shipping
  William Parrott (1813-1869) - 'Shipping on the Thames, before Royal Naval Hospital, Greewich.Signed and dated 1849 to lower left.Brown wash over pencil, heightened with white.Topographical painter, watercolourist and lithographer William Parrott was the son of a farmer from Aveley, in Essex. He was initially apprenticed to engraver John Pye but later virtually abandoned engraving in favour of watercolour painting.Framed and glazed:Height 40cmWidth 57cm
• C.H. Bagnoli, 20th c - Henley-on-Thames,
  C.H. Bagnoli, 20th c - Henley-on-Thames, Oxfordshire, a pair, signed, oil on canvases, 46 x 62cm, (2) More Information Good condition
• WILLIAM MAITLAND, A VIEW OF LONDON,
  WILLIAM MAITLAND, A VIEW OF LONDON, ENGRAVINGProperty from the Collection of Lady Grundy, Cocoa Beach, FL William Maitland (Scotland, c. 1693-1578), A View of London, Engraving, c. 1738, bird's-eye plan/view looking north over the Thames, from W
• JAMES MCNEILL WHISTLER, "THAMES WAREHOUSES"
  JAMES MCNEILL WHISTLER, "THAMES WAREHOUSES" ENGRAVINGJames McNeill Whistler, "Thames Warehouses" engraving. Not examined out of frame. Plate size measures appx 3" x 7 7/8", and 11 1/2" x 13 1/4" in frame.
• MODERN ART BOOKS, 10 Group of Ten Modern
  MODERN ART BOOKS, 10 Group of Ten Modern Art Books, comprising: "Ben Shahn" Shahn, Bernarda, "Georgia O'Keefe" published by The Viking Press in hardcover and paperback, "One Hundred Flowers" ed. by Callaway, Nicholas, "Meret Oppenheimer", published by Parkett Publishers, "Willem de Kooning: The Late Paintings, The 1980s" published by The San Francisco Museum of Modern Art, "Richard Diebenkorn: Ocean Park" Flam, Jack, "Lucian Freud", published by Thames and Hudson, "Lucian Freud: The Painter's Etchings"published by The Museum of Modern Art, "Claes Oldenburg: Drawings and Prints" commentary by Baro, Gene. Largest: 16.5" H x 13.75" W. Keywords: Bibliophile, Art History, Written Word, Photographs, Modernism
• COLLECTION OF CHINESE ART BOOKS, 12
  COLLECTION OF CHINESE ART BOOKS, 12 Collection of 12 Chinese Art Books, comprising: Watson, William "Art of Dynastic China", Lee, Sherman "The Colors of Ink", Thames & Hudson, "Two Thousand Years of Chinese Ceramics", Smith, Bradley (et. al.) "China: A History In Art", Lee, Sherman "A History of Far Eastern Art", Brake, Cameron "Peking: A Tale of Three CIties", Fong, Wei "The Great Bronze Age of China", Liu, Yung "The Manner of Chinese Flower Painting", Lee, Soyoung "Art of the Korean Renaissance", Horizon, "Arts of China", The Freer Gallery of Art, "China" and "Japan". 13.25" H x 10.5" W. Keywords: Books, Library, Literature, Reading
• TEN COFFEE TABLE BOOKS ON MIDCENTURY
  TEN COFFEE TABLE BOOKS ON MIDCENTURY DESIGN Lot of ten books on design of the 1950s and 1960s, including, The New Look: Design in the Fifties by Leslie Jackson, printed 1991 by Thames and Hudson; 50s Decorative Art by Charlotte and Peter Fiell, printed 2000 by Taschen; 60s Decorative Art by Charlotte and Peter Fiell, printed 2000 by Taschen; 70s Decorative Art by Charlotte and Peter Fiell, printed 2000 by Taschen; Op to Pop: Furniture of the 1960s by Cara Greenberg, printed 1999 by Bulfinch; The Sixties by Lesley Jackson, printed 1998 by Phaidon; Contemporary: Architecture and Interiors of the 1950s by Lesley Jackson, printed 1994 by Phaidon; Sixties Design by Philippe Garner, printed 1996 by Taschen; Eichler: Modernism Rebuilds the American Dream by Paul Adamson, printed 2002 by Gibbs Smith; Case Study Houses: The Complete CSH Program 1945-1966, printed 2002 by Taschen.Approximate Dimensions:Case Study Houses: l. 16", w. 12.5" Provenance: Private Collection of Bill Stewart, Atlanta, GA.
• EIGHT COFFEE TABLE BOOKS ON CONTEMPORARY
  EIGHT COFFEE TABLE BOOKS ON CONTEMPORARY ARTISTS Lot of 8 books on contemporary art and artists, including, DOBSF: DOB in the Strange Forest by Takashi Murakam, printed 1999 by Bijutsu Shuppan-Sha; Jeff Koons, printed 2001 by Kunsthaus Bregenz; Kenny Scharf by Richard Marshall, Carlo McCormick, and Ann Magnuson, printed 2009 by Rizzoli; KawsOne, published 2001 by Little More; Nobody Knows: Yoshitomo Nara Drawings, published 2001 by Little More; Public Offerings by Paul Schimmel, published 2001 by Thames and Hudson; Street SketchBook by Tristan Manco, printed 2007 by Chronicle Books; Murakami, printed 2009 by Rizzoli. Approximate Dimensions:Murakami: h. 12.75", w. 10" Provenance: Private Collection of Bill Stewart, Atlanta, GA.
• ASSORTMENT OF BOOKS ON ART HISTORY Comprising
  ASSORTMENT OF BOOKS ON ART HISTORY Comprising about 47 titles, including items from the Thames & Hudson "World of Art" series and others from the Abrams "Discoveries" series; most items in soft covers.
• IMPORTANT TAMS WILLIAM HENRY HARRISON
  IMPORTANT TAMS WILLIAM HENRY HARRISON PLATTER Circa 1815; Leeds type blue feather edge platter, with blue transfer portrait of "General W.H. Harrison Hero of the Thames 1813" with cannon and battle implements in the center, stamped on verso, "James Tams & Co. Philadelphia Importers," 15 1/2 in. L., 12 in. W.
• Samuel Wale (1721-1786, UK) four views
  Samuel Wale (1721-1786, UK) four views of the Thames River, pen and ink wash, all matted in a single frame with a Leger Galleries W. London label. 3.5" x 5.75" ss / 17" x 21" oa Condition: Not examined out of frame.
• HISTORICAL BLUE STAFFORDSHIRE GRAVY
  HISTORICAL BLUE STAFFORDSHIRE GRAVY TUREEN, ETC.Historical Blue Staffordshire Chiswick on the Thames gravy tureen and undertray, 6 3/4" h., 7 3/4" w. Competitive in-house shipping is available for this lot. Condition: Good condition. No apparent damages or repairs.
• "STUDER'S POPULAR ORNITHOLOGY THE BIRDS
  "STUDER'S POPULAR ORNITHOLOGY THE BIRDS OF NORTHAmerica". Drawn and colored from life by Theodore Jasper MD, published by Jacob, H. Studer & Company, 1878. 14 1/2" by 12". Leather bound. Section one contains 119 engraved colored plates depicting all different species of birds. Many plates have hand-written notations in the margins identifying the birds. Section two contains 37 black and white engravings. Most pages contain minor to light foxing. The binding shows scuffing and wear. The plates pictured in this listing are a good representation of overall condition.
• Sydney Foley (1916-2001) - The River
  Sydney Foley (1916-2001) - The River Thames at Sunset, London, with Chelsea Bridge and Battersea Power Station in the background, signed, oil on board, 35 x 45cm More Information Good condition, the board with some further paint spots.
• ALFRED FONTVILLE DE BREANSKI, JR. (1877
  ALFRED FONTVILLE DE BREANSKI, JR. (1877 - 1957): THE THAMES AT WALLINGFORDAlfred Fontville De Breanski, Jr. (1877 - 1957): The Thames at Wallingford, oil on canvas; signed lower right, signed again and titled to verso of canvas Dimensions: 24 x 36 in. (61 x 91.4 cm.), Frame: 29 x 41 in. (73.7 x 104.1 cm.) Condition:
• JOHN HORACE HOOPER (BRITISH 1851-1906) EVENING
  JOHN HORACE HOOPER (BRITISH 1851-1906) EVENING ON THE UPPER THAMES Signed, signed and inscribed verso, oil on canvas46cm x 82cm (18in x 32.25in)
• COLLECTION OF ART REFERENCE BOOKS ON
  COLLECTION OF ART REFERENCE BOOKS ON ASIAN CERAMICS ?????????????????????????????????????????????????????????????????????including art reference books on asian art ceramics, in total 85 publications:Ashmolean Museum, Eastern Ceramics: and other works of art from the collection of Gerald Reitlinger, Oxford: Ashmolean Museum, 1981Battie, David (ed.), Sotheby's Concise Encyclopaedia of Porcelain, London: Conran Octopus Limited, 1994Beurdeley, Cecile, A Connoisseur's Guide to Chinese Ceramics, Office du Livre, 1985Butler, Michael, Seventeenth Century Jingdezhen Porcelain from the Shanghai Museum and the Butler Collections, London: Scala Publishers Limited, 2006Carswell, John, Blue & White: Chinese Porcelain Around the World, London: The British Museum, 2000Carswell, John, Chinese Ceramics in the Sadberk Hanim Museum, Istandbul: Sadberk Hanim Museum, 1995Catalogue of a Special Exhibition of Early Ming Period Porcelain, Taipei: National Palace MuseumChina without Dragons: Rare Pieces from the Oriental Ceramics Society Members, Hong Kong: CA Book Publishing, 2020Chinese Ceramics: Selected articles from Orientations 1982-2003, Hong Kong: Orientations Magazine Ltd., 2004Vainker, S.J., Chinese Pottery and Porcelain: From Prehistory to the Present, London: The British Museum, 1991Crick, Monique (ed.), Celadon: Grès des musées de la province du Zhejiang, Chine, Paris: Paris-Musées, 2005Davidson, Gerald, The Handbook of Marks on Chinese Ceramics, London: Han - Shan Books, 1994Eskenazi: Song ceramics 10th to 13th century (catalogue), 2003Fischell, Rosalind, Blue & White China: Origins/Western Influences, Boston: Little Brown & Company, 1987Foundation Amaverunt, Musée Ariana, La porcelaine chinoise de transition et ses influences sur la céramique japonaise, proche-orientale et européenneFrick Collection, Chinese Blue-and-white Porcelain in the Frick Collection, Frick Collection, 1992Fung, Rebecca, Ming Colours: Polychrome Porcelain from Jingdezhen, London: School of Oriental and African Studies, 2006Garner, Harry, Oriental Blue & White, London: Faber and Faber Limited, 1954Gray, Anita,A Catalogue of Oriental Ceramics and Works of ArtGray, Anita, A Catalogue of Oriental Ceramics and Works of ArtGray, Basil, Sung Porcelain & Stoneware, London: Faber and Faber Limited, 1984Hardy, Sheila Yorke, Illustrated Catalogue of Ru, Guan, Jun, Guangdong and Yixing Wares in the Percival David Foundation of Chinese Art, London: School of Oriental & African Studies, 1999Harrison-Hall, Jessica, Ming Ceramics in the British Museum, London: The British Museum, 2001Heaven and Earth Seen Within Song Ceramics from the Robert Barron Collection, New Orleans: New Orleans Museum of Art, 2000Ho, Lee Ying, Antique Ceramics: translated by Goh Beng Choo, Singapore: Asiapac Books PTE Ltd., 1996Illustrated Catalogue of Celadon Wares in the Percival David Foundation of Chinese Art, London: School of Oriental & African Studies, 1997Illustrated Catalogue of Ming and Ming Style Polychrome Wares in The Percival David Foundation of Chinese Art, London: School of Oriental & African Studies, 2006Illustrated Catalogue of Qing Monochrome Wares in the Percival David Foundation of Chinese Art, London: School of Oriental & African Studies, 1989Illustrated Catalogue of Ru, Guan, Jun, Guangdong and Yixing Wares in the Percival David Foundation of Chinese Art, Hardy, Sheila Yorke, London: School of Oriental & African Studies, 1999Jenyns, Soame, Japanese Pottery, London: Faber and Faber Limited, 1971Jenyns, Soame, Ming Pottery and Porcelain, London: Faber and Faber Limited, 1988Kerr, Rose (et al.), The World in Colours: an exhibition of ceramics with coloured decoration dating from 700 to 1920 belonging to members of the Oriental Ceramic Society, London: The Oriental Ceramic Society, 2006Kerr, Rose, Song Dynasty Ceramics, London: V&A Publications, 2004Krahl, Regina, Dawn of the Yellow Earth: Ancient Chinese Ceramics from the Meiyintang Collection, New York: China Institute Gallery, 2000Kuwayama, George, Chinese Ceramics in Colonial Mexico, Los Angeles: Los Angeles County Museum of Art, 1997Li, He, Chinese Ceramics: The New Standard Guide, London: Thames and Hudson, 1996Little, Stephen, Chinese Ceramicsof the Transitional Period: 1620-1683, New York: China Institute in America, 1983Littleton & Hennessy, Littleton & Hennessy: Exhibition of Qing Porcelain, London: Littleton & Hennessy, 2005Liu, Liang-yu, A Survey of Chinese Ceramics: Ch'ing Official and Popular Wares, Taipei: Aries Gemini Publishing Ltd., 1991Liu, Liang-yu, A Survey of Chinese Ceramics: Ming Official Wares, Taipei: Aries Gemini Publishing Ltd., 1991Liu, Liang-yu, A Survey of Chinese Ceramics: Sung Wares, Taipei: Aries Gemini Publishing Ltd., 1991Lo, Kai-Yin (ed.), Bright as Silver White as Snow: Chinese White Ceramics from Late Tang to Yuan Dynasty, Yung Ming Tang, 1998Macintosh, Duncan, Chinese Blue and White Porcelain: Third Edition, Woodbridge: Antique Collectors' Club Ltd., 1994Medley, Margaret, Illustrated Catalogue of Ming Polychrome Wares, London: School of Oriental & African Studies, 1978Medley, Margaret, Illustrated Catalogue of Ting and Allied Wares, London: School of Oriental & African Studies, 1980Medley, Margaret, Illustrated Catalogue of Underglaze Blue and Copper Red Decorated Porcelains in the Percival David Foundation of Chinese Art, London: School of Oriental & African Studies, 2004Medley, Margaret, Illustrated Catalogue of Underglaze Blue and Copper Red Decorated Porcelains, London: School of Oriental & African Studies, 1976Medley, Margaret, Metalwork and Chinese Ceramics, London: School of Oriental & African Studies, 1972Medley, Margaret, The Chinese Potter: A Practical History of Chinese Ceramics, Oxford, Phaidon Press Limited, 1999Medley, Margaret, Yuan Porcelain & Stoneware, London: Faber and Faber Limited, 1974Mowry, Robert D., Farrell, Eugene, Coolidge Rousmaniere, Nicola, Hare's Fur, Tortoiseshell, and Partridge Feathers: Chinese Brown and Black-Glazed Ceramics, 400-1400, Cambridge: Harvard University Art Museums, 1997Museum of East Asian Art: Chinese Ceramics v. 1: Inaugural Exhibition, Bath: The Museum of East Asian Art, 1993Pierson, Stacey (ed.), Qingbai Ware: Chinese Porcelain of the Song and Yuan Dynasties, London: Percival David Foundation of Chinese Art, 2002Pierson, Stacey, Blue and White for China: Porcelain Treasures in the Percival David Collection, London: School of Oriental and African Studies, 2004Pierson, Stacey, Designs as Signs: Decoration and Chinese Ceramics, London: School of Oriental & African Studies, 2001Pierson, Stacey, Earth, Fire and Water: Chinese Ceramic Technology: A Handbook for Non-specialists, London: School of Oriental and African Studies, 1996Pierson, Stacey, Percival David Foundation of Chinese Art: Illustrated Guide to the Collection, London: School of Oriental & African Studies, 2004Pierson, Stacey, Song Ceramics: Objects of Admiration, London: School of Oriental and African Studies, 2003Pope, John Alexander, Chinese Porcelains from the Ardebil Shrine, London: Sotheby Parke Bernet Publications, 1981Priestley & Ferraro, Chinese Art: Song Ceramics & Works of Art, 2014Riggs, Thomas (et al.), Dark Jewels: Chinese Black and Brown Ceramics from the Shatzman Collection, Chapel Hill: Ackland Art Museum, 2002Rinaldi, Maura, Kraak Porcelain: A Moment in the History of Trade, London: Bamboo Publishing, 1989Scott, Rosemary (ed.), Illustrated Catalogue of Qing Enamelled Wares in the Percival David Foundation of Chinese Art, London: School of Oriental & African Studies, 1991Scott, Rosemary and Pierson, Stacey, Flawless Porcelains: Imperial Ceramics from the Reign of the Chenghua Emperor, London: School of Oriental and African Studies, 1995Scott, Rosemary E. (ed.), The Porcelains of Jingdezhen (Colloquies on Art & Archaeology in Asia No.16), London: School of Oriental and African Studies, 1993Scott, Rosemary, Imperial Taste: Chinese Ceramics from the Percival David Foundation, San Francisco: Chronicle Books, 1989Shanghai Museum Ancient Chinese Ceramics Gallery, Shanghai MuseumSong Ceramics: Art History, Archaeology and Technology (Colloquies on Art & Archaeology in Asia No.22), London: School of Oriental & African Studies, 2004Sotheby's: Song A Japanese Collection, London: Sotheby's, 2011Sotheby's: Song Ceramics from the Muwen Tang Collection, 2003The Ceramic Art of China, London: Drydens Printers Ltd, 1971The Ceramic Art of China, London: Drydens Printers Ltd, 1971The Museum of Oriental Ceramics, Osaka, Song Ceramics, Osaka: Asahi Shimbun, 1999The Tsui Museum of Art, Hong Kong: Tsui Museum of Art, 1991The World in Blue and White: an exhibition of blue and white ceramics, dating between 1320 and 1820, from members of the Oriental Ceramic Society, London: The Oriental Ceramic Society, 2003The World in Monochromes, London: The Oriental Ceramic Society, 2009Tippett, Paul, Christie's Collectables: Blue and White China The Connoisseur's Guide, London: Little, Brown and Company, 1997Transactions of the Oriental Ceramic Society Volume 68. 2003-2004, London: The Oriental Ceramic Society, 2005Tregear, Mary, Chinese Ceramics in the Ashmolean Museum, Oxford: Ashmolean Museum, 1987Tregear, Mary, Song Ceramics, London: Thames and Hudson, 1982Wang, Qingzheng, A Dictionary of Chinese Ceramics, Shanghai: Shanghai Dictionary Publishing House, 2002Wilson, Ming, Rare Marks on Chinese Ceramics: a joint exhibition from the Percival David Foundation of Chinese Art and the Victoria and Albert Museum, London: School of Oriental & African Studies, 1998Wirgin, Jan, Sung Ceramic Designs, London: Han-Shan Tang Ltd., 1979Wong, Sarah and Pierson, Stacey (ed.), Collectors, Curators, Connoisseurs: A Century of the Oriental Ceramic Society 1921-2021, London: The Oriental Ceramic Society, 2021Wood, Nigel, Chinese Glazes, London: A & C Black Ltd., 1999(qty)Provenance: Private Scottish collection, North Berwick, has been collecting Asian ceramics for 25 years.Please note this lot will be offered with no reserve. ???????
• RARE BLACK POTTERY WINE VESSEL, JUE SHANG
  RARE BLACK POTTERY WINE VESSEL, JUE SHANG DYNASTY ? ???elegantly potted, the oval body supported on three blade legs, the mouth extended to a cupped pouring tip at one end and a raised pointed tip at the opposite flanked by two vertical posts with conical finials in between, one side of the vessel applied with a loop handle(1)19cm highProvenance: Private Scottish collection, North Berwick, has been collecting Asian ceramics for 25 years. Acquired at Christie's London, 19 Jun 2001, lot 3, with an original receipt. The result of the Oxford Authentication Ltd. thermoluminescence analysis test, sample no. C101j70, is consistent with the dating of this lot, with a photocopied certificate dated 1 May 2001. Note: Ritual wine vessels in the form of a jueare more commonly seen in bronze. They were designated for heating and pouring wine during Shang dynasty rituals. The capped posts rising from the rim would have allowed the hot metal vessel to be lifted from the heat and poured, whereas the ceramic form of this vessel would not have been suitable for this.Compared tozun and gu vessels dated to the Shang dynasty made in the form of ceramic instead of bronze, fewer jue and jia vessels are known. Compare to a greatly simplified and squatted jue, dated to the late Shang dynasty,in the Asian Art Museum, San Francisco, object no. B60P1834, and illustrated by He Li in Chinese Ceramics - The New Standard Guide, London: Thames and Hudson, 1996, p. 63, no. 20. Also see other similar simplified examples, Shang dynasty, one in Princeton University Art Museum, museum no. y1965-52; some in Institute of History and Philology, Academia Sinica Taipei, accession nos. R023599BBWA_2, R000175CCWA, R000174CCWK_1. These tripod vessels with slender legs, like this lot, would have been more difficult to fire successfully.
• MOULDED YAOZHOU ‘CHRYSANTHEMUM’
  MOULDED YAOZHOU ‘CHRYSANTHEMUM’ BOWL NORTHERN SONG DYNASTY ?? ??????????????of conical form, moulded with chrysanthemum borne on scrolling foliage, the exterior carved with lines radiating from the foot, covered overall in an olive-green glaze(1)12.2cm diameterProvenance: Robert McPherson, stock no. 24870, 2016; Previously in the collection of Nicholas de la Mare Thompson (1928-2010), the base with an associated label.Dr. Kenneth P. Lawley's inventory number: Cer.161.Note: Two closely comparable examples, Song dynasty, were in the Qing Court collection, now in the Taipei National Palace Museum, museum nos. Gu Ci ??8726 and 13974. A slightly smaller example, Jin dynasty, is illustrated in Mary Tregear, 1982, Song Ceramics, London: Thames and Hudson, pl. 137.Also compare to examples in the auction market, one previously in the collection of Hirato Kotoken, sold at Sotheby's Hong Kong, 8 April 2023, lot 3533; another at Sotheby's New York, 22 March 2023, lot 536; and one at Christie's Hong Kong, 7 Dec 2021, lot 3253.Please note this lot will be offered with no reserve. ???????
• BOOKS ON OLD MASTER DRAWINGS, 6 Group
  BOOKS ON OLD MASTER DRAWINGS, 6 Group of art reference / coffee table books on old master drawings, etchings, engravings and prints comprising 'Durer The Complete Engravings, Etchings and Woodcuts' by Abrams, 'Dutch Drawings and Prints', J. G. Van Gelder by Abrams, 'Great Drawings of the Masters' by Putnam, 'Master Drawings From the Collection of the Budapest Museum of Fine Arts' by Abrams, 'English Drawing', Geoffrey Grigson by Thames and Hudson, 'Drawings by Michelangelo from the British Museum' by The Pierpont Morgan Library. Largest 15.5" H x 11" W x 1.5" D.
• WHISTLER "OLD HUNGERFORD BRIDGE" ETCHING
  WHISTLER "OLD HUNGERFORD BRIDGE" ETCHING ON PAPER James Abbott McNeill Whistler (American, 1834-1903), etching and drypoint, circa 1871, "Old Hungerford Bridge" (Kennedy 76), the sixth of sixteen etchings from the "Thames Set," signed in plate lower right, bearing Arthur H. Harlow & Co. (New York City) label on reverse. Image: 6" H x 9.25" W; frame: 12" H x 15" W.
• BOOKS ON FASHION AND DESTINATIONS, 7
  BOOKS ON FASHION AND DESTINATIONS, 7 Group of art reference / coffee table books on Fashion and Destinations comprising ? Tuscany by Rizzoli, Malmaison Empress Josephine?s Gardens by Prestel, Natural Fashion Tribal Decoration from Africa by Thames & Hudson, Indian Costumes Historic Textiles of India by Calico Museum, Vienna 1890-1920 by Rizzoli, Murals of New York City by Rizzoli, and My Favorite Dress by ACC Editions. Largest 17.25? H x 11.25? W x 1.5? D.
• HERBERT JOHN FINN "RIVER THAMES" WATERCOLOR,
  HERBERT JOHN FINN "RIVER THAMES" WATERCOLOR, 1917 Herbert John Finn (British, 1860-1942) "River Thames," watercolor on paper, landscape depicting the River Thames in London, England, signed and dated '1917' lower left. Image: 29" H x 37" W.
• (8) VOLS., FINE ART PHOTOGRAPHY Includes:
  (8) VOLS., FINE ART PHOTOGRAPHY Includes: 1) Desert Images An American Landscape. Photos by David Muench, Harcourt, Brace Jovanovich, 1979, hadrcover in slipcase; 2) Henri Cartier Bresson Photographer. NY Graphic Society, 1979; 3) Laura Gilpin: An Enduring Grace. Amon Carter Museum, 1986; 4) Marie Cosindas Color Photographs. NY Graphic Society, 1979; 5) Herbert List Photographs 1930-1970. Rizzoli, 1981; 6) Milton Rogovin The Forgotten Ones. The Quantuck Lane Press, 2003; 7) Weegee: Naked City. Essential Books, 1945; 8) Gernshiem. The Origins of Photography. Thames and Hudson, 1982, hardcover in slipcase; 11"h x 17.5"w (largest)
• JAMES A.M. WHISTLER, THAMES SET ETCHING
  JAMES A.M. WHISTLER, THAMES SET ETCHING #13, 1859 James Abbott McNeill Whistler (American, 1834-1903), "Thames Warehouse" (Kennedy 38), thirteenth of sixteen etchings from the Thames Set, on cream laid paper, signed and dated lower right, likely second state of two, De Erven D. Blauw (DEDB) watermark, published by Ellis and Green, London, 1871, matted and unframed, 3"h x 8"w (plate), 4"h x 9"w (sheet)
• CHRISTOPHER SANDERS (ENGLISH, 1905-1991).
  CHRISTOPHER SANDERS (ENGLISH, 1905-1991). Oil on canvas. Thames Scene. Signed lower right. Titled verso. Worthing Art Gallery label affixed verso. From an Upper East Side, NYC collection. Dimensions: 20" high x 24" wide Condition: Good.
• EDMUND JOHANN NIEMANN (BRITISH, 1813-1876).
  EDMUND JOHANN NIEMANN (BRITISH, 1813-1876). Oil on canvas. "The Thames at Richmond". 1870. Signed and dated lower left. Omell Galleries label affixed verso. From a Rye Brook, NY collection. Dimensions: 21" high x 36" wide Condition: Scattered losses.
• GEORGE A WILLIAMS (BRITISH, 1814-1901).
  GEORGE A WILLIAMS (BRITISH, 1814-1901). Oil on canvas. "On the Thames". Initialed lower right. Christie's inventory stickers affixed verso. From a Scarsdale, NY collection. Dimensions: 14" high x 24" wide Condition: Relined. Loss at lower right. Craquelure.
• FINE AND UNUSUAL GEORGE II MAHOGANY
  FINE AND UNUSUAL GEORGE II MAHOGANY WINDSOR ARMCHAIR40 x 30 1/4 x 26 1/2 in., height of seat 16 in. Note: A fine pair of George II Mahogany Hall Armchairs were sold in The Collection of Peggy and David Rockefeller, Christie's NY, May 9, 2018, lot 646 and sold for $52,500 hammer price. This is the essay which accompanied the chairs in the Christie's catalog: "This pair of hall armchairs relates very closely to a chair illustrated in Michael Harding-Hill, Windsor Chairs , London, 2003, p. 76, and to another similar chair exhibited by Whitney Antiques at the 1997 Grosvenor House Art and Antiques Fair. Although these chairs share similar constructional characteristics with provincial Windsor chairs, including turned spindles and solid seats, Windsor chairs are associated with more rural areas, such as the Thames Valley, where they would have commonly been fashioned from timbers such as ash, yew and elm. The use of finest mahogany for these grand chairs, coupled with the high quality of construction, suggests that these chairs were likely made by a major London cabinetmaker of the period. These chairs are similar to a group of armchairs with vase-capped splats which probably formed part of a larger set, one from the Collection of Professor Sir Albert Richardson, P.R.A., sold Christie's London September 18-19, lot 31 (32,500 GPB) and another sold Christie's London, April 22, 2004, lot 29, (45,410 GPB). These chairs are based on the designs of the Windsor chair and are related to a 1750s patter executed by Richard Hewett at Slough, (see N. Goyne Evans, 'A History and Background of English Windsor Furniture', Furniture History, 1979, pp. 24-53, pl. 84), although he is unlikely their enigmatic maker. A closely related set of fine mahogany armchairs, conceivably by the same maker, line the marble hall at Holkham Hall, the Norfolk seat of the Earls of Leicester. A further pair of related George II mahogany armchairs was sold Sotheby's New York, April 11-12, 1997, lot 751 ($46,000)." Condition Small repair to the top crest, one spindle replaced. Old repair to the right armrest support with age cracks, staining and scuffing to the seat. Old repairs to the seat on the front corners. Structurally sound, grand in scale. Fine quality.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• ALAN CAIGER-SMITH (BRITISH, 1930-2020),
  ALAN CAIGER-SMITH (BRITISH, 1930-2020), THAMES AT NIGHT Oil on canvas, monogrammed at lower right, with artist's name and title to verso, framed.
• Eleven nineteenth and twentieth century
  Eleven nineteenth and twentieth century book, c/o The King Ranch by Tom Lea (Boston and Toronto, 1957; two volumes in slipcase); The life and letters of Lord McCauley, by his nephew G. Otto Trevelyan (New York, 1877; complete in two volumes); The Book of the Thames by Mr. and Mrs. S. C. Hall (London, no date but circa 1890) (bound in contemporary full red leather); Harper?s new monthly magazine, volume 8 (December, 1853, to May, 1854) (New York, 1854); The Vicar of Wakefield by Oliver Goldsmith (New York,1903); Gorilla hunters by R. M. Valentine (Philadelphia, no date but circa 1880); The Invisible Man by H. G. Wells (New York, 1964); and two softcover leather bound books by Mark Twain (both New York and London, no date but circa 1910) titled In Defense of Harriet Shelley and other essays and Christian Science with notes containing corrections to date.
• GROUP OF BOOKS OF IRISH INTERESTIncluding:
  GROUP OF BOOKS OF IRISH INTERESTIncluding: Glenveagh Castle by William Gallagher, Government of Ireland, 1993; Irish Furniture and Woodcraft by John Teahan, Town House and Country House, 1994; Irish Furniture edited by Brian Austen, The Furniture History Society, 1999; Cork: History and Society edited by Patrick O'Flanagan and Cornelius G. Buttimer, Geography Publications, 1993; Life in an Irish Country House by Mark Bence-Jones, Constable and Co. Ltd., 1996; Classic Irish Homes of the Middle Size by Maurice Craig, Ashfield Press, 2006; The Golden Age of Irish Art: The Medieval Achievement 600–1200 by Peter Harbson, Thames and Hudson, 1999; Castles of Ireland by Brian de Breffny, photographs by George Mott, Thames and Hudson, 1977; The Irish Country House by Desmond Guinness, Knight of Glin and James Peill, with photographs by James Fennell, Vendome Press, 2010, with signatures from the authors; In the Houses of Ireland photographs by Walter Pfeiffer and text by Marianne Heron, Thames and Hudson, 1988; Irish Houses and Gardens: From the Archives of Country Life by Seán O'Reilly, Aurum Press Ltd., 2008; James Barry (1741–1806): 'The Great Historical Painter' edited by Tom Dunne, Crawford Art Gallery and Gandon Editions, 2005; Famous Cities of the World: Dubliln and Cork photographs by R. S. Magowan, with an introduction by Kate O'Brien, Books for Pleasure Ltd., 1961; Ireland: Art into History by Raymond Gillespie and Brian P. Kennedy, Roberts Rineart Publishers, 1994; Representing Art in Ireland edited by Nuala Fenton, Fenton Gallery, 2008; Houses of Cork: Volume I: North Cork by Anna-Maria Hajba, with line drawings by Michael O'Sullivan, Ballinakella Press, 2002; The Irish Georgian Society: A Celebration by Robert O'Byrne, The Irish Georgian Society, 2008, with signature and inscription to Niall Smith by Desmond Guinness, Knight of Glin, dated 2008; Irish Houses and Castles by Desmond Guinness and William Ryan, Thames and Hudson, 1971; This is Ireland: A Children's Classic by Miorsalv Sasek, Universe Publishing, 2009; Irish Furniture: Woodwork and Carving in Ireland from the Earliest Times to the Act of Union by Desmond Guinness, Knight of Glin and James Peill, with photography by James Fennell and Dara McGrath, Yale University Press, 2007, with signatures from the authors; and Great Irish Houses by Desmond FitzGerald, Knight of Glin; The Honorable Desmond Guinness; Kevin Kelly; Amanda Cochrane; Ben Webb; William Laffan; Dierdre Conroy; Kate O'Dowd; Elizabeth Mayes; and Richard Power, photography by Trevor Hart, Image Publications Ltd, 2008, first edition (21). Condition Individual condition reports not available for this lot. Notwithstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.