A few examples of appraisal values for
THE PRINCE AND PRINCESS

• Group of Twelve Canadian Commemorative
  Group of Twelve Canadian Commemorative Medallions, 1967-1982 Université Laval Centennial, 1952 Israel Salutes Canada's Centennial, 1967 Canadian Olympic Association, 1967 Northwest Territories Centennial, 1970 City of Kitchener/Waterloo Hospital Opening, 1970 Edmonton Klondike Days Dollar, 1971 City of Hamilton 125th Anniversary, 1971 RCAF Squadron 411, County of York, Presentation of the Standard, 1971 Royal Canadian Legion to Roland Michener, Grand Patron, 1971 Granite Club Centenary, 1976 The Royal Society of Canada Centennial, 1982 Marriage of The Prince and Princess of Wales, 1983 largest diameter 3 in — 7.5 cm
• DOULTON LAMBETH 1888 SILVER WEDDING
  DOULTON LAMBETH 1888 SILVER WEDDING TYGPresentation tyg Commemorating the of the Prince and Princess of Wales, Albert Edward VII and Alexandra. Dimensions: 6.5"H x 5.5" dia. Manufacturer: Royal Doulton Provenance: David Bearman Collection
• BENHAM, THE PRINCE AND PRINCESS OF WALES
  BENHAM, THE PRINCE AND PRINCESS OF WALES COLLECTION COV...19 limited edition Charles and Diana commemorative covers in a blue suede binder. This item has no reserve. Dimensions: 9.25" L x 10.5" W x 1" H Edition Number: 342 of 2000 Condition: Age related wear.
• BOOK, A ROYAL BABY BOOK FOR THE PRINCE
  BOOK, A ROYAL BABY BOOK FOR THE PRINCE AND PRINCESS OF ...By Pan Books Hardcover ISBN 0-330-26814-7. Issued: 1981 Country of Origin: England Condition: Age related wear.
• BOOK CHARLES & DIANA, THE PRINCE AND
  BOOK CHARLES & DIANA, THE PRINCE AND PRINCESS OF WALESBy Trevor Hall. Hard Cover. ISBN. 0 906558 96 4 Condition: Age related wear.
• GROUP FIVE STAFFORDSHIRE POTTERY ITEMSGroup
  GROUP FIVE STAFFORDSHIRE POTTERY ITEMSGroup of five Staffordshire pottery items including The Prince and Princess of Wales. Repairs to Prince. Largest: 7 1/4" high, 6 1/2" wide. Smallest: 4" high, 3" wide. Condition: Any condition information included in our lot descriptions is not the equivalent of a written condition statement, and the absence of condition information does not imply that the lot is free of defects. Our auction lot descriptions reflect our effort to provide accurate, objective and fair information on all lots for sale, and we encourage bidders to request written condition statements and large file images on any lots of interest by emailing condition@woodburyauction.com. We also strongly advise that you or someone on your behalf inspect the lot personally before bidding. All lots are sold "as is" and "where is" and neither we nor any consignor makes any warranties or representation of any kind or nature with respect to the property. There are no returns and no refunds based on condition.
• A RARE LEONARD MOREL-LADEUIL (1820-1888)
  A RARE LEONARD MOREL-LADEUIL (1820-1888) BELLE EPOQUE F...A RARE LEONARD MOREL-LADEUIL (1820-1888) BELLE EPOQUE FIRE GILT BRONZE EWER Dance of the Wilis Continental, mid-19th century, bronze. Crowned with the figure of an owl with outstretched wings at the top of the handle overlooking the ewer adorned in Art Nouveau fashion with cattails, lily pads, and nine wilis, a reclining figure across the shoulder of the vessel (Myrtha) playing kymbala. A scene after the ballet Giselle, depicting the wilis, who are spirits of young virgins betrayed by men and having died of heartbreak, take revenge in the night by dancing men to death by exhaustion. Léonard Morel-Ladeuil (1820 - 15 March 1888), French goldsmith and sculptor, was born at Clermont-Ferrand, and would be regarded as one of the most expert of French chasers, and a pioneer in the art of repousse, as well as master to Tiffany silversmith Eugene J. Soligny. He was apprenticed first to Morel, a manufacturer of bronzes, then to Antoine Vechte, and quickly absorbed the skill of both. He studied further under JJ Fuchre, during which time he caught the eye of the comte d'Orsay and the duc de Morny, through whose recommendation the French government, desirous of popularizing the idea of the new Imperialism, commissioned him to produce the Empire Shield. Napoleon III notified his warm approval, but the trade, annoyed that a craftsman should obtain commissions direct, resented the innovation and thenceforward boycotted the young artist, whose newest work and the piece offered, Dance of the Willis none would take. He was encouraged, nevertheless by a foreign dealer in Paris, Marché, who employed him on statuettes, mainly religious in character, until 1859, when Messrs Eikington, in view of the Great Exhibition of 1862, engaged him to work for Elkington Silversmiths in Birmingham for three years in repoussé. Following his silver "Night came Day," and then the "Inventions" vase, which placed him at once at the top of his profession, came the beautiful plateau called "Dreams," which was subscribed for (£500) by Birmingham as the town wedding-gift to the prince and princess of Wales. Morel-Ladeuil's contract was then renewed for five years, though in full he spent twenty-three years at their London house. His masterpiece the "Milton Shield: Paradise Lost", in repoussé steel and silver, was the sensation of the Paris Exhibition. It was bought by the English government for £3000, and thousands of copies made by galvanoplastie or electrotype were sold and spread all over the world. Another masterpiece, the "Helicon Vase", was presented by the ladies and gentlemen of the royal house to Queen Victoria on her first jubilee. Decorated with gold damascening by the Spanish craftsman Plácido Zuloaga, it was described on its exhibition as "one of the greatest Art productions of the century". For the Philadelphia Exhibition of 1876 Morel-Ladeuil produced "A Pompeian Lady at her Toilet," followed by the "Bunyan Shield," a companion to the Milton. After the reliefs "The Merry Wives of Windsor," "The Merchant of Venice," and "Much Ado about Nothing," and suffering from poor health, Morel-Ladeuil retired to Boulogne, where he died of angina pectoris on 15 March 1888, and was buried with much ceremony at Clermont-Ferrand. 26 1/4 in. (66.7 cm.); 16.3293 kg (36 lbs.) Condition: Originally, this piece would be accompanied by an underplate (though its grandeur remains uncompromised). Any condition statement is given as a courtesy to a client, is an opinion, and should not be treated as a statement of fact. Reference to condition written, oral or within a condition report shall not be regarded as a full account of condition and may not include all defects, alterations, or restorations. Absence of a condition report does not imply a lot is flawless or lacking imperfections or damage. Selkirk Auctioneers & Appraisers shall have no responsibility for any error or omission. Returns shall not be accepted on the basis of condition.
• LIBERTY & CO., LONDON (ATTRIBUTED MAKER) PAIR
  LIBERTY & CO., LONDON (ATTRIBUTED MAKER) PAIR OF ARMCHAIRS, CIRCA 1900 carved oak, with close-nailed leather upholstered seats(2)64cm wide, 119cm high, 53cm deepProvenance: These chairs were used by The Prince and Princess of Wales at the opening of the Glasgow Garden Festival in 1988.
• A Sèvres Style Porcelain Napoleonic
  A Sèvres Style Porcelain Napoleonic Platter 19th Century bearing painted portraits of the Prince and Princess Murat, the portraits titled Psse. Murat and Pce. Murat; each signed de Humbert Sèvres in the portrait medallion, the underside with M. Imple. de Sèvres and other marks. Width 14 1/2 inches. Property from a Private Collection, Chicago, Illinois
• PAIR OF WEDGWOOD LIGHT-BLUE JASPERWARE
  PAIR OF WEDGWOOD LIGHT-BLUE JASPERWARE OVAL PORTRAIT MEDALLIONS OF THE PRINCE AND PRINCESS OF WALESPAIR OF WEDGWOOD LIGHT-BLUE JASPERWARE OVAL PORTRAIT MEDALLIONS OF THE PRINCE AND PRINCESS OF WALES, 18th Century, impressed uppercase marks and incised titles on the reverse, based on drawings by Edmund Scott, the models attributed to John Flaxman, both applied with white relief shoulder-length opposing profiles, in plumed hats, the Prince of Wales (later George IV) in the uniform of a Colonel of the 10th Light Dragoons, h: 5 1/2 in. (2) Provenance: Bent-Ove Pedersen Collection. With Time & Again Antiques, 2018. Jeffrey Milkins Collection, nos. 915 and 916. Catalogue
• 18TH C. KNELLER CIRCLE, FAMILY GEORGE
  18TH C. KNELLER CIRCLE, FAMILY GEORGE I, LARGE OIL British School, circle of Sir Godfrey Kneller (German/English, 1646-1723), "His Most Sacred Majesty King George, Their Royal Highness's The Prince And Princess of Wales", 18th century, oil on canvas, large scale oil depicting King George I wearing the chain of the Order of the Garter, with the future George II wearing the chain of the Order of the Garter, and future Queen Caroline of Brandenburg-Ansbach, all in robes of state with St. Edward's crown and the Sovereign's orb on a table, with Westminster Abbey in the distance, having no apparent signature, framed. Note: A circa 1714-1727 mezzotint of similar composition engraved by Jean Simon (British circa 1675-1751) is in the British Royal Collection (RCIN 603773). Provenance: : From the Private Collection of William R. Collins, JR., Milton, Georgia. Approximate measurements: Canvas h. 60", w. 72"; Overall h. 66. 5", w. 78. 25", d. 3".
• A silver commemorative medal for the
  A silver commemorative medal for the marriage of Mary, Princess Royal (1631-1660) to Prince William II of Orange (1626-1650), by Johann Blum, 1641, the Prince and Princess joining hands below rays of light emanating from a dove flanked by cherubs, in the distance a palace, rev., William in the form of Pallas tramples on Bellona and receives an olive branch from Mary, 73mm diameter/Note: A note accompanying this lot from Charles Oman to Roy Strong gives the provenance as Bride Hall, home of his s
• Fine CDV Album of European Royalty Literary
  Fine CDV Album of European Royalty Literary Political & Educational Figures Lot of approximately 140 cdvs in an album with space for 200 each with pencil identification in the album.? The album is a virtual who's who of 19th century European royalty political and cultural figures with an emphasis on the United Kingdom.? Most with London or Paris backmarks and most photographs from life unless otherwise noted.?Subjects include: Prince Frederick of Prussia; the Prince and Princess of Hesse; Alfred Duke of Edinburgh; Prince Arthur; Prince Leopold; Princess Beatrice; Napoleon (illustrated); Duke of Cambridge; Princess Mary of Cambridge; Victor Emmanuel; Emperor and Empress of Austria (illustrated); King and Queen of Prussia (illustrated); King & Queen of Denmark; King of Greece; Count Bismarck; General Sir Charles James Napier; Lord Derby; Lord Granville; Lord Wodehouse Earl of Kimberley; Sir Hugh Cairns; Evelyn Denison First Viscount Ossington; Thomas Hughes M.P.; John Stuart Mill; Roland Hill; Lord Elcho; Sir William McMurdo; Archbishop of Dublin; Edward Bouverie Pusey; Rev. Charles Kingsley; Thomas Carlyle; Sir John Herschel; Wilkie Collins; Thomas Moore (illustrated); William Holman Hunt; George Augustus Henry Sala; Tom Hood; Sir Thomas Lyell; John Everett Millais; Rosa Bonheur; Sir James Clark; Sir Benjamin Brodie; Charlotte Corday (illustrated); Theresa Tallien (illustrated); Julius Benedict; Giacomo Meyerbeer; Mr. & Mrs Charles Kean; Tom Sayes; Adah Menken; and more including illustrated CDVs of many of the subjects already mentioned. The album belonged to Judge Alfred Crovatt of Georgia the father of Mary Crovatt Hambidge founder of the Hambidge Center for Arts & Sciences. Condition: CDVs are in good-to-very good condition with light only light soiling.? Album is heavily worn with most pages separated from the spine.
• Five Tartanware Boxes Featuring Celebritieslate
  Five Tartanware Boxes Featuring Celebritieslate 19th - early 20th century to include: (3) Clark & Co. circular thread boxes the lids variously illustrated with ''The Prince and Princess of Wales '' ''Sir Walter Scott'' and ''Charles Dickens''; a rectangular Clark & Co. thread box showing Stanley & Livingstone; a small horseshoe-shaped box with a color lithograph of Queen Victoria.1.5 - 2 in. highWear from normal use good condition.Private Collection Pittsboro NC