CYLINDER DESK,Louis XV, probably Austria circa 1760. Cherry and fruitwoods in veneer, inlaid with strap work and decorative frieze. Writing surface lined with green, gold-stamped leather. Gilt bronze mounts. Freestanding. 133.5x71x108 cm. Provenance: Baron Kuhlmann-Stumm collection in Schloss Ramholz, Germany.
A VIENNA SECESSIONIST STYLE BLACK SILK COVERED BEECH HIGH BACK CHAIR, 1900-1930, : A VIENNA SECESSIONIST STYLE BLACK SILK COVERED BEECH HIGH BACK CHAIR, 1900-1930, circle of Josef Hoffmann (Austrian 1870-1956), the dropped crest rail issuing a restrained geometric beehive splat, a mortise and tenon marvel, the lower half enforced with cushion assisting buttresses, the seat covered in black ground silk with ocher polka dots is raised on square legs joined by a minimal seat rail. Height: 45" Width: 16 1/2" Depth: 17 1/2" Provenance: Property of an Important Houston Antiques Dealer Condition A lovely chair with a cherry finish, mild surface wear, overall in good to very good condition, wear commensurate with age and use. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS. ” NO REFUNDS will be issued based on condition.
LARGE CANAPE, Biedermeier, attributed to J. DANHAUSER (Joseph Danhauser, 1780 Vienna 1829) Vienna circa 1820. Cherry and local fruitwoods inlaid with fillets and reserves. The broad armrests with 4 drawers. With striped floral silk covers. 380x77x47x109 cm. Provenance: from a German collection
A Group of Six Brooches consisting of one in a cherry motif and one in a foliate motif with a green crystal. Both marked: Austria. One with blue enamel and rhinestones in a crescent moon shape one in a foliate motif with a pink iridescent button stamped Jewelarama one in a goldtone triple ring design with rhinestones stamped Lieba USA and one in a scrolling leaf design with black faceted jet.
BIEDERMEIER MIRROR,Biedermeier, Vienna circa 1820. Shaped and carved cherry wood with hunting scenes, garlands and Corinthian capitals, also parcel gilt and ebonised. H 140 cm, W 75 cm. Provenance: private collection, Germany.
NARROW LYRA CABINET "AUX CYGNES",Biedermeier style, Vienna. Walnut, burlwood and cherry in veneer. "En faux semainier" front with 1 door above 2 different-sized drawers. Interior with mirrored central compartment surrounded by 10 various-sized drawers. Bronze mounts. 65x40x170 cm.
Sale 504 Lot 492
An Austrian Empire Parcel Gilt and Ebonized Cherry Center Table vienna, circa 1810-1820 having a circular top, the border inlaid with lozenge form reserves decorated to show profile medallions and acanthus leaves, set on a tapering hexagonal standard mounted with satyr mask monopeds terminating in dolphin heads, raised on a tripartite base. Height 30 x diameter of top 43 inches. request.
PAIR OF LARGE ARMCHAIRS, Biedermeier, attributed to J. DANHAUSER (Joseph Danhauser, 1780 Vienna 1829) Vienna circa 1820. Cherry and local fruitwoods inlaid with fillets. With beige/yellow striped fabric covers with with flowers and leaves. Cushion. 78x72x47x96 cm. Matches the 2 following lots
A SINGLE-DOOR CABINET,Baroque, Austria, 18th c. Walnut and cherry inlaid with stringing and parquetry. Engraved brass lock plate. 131x62x179 cm. Restored. The door strongly warped.
SWAROVSKI CRYSTAL PARADISE BUTTERFLY, ADENA LIGHT SIAMVibrant cherry red and gold crystal butterfly attached to a green resin leaf. Butterfly is magnetized and can be removed. Item 719182. Swarovski impressed mark. Includes original box, 4.75"L x 4.75"W x 3"H.
Issued: 20th c.
Dimensions: 2.25"L x 1.5"W x 3.5"H
Manufacturer: Swarovski
Country of Origin: Austria
Condition:
Age related wear.
R. Premm
Two Fellows and a Cherry
Watercolor
purchased in Vienna, 1972
13" H, 19" W
A. VAVILINA MIXED MEDIA W/ GOLD LEAF - BUBBLES, 2019Alena Vavilina (Russia, b. 1986). "Black Collection: Bubbles" 2019. Mixed Media: Gold leaf, acrylic, and chalk on black paper. Signed "AV" at lower right. A captivating composition by award winning contemporary artist Alena Vavilina, featuring an endearing creature of rich red hues with huge eyes and a royal blue puddle of water below. The wide-eyed creature looks towards a cluster of iridescent bubbles delineated in gold leaf and modeled with white chalk. Nature is Vavilina's greatest muse, and water is oftentimes highlighted in the form of puddles and droplets in her compositions. According to the artist, this composition was also inspired by magical creatures envisioned in her dreams. Size: 39.5" L x 27.5" W (100.3 cm x 69.8 cm)
In the Spring 2020 issue of Harper's BAZAAR Art, Vavilina was introduced as follows, "Vavilina’s love for art flourished from a very young age; her first tutor was her father. He was not an artist himself, but he introduced the use of water colour and still life painting techniques very early on in Vavilina’s life. In her adolescent years, she enrolled into an art school in Moscow and never looked back. Vavilina has also been educated in France, England, Malta, China and Dubai – her travels have left a mark on her art pieces in one way or the other.
Her adoration for Chinese culture has seen her spend some of her early days studying the language and Chinese diplomacy. So influenced is she by the culture, that she calls herself an 'Orientalist,' and this is evident in the style of her art on canvas, for instance, as seen in Cherry Blossom (2019) and in her Butterflies series."
Alena Vavilina's Artist Statement reads as follows, "Alena Vavilina’s art is both a unifying and graceful force as it seamlessly weaves an invisible thread binding countries and cultures. Russian by birth, Alena Vavilina grew up in Moscow. She studied in France, England, Malta, China and UAE. Her experiences in these countries and with these cultures are captured in her artistic creations.
Her art is trans dimensional, as she attempts to create a world without territorial or temporal boundaries. Through formal lessons at Academic Art School in Moscow, Alena learned the principles of art, and with this foundation she created her own signature mixed media style by which she can be easily recognised.
In Alena Vavilina’s art, there is the mixture of ancient Chinese style, juxtaposed with modern European civilization. It can be described as reunion of styles, time and the unique author personality. A key source of inspiration for Alena is Vincent Van Gogh, and his quote, 'I dream my painting and then I paint my dream…' represents the verbal expression of her work.
The paintings of Alena Vavilina are a part of private arts collections around the world. She is curated by Gallery Artistry’s Vienna, Austria ; ART WEME Contemporary Gallery, Kuala Lumpur, Malaysia and IAM Gallery Abu Dhabi, UAE. Alena Vavilina's artworks and sculptures are always exhibited at the main international Art Fairs: Art Basel Miami, Art Expo Malaysia, Asia Contemporary Art Hong Kong, World Art Dubai, Carrousel du Louvre…"
Accompanied by artist's certificate of authenticity.
Provenance: Collection of the artist, Alena Vavilina, Dubai, United Arab Emirates
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
A Certificate of Authenticity will accompany all winning bids.
PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm.
Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping.
#164820
Condition:
Excellent overall. Signed "AV" at lower right. Accompanied by artist's certificate of authenticity.
ONE-DRAWER WORK TABLE. Midwestern mid 19th century figured cherry walnut and poplar. Two-board top over one drawer resting on ''bandy'' legs. Minor imperfections. 29''h. 42''w. 24''d. The appearance of cabriole or bandy legs on Midwestern-German furniture is an outgrowth of the restrained neoclassicism found in Biedermeier furniture of Germany and Austria. Such furniture is typically found in Germanic communities from Ohio to Missouri as well as beyond the Midwest--south to Texas and north into Canada. For two footstools with similar legs see lots 19 and 22. Refinished replaced pull stabilized crack in the frieze.
(47) PIECES OF VINTAGE AUSTRIAN CUT-TO-CLEAR GLASS STEMS First half 20th century, amethyst cut to clear with rock crystal engraving all with a fruit motif featuring grapes, strawberries, plums, cherries and other fruit, a few with a foil label reading "Made in Austria", including: (12) coupes (5.75 in.), (12) cordials (3.75 in.), (12) goblets (7.5 in.) and (11) wines (5.5 in.).
LOW ETAGERE, Biedermeier, attributed to J. DANHAUSER (Joseph Danhauser, 1780 Vienna 1829) Vienna circa 1830. Cherry and local fruitwoods inlaid with fillets. Restorations. 61x66x91 cm. Matches lots 1312 and 1314
TWO GALLE CAMEO ART GLASS VASESFrench, early 20th century, ovoid form with elliptical rim, cameo cut green and purple trees along a lake, soft pink ground, signed "Galle", 5 x 6 in.; boat form vase, cherry red cameo cut berries on golden yellow ground, signed "Galle", 2 3/4 x 7 in.
Provenance: Private Collection, Austria
Condition:
landscape example with tiny rim nick, small speck of interior debris; boat form with tiny rim flake at point; other light scratches, some surface dirt
ÿ
Vienna Regulator Wall Clock, Germany, walnut case with turned finial, full-length glazed door, enameled Roman numeral dial and eight-day time-only movement powered by a brass-cased weight and regulated by a pendulum, (case with old cherry finish), ht. 44 1/2 in.
A VIENNA SECESSIONIST STYLE BLACK SILK COVERED BEECH HI...A VIENNA SECESSIONIST STYLE BLACK SILK COVERED BEECH HIGH BACK CHAIR, 1900-1930, circle of Josef Hoffmann (Austrian 1870-1956), the dropped crest rail issuing a restrained geometric beehive splat, a mortise and tenon marvel, the lower half enforced with cushion assisting buttresses, the seat covered in black ground silk with ocher polka dots is raised on square legs joined by a minimal seat rail. Height: 45" Width: 16 1/2" Depth: 17 1/2" Provenance: Property of an Important Houston Antiques Dealer
Condition:
A lovely chair with a cherry finish, mild surface wear, overall in good to very good condition, wear commensurate with age and use. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS.” NO REFUNDS will be issued based on condition.
Two Galle Cameo Art Glass Vases: French, early 20th century, ovoid form with elliptical rim, cameo cut green and purple trees along a lake, soft pink ground, signed "Galle", 5 x 6 in. ; boat form vase, cherry red cameo cut berries on golden yellow ground, signed "Galle", 2 3/4 x 7 in. Provenance: Private Collection, Austria Condition landscape example with tiny rim nick, small speck of interior debris; boat form with tiny rim flake at point; other light scratches, some surface dirt ÿ
ALENA VAVILINA- BUTTERFLIES #30 W/ GOLD LEAF (2022)Alena Vavilina (b. Russia, b. 1986). Butterflies Series: #30. Mixed media: gold leaf and ink on paper, 2022. Signed "AV" at lower right. An exquisite composition by award winning contemporary artist Alena Vavilina from Vavilina's Butterflies Series. Nature is Vavilina's greatest muse, and this piece features five butterflies fluttering around sinuous streams of falling water. All is delineated in black and white against a brilliant gold leaf ground and created via Vavilina's painstaking process. Interestingly, the Butterflies series also demonstrates the influence of Chinese art and culture on Vavilina's oeuvre. To the Chinese, butterflies symbolize beauty, immortality, love, and freedom. Their metamorphosis is viewed as a transition from flesh to soul - from everyday corporeality to the sacred light of the spiritual world. Size: 39.75" L x 25.59" W (101 cm x 65 cm)
In the Spring 2020 issue of Harper's BAZAAR Art, Vavilina was introduced as follows, "Vavilina's love for art flourished from a very young age; her first tutor was her father. He was not an artist himself, but he introduced the use of water colour and still life painting techniques very early on in Vavilina's life. In her adolescent years, she enrolled into an art school in Moscow and never looked back. Vavilina has also been educated in France, England, Malta, China and Dubai – her travels have left a mark on her art pieces in one way or the other. Her adoration for Chinese culture has seen her spend some of her early days studying the language and Chinese diplomacy. So influenced is she by the culture, that she calls herself an 'Orientalist,' and this is evident in the style of her art on canvas, for instance, as seen in Cherry Blossom (2019) and in her Butterflies series."
Alena Vavilina's Artist Statement, "Alena Vavilina's art is both a unifying and graceful force as it seamlessly weaves an invisible thread binding countries and cultures. Russian by birth, Alena Vavilina grew up in Moscow. She studied in France, England, Malta, China and UAE. Her experiences in these countries and with these cultures are captured in her artistic creations.
Her art is trans dimensional, as she attempts to create a world without territorial or temporal boundaries. Through formal lessons at Academic Art School in Moscow, Alena learned the principles of art, and with this foundation she created her own signature mixed media style by which she can be easily recognised.
In Alena Vavilina’s art, there is the mixture of ancient Chinese style, juxtaposed with modern European civilization. It can be described as reunion of styles, time and the unique author personality. A key source of inspiration for Alena is Vincent Van Gogh, and his quote, 'I dream my painting and then I paint my dream…' represents the verbal expression of her work.
The paintings of Alena Vavilina are a part of private arts collections around the world. She is curated by Gallery Artistry’s Vienna, Austria ; ART WEME Contemporary Gallery, Kuala Lumpur, Malaysia and IAM Gallery Abu Dhabi, UAE. Alena Vavilina's artworks and sculptures are always exhibited at the main international Art Fairs: Art Basel Miami, Art Expo Malaysia, Asia Contemporary Art Hong Kong, World Art Dubai, Carrousel du Louvre…"
Provenance: Collection of the artist, Alena Vavilina, Dubai, United Arab Emirates - Accompanied by a COA signed by Alena Vavilina
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
A Certificate of Authenticity will accompany all winning bids.
PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm.
Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping.
#170375
Condition:
Excellent overall with minor gestural marks/abrasions to the gold leaf ground that are commensurate with the artist's process. Signed "AV" by the artist at lower right.
EARLY ROYAL DUX AUSTRIA VASE Stylized cherries and flower, Size: 9" with 4" diameter,
CHEST OF DRAWERS,Louis XVI, attributed to J.F. HACHE (Jean-François Hache, 1730-1796), Grenoble circa 1785/90. Walnut, cherry and local fruitwoods in veneer and inlaid with "fasces", rosettes, flowers, fillets and frieze. The chest with tapering legs, 3 sans traverse drawers, bronze mounts and drop handles. 115x60x83 cm. Provenance: private collection, Austria.
OVERSIZE AMPHORA IRIDESCENT GLAZE POTTERY VASE: Reissner & Kessel Turn Teplitz. Basket weave form with applied cherry decoration. 19'' tall 9'' dia. at the widest. Crown mark with Amphora and Austria.CONDITION: Please note loss of handle and glaze color on the cherries.
SIDE TABLE,Louis XV, Vienna circa 1760. Walnut, cherry and various precious woods in veneer and finely inlaid with reserves, fillets and frieze. With 1 drawer at the front and 1 small hinged drawer to each side. Bronze knobs. 51x356x75 cm. Provenance: private collection, Zurich. An exceptionally fine piece.
2 EUROPEAN O/B STILL LIFES1st item: Imre Giszinger (Austria, 1895-1935) oil on board still life depicting a glass of water and a cup and saucer on a silver tray, a newspaper with a pipe, a coffee pot, a goblet, and a lighter on a table with a draped piece of red fabric against a dark background. Signed top right. Housed in an American 20th century style frame. Sight - 4 3/8" H x 3 7/8" W. Framed - 11 3/8" H x 11" W. 2nd item: A. C. Prevot (European, 20th century) oil on board still life depicting flowers in a pewter vase on a wooden table with cherries against a dark background. Signed top right. Labeled "Fleurs au Pot d'Etain" en verso. Housed in an American 20th century style frame. Sight - 8 7/8" H x 6 7/8" W. Framed - 15 3/8" H x 13 1/2" W. Late 19th/early 20th century. Provenance: Private collection, Knoxville, TN. (Higher-resolution photos are available at www.caseantiques.com)
Condition:
Both items overall excellent condition.
A. VAVILINA MIXED MEDIA W/ GOLD & SILVER LEAF, 2021Alena Vavilina (Russia, b. 1986). "Life is a game" 2021. Mixed Media: Gold leaf, silver leaf, acrylic, and chalk on paper. Signed "AV" at lower right. A captivating composition by award winning contemporary artist Alena Vavilina, featuring two ethereal creatures of rich red hues with huge eyes and royal blue puddles below, one with fins delineated in silver leaf, the other with fins delineated in gold leaf, surrounded by black globular forms and a gold and silver leaf checkerboard. Nature is Vavilina's greatest muse, and water is oftentimes highlighted in the form of puddles and droplets in her compositions. This composition was also inspired by magical creatures envisioned in the artist's dreams. Size: 39.5" L x 27.5" W (100.3 cm x 69.8 cm)
The sad eyes are similar to those of Vavilina's sculptures, namely the Big Ocean Drops (2019) and Ocean Drops Little (2019) , and are, according to the artist "windows into the souls of the creatures of our ocean" as well as a "dedication to the pollution within the big blue sea" intended to draw "attention to nature." By placing the droplets against a gold and silver leaf checkerboard and entitling the piece, "Life is a game" Vavilina is making a powerful artistic statement about how humankind "plays" with nature by creating interventions that disturb our ecosystem. In addition, according to Vavilina the checkerboard pattern is also a metaphorical symbol for the artist who is conveying the idea that life is a game. Furthermore, this pattern symbolizes the artist's philosophical thoughts about life and the rules that artists and people in general should follow as well as how they should 'play' their lives.
In the Spring 2020 issue of Harper's BAZAAR Art, Vavilina was introduced as follows, "Vavilina’s love for art flourished from a very young age; her first tutor was her father. He was not an artist himself, but he introduced the use of water colour and still life painting techniques very early on in Vavilina’s life. In her adolescent years, she enrolled into an art school in Moscow and never looked back. Vavilina has also been educated in France, England, Malta, China and Dubai – her travels have left a mark on her art pieces in one way or the other.
Her adoration for Chinese culture has seen her spend some of her early days studying the language and Chinese diplomacy. So influenced is she by the culture, that she calls herself an 'Orientalist,' and this is evident in the style of her art on canvas, for instance, as seen in Cherry Blossom (2019) and in her Butterflies series."
Alena Vavilina's Artist Statement, "Alena Vavilina’s art is both a unifying and graceful force as it seamlessly weaves an invisible thread binding countries and cultures. Russian by birth, Alena Vavilina grew up in Moscow. She studied in France, England, Malta, China and UAE. Her experiences in these countries and with these cultures are captured in her artistic creations.
Her art is trans dimensional, as she attempts to create a world without territorial or temporal boundaries. Through formal lessons at Academic Art School in Moscow, Alena learned the principles of art, and with this foundation she created her own signature mixed media style by which she can be easily recognised.
In Alena Vavilina’s art, there is the mixture of ancient Chinese style, juxtaposed with modern European civilization. It can be described as reunion of styles, time and the unique author personality. A key source of inspiration for Alena is Vincent Van Gogh, and his quote, 'I dream my painting and then I paint my dream…' represents the verbal expression of her work.
The paintings of Alena Vavilina are a part of private arts collections around the world. She is curated by Gallery Artistry’s Vienna, Austria ; ART WEME Contemporary Gallery, Kuala Lumpur, Malaysia and IAM Gallery Abu Dhabi, UAE. Alena Vavilina's artworks and sculptures are always exhibited at the main international Art Fairs: Art Basel Miami, Art Expo Malaysia, Asia Contemporary Art Hong Kong, World Art Dubai, Carrousel du Louvre…"
Provenance: Collection of the artist, Alena Vavilina, Dubai, United Arab Emirates
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
A Certificate of Authenticity will accompany all winning bids.
PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm.
Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping.
#164430
Condition:
Excellent overall with minor gestural marks/abrasions to the gold and silver leaf ground that are commensurate with the artist's process. Signed "AV" at lower right (on one of the gold leaf fins).
Alena Vavilina Mixed Media Butterflies Series #17, 2020: Alena Vavilina (Russia, b. 1986). Butterflies series #17 (2020). Mixed Media: Silver leaf, acrylic, and ink on paper. Signed "AV" at lower center. An ethereal composition by award winning contemporary artist Alena Vavilina , number 17 from her Butterflies series, featuring six monarch butterflies of vibrant yellow and black hues with blue ripples below suggesting the butterflies are hovering over water, all against a remarkable silver leaf ground. Nature is Vavilina's greatest muse, and water is oftentimes highlighted in the form of puddles and droplets in her compositions. Vavilina also has a deep respect for Asian art, and her Butterflies series certainly pays homage to Chinese visual culture. Size: 30" L x 22. 05" W (76 cm x 56 cm). . In the Spring 2020 issue of Harper's BAZAAR Art, Vavilina was introduced as follows, "Vavilina’s love for art flourished from a very young age; her first tutor was her father. He was not an artist himself, but he introduced the use of water colour and still life painting techniques very early on in Vavilina’s life. In her adolescent years, she enrolled into an art school in Moscow and never looked back. Vavilina has also been educated in France, England, Malta, China and Dubai – her travels have left a mark on her art pieces in one way or the other. . Her adoration for Chinese culture has seen her spend some of her early days studying the language and Chinese diplomacy. So influenced is she by the culture, that she calls herself an 'Orientalist, ' and this is evident in the style of her art on canvas, for instance, as seen in Cherry Blossom (2019) and in her Butterflies series. ". . Alena Vavilina's Artist Statement, "Alena Vavilina’s art is both a unifying and graceful force as it seamlessly weaves an invisible thread binding countries and cultures. Russian by birth, Alena Vavilina grew up in Moscow. She studied in France, England, Malta, China and UAE. Her experiences in these countries and with these cultures are captured in her artistic creations. . Her art is trans dimensional, as she attempts to create a world without territorial or temporal boundaries. Through formal lessons at Academic Art School in Moscow, Alena learned the principles of art, and with this foundation she created her own signature mixed media style by which she can be easily recognised. . In Alena Vavilina’s art, there is the mixture of ancient Chinese style, juxtaposed with modern European civilization. It can be described as reunion of styles, time and the unique author personality. A key source of inspiration for Alena is Vincent Van Gogh, and his quote, 'I dream my painting and then I paint my dream…' represents the verbal expression of her work. . The paintings of Alena Vavilina are a part of private arts collections around the world. She is curated by Gallery Artistry’s Vienna, Austria ; ART WEME Contemporary Gallery, Kuala Lumpur, Malaysia and IAM Gallery Abu Dhabi, UAE. Alena Vavilina's artworks and sculptures are always exhibited at the main international Art Fairs: Art Basel Miami, Art Expo Malaysia, Asia Contemporary Art Hong Kong, World Art Dubai, Carrousel du Louvre…". . Alena Vavilina's "Butterflies series #19" (2020) - a composition of the same size and similar imagery, only somewhat different coloration, sold at Hessink's Auctioneers for $1, 821 on January 26, 2021. . . Provenance: Collection of the artist, Alena Vavilina, Dubai, United Arab Emirates. . All items legal to buy/sell under U. S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. . . A Certificate of Authenticity will accompany all winning bids. . We ship worldwide and handle all shipping in-house for your convenience. . #164432 Condition Excellent overall with minor gestural marks/abrasions to the silver leaf ground that are commensurate with the artist's process. Signed "AV" at lower center.
2 European O/B Still Lifes 1st item: Imre Giszinger (Austria, 1895-1935) oil on board still life depicting a glass of water and a cup and saucer on a silver tray, a newspaper with a pipe, a coffee pot, a goblet, and a lighter on a table with a draped piece of red fabric against a dark background. Signed top right. Housed in an American 20th century style frame. Sight - 4 3/8" H x 3 7/8" W. Framed - 11 3/8" H x 11" W. 2nd item: A. C. Prevot (European, 20th century) oil on board still life depicting flowers in a pewter vase on a wooden table with cherries against a dark background. Signed top right. Labeled "Fleurs au Pot d'Etain" en verso. Housed in an American 20th century style frame. Sight - 8 7/8" H x 6 7/8" W. Framed - 15 3/8" H x 13 1/2" W. Late 19th/early 20th century. Provenance: Private collection, Knoxville, TN. (Higher-resolution photos are available at www.caseantiques.com)
Marcel Breuer, Rare B7 chair: . Marcel Breuer. Rare B7 chair. . Thonet. Hungary / Austria, 1927. chrome-plated steel, lacquered wood, Eisengarn, steel. 17 w x 24 d x 32. 5 h in (43 x 61 x 83 cm). . This rare example features the original cherry-red seat and an uncommon base with holes in each foot for an optional support ring. . Signed with applied brass disc manufacturer's label to frame: [Thonet]. . Literature: Werkstoelen, Voge, fig. 16 Marcel Breuer: Furniture and Interiors, Wilk, pg. 48 illustrates similar example Marcel Breuer Design, Droste and Ludewig, pg. 69 illustrates similar examples Condition Condition of the item is not included in this description. Condition reports are available from Wright upon request. Wright strongly recommends that you review a condition report for each item on which you plan to bid. Email condition@wright20. com to request a condition report.
A Biedermeier Cherry and Poplar Settee
Vienna, Circa 1835
Height 41 x width 66 1/2 x depth 27 inches.
Alena Vavilina "Butterflies Series #18", Mixed Media: Alena Vavilina (Russia, b. 1986). Butterflies series #17 (2020). Mixed Media: Gold leaf, watercolor, and ink on paper. Signed "AV" at lower center. An ethereal composition by award winning contemporary artist Alena Vavilina, number 18 from her Butterflies series, featuring six butterflies of rich cobalt blue and black hues with blue ripples below suggesting the butterflies are hovering over water, all against a remarkable gold leaf ground. Nature is Vavilina's greatest muse, and water is oftentimes highlighted in the form of puddles and droplets in her compositions. Vavilina also has a deep respect for Asian art, and her Butterflies series certainly pays homage to Chinese visual culture. Size: 30" L x 22. 05" W (76 cm x 56 cm). . In the Spring 2020 issue of Harper's BAZAAR Art, Vavilina was introduced as follows, "Vavilina’s love for art flourished from a very young age; her first tutor was her father. He was not an artist himself, but he introduced the use of water colour and still life painting techniques very early on in Vavilina’s life. In her adolescent years, she enrolled into an art school in Moscow and never looked back. Vavilina has also been educated in France, England, Malta, China and Dubai – her travels have left a mark on her art pieces in one way or the other. . Her adoration for Chinese culture has seen her spend some of her early days studying the language and Chinese diplomacy. So influenced is she by the culture, that she calls herself an 'Orientalist, ' and this is evident in the style of her art on canvas, for instance, as seen in Cherry Blossom (2019) and in her Butterflies series. ". . Alena Vavilina's Artist Statement, "Alena Vavilina’s art is both a unifying and graceful force as it seamlessly weaves an invisible thread binding countries and cultures. Russian by birth, Alena Vavilina grew up in Moscow. She studied in France, England, Malta, China and UAE. Her experiences in these countries and with these cultures are captured in her artistic creations. . Her art is trans dimensional, as she attempts to create a world without territorial or temporal boundaries. Through formal lessons at Academic Art School in Moscow, Alena learned the principles of art, and with this foundation she created her own signature mixed media style by which she can be easily recognised. . In Alena Vavilina’s art, there is the mixture of ancient Chinese style, juxtaposed with modern European civilization. It can be described as reunion of styles, time and the unique author personality. A key source of inspiration for Alena is Vincent Van Gogh, and his quote, 'I dream my painting and then I paint my dream…' represents the verbal expression of her work. . The paintings of Alena Vavilina are a part of private arts collections around the world. She is curated by Gallery Artistry’s Vienna, Austria ; ART WEME Contemporary Gallery, Kuala Lumpur, Malaysia and IAM Gallery Abu Dhabi, UAE. Alena Vavilina's artworks and sculptures are always exhibited at the main international Art Fairs: Art Basel Miami, Art Expo Malaysia, Asia Contemporary Art Hong Kong, World Art Dubai, Carrousel du Louvre…" . . Provenance: Collection of the artist, Alena Vavilina, Dubai, United Arab Emirates. . All items legal to buy/sell under U. S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. . . A Certificate of Authenticity will accompany all winning bids. . We ship worldwide and handle all shipping in-house for your convenience. . #164431 Condition Excellent overall with minor gestural marks/abrasions to the gold leaf ground that are commensurate with the artist's process. Signed "AV" at lower center.
2 European O/B Still Lifes: 1st item: Imre Giszinger (Austria, 1895-1935) oil on board still life depicting a glass of water and a cup and saucer on a silver tray, a newspaper with a pipe, a coffee pot, a goblet, and a lighter on a table with a draped piece of red fabric against a dark background. Signed top right. Housed in an American 20th century style frame. Sight - 4 3/8" H x 3 7/8" W. Framed - 11 3/8" H x 11" W. 2nd item: A. C. Prevot (European, 20th century) oil on board still life depicting flowers in a pewter vase on a wooden table with cherries against a dark background. Signed top right. Labeled "Fleurs au Pot d'Etain" en verso. Housed in an American 20th century style frame. Sight - 8 7/8" H x 6 7/8" W. Framed - 15 3/8" H x 13 1/2" W. Late 19th/early 20th century. Provenance: Private collection, Knoxville, TN. (Higher-resolution photos are available at www. caseantiques. com) Condition Both items overall excellent condition.
TWO AMPHORA DOUBLED-HANDLED VASES WITH APPLIED FRUIT. Austria, ca. 1900. Large with grapes and cherries impressed with an Amphora, Austria mark, 15"h., and a similarly formed smaller blank with grapes, unsigned, 10"h.
AFTER BRUNO ZACH (AUSTRIAN, 1891-1945), NUDE WITH FUR COAT Art Deco period, circa 1930, brass plated metal, signed to the base and marked "Austria," mounted to two stacked alabaster discs atop a decorative period brass stand with pierced cherry blossom spandrels above arched legs.